And so, when she stepped out of the window onto the rope ladder and heard a strange bleating on the ground below - and listened, and heard a yip, and recognised Blotchy, who sounded as if he were in some kind of pain - it was not intelligence that led her to climb down toward Blotchy, rather than up to her rooms and the safety of her guards. It was dumb bleariness that sent her downward, a dull, dumb need to make sure the dog was all right.

The sleet had turned to a light snowfall, and the grounds of the green house glowed, and Blotchy was not all right. He lay on the green house path, crying, his two front legs flopping and broken.

And his feeling contained more than pain. He was afraid, and he was trying to push himself by his back legs toward the tree, the enormous tree in the side yard.

This was not right. Something was very wrong here, something eerie and bewildering. Fire searched the darkness wildly, stretched her mind into the green house. Her grandmother was sleeping inside. So were a number of guards, which was all wrong, for the green house night guards were not meant to sleep.

And then Fire cried out in distress, for under the tree she felt Hanna, awake, and too cold, and not alone, someone with her, someone angry who was hurting her, and making her angry, and frightening her.

Fire stumbled, ran toward the tree, reaching desperately for the mind of the person hurting Hanna, to stop him. Help me Help me, she thought to the guards up in her room. Help Hanna. Help Hanna.

A sense of the foggy-minded archer flashed across her consciousness. Something sharp stung her chest.

Her mind went black.

PART THREE.

A Graceling

CHAPTER TWENTY-SIX.

SHE WOKE TO the screeching of a raptor monster, and human voices raised in alarm. The floor was lurching and creaking. A carriage, cold and wet.

'It's her blood,' yelled a familiar voice. 'The raptors smell her blood. Wash her, cover her, I don't care how, just do it-'

Men and raptors still screaming, a struggle above her. Water pouring onto her face, choking her, someone wiping at her nose, the pain so blinding that her mind spun around her and whirled her into darkness. Hanna? Hanna, are you- Hanna? Hanna, are you-

SHE WOKE AGAIN, still crying out to Hanna, as if her mind had suspended itself in mid-cry waiting for her consciousness to return. Are you there, Hanna? Are you there? Are you there, Hanna? Are you there?

No response came to her, no feeling of the child anywhere she could reach.

Her arm was trapped crookedly under her torso, her neck stiff and twisted, her face throbbing, and cold, cold cold was everywhere. was everywhere.

There were men in this carriage. She scrabbled among their minds for one who might be kind, who might bring her a blanket. Six men, stupid, bubbling with fog, one of them the archer with a habit of killing his friends. And the boy was here, too, the red-eyed, pale boy who made the fog, with the unreachable mind and the voice that hurt her brain. Hadn't Archer gone after this boy and this archer? Archer? Archer? Are you anywhere? Archer? Archer? Are you anywhere?

The floor tilted, and she became colder and wetter, and understood that she lay in a puddle of water that shifted and rocked with the floor. Everywhere she could hear the slap of water. And there were large creatures under the carriage. She could feel them.

They were fish.

This carriage was a boat.

I'm being stolen away, she thought wonderingly, in a boat. But I can't be. I need to go back to the palace, I need to watch Lady Murgda. The war. Brigan. Brigan needs me! I've got to get out of this boat!

A man near her gasped something. He was rowing, he was exhausted, he was complaining of blistered hands.

'You're not tired,' the boy said tonelessly. 'Your hands don't hurt. Rowing is fun.' He sounded bored as he said it, and thoroughly unconvincing, but Fire could feel the men experience a collective surge of enthusiasm. The creaking sound, which she recognised now as oars in oarlocks, increased its pace.

He was powerful, and she was weak. She needed to steal his foggy men away from him. But could she, while numb with pain and cold, and confusion?

The fish. She must reach for the fish lumbering enormously beneath her and urge them to the surface to capsize the boat.

A fish threw its back against the boat's underside. The men yelled, pitching sideways, dropping oars. Another hard blow, men falling and cursing, and then the boy's horrible voice.

'Jod,' he said. 'Shoot her again. She's awake and this is her doing.'

Something sharp p.r.i.c.ked her thigh. And it was well enough, she thought as she slipped into blackness. It wouldn't solve anything to drown them if she drowned too.

SHE WOKE, AND groped for the mind of the rower nearest the boy. She stabbed at the fog she found there, and took hold. She compelled the man to stand, drop his oar, and punch the boy in the face.

The boy's scream was terrible, scratching like claws across her brain.

'Shoot her, Jod,' he gasped. 'No, her her. Shoot the monster b.i.t.c.h.'

Of course, she thought to herself as the dart pierced her skin. It's the archer I need control of. I'm not thinking. They've muddied my mind so I can't think.

The boy was crying, his breath shaking with fury and pain, as she slid away.

THE NEXTTIME she woke it was to the feeling she was being dragged agonisingly back into life. Her body screamed with pain, hunger, sickness. A long time, she thought. They've been poisoning me for a long time. Too long this time.

Someone was feeding her some kind of meal cake, mushed up and dripping like a porridge. She choked on it.

'She's stirring,' the boy said. 'Shoot her again.'

This time Fire grabbed at the archer, stabbed at his fog, tried to get him to aim his darts at the boy instead of her. The sound of a struggle followed, and then the boy's screaming voice.

'I'm your protector, you fool! I'm the one who takes care of you! She's the one you want to shoot!'

A p.r.i.c.k on her arm.

Darkness.

SHE CRIED OUT. The boy was shaking her. Her eyes opened to the sight of him leaning over her, a hand raised as if to strike her. They were on land now. She was lying on rock. It was cold and the sun was too bright.

'Wake up,' he snarled, small and ferocious, his unmatching eyes blazing at her. 'Wake up and get up and walk. And if you do anything to thwart me or any of my men I swear to you I'll hit you so hard you'll never stop hurting again. Don't trust her,' he said sharply and suddenly to his companions. 'I'm the only person you can trust. You do what I say.'

His nose and cheekbones were blue with bruises. Fire pulled her knees to her chest and kicked him in the face. As he screamed she grasped at the consciousnesses around her and tried to get up, but she was weak, and dizzy, and staggering like a person unconnected to her legs. His voice, thick with sobs, shouted orders to his men. One of them grabbed her, yanked her arms behind her back, and closed a hand around her throat.

The boy came to her, his face a mess of blood and tears. He slapped her hard across the nose and she surfaced from the shattering pain to find herself sobbing.

'Stop,' he whispered. 'Stop resisting. You will eat, and you will walk, and you will do what I say, and every time one of my men turns on me, and every time a bird pecks at me, and every time a squirrel so much as crosses my path in a way I don't like, I will hurt you. Do you understand?'

It doesn't work on me, she thought to him, gasping and furious. The things you say don't control me The things you say don't control me.

He spit b.l.o.o.d.y mucus onto the snow and considered her, sullenly, before turning to the path. 'Then I'll find other ways to control you.'

THE TRUTH WAS, she didn't want her body to hurt any more than it already hurt. And she didn't want them to put her to sleep again, even though sleep was peaceful darkness and waking meant inhabiting a body shaped and moulded out of pain.

She needed to possess her own mind if she wanted to get out of this. So she did what he said.

Where they were walking it was rocky and steep with such an abundance of waterfalls and streams that she thought it likely the body of water with the great fish had been the Winged River. They'd rowed west on the river, presumably, and now they were climbing north, away from the river, in some part of the kingdom near to the western Great Greys.

Sitting for a meal the first day, she sniffed a corner of her ruined purple skirts, and put it in her mouth. It did not taste clean, of course, but it also didn't taste salty. This supported her theory. The water she'd lain in for so long had been water of the river, not the sea.

Minutes later, vomiting the meal cake she'd offered her poor wrecked stomach, she found herself laughing at her attempts to be scientific. Of course they'd brought her north of the river to a place in the western Great Greys. She should not have needed a test of salinity to determine it. They were most certainly taking her to Cutter, and she'd known all her life that this was where Cansrel's monster smuggler lived.

Cutter made her think of Small, and she wished he were here - and then was glad, in the same moment, that he wasn't. It was better that she was alone, that no one she loved was anywhere near this boy.

They provided her with st.u.r.dy boots and coverings for her hair, and an odd stylish coat of white rabbit pelt that was far too beautiful for her filthy state and made for an absurd hiking costume. In their camp in the evenings, one of the men, a fellow named Sammit with gentle hands, a kind voice, and wide, empty eyes, inspected her nose, and told her what she should eat, and how much. After a day or two she began to be able to keep her food down, which went far toward helping her to feel clearer in mind. She gathered, from the way the boy spoke to Sammit, that Sammit was a healer. She also gathered that they had woken her because Sammit had thought it dangerous for her to continue any longer in her drugged stupor.

They wanted her alive then, and relatively healthy. Which was only natural, if she was a monster and they were monster smugglers.

She began to experiment.

She entered the mind of one of the men - Sammit, to start - and popped his fog, and observed as his own thoughts trickled back in. She waited - it wasn't long - for the boy to remind the men that she was not to be trusted, that he was their guardian and friend. The words brought the fog blistering, and then bulging, right back into Sammit's mind - the words words, spoken in that voice that didn't seem to hurt Sammit's head the way it hurt hers.

This was strange to Fire at first, that his power should be in his words and his voice, rather than in his mind. But the more she considered it, the more she supposed it wasn't entirely strange. She could control with parts of her body too. She could control some people with her face alone, or with her face and a suggestion made in a certain tone of voice - a voice of pretended promises. Or with her hair. Her power was in all of those things. Perhaps it was not so different from his.

And his power was contagious. If the boy spoke words to the fellow on his left and that fellow repeated the words to Sammit, the fog pa.s.sed from the fellow to Sammit. It explained why the archer had been able to infect her guards.

The boy never let more than a few minutes pa.s.s between reminders to the men that Fire was their enemy and he their friend. Which suggested to Fire that he couldn't see into their minds like she could, and know for himself if he still controlled them. This was her next experiment. She took hold of Sammit again and popped his fog, and moulded his thoughts so that he knew the boy was manipulating him. She made Sammit angry at the boy. She caused him to contemplate revenge, immediate and violent.

And the boy didn't seem to notice. He didn't even glance at Sammit sidelong. Minutes pa.s.sed before he repeated his litany that erased Sammit's anger and returned Sammit to forgetfulness and fog.

The boy could not read minds. His control was impressive, but it was blind.

Which left Fire with a great deal of choice over what she could do with these men without him knowing. And without her having to worry about them resisting, for the boy's fog emptied the men so nicely of their own inclinations that might otherwise have got in her way.

AT NIGHT THE boy wanted her drugged with something mild to keep her from turning on him while he slept. Fire consented to this. She only made sure to occupy a corner of Sammit's mind, so that whenever Sammit reached for the mixture that the archer was to dip his darts in, he pulled out an antiseptic salve instead of a sleeping potion.

In their winter camps under white, leafless trees, while the others slept or stood watch, she pretended to sleep, and planned. She understood from the talk of the men and from a few quiet, well-placed questions that Hanna had been released unharmed, and that Fire had been drugged for almost two weeks while the boat pushed west against the current of the river. That this slow pa.s.sage had not been their intention - that they'd had horses when they'd reached King's City, and meant to return the way they'd come, pounding west across the flat land north of the river; but that as they were fleeing the palace grounds with Fire tossed over someone's shoulder, Fire's guard had set upon them and chased them toward the river and away from their mounts. They'd stumbled upon a boat moored under one of the city bridges, and seized it in desperation. Two men with them had been killed.

It was as frustrating to her as it was to them, the crawling pace of their journey across black rock and white snow. It was almost too much to be borne, these days away from the city and the war, and the things she was needed for. But they were almost upon Cutter now, and she supposed it was best to submit herself to being taken to him. Her escape would be faster on a horse she could steal from Cutter. And perhaps she'd be able to find Archer, and convince him to come back with her.

The archer, Jod. The man was haggard, his skin tinged with grey, but underneath his illness he was even-featured, well-boned. He had a deep voice to him and a set to his eyes that made her uneasy. He almost reminded her of Archer.

She compelled Sammit one night, while he was on guard duty, to bring her a tiny vial of the poison they'd drugged her with for so long, and a dart. She tucked the vial into the bosom of her dress and carried the dart in her sleeve.

CUTTER HAD FORGED his small kingdom straight out of the wilderness. His land was so thick with boulders that his house seemed almost as if it were balanced upon a pile of rubble. It had a strange look, the building, constructed of enormous stacked tree trunks in some places and rock in others, all covered thickly with moss, a bright green house with blinking window eyes, icicle eyelashes, a gaping door mouth, and soft fur. It was a monster, perched precariously on a studded hill of stone.

A rock wall, high and long and incongruously neat, surrounded his property. Pens and cages dotted the grounds. Spots of colour, monsters behind bars, raptors, bears, and leopards screeching at each other. In all the strangeness of the place, this was familiar to Fire, and brought memories crowding too close.

She half expected the boy to try to force her into one of those cages. One more monster for the black market, one more catch.

She didn't really care what intentions Cutter had for her here. Cutter was nothing, he was an annoyance, a gnat, and she would disabuse him quickly of the notion that his intentions were relevant. She would leave this place and go home.

THEY DID NOT lock her in a cage. They brought her into the house and drew her a hot bath in an upstairs room with a roaring fire that quite overcame the drafts from the windows. It was a small bedroom, the walls hung with tapestries that stunned her, though she hid her surprise and pleasure. They were woven with green fields, flowers, and blue sky, and they were beautiful, and very realistic. She had thought to refuse the bath, because she sensed, and resented, that its purpose was to prettify her. But standing in a place of fields and flowers made her want to be clean.

The men left. She set her vial of poison and her dart on a table and peeled her filthy dress away from her skin. She braced herself against the painful exhilaration of scalding bathwater, finally relaxing, closing her eyes, surrendering herself to the bliss of soap that lifted sweat, old blood, and river grime from her body and hair. Every few minutes she could hear the boy shouting messages up the stairs to the guards outside her room, and just as regularly to the guards on the rocks below her window. The monster was not to be trusted or helped to escape, he yelled. The boy knew what was best. The men would avoid mistakes if they followed the boy's advice, always. It must be nerve-racking, Fire thought, to be able to manipulate minds but not sense the state of them. His shouts were unnecessary, for she was not altering any of their minds. Not yet.

She played her mind through the building and the grounds, as she'd been doing since she'd come in range of the place. She recognised Cutter, downstairs with the boy and a number of men. As foggy as everyone else, and as condescending and insincere as he'd always been. Whatever the boy's words could do, it seemed they did not alter temperament.

When she stretched to her limits she could sense possibly thirty men in the house and grounds, and a spattering of women, too. All were muddle-minded. Archer was not there.

She pushed herself further. Archer? Archer! Archer? Archer!

There was no response.

And she wouldn't have minded not finding him here, she would have hoped it meant he'd come to his senses and abandoned his heroic pursuit - except for an unpleasant perception she wished she were cowardly enough to ignore. One or two of the foggy men on these grounds had the feeling of people she recognised. She thought they might have been guards recently in Nash's palace. And the simplest explanation for their presence here was that they'd come with Archer as part of his guard. Which begged the question of what had happened since, and who was left guarding Archer, and where Archer was.