Gaston de Latour - Part 2
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Part 2

Gaston, as he turned from that stolen reading of the opening verse in jerky, feverish, gouty ma.n.u.script, to the writer, let out his soul perhaps; for the poet's face struck fire too, and seeming to detect on a sudden the legible doc.u.ment of something by no means conventional below the young man's well-controlled manner and expression, he became as if paternally anxious for his intellectual furtherance, and in particular for the addition of "manly power" to a "grace" of mind, obviously there already in due sufficiency. Would he presently carry a letter with recommendation of himself to Monsieur Michel de Montaigne? Linked they were, in the common friendship of the late Etienne de la Boetie yonder! Monsieur Michel could tell him much of the great ones--of the Greek and Latin masters of style. Let his study be in them! With what justice, by the way, had those Latin poets dealt with winter, and wintry charms, in their bland Italy! And just then, at the striking of a rickety great bell of the Middle Age, in the hands of a cowled brother came the emblazoned grace-cup, with which the Prior de Ronsard had enriched his "house," and the guests withdrew.

[70] "Yesterday's snow" was nowhere, a surprising sunlight everywhere; through which, after gratefully bidding adieu to the great poet, almost on their knees for a blessing, our adventurers returned home. Gaston, intently pondering as he lingered behind the others, was aware that this new poetry, which seemed to have transformed his whole nature into half-sensuous imagination, was the product not of one or more individual writers, but (it might be in the way of a response to their challenge) a general direction of men's minds, a delightful "fashion" of the time. He almost antic.i.p.ated our modern idea, or plat.i.tude, of the Zeit-geist. A social instinct was involved in the matter, and loyalty to an intellectual movement. As its leader had himself been the first to suggest, the actual authorship belonged not so much to a star as to a constellation, like that hazy Pleiad he had pointed out in the sky, or like the swarm of larks abroad this morning over the corn, led by a common instinct, a large element in which was sympathetic trust in the instinct of others. Here, truly, was a doctrine to propagate, a secret open to every one who would learn, towards a new management of life,--nay! a new religion, or at least a new worship, maintaining and visibly setting forth a single overpowering apprehension.

The worship of physical beauty a religion, the proper faculty of which would be the bodily eye! Looked at in this way, some of the well- [71] marked characteristics of the poetry of the Pleiad a.s.sumed a hieratic, almost an ecclesiastical air. That rigid correctness; that gracious unction, as of the medieval Latin psalmody; that aspiring fervour; that jealousy of the profane "vulgar"; the sense, flattering to one who was in the secret, that this thing, even in its utmost triumph, could never be really popular:--why were these so welcome to him but from the continuity of early mental habit? He might renew the over-grown tonsure, and wait, devoutly, rapturously, in this goodly sanctuary of earth and sky about him, for the manifestation, at the moment of his own worthiness, of flawless humanity, in some undreamed-of depth and perfection of the loveliness of bodily form.

And therewith came the consciousness, no longer of mere bad- neighbourship between what was old and new in his life, but of incompatibility between two rival claimants upon him, of two ideals.

Might that new religion be a religion not altogether of goodness, a profane religion, in spite of its poetic fervours? There were "flowers of evil," among the rest. It came in part, avowedly, as a kind of consecration of evil, and seemed to give it the beauty of holiness. Rather, good and evil were distinctions inapplicable in proportion as these new interests made themselves felt. For a moment, amid casuistical questions as to one's indefeasible right to liberty of heart, he saw himself, somewhat [72] wearily, very far gone from the choice, the consecration, of his boyhood. If he could but be rid of that altogether! Or if that would but speak with irresistible decision and effect! Was there perhaps somewhere, in some penetrative mind in this age of novelties, some scheme of truth, some science about men and things, which might harmonise for him his earlier and later preference, "the sacred and the profane loves," or, failing that, establish, to his pacification, the exclusive supremacy of the latter?

IV. PEACH-BLOSSOM AND WINE

[73] Those searchings of mind brought from time to time cruel starts from sleep, a sudden shudder at any wide outlook over life and its issues, draughts of mental east-wind across the hot mornings, into which the voices of his companions called him, to lose again in long rambles every thought save that of his own firm, abounding youth.

These rambles were but the last, sweet, wastefully-spent remnants of a happy season. The letter for Monsieur Michel de Montaigne was to hand, with preparations for the distant journey which must presently break up their comradeship. Nevertheless, its actual termination overtook them at the last as if by surprise: on a sudden that careless interval of time was over.

The carelessness of "the three" at all events had been entire.

Secure, on the low, warm, level surface of things, they talked, they, rode, they ate and drank, with no misgivings, mental or moral, no too curious questions as to the essential nature of their so palpable well-being, [74] or the rival standards thereof, of origins and issues. And yet, with all their gaiety, as its last triumphant note in truth, they were ready to trifle with death, welcoming, by way of a foil to the easy character of their days, a certain luxurious sense of danger--the night-alarm, the arquebuse peeping from some quiet farm-building across their way, the rumoured presence in their neighbourhood of this or that great military leader--delightful premonitions of the adventurous life soon to be their own in Paris.

What surmises they had of any vaguer sort of danger, took effect, in that age of wizardry, as a quaintly practical superst.i.tion, the expectation of cadaverous "churchyard things" and the like, intruding themselves where they should not be, to be dissipated in turn by counter-devices of the dark craft which had evoked them. Gaston, then, as in after years, though he saw no ghosts, could not bear to trifle with such matters: to his companions it was a delight, as they supped, to note the indication of nameless terrors, if it were only in the starts and crackings of the timbers of the old place. To the turbid spirits of that generation the midnight heaven itself was by no means a restful companion; and many were the hours wasted by those young astrophiles in puzzling out the threats, or the enigmatic promises, of a starry sky.

The fact that armed persons were still abroad, thieves or a.s.sa.s.sins, lurking under many disguises, [75] might explain what happened on the last evening of their time together, when they sat late at the open windows as the night increased, serene but covered summer night, aromatic, velvet-footed. What coolness it had was pleasant after the wine; and they strolled out, fantastically m.u.f.fled in certain old heraldic dresses of parade, caught up in the hall as they pa.s.sed through, Gaston alone remaining to attend on his grandfather. In about an hour's time they returned, not a little disconcerted, to tell a story of which Gaston was reminded (seeing them again in thought as if only half real, amid the bloomy night, with blood upon their boyish flowers) as they crossed his path afterwards at three intervals. Listening for the night-hawk, pushing aside the hedge-row to catch the evening breath of the honeysuckle, they had sauntered on, scarcely looking in advance, along the causeway. Soft sounds came out of the distance, but footsteps on the hard road they had not heard, when three others fronted them face to face--Jasmin, Amadee, and Camille--their very selves, visible in the light of the lantern carried by Camille: they might have felt the breath upon their cheeks: real, close, definite, cap for cap, plume for plume, flower for flower, a light like their own flashed up counter-wise, but with blood, all three of them, fresh upon the bosom, or in the mouth. It was well to draw the sword, be one's enemy carnal or spiritual; even devils, [76] as wise men know, taking flight at its white glitter through the air. Out flashed the brave youths' swords, still with mimic counter-motion, upon nothing--upon the empty darkness before them.

Curdled at heart for an hour by that strange encounter, they went on their way next morning no different. There was something in the mere belief that peace was come at last. For a moment Huguenots were, or pretended to be, satisfied with a large concession of liberty; to be almost light of soul. The French, who can always pause in the very midst of civil bloodshed to eulogise the reign of universal kindness, were determined to treat a mere armistice as nothing less than realised Utopia. To bear offensive weapons became a crime; and the sense of security at home was attested by vague schemes of glory to be won abroad, under the leadership of "The Admiral," the great Huguenot Coligni, anxious to atone for his share in the unhappiness of France by helping her to foreign conquests. Philip of Spain had been watching for the moment when Charles and Catherine should call the Duke of Alva into France to continue his devout work there.

Instead, the poetic mind of Charles was dazzled for a moment by the dream of wrestling the misused Netherlands from Spanish rule altogether.

Under such genial conditions, then, Gaston set out towards those south-west regions he had [77] always yearned to, as popular imagination just now set thither also, in a vision of French ships going forth from the mouths of the Loire and the Gironde, from Nantes, Bordeaux, and La Roch.e.l.le, to the Indies, in rivalry of Spanish adventure. The spasmodic gaiety of the time blent with that of the season of the year, of his own privileged time of life, and allowed the opulent country through which he was to pa.s.s all its advantages. Ever afterwards that low ring of blue hills beyond La Beauce meant more for him, not less, than of old. After the reign of his native apple-blossom and corn, it was that of peach-blossom and wine. Southwards to Orleans and the Loire then, with the course of the sunny river, to Blois, to Amboise, to Tours, he traversed a region of unquestioned natural charm, heightened greatly by the mental atmosphere through which it reached him. Black Angers, white Saumur, with its double in the calm broad water below, the melancholy seigneurial woods of Blois, ranged themselves in his memory as so many distinct types of what was dignified or pleasant in human habitations. Frequently, along the great historic stream, as along some vast street, contemporary genius was visible (a little prematurely as time would show) in a novel and seductive architecture, which, by its engrafting of exotic grace on homely native forms, spoke of a certain restless aspiration to be what one was not but might become--the old [78] Gaulish desire to be refined, to be mentally enfranchised by the sprightlier genius of Italy. With their terraced gardens, their airy galleries, their triumphal chimney-pieces, their s.p.a.cious stairways, their conscious provision for the elegant enjoyment of all seasons in turn, here surely were the new abodes for the new humanity of this new, poetic, picturesque age. What but flawless bodies, duly appointed to typically developed souls, could move on the daily business of life through these dreamy apartments into which he entered from time to time, finding their very garniture like a personal presence in them? Was there light here in the earth itself? It was a landscape, certainly, which did not merely accept the sun, but flashed it back gratefully from the white, gracious, carven houses, that were like a natural part of it.

As he pa.s.sed below, fancy would sometimes credit the outlook from their lofty gables with felicities of combination beyond possibility.

What prospects of mountain and sea-sh.o.r.e from those aerial window- seats!

And still, as in some sumptuous tapestry, the architecture, the landscape, were but a setting for the human figures: these palatial abodes, never out of sight, high on the river bank, challenged continual speculation as to their inhabitants--how they moved, read poetry and romance, or wrote the memoirs which were like romance, pa.s.sed through all the hourly changes of their all- [79]

accomplished, intimate life. The Loire was the river pre-eminently of the monarchy, of the court; and the fleeting human interests, fact or fancy, which gave its utmost value to the liveliness of the natural scene, found a centre in the movements of Catherine and her sons, still roving, after the eccentric habit inherited from Francis the First, from one "house of pleasure" to another, in the pursuit at once of amus.e.m.e.nt and of that political intrigue which was the serious business of their lives. Like some fantastic company of strolling players amid the hushed excitement of a little town, the royal family, with all its own small rivalries, would be housed for the night under the same roof with some of its greater enemies--Henri de Guise, Conde, "The Admiral," all alike taken by surprise--but courteously, and therefore ineffectively. And Gaston, come thus by chance so close to them, had the sense not so much of nearness to the springs of great events, as of the likeness of the whole matter to a stage-play with its ingeniously contrived encounters, or the a.s.sortments of a game of chance.

And in a while the dominant course of the river itself, the animation of its steady, downward flow, even amid the sand-shoals and whispering islets of the dry season, bore his thoughts beyond it, in a sudden irresistible appet.i.te for the sea; and he determined, varying slightly from the prescribed route, to reach his destination by way [80] of the coast. From Nantes he descended imperceptibly along tall hedge-rows of acacia, till on a sudden, with a novel freshness in the air, through a low archway of laden fruit-trees it was visible--sand, sea, and sky, in three quiet s.p.a.ces, line upon line. The features of the landscape changed again, and the gardens, the rich orchards, gave way to bare, gra.s.sy undulations: only, the open sandy s.p.a.ces presented their own native flora, for the fine silex seemed to have crept into the tall, wiry stalks of the ixias, like gra.s.ses the seeds of which had expanded, by solar magic, into veritable flowers, crimson, green, or yellow patched with black.

It was pleasant to sleep as if in the sea's arms, amid the low murmurs, the salt odour mingled with the wild garden scents of a little inn or farm, forlorn in the wide enclosure of an ancient manor, deserted as the sea encroached--long ago, for the fig-trees in the riven walls were tough and old. Next morning he must turn his back betimes, with the freshness of the outlook still undimmed, all colours turning to white on the sh.e.l.l-beach, the wrecks, the children at play on it, the boat with its gay streamers dancing in the foam.

Bright as the scene of his journey had been, it had had from time to time its grisly touches; a forbidden fortress with its steel-clad inmates thrust itself upon the way; the village church had been ruined too recently to count as picturesque; and at last, at the meeting-point of [81] five long causeways across a wide expanse of marshland, where the wholesome sea turned stagnant, La Roch.e.l.le itself scowled through the heavy air, the dark ramparts still rising higher around its dark townsfolk:--La Roch.e.l.le, the "Bastion of the Gospel" according to John Calvin, the conceded capital of the Huguenots. They were there, and would not leave it, even to share the festivities of the marriage of King Charles to his little Austrian Elizabeth about this time--the armed chiefs of Protestantism, dreaming of a "dictator" after the Roman manner, who should set up a religious republic. Serried closely together on land, they had a strange mixed following on the sea. Lair of heretics, or shelter of martyrs, La Roch.e.l.le was ready to protect the outlaw. The corsair, of course, would be a Protestant, actually armed perhaps by sour old Jeanne of Navarre--the ship he fell across, of course, Spanish. A real Spanish ship of war, gay, magnificent, was gliding even then, stealthily, through the distant haze; and nearer lay what there was of a French navy. Did the enigmatic "Admiral," the coming dictator, Coligni, really wish to turn it to foreign adventure, in rivalry of Spain, as the proper patriotic outcome of this period, or breathing-s.p.a.ce, of peace and national unity?

Undoubtedly they were still there, even in this halcyon weather, those causes of disquiet, like the volcanic forces beneath the ma.s.sive [82] chestnut-woods, spread so calmly through the breathless air, on the ledges and levels of the red heights of the Limousin, under which Gaston now pa.s.sed on his way southwards. On his right hand a broad, lightly diversified expanse of vineyard, of towns and towers innumerable, rolled its burden of fat things down the slope of the Gironde towards the more perfect level beyond. In the heady afternoon an indescribable softness laid hold on him, from the objects, the atmosphere, the lazy business, of the scene around. And was that the quarter whence the dry daylight, the intellectual iron, the chalybeate influence, was to come?--those coquettish, well-kept, vine-wreathed towers, smiling over a little irregular old village, itself half-hidden in gadding vine, pointed out by the gardeners (all labourers here were gardeners) as the end of his long, pleasant journey, as the abode of Monsieur Michel de Montaigne, the singular but not unpopular gentleman living there among his books, of whom Gaston hears so much over-night at the inn where he rests, before delivering the great poet's letter, entering his room at last in a flutter of curiosity.

In those earlier days of the Renaissance, a whole generation had been exactly in the position in which Gaston now found himself. An older ideal moral and religious, certain theories of man and nature actually in possession, still haunted humanity, at the very moment when it was [83] called, through a full knowledge of the past, to enjoy the present with an unrestricted expansion of its own capacities.--Might one enjoy? Might one eat of all the trees?--Some had already eaten, and needed, retrospectively, a theoretic justification, a sanction of their actual liberties, in some new reading of human nature itself and its relation to the world around it.--Explain to us the propriety, on the full view of things, of this bold course we have taken, or know we shall take!

Ex post facto, at all events, that justification was furnished by the Essays of Montaigne. The spirit of the essays doubtless had been felt already in many a mind, as, by a universal law of reaction, the intellect does supply the due theoretic equivalent to an inevitable course of conduct. But it was Montaigne certainly who turned that emanc.i.p.ating ethic into current coin. To Pascal, looking back upon the sixteenth century as a whole, Montaigne was to figure as the impersonation of its intellectual licence; while Shakespeare, who represents the free spirit of the Renaissance moulding the drama, hints, by his well-known preoccupation with Montaigne's writings, that just there was the philosophic counterpart to the fulness and impartiality of his own artistic reception of the experience of life.

Those essays, as happens with epoch-marking books, were themselves a life, the power which [84] makes them what they are having been acc.u.mulated in them imperceptibly by a thousand repeated modifications, like character in a person: at the moment when Gaston presented himself, to go along with the great "egotist" for a season, that life had just begun. Born here, at the place whose name he took, Montaigne--the acclivity--of Saint Michael, just thirty-six years before, brought up simply, earthily, at nurse in one of the neighbouring villages, to him it was doubled strength to return thither, when, disgusted with the legal business which had filled his days. .h.i.therto, seeing that "France had more laws than all the rest of the world," and was what one saw, he began the true work of his life, a continual journey in thought, "a continual observation of new and unknown things," his bodily self remaining, for the most part, with seeming indolence at home.

It was Montaigne's boast that throughout those invasive times his house had lain open to all comers, that his frankness had been rewarded by immunity from all outrages of war, of the crime war shelters: and openness--that all was wide open, searched through by light and warmth and air from the soil--was the impression it made on Gaston, as he pa.s.sed from farmyard to garden, from garden to court, to hall, up the wide winding stair, to the uppermost chamber of the great round tower; in which sun-baked place the studious man still lingered over a late [85] breakfast, telling, like all around, of a certain homely epicureanism, a rare mixture of luxury with a preference for the luxuries that after all were home-grown and savoured of his native earth.

Sociable, of sociable intellect, and still inclining instinctively, as became his fresh and agreeable person, from the midway of life, towards its youthful side, he was ever on the alert for a likely interlocutor to take part in the conversation, which (pleasantest, truly! of all modes of human commerce) was also of ulterior service as stimulating that endless inward converse from which the essays were a kind of abstract. For him, as for Plato, for Socrates whom he cites so often, the essential dialogue was that of the mind with itself; but this dialogue throve best with, often actually needed, outward stimulus--physical motion, some text shot from a book, the queries and objections of a living voice.--"My thoughts sleep, if I sit still." Neither "thoughts," nor "dialogues," exclusively, but thoughts still partly implicate in the dialogues which had evoked them, and therefore not without many seemingly arbitrary transitions, many links of connexion to be supposed by the reader, const.i.tuting their characteristic difficulty, the Essays owed their actual publication at last to none of the usual literary motives--desire for fame, to instruct, to amuse, to sell--but to the sociable desire for a still wider range of conversation with others. [86] He wrote for companionship, "if but one sincere man would make his acquaintance"; speaking on paper, as he "did to the first person he met."--"If there be any person, any knot of good company, in France or elsewhere, who can like my humour, and whose humours I can like, let them but whistle, and I will run!"

Notes of expressive facts, of words also worthy of note (for he was a lover of style), collected in the first instance for the help of an irregular memory, were becoming, in the quaintly labelled drawers, with labels of wise old maxim or device, the primary, rude stuff, or "protoplasm," of his intended work, and already gave token of its scope and variety. "All motion discovers us"; if to others, so also to ourselves. Movement, rapid movement of some kind, a ride, the hasty survey of a shelf of books, best of all a conversation like this morning's with a visitor for the first time,--amid the felicitous chances of that, at some random turn by the way, he would become aware of shaping purpose: the beam of light or heat would strike down, to illuminate, to fuse and organise the coldly acc.u.mulated matter, of reason, of experience. Surely, some providence over thought and speech led one finely through those haphazard journeys! But thus dependent to so great a degree on external converse for the best fruit of his own thought, he was also an efficient evocator of the thought of another--himself an original spirit more than tolerating [87] the originality of others,--which brought it into play. Here was one who (through natural predilection, reinforced by theory) would welcome one's very self, undistressed by, while fully observant of, its difference from his own--one's errors, vanities, perhaps fatuities. Naturally eloquent, expressive, with a mind like a rich collection of the choice things of all times and countries, he was at his best, his happiest, amid the magnetic contacts of an easy conversation. When Gaston years afterwards came to read the famous Essays, he found many a delightful actual conversation re-set, and had the key we lack to their surprises, their capricious turns and lapses.--Well! Montaigne had opened the letter, had forthwith pa.s.sed his genial criticism on the writer, and then, characteristically, forgetting all about it, turned to the bearer as if he had been intimate with him from childhood.

And the feeling was mutual. Gaston in half an hour seemed to have known his entertainer all his life.

In unimpeded talk with sincere persons of what quality soever--there, rather than in shadowy converse with even the best books--the flower, the fruit, of mind was still in life-giving contact with its root.

With books, as indeed with persons, his intercourse was apt to be desultory. Books!--He was by way of a.s.serting his independence of them, was their very candid friend:--they were far from being [88]

an unmixed good. He would observe (the fact was its own scornful comment) that there were more books upon books than upon any other subject. Yet books, more than a thousand volumes, a handsome library for that day, nicely representative not only of literature but of the owner's taste therein, lay all around; and turning now to this, now to that, he handled their pages with nothing less than tenderness: it was the first of many inconsistencies which yet had about them a singularly taking air, of reason, of equity. Plutarch and Seneca were soon in the foreground: they would "still be at his elbow to test and be tested": masters of the autumnal wisdom that was coming to be his own, ripe and placid--from the autumn of old Rome, of life, of the world, the very genius of second thoughts, of exquisite tact and discretion, of judgment upon knowledge.

But the books dropped from his hands in the very midst of enthusiastic quotation; and the guest was mounting a little turret staircase, was on the leaden roof of the old tower, amid the fat, noonday Gascon scenery. He saw, in bird's-eye view, the country he was soon to become closely acquainted with, a country (like its people) of pa.s.sion and capacity, though at that moment emphatically lazy. Towards the end of life some conscientious pangs seem to have touched Montaigne's singularly humane and sensitive spirit, when he looked back on the [89] long intellectual entertainment he had had, in following, as an inactive spectator, "the ruin of his country,"

through a series of chapters, every one of which had told emphatically in his own immediate neighbourhood. With its old and new battlefields, its business, its fierce changes, and the old perennial sameness of men's ways beneath them all, it had been certainly matter of more a.s.siduous reading than even those choice, incommensurable, books, of ancient Greek and Roman experience. The variableness, the complexity, the miraculous surprises of man, concurrent with the variety, the complexity, the surprises of nature, making all true knowledge of either wholly relative and provisional; a like insecurity in one's self, if one turned thither for some ray of clear and certain evidence; this, with an equally strong sense all the time of the interest, the power and charm, alike of man and nature and of the individual mind;--such was the sense of this open book, of all books and things. That was what this quietly enthusiastic reader was ready to a.s.sert as the sum of his studies; disturbingly, as Gaston found, reflecting on his long unsuspicious sojourn there, and detaching from the habits, the random traits of character, his concessions and hints and sudden emphatic statements, the soul and potency of the man.

How imperceptibly had darkness crept over them, effacing everything but the interior of [90] the great circular chamber, its book-shelves and enigmatic mottoes and the tapestry on the wall,--Circe and her sorceries, in many parts--to draw over the windows in winter. Supper over, the young wife entered at last. Always on the lookout for the sincerities of human nature (sincerity counting for life-giving form, whatever the matter might be) as he delighted in watching children, Montaigne loved also to watch grown people when they were most like children; at their games, therefore, and in the mechanical and customary parts of their existence, as discovering the real soul in them. Abstaining from the dice himself, since for him such "play was not play enough, but too grave and serious a diversion," and remarking that "the play of children is not performed in play, but to be judged as their most serious action," he set Gaston and the amiable, unpedantic, lady to play together, where he might observe them closely; the game turning still, irresistibly, to conversation, the last and sweetest if somewhat drowsy relics of this long day's recreations.--Was Circe's castle here? If Circe could turn men into swine, could she also release them again? It was frailty, certainly, that Gaston remained here week after week, scarce knowing why; the conversation begun that morning lasting for nine months, over books, meals, in free rambles chiefly on horseback, as if in the waking intervals of a long day-sleep.

V. SUSPENDED JUDGMENT

[91] The diversity, the undulancy, of human nature!--so deep a sense of it went with Montaigne always that himself too seemed to be ever changing colour sympathetically therewith. Those innumerable differences, mental and physical, of which men had always been aware, on which they had so largely fed their vanity, were ultimate. That the surface of humanity presented an infinite variety was the tritest of facts. Pursue that variety below the surface!--the lines did but part further and further asunder, with an ever-increasing divergency, which made any common measure of truth impossible. Diversity of custom!--What was it but diversity in the moral and mental view, diversity of opinion? and diversity of opinion, what but radical diversity of mental const.i.tution? How various in kind and degree had he found men's thoughts concerning death, for instance, "some (ah me!) even running headlong upon it, with [92] a real affection"?

Death, life; wealth, poverty; the whole sum of contrasts; nay! duty itself,--the relish of right and wrong"; all depend upon the opinion each one has of them, and "receive no colour of good or evil but according to the application of the individual soul." Did Hamlet learn of him that "there is nothing either good or bad but thinking makes it so"?--What we call evil is not so of itself: it depends only upon us, to give it another taste and complexion.--Things, in respect of themselves, have peradventure their weight, measure, and conditions; but when once we have taken them into us, the soul forms them as she pleases.--Death is terrible to Cicero, courted by Cato, indifferent to Socrates.--Fortune, circ.u.mstance, offers but the matter: 'tis the soul adds the form.--Every opinion, how fantastic soever to some, is to another of force enough to be espoused at the risk of life."

For opinion was the projection of individual will, of a native original predilection. Opinions!--they are like the clothes we wear, which warm us, not with their heat, but with ours. Track your way (as he had learned to do) to the remote origin of what looks like folly; at home, on its native soil, it was found to be justifiable, as a proper growth of wisdom. In the vast conflict of taste, preference, conviction, there was no real inconsistency. It was but that the soul looked "upon things with [93] another eye, and represented them to itself with another kind of face; reason being a tincture almost equally infused into all our manners and opinions; though there never were in the world two opinions exactly alike."

And the practical comment was, not as one might have expected, towards the determination of some common standard of truth amid that infinite variety, but to this effect rather, that we are not bound to receive every opinion we are not able to refute, nor to accept another's refutation of our own; these diversities being themselves ultimate, and the priceless pearl of truth lying, if anywhere, not in large theoretic apprehension of the general, but in minute vision of the particular; in the perception of the concrete phenomenon, at this particular moment, and from this unique point of view--that for you, this for me--now, but perhaps not then.

Now; and not then! For if men are so diverse, not less disparate are the many men who keep discordant company within each one of us, "every man carrying in him the entire form of human condition."

"That we taste nothing pure:" the variancy of the individual in regard to himself: the complexity of soul which there, too, makes "all judgments in the gross" impossible or useless, certainly inequitable, he delighted to note. Men's minds were like the grotesques which some artists of that day loved to joint together, or like one of his own [94] inconstant essays, never true for a page to its proposed subject. "Nothing is so supple as our understanding: it is double and diverse; and the matters are double and diverse, too."

Here, as it seemed to Gaston, was one for whom exceptions had taken the place of law: the very genius of qualification followed him through all his keen, constant, changeful consideration of men and things. How many curious moral variations he had to show!--"vices that are lawful": vices in us which "help to make up the seam in our piecing, as poisons are useful for the conservation of health": "actions good and excusable that are not lawful in themselves": "the soul discharging her pa.s.sions upon false objects where the true are wanting": men doing more than they propose, or they hardly know what, at immense hazard, or pushed to do well by vice itself, or working for their enemies: "condemnations more criminal than the crimes they condemn": the excuses that are self-accusations: instances, from his own experience, of a hasty confidence in other men's virtue which "G.o.d had favoured": and how, "even to the worst people, it is sweet, their end once gained by a vicious act, to foist into it some show of justice." In the presence of this indefatigable a.n.a.lyst of act and motive all fixed outlines seemed to vanish away. The healthful pleasure of motion, of thoughts in motion!--Yes! Gaston felt them, the oldest of [95] them, moving, as he listened, under and away from his feet, as if with the ground he stood on. And this was the vein of thought which oftenest led the master back contemptuously to emphasise the littleness of man.--"I think we can never be despised according to our full desert."

By way of counterpoise, there were admirable surprises in man. That cross-play of human tendencies determined from time to time in the forces of unique and irresistible character, "moving all together,"

pushing the world around it to phenomenal good or evil. For such as "make it their business to oversee human actions, it seems impossible they should proceed from one and the same person." Consolidation of qualities supposed, this did but make character, already the most attractive, because the most dynamic, phenomenon of experience, more interesting still. So tranquil a spectator of so average a world, a too critical minimiser, it might seem, of all that pretends to be of importance, Montaigne was constantly, gratefully, announcing his contact, in life, in books, with undeniable power and greatness, with forces full of beauty in their vigour, like lightning, the sea, the torrents:--overpowering desire augmented, yet victorious, by its very difficulty; the bewildering constancy of martyrs; single-hearted virtue not to be resolved into anything less surprising than itself; the devotion of that famed, so companionable, wife, dying cheerfully [96] by her own act along with the sick husband "who could do no better than kill himself"; the grief, the joy, of which men suddenly die; the unconscious Stoicism of the poor; that stern self-control with which Jacques Bonhomme goes as usual to his daily labour with a heart tragic for the dead child at home; nay! even the boldness and strength of "those citizens who sacrifice honour and conscience, as others of old sacrificed their lives, for the good of their country."

So carefully equable, his mind nevertheless was stored with, and delighted in, incidents, personalities, of barbarous strength--Esau, in all his phases--the very rudest children or "our great and powerful mother, nature." As Plato had said, "'twas to no purpose for a sober-minded man to knock at the door of poesy," or, if truth were spoken, of any other high matter of doing or making. That was consistent with his sympathetic belief in the capability of mere impetuous youth as such. Even those unexpected traits in ordinary people which seem to hint at larger laws and deeper forces of character, disconcerting any narrow judgment upon them, he welcomed as akin to his own indolent, but suddenly kindling, nature:--the mere self-will of men, the shrewd wisdom of an unlettered old woman, the fount of goodness in a cold or malicious heart. "I hear every day fools say things far from foolish." Those invincible prepossessions of humanity, or of the [97] individual, which Bacon reckoned "idols of the cave," are no offence to him; are direct informations, it may be, beyond price, from a kindly spirit of truth in things.

For him there had been two grand surprises, two pre-eminent manifestations of the power and charm of man, not to be explained away,--one, within the compa.s.s of general and public observation: the other, a matter of special intimacy to himself. There had been the greatness of the old Greek and Roman life, so greatly recorded: there had been the wisdom and kindness of Etienne de la Boetie, as made known in all their fulness to him alone. That his ardent devotion to the ancients had been rewarded with minute knowledge concerning them, was the privilege of the age in which he was born, late in the Revival of Letters. But the cla.s.sical reading, which with others was often but an affectation, seducing them from the highest to a lower degree of reality, from men and women to their mere shadows in old books, had been for him nothing less than personal contact. "The qualities and fortunes" of the old Romans, especially, their wonderful straight ways through the world, the straight pa.s.sage of their armies upon them, the splendour of their armour, of their entire external presence and show, their "riches and embellishments,"

above all, "the suddenness of Augustus," in that grander age for which decision was justifiable because really [98] possible, had ever been "more in his head than the fortunes of his own country." If "we have no hold even on things present but by imagination," as he loved to observe,--then, how much more potent, steadier, larger, the imaginative substance of the world of Alexander and Socrates, of Virgil and Caesar, than that of an age, which seemed to him, living in the midst of it, respectable mainly by its docility, by an imitation of the ancients which after all left untouched the real sources of their greatness. They had been indeed great, at the least dramatically, redeemed in part by magnificent courage and tact, in their very sins. "Our force is no more able to reach them in their vicious than in their virtuous qualities; for both the one and the other proceed from a vigour of soul which was without comparison greater in them than in us."

And yet, thinking of his friendship with the "incomparable Etienne de la Boetie, so perfect, inviolate and entire, that the like is hardly to be found in story," he had to confess that the sources of greatness must still be quick in the world. That had remained with him as his one fixed standard of value in the estimate of men and things. On this single point, antiquity itself had been surpa.s.sed; the discourses it had left upon friendship seeming to him "poor and flat in comparison of the sense he had of it." For once, his sleepless habit of a.n.a.lysis had been checked by the inexplicable, the absolute; [99] amid his jealously guarded indifference of soul he had been summoned to yield, and had yielded, to the magnetic power of another. "We were halves throughout, so that methinks by outliving him I defraud him of his part. I was so grown to be always his double in all things that methinks I am no more than half of myself.

There is no action or thought of mine wherein I do not miss him, as I know that he would have missed me." Tender yet heroic, impulsive yet so wise, he might have done what the survivor (so it seemed to himself) was but vainly trying to do. It was worth his while to become famous, if that hapless memory might but be embalmed in one's fame. It had been better than love,--that friendship! to the building of which so much "concurrence" had been requisite, that "'twas much if fortune brought the like to pa.s.s once in three ages."

Actually, we may think, the "sweet society" of those four years, in comparison with which the rest of his so pleasant life "was but smoke," had touched Montaigne's nature with refinements it might otherwise have lacked. He would have wished "to speak concerning it, to those who had experience" of what he said, could such have been found. In despair of that, he loved to discourse of it to all comers,--how it had come about, the circ.u.mstances of its sudden and wonderful growth. Yet after all were he pressed to say why he had so loved Etienne de la Boetie, he [100] could but answer, "Because it was He! Because it was I!"

And the surprises there are in man, his complexity, his variancy, were symptomatic of the changefulness, the confusion, the surprises, of the earth under one's feet, of the whole material world. The irregular, the unforeseen, the inconsecutive, miracle, accident, he noted lovingly: it had a philosophic import. It was habit rather than knowledge of them that took away the strangeness of the things actually about one. How many unlikely matters there were, testified by persons worthy of faith, "which, if we cannot persuade ourselves to believe, we ought at least to leave in suspense.--Though all that had arrived by report of past time should be true, it would be less than nothing in comparison of what is unknown."

On all sides we are beset by the incalculable--walled up suddenly, as if by malign trickery, in the open field, or pushed forward senselessly, by the crowd around us, to good-fortune. In art, as in poetry, there are the "transports" which lift the artist out of, as they are not of, himself; for orators also, "those extraordinary motions which sometimes carry them above their design." Himself, "in the necessity and heat of combat," had sometimes made answers, that went "through and through," beyond hope. The work, by its own force and fortune, sometimes outstrips the workman. And then, in [101]

defiance of the proprieties, whereas poets sometimes "flag, and languish in a prosaic manner," prose will shine with the l.u.s.tre, vigour and boldness, with "the fury" of poetry.

And as to "affairs,"--how spasmodic the mixture, collision or coincidence, of the mechanic succession of things with men's volition! Mere rumour, so large a factor in events,--who could trace out its ways? Various events (he was never tired of ill.u.s.trating the fact) "followed from the same counsel." Fortune, chance, that is to say, the incalculable contribution of mere matter to man, "would still be mistress of events"; and one might think it no un-wisdom to commit everything to fortuity. But no! "fortune too is oft-times observed to act by the rule of reason: chance itself comes round to hold of justice;" war, above all, being a matter in which fortune was inexplicable, though men might seem to have made it the main business of their lives. If "the force of all counsel lies in the occasion,"

that is because things perpetually shift. If man--his taste, his very conscience--change with the habit of time and place, that is because habit is the emphatic determination, the tyranny, of changing external and material circ.u.mstance. So it comes about that every one gives the name of barbarism to what is not in use round about him, excepting perhaps the Greeks and Romans, somewhat conventionally; and Montaigne was fond of a.s.suring people, [102] suddenly, that could we have those privileged Greeks and Romans actually to sit beside us for a while, they would be found to offend our niceties at a hundred points. We have great power of taking ourselves in, and "pay ourselves with words." Words too, language itself, and therewith the more intimate physiognomy of thought, "slip every day through our fingers." With his eye on his own labour, wistfully, he thought on the instability of the French language in particular--a matter, after all, so much less "perennial than bra.s.s." In no respect was nature more stable, more consecutive, than man.

In nature, indeed, as in one's self, there might be no ultimate inconsequence: only, "the soul looks upon things with another eye, and represents them to itself with another kind of face: for everything has many faces and several aspects. There is nothing single and rare in respect of itself, but only in respect of our knowledge, which is a wretched foundation whereon to ground our rules, and one that represents to us a very false image of things."

Ah! even in so "dear" a matter as bodily health, immunity from physical pain, what doubts! what variations of experience, of learned opinion! Already, in six years of married life, of four children treated so carefully, never, for instance, roughly awaked from sleep, "wherein," he would observe, "children are much more profoundly involved than we,"--of four children, [103] two were dead, and one even now miserably sick. Seeing the doctor depart one morning a little hastily, on the payment of his fee, he was tempted to some nice questions as to the money's worth. "There are so many maladies, and so many circ.u.mstances, presented to the physician, that human sense must soon be at the end of its lesson:--the many complexions in a melancholy person; the many seasons in winter; the many nations in the French; the many ages in age; the many celestial mutations in the conjunction of Venus and Saturn; the many parts in man's body, nay, in a finger. And suppose the cure effected, how can we a.s.sure ourselves that it was not because the disease was arrived at its period, or an effect of chance, or the operation of something else that the child had eaten, drunk, or touched that day, or by virtue of his mother's prayers? We suppose we see one side of a thing when we are really looking at another. As for me, I never see all of anything; neither do they who so largely promise to show it to others. Of the hundred faces that everything has I take one, and am for the most part attracted by some new light I find in it."

And that new light was sure to lead him back very soon to his "governing method, ignorance"--an ignorance "strong and generous, and that yields nothing in honour and courage to knowledge; an ignorance, which to conceive requires no less knowledge than to conceive [104]

knowledge itself"--a sapient, instructed, shrewdly ascertained ignorance, suspended judgment, doubt everywhere.--Balances, very delicate balances; he was partial to that image of equilibrium, or preponderance, in things. But was there, after all, so much as preponderance anywhere? To Gaston there was a kind of fascination, an actually aesthetic beauty, in the spectacle of that keen-edged intelligence, dividing evidence so finely, like some exquisite steel instrument with impeccable sufficiency, always leaving the last word loyally to the central intellectual faculty, in an entire disinterestedness. If on the one hand he was always distrustful of things that he wished, on the other he had many opinions he would endeavour to make his son dislike, if he had one. What if the truest opinions were not always the most commodious to man, "being of so wild a composition"? He would say nothing to one party that he might not on occasion say to the other, "with a little alteration of accent." Yes! Doubt, everywhere! doubt in the far background, as the proper intellectual equivalent to the infinite possibilities of things: doubt, shrewdly economising the opportunities of the present hour, in the very spirit of the traveller who walks only for the walk's sake,--"every day concludes my expectation, and the journey of my life is carried on after the same fashion": doubt, finally, as "the best of pillows to sleep on." And in fact Gaston did sleep well after [105] those long days of physical and intellectual movement, in that quiet world, till the spring came round again.