"I rule here," Nikki corrected me.

At that, I laughed. I didn't know her well enough then to realize how drunk she must have been not to claw my eyes out.

"I've done Craig," she said. "I've done him and done him and done him and dull dull dull."

"Whereas I bet he finds you fascinating."

She blinked big blue eyes up at me; she smiled. Nikki stalked the world like a cat, but that afternoon she looked more like the tiger cub dangling from a branch in some lame inspirational poster: Hang in there! Clawed, but cuddly.

Lacey Champlain, in the woods, with a knife to your heart, because here's the truth: Before you, there was Nikki Drummond.

We drank; she talked. I got an A-to-Z of the world according to Nikki, what it was like to be perfect and popular, to be Nikki-and-Craig, like Barbie-and-Ken, to be written in the stars, if the stars were a staple-bound yearbook and the ink was semen and beer. She told me they belonged together, and that if she couldn't love him she couldn't love anyone.

"Break up with him," I said.

"Done that, too. It didn't take."

Too lazy and too bored to do anything but get blackout drunk and whine on a Tuesday afternoon. Such a tragedy, right? Where were the inspirational Sally Struthers commercials, the promise that even you could pimp out poor Nikki for just pennies a day?

"Sometimes I'm so bored I could fucking die," she said. We were sitting side by side, dangling our legs over the tracks. "You ever feel that way?"

I wanted to be a different person. I wasn't the girl I'd been in Jersey. I wasn't Shay's girl anymore, the kind who followed a foot behind if the wrong people were watching and said Yes, whatever you want when the answer was No fucking way; I hadn't been Daddy's girl, not in a long time, and my mother had a new kid to screw up. I was Kurt's girl, and I needed that to mean something. So maybe I was the one who crossed the space between us and smeared her pastel gloss, but the way I remember it, she was already there, and our lips and then our tongues and then the rest of us came together like it had been the plan from the beginning.

You're probably picturing something porny, exploding feather-pillow fights and pizza delivery girls who want a taste of your pepperoni. It felt like porn, which made it interesting. It felt filthy, literally, rolling around in the dirt, our hair tangled with twigs, our flesh matted with gravel and moss, both of us panting and sweating and moaning, two wild girls raised by wolves.

So that's how it started: by accident, but also not. We made a plan to meet the next day, same time, same place, same bottle of vodka-only this time she showed up with Craig Ellison in tow, Mr. Hot and Boring, as she introduced him. He'd heard about the action and wanted in on it.

"Just to watch," he said, and that first time, it was all he did.

THEM.

DEX'S MOTHER KNEW SHE SHOULD be afraid for her daughter. This, she'd been told, was the tragedy of birthing a girl. To live in fear-it was the fate of any parent, maybe, but the special provenance of a mother to a daughter, one woman raising another, knowing too well what could happen. This was what lurked inside the luckiest delivery rooms, the ones whose balloons screamed It's a girl!: pink cigars and flowered onesies and fear.

So she'd been told.

Now she was supposed to be more afraid than ever. Now they were all more afraid than ever, the mothers of Battle Creek, because whatever illusions they'd had about their children and their home and the inevitability that the future would unfold as uneventfully as the past had been punctured by the bullet that Ellison boy blew through his brainstem. And Dex's mother had been afraid, that first night. She and Jimmy had stood in their daughter's doorway, watching her sleep, dipping a toe in the unimaginable. They'd counted her breaths, the easy rise and fall of her chest, and Dex's mother felt her own lungs sighing in time with her daughter's, breathing for her the way she had when her daughter was a newborn, when she'd sat by the bassinet, fingertips resting lightly on infant chest, because only by feeling the rhythm of breath and the flutter of heartbeat, one moment after the next, could she reassure herself that the baby was still alive.

They'd resolved everything would be different, after the tragedy. Nothing was different, of course, because it wasn't their tragedy, and Dex's mother had little patience for the mothers of Battle Creek who seemed unable to comprehend this basic fact. Boys weren't supposed to be vulnerable; it overturned the natural order of things, a boy falling prey to pain. That was a girl's purview. So maybe it was understandable that they groped for other answers, these mothers, still twittering all these months later about what had "really" happened, about demonic influences and satanic cults, about heavy metal and blood sacrifice, but it infuriated her, all these ginned-up monsters under the bed, as if that would recuse them from worrying about anything that mattered, overdoses and car crashes and AIDS and, especially in the case of those mothers of sons who thought only daughters should be worried for, accidentally raising little proto-rapists who thought wining and dining a girl meant getting her drunk enough that she'd swallow a mouthful of ejaculate without complaint. Dex's mother hadn't known the Ellison boy, but she'd known plenty of boys like him. There had always been boys like him. And she knew whatever trouble he'd gotten into, if there had been trouble, he'd probably brought it on himself. All these mothers, so concerned about the terrible things that could happen to their children-so unwilling to think about the things their children might make happen. Maybe this was why Dex's mother never had managed to muster up much fear for her daughter. Her daughter wasn't the type to make things happen.

Dex's mother was well aware that she embarrassed her daughter. But her daughter couldn't know how much she embarrassed her mother. How she, too, often dreamed of some other, prettier, happier daughter, imagined showing her off to an admiring world, gaze at my lovely creation and marvel at what I have wrought.

You created a child; you nursed her, bathed her, wiped her, loved her, kept her alive until she grew up; then she grew up. Ugly and sullen and wanting nothing more than to be a motherless child.

Dex's mother, despite claims by her husband and daughter to the contrary, did in fact have a healthy sense of humor. She had for many years, for example, found her life hilarious. That everything she had been and wanted had been whittled away, her edges smoothed into a featureless surface without a name of its own. Hannah Dexter's mother. Jimmy Dexter's wife. You when something was needed; she when something was not. She felt, at times, that what had seemed like an infinity of choice turned out to be a funnel, life narrowing itself one bad decision at a time, each mistake cutting the options by half, spiraling her ever downward until there was nowhere left to fall but into a small, dark hole that had no bottom.

Choosing a life for yourself, that was the joke. She had chosen Jimmy Dexter, yes, but only after the state had chosen to yank her scholarship because the governor had chosen to cut educational funding; she had chosen the charming guitar player with the lopsided smile, yes, the one who kept her up all night declaiming Vonnegut and debating Vietnam and allowing her, through a haze of smoke and pseudointellectual acid rants on the doors of perception, to pretend she was still in college-but she had chosen that Jimmy, not the one who couldn't understand why he wasn't to play his guitar while the baby slept or why the changing table wasn't an appropriate surface for rolling joints. They'd fallen in love because they both desperately wanted the same thing: Better lives. Bigger lives. It never occurred to her that it should matter how they expected to get there. She believed in work; he believed in hope. Here was the biggest joke: It turned out this wasn't wanting the same thing at all.

They'd hollowed each other out, she and Jimmy, and now they were good for no one but each other. Most days, she thought that was no worse than anyone else had it, that the world was full of empty husks, smiling and following through. Some days, though, the bad ones and the best ones, she thought about running.

Her daughter would leave for college soon. When the time came, Dex's mother thought, she would leave, too. She was almost worried that he'd leave her first, except that if Jimmy still had it in him to leave, she might have found it in herself to love him again, and to stay. She wanted her daughter gone so they could get on with it; she wanted her daughter to stay, wanted to hold on and scream stop growing stop changing stop leaving-then Lacey came along and soon there would be nothing left to hold onto, because piece by piece, Lacey was taking her daughter away.

Dex's mother knew what it was to lose herself in someone brighter, to be trapped by the gravitational field of another sun. She knew what happened when it emerged that the sun was only a lightbulb, and what happened when the lightbulb burned out. It didn't seem fair that her mistakes hadn't been genetically encoded in her daughter, that there'd been no evolutionary adaptation, no innate biological resistance to light and charm. It made her shamefully jealous, watching her daughter fall in love, and what else could you call it-jealous and wistful and mindful of younger days, and maybe it even made her a little nostalgic for the strum of Jimmy's guitar and the way his eyes had always found her in a sparse crowd, fixing her with every sorry lyric he sang. But more than anything, it made her feel like the mother of a daughter, like she'd taken Communion and joined a fellowship of women across distance and time, because finally, as had long been promised, Dex's mother was afraid.

US.

AprilJuly 1992

DEX.

The Devil's Playground THE FIRST TIME LACEY GOT me high, nothing much happened. Lacey said the mushrooms were too old, and anyway her mailman's cousin's friend wasn't exactly the most reliable supplier, so who knew what we were getting. I had angled for pot instead; pot was everywhere, and as far as I knew it couldn't turn your brain into scrambled eggs, no matter what the commercials said. But Lacey said pot was for plebes.

The second time Lacey got me high, we went to church.

Nothing local, obviously. We drove to Dickinson, three towns over, and pulled over to the first cross-topped building we could find. We waved at a couple old ladies hobbling across the parking lot, and because they weren't Battle Creek old ladies, they didn't know any better than to wave back. What nice girls, I bet they thought.

We nibbled on the mushrooms. Lacey licked me on the cheek, which she did sometimes when she was in a good mood, quick and darting, like a cat. "What you are to do without me, I cannot imagine," she purred. We'd just read Pygmalion in English, and the line delighted her. I liked another one-I can't turn your soul on. Leave me those feelings; and you can take away the voice and the face. They are not you.-but it was harder to slip into conversation.

"When do you think it'll start?" I asked her. The last time, we'd chopped up the mushrooms and mixed them in chocolate pudding, to make them go down. This time we were purists. It was like eating a Styrofoam cup.

"Maybe it already did." She laughed. "Maybe I'm not even here, and you're just imagining me."

I gave her the finger, and we went inside.

It had been Lacey's idea to settle into the wooden pews and wait for something to happen. She'd read about some experiment where a bunch of people got high for Easter Mass and had a transcendent religious experience, so we swallowed and closed our eyes and-for purely scientific purposes, she said-waited for transcendence.

Lacey always said that other people's drug trips were almost as boring as other people's dreams, but when it finally kicked in, inside that church, I'd never felt more wildly and indelibly myself. As if the world were re-creating itself especially for me, the walls whispering a sacred message, the minister's voice blue light and warm coffee and slipping down my throat to my secret self, and I was an I like no other I had ever been, life was a question and only I knew the answer, and if I closed my eyes, the world outside, the colors and sounds and faces that existed only to please me, would vanish.

Inside that church, I didn't discover a god; I became one.

The minister said the devil walks among you.

The minister said evil is in this town and the wages of sin is death.

The minister said cows were dying and chickens were slaughtered and dead cats were hung from flaming trees, and this is the evidence you need that these are the end times, that hell is upon you, that Satan's cold fingers hold you in their grasp, that here and there and everywhere children are dying and children are killing and children are danger.

The minister reached out across the congregation, reached for us, and I could feel his cold fingers on Lacey's lips, because her lips were my lips, because what was hers was mine. The minister said the devil will sing you to hell, but when he raised his hands, the choir sang in Kurt's voice, hoarse and longing, their robes white, their eyes black, and Kurt's voice sang my name, said you have always belonged to me. The minister's eyes glowed, and the walls bled, and the people, the good, churchgoing, God-fearing people, they all turned to us, eyes hungry, and then Lacey's hand was hot against my mouth, as if she knew before I did that I was going to scream.

She rested her other hand in my lap, fingers tight in a fist, then blooming open, and there was a flower she'd inked on her palm. I stopped screaming, then. I watched the flower. Its petals leached color from her skin. They glowed green like Lacey eyes and red like Lacey lips and pink like Lacey tongue. The flower whispered to me with Lacey's voice and told me there was nothing to fear. Believing her was like breathing.

When the service ended, she held my hand tight and led me out of the church. Her lips brushed my ear and she smelled purple, and when she whispered "Having fun yet?" our laughter tasted like candy.

Fun was meant to be beneath us. Fun was for Battle Creek, for the losers who dragged their six-packs into the woods and groped each other in the dark. Not for us; we would get high only for a higher purpose, Lacey had decreed. We would be philosophers; we would devote ourselves to all forms of escape. After the service we would retreat to an empty field and spend the hours until we came down groping for Beauty and Truth. We would lie in the grass, search the sky for answers, make art, make something to make ourselves real.

That was the plan before, when everything had seemed clear-but now was after, silvery and strange. And when we went to the field, bumping and sloshing in the back of a pickup, we didn't go alone.

Boys: some of them in church shirts with shiny shoes, some in flannel with jeans and dirty boots. All of them with sticky beer fingers and grubby breath, all of them boys we did not know and would never like, with faces that blurred and shifted, strangers determined to stay strange. I couldn't keep track: Were there many or few? Had we begged them to bring us or did we beg them to let us go? I waited for Lacey to tell me it wasn't happening, but Lacey only complained about tramping through the mud and breathing in the shit, then asked if, until it was time, she could carry the axe.

One of the boys, I saw then, had an axe.

The sky was pinking and the lowing cows breathed fire like fairy-tale beasts, and I heard my voice saying you can't.

"You eat burgers, don't you?" a boy said.

I heard Lacey laughing and knew I must be imagining it.

"They're my property," another boy said. "I decide if they live or die. I'm their god."

I knew that wasn't quite right, but the words to prove it were slippery. Before I could snatch them from the fog, an axe whistled through leathery hide, and blood spurted, and with one voice, the beast and I screamed.

Sticky beer, sticky blood. Laughing boys, giving the finger to an imaginary face in the sky. Laughing Lacey, asking to hold the axe. Lacey's hands on the axe and my hands on the axe. What's hers is mine. Someone's voice saying don't be a pussy, someone's voice saying please don't make me, someone's knees in the dirt, someone's fist in a steaming wound, someone's bloody fingers inking a five-pointed star across the grass, someone's breath, someone's whisper, someone's tears. Someone's voice pretending to be Lacey, impossible words carving fire across the sky.

"We trade this blood for the blood of our enemies. Let us bring them to ruin."

THEN IT WAS DARK, AND I was in a barn, lying in the hay, and I came back to myself just as a cold hand slid into my pants.

Just say no, they'd said in school, back when we were too small to imagine the need, so now I said it, "No," and pulled the hand out and pushed the body away.

"C'mon," the body said, and nuzzled its snout against my chest. Red hair, I noted, and disliked. Lacey was sandwiched between a checkered-shirt farm boy and a hay bale, stripped down to her bra and combat boots.

Boys from the field, I thought, then shoved the thought away.

I smacked the copperhead and said no again.

"She said you thought I was cute," he whined.

I took him in, freckles and crooked smile, beady eyes and puffy cheeks, and thought: Maybe. But cute didn't mean I wanted this animal thing, wet and clumsy, bones and meat. My first kiss had come at the wrong end of a dare, someone else's punishment; the second came in the dark, someone else's mistake. This was lucky number three, and when I stood up, he said, "I never get the hot one," then jerked off in the hay.

"Lacey," I said, and I was crying, probably. "Lacey."

She made a noise. It's hard to talk when your tongue is tracing messages in someone else's mouth.

"Let 'em be." Red had crusty nails and oozing zits, and I knew without checking that I didn't get the hot one, either.

"Lacey, I want to go." And maybe I was making myself cry, because crying was a thing Lacey wouldn't resist.

"Can it wait?" Lacey wasn't looking at me. The flannel boy bent her over the bale and kissed her knobby spine. "Just a little longer?"

He laughed. "You got the long part right." His dirty hands were on her, fingers smudged with motor oil.

Lacey giggled. I couldn't stop smelling blood.

Hot breath on the back of my neck and "Don't worry, babe, I won't let you get bored."

"Lacey," I said. "Lacey. Lacey. Lacey." That did it. A prayer; a summoning. My witching powers, or the hitch in my voice, or just her name, like the lyrics to a favorite song, calling her home.

"Can't you shut her up?" Flannel said, but Lacey slipped through his straddled legs and scooped up her clothes. She touched my cheek. "You really want to go, Dex?"

I nodded.

"Then we go."

Flannel's nose went piggy when he sneered. "And what the hell are we supposed to do?"

"Suck each other off, for all I care," Lacey told them, then took my hand, and together we ran.

"Sorry," I said, when we were safe in the car, windows down, Kurt's raw voice streaming in our wake, the boys and the field and the church and the night shrinking to a story we would tell ourselves and laugh.

"Sorry for what?" Lacey sped up, as she did when she was bored, and I pictured her toes curling on the grimy pedal. She liked driving in bare feet.

We didn't apologize-that was a rule. Not to each other, not for each other. We made our own choices. We did what we did with the boys in the field, what we did in the grass and the blood and the hay. We kept moving, without looking back. The day behind us was fogging up, and I tried to let it. I tried to feel no shame.

WE SLEPT OUTSIDE THAT NIGHT, and woke up damp with dew. I told myself that none of it had happened, not the glint of the axe or the intestines steaming in the moonlight, not the boys in the field or the barn. The way I felt, floating between the cushions of grass and sky, no longer high but not yet grounded, it was easy to believe.

Lacey had promised there'd be no hangover. She didn't tell me it would be more like the opposite-that I would wake up still feeling like I could fly.

I listened to her breathe, and tried to time the rise and fall of my chest to hers. I counted the clouds, and waited for her to wake up-not bored, not afraid, simply alive to the tickle of grass and sigh of wind. It was only when she blinked herself awake, when she saw my face and said, brightly, "Good morning, Lizzie Borden," that I thudded back to earth.

I sat up. "Lacey." I swallowed. "Last night . . ."

She took in my expression. Recalibrated. "Breathe, Dex. No freak-outs before coffee."

"But what we did-"

"Technically, you made us leave before we did anything," she said, and laughed. "The look on their idiot faces."