'Don't stop; ride on,' he called out to her, next morning, 'I shan't be amusing to-day. I'm frightfully low in my mind.'

'Perhaps it will amuse me to study you in a new aspect,' she said.

'You can entertain me with the story of your griefs.'

'Bare my wounds to make a lady smile. Oh, anything to oblige you.'

She leapt lightly from Bezigue, and sank upon the moss.

'What is it all about?'

'Oh, not what you imagine,' said he. 'It's about my debts.'

'I had hoped it was about your sins.'

'_My_ sins! I'm kept awake at night by the thought of _yours_.'

'Your conscience is too sensitive. Mine are but peccadillos.'

'You say that because you've no sense of moral proportion. Are cruelty and dissimulation pecadillos?'

'They may be even virtues. It all depends. Discipline and reserve!'

'I'll forgive you everything if you'll tell me your name.'

'Oh, I have debts, as well as you.'

'What have debts to do with the question?'

'I owe something to my reputation.'

'If we're going to consider our reputations, what of mine?'

'Yours has preceded you into the country,' she said, and drew from her pocket a small, thin volume, bound in grey cloth, with a gilt design.

'Oh, heavens!' cried Paul. 'This is how one's past finds one out.'

'Oh, some of them aren't bad,' she said. 'Wait, I'll read you one.'

'Then you know English?'

'A leetle. Bot the one I shall read is in Franch.'

And then she read out, in an enchanting voice, one of his own French sonnets. 'That isn't bad,' she added. 'Do you think it hopelessly bad?'

'It shows promise, perhaps--when _you_ read it.'

'It is strange, though, that it should have been written by a man who had never been in love.'

'Imagination! Upon my word, I never had been. Besides, the idea is stolen. It's almost a literal translation from Rossetti. What with a little imagination and a little ingenuity, one can do wonderfully well on other people's experience.'

'I don't believe you. You have been in love a hundred times.'

'Never.'

'Never? Not even with Helene de la Granjolaye de Ravanches?'

'Oh, I don't count my infancy. Never with anybody else.'

'It's very strange,' she said. 'Tell me some more about her.'

'Oh, bother her.'

'I suppose when they carried you off to Paris you had a tearful parting? Did you kick and scream and say you wouldn't go?'

'Why do you always make me talk about the Queen?'

'She interests me. And when you talk about the Queen, I rather like you. It is nice to see that there _was_ a time when you were capable of an emotion.'

'You fancy I'm incapable now?'

'Tell me about your leave-taking, your farewells.'

'Bother our farewells.'

'They must have been heart-rending?'

'Probably.'

'Don't you remember?'

'Oh, yes, I remember.'

'Go on. Don't make me drag it from you by inches. Tell it to me in a pretty melodious narrative. Either that, or--' she touched her whistle.

'That's barefaced intimidation.'

She raised the whistle to her lips.

'Stay, stay!' he cried, 'I yield.'

'I wait,' she answered.

He bent his brows for an instant, then looked up smiling. 'If it puts you to sleep, you'll know whom to blame.'

'Yes, yes, go on,' she said impatiently.

'Dear me, there's nothing worth telling. It was a few weeks after my grandmother's death. We were going to Paris the next day. Her father drove over, with her, to say good-bye. Whilst he was with my people in the drawing-room, she and I walked in the garden.--I say, this is going to become frightfully sentimental, you know. Sure you want it?'

'Go on. Go on.'