Gigolo - Gigolo Part 1
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Gigolo Part 1

Gigolo.

by Edna Ferber.

THE AFTERNOON OF A FAUN

Though he rarely heeded its summons--cagy boy that he was--the telephone rang oftenest for Nick. Because of the many native noises of the place, the telephone had a special bell that was a combination buzz and ring.

It sounded above the roar of outgoing cars, the splash of the hose, the sputter and hum of the electric battery in the rear. Nick heard it, unheeding. A voice--Smitty's or Mike's or Elmer's--answering its call.

Then, echoing through the grey, vaulted spaces of the big garage: "Nick!

Oh, Ni-ick!"

From the other side of the great cement-floored enclosure, or in muffled tones from beneath a car: "Whatcha want?"

"Dame on the wire."

"I ain't in."

The obliging voice again, dutifully repeating the message: "He ain't in.... Well, it's hard to say. He might be in in a couple hours and then again he might not be back till late. I guess he's went to Hammond on a job----" (Warming to his task now.) "Say, won't I do?... Who's fresh! Aw, say, _lady_!"

You'd think, after repeated rebuffs of this sort, she could not possibly be so lacking in decent pride as to leave her name for Smitty or Mike or Elmer to bandy about. But she invariably did, baffled by Nick's elusiveness. She was likely to be any one of a number. Miss Bauers phoned: Will you tell him, please? (A nasal voice, and haughty, with the hauteur that seeks to conceal secret fright.) Tell him it's important.

Miss Ahearn phoned: Will you tell him, please? Just say Miss Ahearn.

A-h-e-a-r-n. Miss Olson: Just Gertie. But oftenest Miss Bauers.

Cupid's messenger, wearing grease-grimed overalls and the fatuous grin of the dalliant male, would transmit his communication to the uneager Nick.

"'S wonder you wouldn't answer the phone once yourself. Says you was to call Miss Bauers any time you come in between one and six at Hyde Park--wait a min't'--yeh--Hyde Park 6079, and any time after six at----"

"Wha'd she want?"

"Well, how the hell should I know! Says call Miss Bauers any time between one and six at Hyde Park 6----"

"Swell chanst. _Swell_ chanst!"

Which explains why the calls came oftenest for Nick. He was so indifferent to them. You pictured the patient and persistent Miss Bauers, or the oxlike Miss Olson, or Miss Ahearn, or just Gertie hovering within hearing distance of the telephone listening, listening--while one o'clock deepened to six--for the call that never came; plucking up fresh courage at six until six o'clock dragged on to bedtime. When next they met: "I bet you was there all the time. Pity you wouldn't answer a call when a person leaves their name. You could of give me a ring. I bet you was there all the time."

"Well, maybe I was."

Bewildered, she tried to retaliate with the boomerang of vituperation.

How could she know? How could she know that this slim, slick young garage mechanic was a woodland creature in disguise--a satyr in store clothes--a wild thing who perversely preferred to do his own pursuing?

How could Miss Bauers know--she who cashiered in the Green Front Grocery and Market on Fifty-third Street? Or Miss Olson, at the Rialto ticket window? Or the Celtic, emotional Miss Ahearn, the manicure? Or Gertie the goof? They knew nothing of mythology; of pointed ears and pug noses and goat's feet. Nick's ears, to their fond gaze, presented an honest red surface protruding from either side of his head. His feet, in tan laced shoes, were ordinary feet, a little more than ordinarily expert, perhaps, in the convolutions of the dance at Englewood Masonic Hall, which is part of Chicago's vast South Side. No; a faun, to Miss Bauers, Miss Olson, Miss Ahearn, and just Gertie, was one of those things in the Lincoln Park Zoo.

Perhaps, sometimes, they realized, vaguely, that Nick was different.

When, for example, they tried--and failed--to picture him looking interestedly at one of those three-piece bedroom sets glistening like pulled taffy in the window of the installment furniture store, while they, shy yet proprietary, clung to his arm and eyed the price ticket.

Now $98.50. You couldn't see Nick interested in bedroom sets, in price tickets, in any of those settled, fixed, everyday things. He was fluid, evasive, like quicksilver, though they did not put it thus.

Miss Bauers, goaded to revolt, would say pettishly: "You're like a mosquito, that's what. Person never knows from one minute to the other where you're at."

"Yeh," Nick would retort. "When you know where a mosquito's at, what do you do to him? Plenty. I ain't looking to be squashed."

Miss Ahearn, whose public position (the Hygienic Barber Shop. Gent's manicure, 50c.) offered unlimited social opportunities, would assume a gay indifference. "They's plenty boys begging to take me out every hour in the day. Swell lads, too. I ain't waiting round for any greasy mechanic like you. Don't think it. Say, lookit your nails! They'd queer you with me, let alone what else all is wrong with you."

In answer Nick would put one hand--one broad, brown, steel-strong hand with its broken discoloured nails--on Miss Ahearn's arm, in its flimsy georgette sleeve. Miss Ahearn's eyelids would flutter and close, and a little shiver would run with icy-hot feet all over Miss Ahearn.

Nick was like that.

Nick's real name wasn't Nick at all--or scarcely at all. His last name was Nicholas, and his parents, long before they became his parents, traced their origin to some obscure Czechoslovakian province--long before we became so glib with our Czechoslovakia. His first name was Dewey, knowing which you automatically know the date of his birth. It was a patriotic but unfortunate choice on the part of his parents. The name did not fit him; was too mealy; not debonair enough. Nick. Nicky in tenderer moments (Miss Bauers, Miss Olson, Miss Ahearn, just Gertie, et al.).

His method with women was firm and somewhat stern, but never brutal. He never waited for them if they were late. Any girl who assumed that her value was enhanced in direct proportion to her tardiness in keeping an engagement with Nick found herself standing disconsolate on the corner of Fifty-third and Lake trying to look as if she were merely waiting for the Lake Park car and not peering wistfully up and down the street in search of a slim, graceful, hurrying figure that never came.

It is difficult to convey in words the charm that Nick possessed. Seeing him, you beheld merely a medium-sized young mechanic in reasonably grimed garage clothes when working; and in tight pants, tight coat, silk shirt, long-visored green cap when at leisure. A rather pallid skin due to the nature of his work. Large deft hands, a good deal like the hands of a surgeon, square, blunt-fingered, spatulate. Indeed, as you saw him at work, a wire-netted electric bulb held in one hand, the other plunged deep into the vitals of the car on which he was engaged, you thought of a surgeon performing a major operation. He wore one of those round skullcaps characteristic of his craft (the brimless crown of an old felt hat). He would deftly remove the transmission case and plunge his hand deep into the car's guts, feeling expertly about with his engine-wise fingers as a surgeon feels for liver, stomach, gall bladder, intestines, appendix. When he brought up his hand, all dripping with grease (which is the warm blood of the car), he invariably had put his finger on the sore spot.

All this, of course, could not serve to endear him to the girls. On the contrary, you would have thought that his hands alone, from which he could never quite free the grease and grit, would have caused some feeling of repugnance among the lily-fingered. But they, somehow, seemed always to be finding an excuse to touch him: his tie, his hair, his coat sleeve. They seemed even to derive a vicarious thrill from holding his hat or cap when on an outing. They brushed imaginary bits of lint from his coat lapel. They tried on his seal ring, crying: "Oo, lookit, how big it is for me, even my thumb!" He called this "pawing a guy over"; and the lint ladies he designated as "thread pickers."

No; it can't be classified, this powerful draw he had for them. His conversation furnished no clue. It was commonplace conversation, limited, even dull. When astonished, or impressed, or horrified, or amused, he said: "Ken yuh feature that!" When emphatic or confirmatory, he said: "You _tell_ 'em!"

It wasn't his car and the opportunities it furnished for drives, both country and city. That motley piece of mechanism represented such an assemblage of unrelated parts as could only have been made to coordinate under Nick's expert guidance. It was out of commission more than half the time, and could never be relied upon to furnish a holiday. Both Miss Bauers and Miss Ahearn had twelve-cylinder opportunities that should have rendered them forever unfit for travel in Nick's one-lung vehicle of locomotion.

It wasn't money. Though he was generous enough with what he had, Nick couldn't be generous with what he hadn't. And his wage at the garage was $40 a week. Miss Ahearn's silk stockings cost $4.50.

His unconcern should have infuriated them, but it served to pique. He wasn't actually as unconcerned as he appeared, but he had early learned that effort in their direction was unnecessary. Nick had little imagination; a gorgeous selfishness; a tolerantly contemptuous liking for the sex. Naturally, however, his attitude toward them had been somewhat embittered by being obliged to watch their method of driving a car in and out of the Ideal Garage doorway. His own manipulation of the wheel was nothing short of wizardry.

He played the harmonica.

Each Thursday afternoon was Nick's half day off. From twelve until seven-thirty he was free to range the bosky highways of Chicago. When his car--he called it "the bus"--was agreeable, he went awheel in search of amusement. The bus being indisposed, he went afoot. He rarely made plans in advance; usually was accompanied by some successful telephonee. He rather liked to have a silken skirt beside him fluttering and flirting in the breeze as he broke the speed regulations.

On this Thursday afternoon in July he had timed his morning job to a miraculous nicety so that at the stroke of twelve his workaday garments dropped from him magically, as though he were a male (and reversed) Cinderella. There was a wash room and a rough sort of sleeping room containing two cots situated in the second story of the Ideal Garage.

Here Nick shed the loose garments of labour for the fashionably tight habiliments of leisure. Private chauffeurs whose employers housed their cars in the Ideal Garage used this nook for a lounge and smoker. Smitty, Mike, Elmer, and Nick snatched stolen siestas there in the rare absences of the manager. Sometimes Nick spent the night there when forced to work overtime. His home life, at best, was a sketchy affair. Here chauffeurs, mechanics, washers lolled at ease exchanging soft-spoken gossip, motor chat, speculation, comment, and occasional verbal obscenity. Each possessed a formidable knowledge of that neighbourhood section of Chicago known as Hyde Park. This knowledge was not confined to car costs and such impersonal items, but included meals, scandals, relationships, finances, love affairs, quarrels, peccadillos. Here Nick often played his harmonica, his lips sweeping the metal length of it in throbbing rendition of such sure-fire sentimentality as The Long, Long Trail, or Mammy, while the others talked, joked, kept time with tapping feet or wagging heads.

To-day the hot little room was empty except for Nick, shaving before the cracked mirror on the wall, and old Elmer, reading a scrap of yesterday's newspaper as he lounged his noon hour away. Old Elmer was thirty-seven, and Nicky regarded him as an octogenarian. Also, old Elmer's conversation bored Nick to the point of almost sullen resentment. Old Elmer was a family man. His talk was all of his family--the wife, the kids, the flat. A garrulous person, lank, pasty, dish-faced, and amiable. His half day off was invariably spent tinkering about the stuffy little flat--painting, nailing up shelves, mending a broken window shade, puttying a window, playing with his pasty little boy, aged sixteen months, and his pasty little girl, aged three years.

Next day he regaled his fellow workers with elaborate recitals of his holiday hours.

"Believe me, that kid's a caution. Sixteen months old, and what does he do yesterday? He unfastens the ketch on the back-porch gate. We got a gate on the back porch, see." (This frequent "see" which interlarded Elmer's verbiage was not used in an interrogatory way, but as a period, and by way of emphasis. His voice did not take the rising inflection as he uttered it.) "What does he do, he opens it. I come home, and the wife says to me: 'Say, you better get busy and fix a new ketch on that gate to the back porch. Little Elmer, first thing I know, he'd got it open to-day and was crawling out almost.' Say, can you beat that for a kid sixteen months----"

Nick had finished shaving, had donned his clean white soft shirt. His soft collar fitted to a miracle about his strong throat. Nick's sartorial effects were a triumph--on forty a week. "Say, can't you talk about nothing but that kid of yours? I bet he's a bum specimen at that.

Runt, like his pa."

Elmer flung down his newspaper in honest indignation as Nick had wickedly meant he should. "Is that so! Why, we was wrastling round--me and him, see--last night on the floor, and what does he do, he raises his mitt and hands me a wallop in the stomick it like to knock the wind out of me. That's all. Sixteen months----"

"Yeh. I suppose this time next year he'll be boxing for money."

Elmer resumed his paper. "What do _you_ know." His tone mingled pity with contempt.

Nick took a last critical survey of the cracked mirror's reflection and found it good. "Nothing, only this: you make me sick with your kids and your missus and your place. Say, don't you never have no fun?"

"Fun! Why, say, last Sunday we was out to the beach, and the kid swum out first thing you know----"

"Oh, shut up!" He was dressed now. He slapped his pockets. Harmonica.