At the beginning, divers towns, hamlets, castles, fortresses, and forests were seen in flames; and several mad and loose women, who furiously ripped up and tore live calves, sheep, and lambs limb from limb, and devoured their flesh. There we learned how Bacchus, at his coming into India, destroyed all things with fire and sword.

Notwithstanding this, he was so despised by the Indians that they did not think it worth their while to stop his progress, having been certainly informed by their spies that his camp was dest.i.tute of warriors, and that he had only with him a crew of drunken females, a low-built, old, effeminate, sottish fellow, continually addled, and as drunk as a wheelbarrow, with a pack of young clownish doddipolls, stark naked, always skipping and frisking up and down, with tails and horns like those of young kids.

For this reason the Indians had resolved to let them go through their country without the least opposition, esteeming a victory over such enemies more dishonourable than glorious.

In the meantime Bacchus marched on, burning everything; for, as you know, fire and thunder are his paternal arms, Jupiter having saluted his mother Semele with his thunder, so that his maternal house was ruined by fire. Bacchus also caused a great deal of blood to be spilt; which, when he is roused and angered, princ.i.p.ally in war, is as natural to him as to make some in time of peace.

Thus the plains of the island of Samos are called Panema, which signifies b.l.o.o.d.y, because Bacchus there overtook the Amazons, who fled from the country of Ephesus, and there let 'em blood, so that they all died of phlebotomy. This may give you a better insight into the meaning of an ancient proverb than Aristotle has done in his problems, viz., Why 'twas formerly said, Neither eat nor sow any mint in time of war. The reason is, that blows are given then without any distinction of parts or persons, and if a man that's wounded has that day handled or eaten any mint, 'tis impossible, or at least very hard, to stanch his blood.

After this, Bacchus was seen marching in battalia, riding in a stately chariot drawn by six young leopards. He looked as young as a child, to show that all good topers never grow old. He was as red as a cherry, or a cherub, which you please, and had no more hair on his chin than there's in the inside of my hand. His forehead was graced with pointed horns, above which he wore a fine crown or garland of vine-leaves and grapes, and a mitre of crimson velvet, having also gilt buskins on.

He had not one man with him that looked like a man; his guards and all his forces consisted wholly of Ba.s.sarides, Evantes, Euhyades, Edonides, Trietherides, Ogygiae, Mimallonides, Maenades, Thyades, and Bacchae, frantic, raving, raging, furious, mad women, begirt with live snakes and serpents instead of girdles, dishevelled, their hair flowing about their shoulders, with garlands of vine-branches instead of forehead-cloths, clad with stag's or goat's skins, and armed with torches, javelins, spears, and halberds whose ends were like pineapples. Besides, they had certain small light bucklers that gave a loud sound if you touched 'em never so little, and these served them instead of drums. They were just seventy-nine thousand two hundred and twenty-seven.

Silenus, who led the van, was one on whom Bacchus relied very much, having formerly had many proofs of his valour and conduct. He was a diminutive, stooping, palsied, plump, gorbellied old fellow, with a swingeing pair of stiff-standing lugs of his own, a sharp Roman nose, large rough eyebrows, mounted on a well-hung a.s.s. In his fist he held a staff to lean upon, and also bravely to fight whenever he had occasion to alight; and he was dressed in a woman's yellow gown. His followers were all young, wild, clownish people, as hornified as so many kids and as fell as so many tigers, naked, and perpetually singing and dancing country-dances. They were called t.i.tyri and satyrs, and were in all eighty-five thousand one hundred and thirty-three.

Pan, who brought up the rear, was a monstrous sort of a thing; for his lower parts were like a goat's, his thighs hairy, and his horns bolt upright; a crimson fiery phiz, and a beard that was none of the shortest. He was a bold, stout, daring, desperate fellow, very apt to take pepper in the nose for yea and nay.

In his left hand he held a pipe, and a crooked stick in his right. His forces consisted also wholly of satyrs, aegipanes, agripanes, sylvans, fauns, lemures, lares, elves, and hobgoblins, and their number was seventy-eight thousand one hundred and fourteen. The signal or word common to all the army was Evohe.

Chapter 5.XL.-How the battle in which the good Bacchus overthrew the Indians was represented in mosaic work.

In the next place we saw the representation of the good Bacchus's engagement with the Indians. Silenus, who led the van, was sweating, puffing, and blowing, belabouring his a.s.s most grievously. The a.s.s dreadfully opened its wide jaws, drove away the flies that plagued it, winced, flounced, went back, and bestirred itself in a most terrible manner, as if some d.a.m.ned gad-bee had stung it at the breech.

The satyrs, captains, sergeants, and corporals of companies, sounding the orgies with cornets, in a furious manner went round the army, skipping, capering, bounding, jerking, farting, flying out at heels, kicking and prancing like mad, encouraging their companions to fight bravely; and all the delineated army cried out Evohe!

First, the Maenades charged the Indians with dreadful shouts, and a horrid din of their brazen drums and bucklers; the air rung again all around, as the mosaic work well expressed it. And pray for the future don't so much admire Apelles, Aristides the Theban, and others who drew claps of thunder, lightnings, winds, words, manners, and spirits.

We then saw the Indian army, who had at last taken the field to prevent the devastation of the rest of their country. In the front were the elephants, with castles well garrisoned on their backs. But the army and themselves were put into disorder; the dreadful cries of the Bacchae having filled them with consternation, and those huge animals turned tail and trampled on the men of their party.

There you might have seen gaffer Silenus on his a.s.s, putting on as hard as he could, striking athwart and alongst, and laying about him l.u.s.tily with his staff after the old fashion of fencing. His a.s.s was prancing and making after the elephants, gaping and martially braying, as it were to sound a charge, as he did when formerly in the Baccha.n.a.lian feasts he waked the nymph Lottis, when Priapus, full of priapism, had a mind to priapize while the pretty creature was taking a nap.

There you might have seen Pan frisk it with his goatish shanks about the Maenades, and with his rustic pipe excite them to behave themselves like Maenades.

A little further you might have blessed your eyes with the sight of a young satyr who led seventeen kings his prisoners; and a Bacchis, who with her snakes hauled along no less than two and forty captains; a little faun, who carried a whole dozen of standards taken from the enemy; and goodman Bacchus on his chariot, riding to and fro fearless of danger, making much of his dear carca.s.s, and cheerfully toping to all his merry friends.

Finally, we saw the representation of his triumph, which was thus: first, his chariot was wholly lined with ivy gathered on the mountain Meros; this for its scarcity, which you know raises the price of everything, and princ.i.p.ally of those leaves in India. In this Alexander the Great followed his example at his Indian triumph. The chariot was drawn by elephants joined together, wherein he was imitated by Pompey the Great at Rome in his African triumph. The good Bacchus was seen drinking out of a mighty urn, which action Marius aped after his victory over the Cimbri near Aix in Provence. All his army were crowned with ivy; their javelins, bucklers, and drums were also wholly covered with it; there was not so much as Silenus's a.s.s but was betrapped with it.

The Indian kings were fastened with chains of gold close by the wheels of the chariot. All the company marched in pomp with unspeakable joy, loaded with an infinite number of trophies, pageants, and spoils, playing and singing merry epiniciums, songs of triumph, and also rural lays and dithyrambs.

At the farthest end was a prospect of the land of Egypt; the Nile with its crocodiles, marmosets, ibides, monkeys, trochiloses, or wrens, ichneumons, or Pharoah's mice, hippopotami, or sea-horses, and other creatures, its guests and neighbours. Bacchus was moving towards that country under the conduct of a couple of horned beasts, on one of which was written in gold, Apis, and Osiris on the other; because no ox or cow had been seen in Egypt till Bacchus came thither.

Chapter 5.XLI.-How the temple was illuminated with a wonderful lamp.

Before I proceed to the description of the Bottle, I'll give you that of an admirable lamp that dispensed so large a light over all the temple that, though it lay underground, we could distinguish every object as clearly as above it at noonday.

In the middle of the roof was fixed a ring of ma.s.sive gold, as thick as my clenched fist. Three chains somewhat less, most curiously wrought, hung about two feet and a half below it, and in a triangle supported a round plate of fine gold whose diameter or breadth did not exceed two cubits and half a span. There were four holes in it, in each of which an empty ball was fastened, hollow within, and open o' top, like a little lamp; its circ.u.mference about two hands' breadth. Each ball was of precious stone; one an amethyst, another an African carbuncle, the third an opal, and the fourth an anthracites. They were full of burning water five times distilled in a serpentine limbec, and inconsumptible, like the oil formerly put into Pallas' golden lamp at Acropolis of Athens by Callimachus. In each of them was a flaming wick, partly of asbestine flax, as of old in the temple of Jupiter Ammon, such as those which Cleombrotus, a most studious philosopher, saw, and partly of Carpasian flax (Ozell's correction. Motteux reads, 'which Cleombrotus, a most studious philosopher, and Pandelinus of Carpasium had, which were,' &c.), which were rather renewed than consumed by the fire.

About two foot and a half below that gold plate, the three chains were fastened to three handles that were fixed to a large round lamp of most pure crystal, whose diameter was a cubit and a half, and opened about two hands' breadths o' top; by which open place a vessel of the same crystal, shaped somewhat like the lower part of a gourd-like limbec, or an urinal, was put at the bottom of the great lamp, with such a quant.i.ty of the afore-mentioned burning water, that the flame of the asbestine wick reached the centre of the great lamp. This made all its spherical body seem to burn and be in a flame, because the fire was just at the centre and middle point, so that it was not more easy to fix the eye on it than on the disc of the sun, the matter being wonderfully bright and shining, and the work most transparent and dazzling by the reflection of the various colours of the precious stones whereof the four small lamps above the main lamp were made, and their l.u.s.tre was still variously glittering all over the temple. Then this wandering light being darted on the polished marble and agate with which all the inside of the temple was pargetted, our eyes were entertained with a sight of all the admirable colours which the rainbow can boast when the sun darts his fiery rays on some dropping clouds.

The design of the lamp was admirable in itself, but, in my opinion, what added much to the beauty of the whole, was that round the body of the crystal lamp there was carved in cataglyphic work a lively and pleasant battle of naked boys, mounted on little hobby-horses, with little whirligig lances and shields that seemed made of vine-branches with grapes on them; their postures generally were very different, and their childish strife and motions were so ingeniously expressed that art equalled nature in every proportion and action. Neither did this seem engraved, but rather hewed out and embossed in relief, or at least like grotesque, which, by the artist's skill, has the appearance of the roundness of the object it represents. This was partly the effect of the various and most charming light, which, flowing out of the lamp, filled the carved places with its glorious rays.

Chapter 5.XLII-How the Priestess Bacbuc showed us a fantastic fountain in the temple, and how the fountain-water had the taste of wine, according to the imagination of those who drank of it.

('This and the next chapter make really but one, tho' Mr. Motteux has made two of them; the first of which contains but eight lines, according to him, and ends at the words fantastic fountain.'-Ozell.).

While we were admiring this incomparable lamp and the stupendous structure of the temple, the venerable priestess Bacbuc and her attendants came to us with jolly smiling looks, and seeing us duly accoutred, without the least difficulty took us into the middle of the temple, where, just under the aforesaid lamp, was the fine fantastic fountain. She then ordered some cups, goblets, and talboys of gold, silver, and crystal to be brought, and kindly invited us to drink of the liquor that sprung there, which we readily did; for, to say the truth, this fantastic fountain was very inviting, and its materials and workmanship more precious, rare, and admirable than anything Plato ever dreamt of in limbo.

Its basis or groundwork was of most pure and limpid alabaster, and its height somewhat more than three spans, being a regular heptagon on the outside, with its stylobates or footsteps, arulets, cymasults or blunt tops, and Doric undulations about it. It was exactly round within. On the middle point of each angle brink stood a pillar orbiculated in form of ivory or alabaster solid rings. These were seven in number, according to the number of the angles (This sentence, restored by Ozell, is omitted by Motteux.).

Each pillar's length from the basis to the architraves was near seven hands, taking an exact dimension of its diameter through the centre of its circ.u.mference and inward roundness; and it was so disposed that, casting our eyes behind one of them, whatever its cube might be, to view its opposite, we found that the pyramidal cone of our visual line ended at the said centre, and there, by the two opposites, formed an equilateral triangle whose two lines divided the pillar into two equal parts.

That which we had a mind to measure, going from one side to another, two pillars over, at the first third part of the distance between them, was met by their lowermost and fundamental line, which, in a consult line drawn as far as the universal centre, equally divided, gave, in a just part.i.tion, the distance of the seven opposite pillars in a right line, beginning at the obtuse angle on the brink, as you know that an angle is always found placed between two others in all angular figures odd in number.

This tacitly gave us to understand that seven semidiameters are in geometrical proportion, compa.s.s, and distance somewhat less than the circ.u.mference of a circle, from the figure of which they are extracted; that is to say, three whole parts, with an eighth and a half, a little more, or a seventh and a half, a little less, according to the instructions given us of old by Euclid, Aristotle, Archimedes, and others.

The first pillar, I mean that which faced the temple gate, was of azure, sky-coloured sapphire.

The second, of hyacinth, a precious stone exactly of the colour of the flower into which Ajax's choleric blood was transformed; the Greek letters A I being seen on it in many places.

The third, an anachite diamond, as bright and glittering as lightning.

The fourth, a masculine ruby balas (peach-coloured) amethystizing, its flame and l.u.s.tre ending in violet or purple like an amethyst.

The fifth, an emerald, above five hundred and fifty times more precious than that of Serapis in the labyrinth of the Egyptians, and more verdant and shining than those that were fixed, instead of eyes, in the marble lion's head near King Hermias's tomb.

The sixth, of agate, more admirable and various in the distinctions of its veins, clouds, and colours than that which Pyrrhus, King of Epirus, so mightily esteemed.

The seventh, of syenites, transparent, of the colour of a beryl and the clear hue of Hymetian honey; and within it the moon was seen, such as we see it in the sky, silent, full, new, and in the wane.

These stones were a.s.signed to the seven heavenly planets by the ancient Chaldaeans; and that the meanest capacities might be informed of this, just at the central perpendicular line, on the chapter of the first pillar, which was of sapphire, stood the image of Saturn in elutian (Motteux reads 'Eliacim.') lead, with his scythe in his hand, and at his feet a crane of gold, very artfully enamelled, according to the native hue of the saturnine bird.

On the second, which was of hyacinth, towards the left, Jupiter was seen in jovetian bra.s.s, and on his breast an eagle of gold enamelled to the life.

On the third was Phoebus of the purest gold, and a white c.o.c.k in his right hand.

On the fourth was Mars in Corinthian bra.s.s, and a lion at his feet.

On the fifth was Venus in copper, the metal of which Aristonides made Athamas's statue, that expressed in a blushing whiteness his confusion at the sight of his son Learchus, who died at his feet of a fall.

On the sixth was Mercury in hydrargyre. I would have said quicksilver, had it not been fixed, malleable, and unmovable. That nimble deity had a stork at his feet.

On the seventh was the Moon in silver, with a greyhound at her feet.

The size of these statues was somewhat more than a third part of the pillars on which they stood, and they were so admirably wrought according to mathematical proportion that Polycletus's canon could hardly have stood in compet.i.tion with them.

The bases of the pillars, the chapters, the architraves, zooph.o.r.es, and cornices were Phrygian work of ma.s.sive gold, purer and finer than any that is found in the rivers Leede near Montpellier, Ganges in India, Po in Italy, Hebrus in Thrace, Tagus in Spain, and Pactolus in Lydia.

The small arches between the pillars were of the same precious stone of which the pillars next to them were. Thus, that arch was of sapphire which ended at the hyacinth pillar, and that was of hyacinth which went towards the diamond, and so on.

Above the arches and chapters of the pillars, on the inward front, a cupola was raised to cover the fountain. It was surrounded by the planetary statues, heptagonal at the bottom, and spherical o' top, and of crystal so pure, transparent, well-polished, whole and uniform in all its parts, without veins, clouds, flaws, or streaks, that Xenocrates never saw such a one in his life.

Within it were seen the twelve signs of the zodiac, the twelve months of the year, with their properties, the two equinoxes, the ecliptic line, with some of the most remarkable fixed stars about the antartic pole and elsewhere, so curiously engraven that I fancied them to be the workmanship of King Necepsus, or Petosiris, the ancient mathematician.

On the top of the cupola, just over the centre of the fountain, were three n.o.ble long pearls, all of one size, pear fashion, perfectly imitating a tear, and so joined together as to represent a flower-de-luce or lily, each of the flowers seeming above a hand's breadth. A carbuncle jetted out of its calyx or cup as big as an ostrich's egg, cut seven square (that number so beloved of nature), and so prodigiously glorious that the sight of it had like to have made us blind, for the fiery sun or the pointed lightning are not more dazzling and unsufferably bright.

Now, were some judicious appraisers to judge of the value of this incomparable fountain, and the lamp of which we have spoke, they would undoubtedly affirm it exceeds that of all the treasures and curiosities in Europe, Asia, and Africa put together. For that carbuncle alone would have darkened the pantarbe of Iarchus (Motteux reads 'Joachas.') the Indian magician, with as much ease as the sun outshines and dims the stars with his meridian rays.

Nor let Cleopatra, that Egyptian queen, boast of her pair of pendants, those two pearls, one of which she caused to be dissolved in vinegar, in the presence of Antony the Triumvir, her gallant.

Or let Pompeia Plautina be proud of her dress covered all over with emeralds and pearls curiously intermixed, she who attracted the eyes of all Rome, and was said to be the pit and magazine of the conquering robbers of the universe.

The fountain had three tubes or channels of right pearl, seated in three equilateral angles already mentioned, extended on the margin, and those channels proceeded in a snail-like line, winding equally on both sides.

We looked on them a while, and had cast our eyes on another side, when Bacbuc directed us to watch the water. We then heard a most harmonious sound, yet somewhat stopped by starts, far distant, and subterranean, by which means it was still more pleasing than if it had been free, uninterrupted, and near us, so that our minds were as agreeably entertained through our ears with that charming melody as they were through the windows of our eyes with those delightful objects.

Bacbuc then said, Your philosophers will not allow that motion is begot by the power of figures; look here, and see the contrary. By that single snail-like motion, equally divided as you see, and a fivefold infoliature, movable at every inward meeting, such as is the vena cava where it enters into the right ventricle of the heart; just so is the flowing of this fountain, and by it a harmony ascends as high as your world's ocean.

She then ordered her attendants to make us drink; and, to tell you the truth of the matter as near as possible, we are not, heaven be praised! of the nature of a drove of calf-lollies, who (as your sparrows can't feed unless you bob them on the tail) must be rib-roasted with tough crabtree and firked into a stomach, or at least into an humour to eat or drink. No, we know better things, and scorn to scorn any man's civility who civilly invites us to a drinking bout. Bacbuc asked us then how we liked our tiff. We answered that it seemed to us good harmless sober Adam's liquor, fit to keep a man in the right way, and, in a word, mere element; more cool and clear than Argyrontes in Aetolia, Peneus in Thessaly, Axius in Mygdonia, or Cydnus in Cilicia, a tempting sight of whose cool silver stream caused Alexander to prefer the short-lived pleasure of bathing himself in it to the inconveniences which he could not but foresee would attend so ill-termed an action.

This, said Bacbuc, comes of not considering with ourselves, or understanding the motions of the musculous tongue, when the drink glides on it in its way to the stomach. Tell me, n.o.ble strangers, are your throats lined, paved, or enamelled, as formerly was that of Pithyllus, nicknamed Theutes, that you can have missed the taste, relish, and flavour of this divine liquor? Here, said she, turning towards her gentlewomen, bring my scrubbing-brushes, you know which, to sc.r.a.pe, rake, and clear their palates.

They brought immediately some stately, swingeing, jolly hams, fine substantial neat's tongues, good hung-beef, pure and delicate botargos, venison, sausages, and such other gullet-sweepers. And, to comply with her invitation, we crammed and twisted till we owned ourselves thoroughly cured of thirst, which before did d.a.m.nably plague us.

We are told, continued she, that formerly a learned and valiant Hebrew chief, leading his people through the deserts, where they were in danger of being famished, obtained of G.o.d some manna, whose taste was to them, by imagination, such as that of meat was to them before in reality; thus, drinking of this miraculous liquor, you'll find it taste like any wine that you shall fancy you drink. Come, then, fancy and drink. We did so, and Panurge had no sooner whipped off his brimmer but he cried, By Noah's open shop, 'tis vin de Beaune, better than ever was yet tipped over tongue, or may ninety-six devils swallow me. Oh! that to keep its taste the longer, we gentlemen topers had but necks some three cubits long or so, as Philoxenus desired to have, or, at least, like a crane's, as Melanthius wished his.

On the faith of true lanterners, quoth Friar John, 'tis gallant, sparkling Greek wine. Now, for G.o.d's sake, sweetheart, do but teach me how the devil you make it. It seems to me Mirevaux wine, said Pantagruel; for before I drank I supposed it to be such. Nothing can be misliked in it, but that 'tis cold; colder, I say, than the very ice; colder than the Nonacrian and Dercean (Motteux reads 'Deraen.') water, or the Conthoporian (Motteux, 'Conthopian.') spring at Corinth, that froze up the stomach and nutritive parts of those that drank of it.

Drink once, twice, or thrice more, said Bacbuc, still changing your imagination, and you shall find its taste and flavour to be exactly that on which you shall have pitched. Then never presume to say that anything is impossible to G.o.d. We never offered to say such a thing, said I; far from it, we maintain he is omnipotent.

Chapter 5.XLIII.-How the Priestess Bacbuc equipped Panurge in order to have the word of the Bottle.

When we had thus chatted and tippled, Bacbuc asked, Who of you here would have the word of the Bottle? I, your most humble little funnel, an't please you, quoth Panurge. Friend, saith she, I have but one thing to tell you, which is, that when you come to the Oracle, you take care to hearken and hear the word only with one ear. This, cried Friar John, is wine of one ear, as Frenchmen call it.

She then wrapped him up in a gaberdine, bound his noddle with a goodly clean biggin, clapped over it a felt such as those through which hippocras is distilled, at the bottom of which, instead of a cowl, she put three obelisks, made him draw on a pair of old-fashioned codpieces instead of mittens, girded him about with three bagpipes bound together, bathed his jobbernowl thrice in the fountain; then threw a handful of meal on his phiz, fixed three c.o.c.k's feathers on the right side of the hippocratical felt, made him take a jaunt nine times round the fountain, caused him to take three little leaps and to b.u.mp his a- seven times against the ground, repeating I don't know what kind of conjurations all the while in the Tuscan tongue, and ever and anon reading in a ritual or book of ceremonies, carried after her by one of her mystagogues.

For my part, may I never stir if I don't really believe that neither Numa Pompilius, the second King of the Romans, nor the Cerites of Tuscia, and the old Hebrew captain ever inst.i.tuted so many ceremonies as I then saw performed; nor were ever half so many religious forms used by the soothsayers of Memphis in Egypt to Apis, or by the Euboeans, at Rhamnus (Motteux gives 'or by the Embrians, or at Rhamnus.'), to Rhamnusia, or to Jupiter Ammon, or to Feronia.

When she had thus accoutred my gentleman, she took him out of our company, and led him out of the temple, through a golden gate on the right, into a round chapel made of transparent speculary stones, by whose solid clearness the sun's light shined there through the precipice of the rock without any windows or other entrance, and so easily and fully dispersed itself through the greater temple that the light seemed rather to spring out of it than to flow into it.

The workmanship was not less rare than that of the sacred temple at Ravenna, or that in the island of Chemnis in Egypt. Nor must I forget to tell you that the work of that round chapel was contrived with such a symmetry that its diameter was just the height of the vault.

In the middle of it was an heptagonal fountain of fine alabaster most artfully wrought, full of water, which was so clear that it might have pa.s.sed for element in its purity and singleness. The sacred Bottle was in it to the middle, clad in pure fine crystal of an oval shape, except its muzzle, which was somewhat wider than was consistent with that figure.

Chapter 5.XLIV.-How Bacbuc, the high-priestess, brought Panurge before the Holy Bottle.

There the n.o.ble priestess Bacbuc made Panurge stoop and kiss the brink of the fountain; then bade him rise and dance three ithymbi ('Dances in the honour of Bacchus.'-Motteux.). Which done, she ordered him to sit down between two stools placed there for that purpose, his a.r.s.e upon the ground. Then she opened her ceremonial book, and, whispering in his left ear, made him sing an epileny, inserted here in the figure of the bottle.