During the early seventeenth century there were imported into seaport towns princ.i.p.ally at Salem, Ma.s.sachusetts, unique bird baths. They came packed in among the cargo that was stowed away in the holds of the slow sailing ships that plied continuously between Singapore and the New England sh.o.r.es. Many of these were the result of orders given by the ship owners who wanted to set them in their posy beds, laid out at the rear of their stately homes. Rare were these sh.e.l.ls with their fluted framework, and hard to find, yet so s.p.a.cious that a whole colony of feathered songsters could hold concourse within their pearly depths.

Underneath the shade of the drooping lilac, they peered out at us from the time the melting of the snow released the snow drops from their icy cover, thus allowing them to lift up their pure white heads as if in rejoicing to be free, to be followed later on by the gay little crocuses, clad in their gowns of many hues. Few of these baths are still in existence. We come across them occasionally, however, in old-fashioned gardens where they are treasured for sentiment's sake.

Just as the rustic bird houses, constructed of weathered boards, and with floor covering of powdered sawdust or ground cork, have become a necessity in the twentieth-century garden, tempting the summer sojourners to rest their weary wings; so we must strive to create a homelike atmosphere so attractive to the little songsters that they will delight in revelling among the many flowers that are planted here. A barren waste of land has no pleasure for them, neither has a garden shorn of their favorite plants.

There is no need of being deterred from using a feature such as this. A bird bath need not be expensive, just a simple box, zinc-lined and painted to correspond with the surroundings. The birds are not fussy as to the exterior of their outdoor bathroom; all they wish is comfort and a cooling drink during the hot summer days, when the dew has faded from the gra.s.s, and the sun hangs high in the heavens. It is then that all nature is panting from excessive heat.

A simple zinc pan, large and wide enough, filled with fresh water daily, is as satisfactory to them, as a marble pool standing in the heart of the garden and surrounded by a bed of brilliant flowers. Place this pan in the heart of a gra.s.sy knoll, at the edge of the garden proper and watch results. You will not have long to wait before softly tripping through the gra.s.s or dropping from their leafy covert, one by one, they show their grat.i.tude by revelling in the bath thus placed for their use.

The most common type, if you wish to buy a bird bath, is the cement one.

It can be modeled in any shape and to follow any line of treatment that you prefer. The simple, plain, low-lying ones are suitable for placing under the shadowy bush or tree. Hand carving would be as much out of place on a bath such as this, as if one used an expensive silver bowl for their benefit. To be sure a little ornamentation, simply worked out, makes them more artistic. This can be accomplished through proper planting. A delicate fern unfolding its fronds and drooping until it almost touches the water is appropriate, as is a low-lying pine that adds a bit of shade which is truly appreciated by your little visitors who perch on the curb, after shaking off the dust from their wings in the water below, and pour out their grat.i.tude in a melody of song.

For ornament why not use a cement bath that is shaped like a large vase.

It makes an interesting feature in your twentieth-century garden, and gives a chance to depict a favorite flower from which the garden takes its name.

Rising stately and dignified from their floral bed, showing wonderful and delicate carving, are marble baths exquisitely shaped and resting on a shaft of the same material. These are fitting for an Italian or a formal garden. They seem to blend in with an elaborate architectural scheme such as we find in the planning for the decoration of a large area.

There is no particular place where they seemingly do not fit in. They are effective used as a central figure and surrounded with a circle of well-chosen blossoming plants and they harmonize in the landscape scheme even if used apart from the main gardens or designed to occupy a niche in the wall. Here they are just as enjoyable as if they stood prominently forth, the main axis around which the rest of the garden revolves.

[Ill.u.s.tration: A WELL-PLACED BIRD-BATH]

They can be made much more picturesque if one trains over their side a delicate vine whose tendrils cling to the foundation and bring out the color effectively. Plant for the birds' enjoyment and combine with this feature decorative beds, using not the strong colors, but the delicate, dainty, pink, blue, white and lavender, of the many varieties that are suitable for this purpose.

Do not let the base of your expensive bird bath rest on the earth, rather place under it a pedestal of marble, granite, or cement. It need not be conspicuous, a growth of turf, the planting of an ivy or some other vine, will add much to its attractiveness, making an artistic foundation for it.

Whoever lays out his garden plot with a thought of thorough enjoyment, he who looks forward to sitting under the vine, will take special thought of the birds. He will endeavor even if he is an amateur not to make an ugly muddle in his planting, but aim for picturesque garden vistas, and have his flowers properly balanced so they will show harmonious ma.s.sing of colors. One should be as careful not to give sun-loving plants a shady place, as to put the shy little flowers in the glaring sunlight.

It is a necessity if you are a bird lover, or if you wish to rid your plants of insects and your grounds of worms, to attract the birds. This can be accomplished by giving them not only proper planting but the right place where they may enjoy their daily bath. If you wish the best results, seek shade rather than sunshine. Our little friends prefer shelter to warmth, so cater to their taste in the placing of their drinking pool.

It is rather important that you seek a spot, just near enough to the grounds to be companionable, there to place a mulberry tree. There is no fruit that is more to their mind than this and it will be a source of delight to watch the shyest birds reward you by flaunting their colors before you as they flit in and out, feeding off the berries so temptingly displayed for their exclusive use.

It is a mistake to look upon the robin as common and a pest. This fact has been firmly fixed in our minds through his thieving qualities. When you consider that he has been known to devour as many as seventy worms a day, and multiply that by the voracity of his mate and his children, you will then commence to realize what a benefit he is to your garden. Try and cajole him into being a friend, and entice him to nest in the heart of your flower patch. Listen to his song; there is a mellow quality to his voice and he can put more expression into his music than any other bird. There is a flash of color and a burst of sweet melody, listen--there is a scarlet tanager, singing love songs to his mate. He is a veritable bird of Paradise and once sported fearlessly among our trees, but has now grown shy through being used as a target for the sportsman's gun. Cultivate him by all means. Toll him into your garden.

Darting in and out of the garden one finds the humming bird, so tiny that he measures only from three and a half to three and three-quarters inches, the smallest bird in our country. There is a glint of color as he dashes fearlessly from flower to flower, his brilliant metallic throat and breast sparkling in the sunlight like a precious gem. The trumpet flowers with their deep cup-shape blossoms are his special delight, although he never scorns the sweet-scented flowers that he finds on every side. For a moment he poises in the air motionless, sighting his flower, then winging his flight, he drains the nectar, uttering a shrill little squeak of delight, as he spies some especially fat aphides on the garden foliage. These he shoots off like a streak of lightning rapidly searching for more food.

How to attract the birds is a question that all bird lovers are seeking to answer. It is such a simple matter that you do not have to look far afield to obtain what you wish. There are many fruit-growing shrubs each one of which is suitable for his majesty's needs. These should be planted somewhere in the garden. If you prefer them surrounding the bird bath, you will have more chance for bird study, but they will come without that if you give them a chance and plenty of edible berries all the year round. The red berried elder is one of their favorites, as is the Canadensis or common elder, which flowers in June, and shows reddish purple berries during the autumn; then there is the Arbutifolia or red chokeberry. This is a native dwarf shrub, which is particularly tempting to the feathered tribe. When planning for this feature, one should remember that these bird-attracting shrubs should not be planted with only one idea in view. They should be made to form a part of the decorative plan, and the situation chosen should be among flowers that would bring out its artistic value, far more than if they were grouped in a ma.s.s. One is apt, in their enthusiasm in arranging their garden for the birds' benefit, to forget that attractive color schemes must be worked out, otherwise it will be a heterogeneous ma.s.s that will be an eye-sore rather than a pleasure.

[Ill.u.s.tration: AN ORNAMENT DELIGHTFULLY USED TO MARK THE OPENING OF PATHS THROUGH WOODS]

There is very little choice as to what kind of flowers to mix with the shrubs. Take it all in all, the perennials stand first. The reason for this is that they are more suitable for this purpose than annuals, which have to be re-planted every year. Like the shrubs the perennials die down in the fall and re-appear when the breath of spring sweeps over the land, in greater profusion and showing added vigor through having conserved their strength by resting during the winter months.

You are very foolish if you have taken no thought for the future life of your shrub or perennial. Once planted they do not take care of themselves and if neglected it only means the survival of the fittest.

Different species require different treatment, and a great many kinds need to be subdivided every two or three years. The scarlet and crimson Phlox, Spirea, and many other varieties should never be left longer than two years, they should then be carefully gone over and an experienced hand should determine how much should be left and what removed. If you have planting of Iris, Shaster daisies, and Veronicas, they can readily wait until the third year.

The ground is of just as much importance as the planting. Just because you wish to grow flowers and shrubs, you must remember that they must have food to live on, that this food must be properly prepared and contain plenty of nourishment, otherwise you will have spent money and time for naught. First of all comes fertilizing. Doubtless, in some part of the ground you can find a corner that will be the proper place for the compost heap. In its selection, it is better that it should be concealed by shrubs or trellis, vine covered. It would be a blot in the landscape if you treated it otherwise.

Every time you rake over the lawn or weed the garden, throw into a large basket the refuse and let it form part of the compost heap. The foundation for this should be plenty of manure and this, to be at its best, must be well rotted and mixed in with other material to lighten and bring about better results. You will be surprised, that is if you have never tried it, to see how quickly it grows. Almost before you know it you have enough to use in the garden next year. No matter how rich it is, a liberal amount of coa.r.s.e bone meal added will pay in the end.

Your fertilizer ready, as early as possible in the spring dig your ground to the depth of eighteen or more inches. It is better if the earth is pulverized; some people go so far as to sift it. Next put in your fertilizer, mixing it with the earth previously removed. Give it time to settle before planting and you will never be dissatisfied with results.

Opinions vary as to proper time for planting perennials. Many people feel that the spring is the safest. It is foolish to follow this plan unless it can be accomplished as soon as the frost is well out of the ground. Many of them are likely to die. Therefore, if you pot them in the fall, and winter them under gla.s.s, the result will be much more satisfactory. It is simply the working out of the garden lover's idea as to what is correct and what incorrect as to the time of planting.

Many kinds are better ma.s.sed. This applies to the Sweet William, the Hollyhock, Delphinium, and other varieties, that seemingly belong to the same family. The hardy Asters, which are late flowering, are invaluable for ma.s.sing. They burst into blossom at a period when the early frosts have lolled the more tender plants, making their bright hues a dominant feature in the garden. It is better to shade colors than to plant one variety. For September and October blossoming why not use the Abendrote or Evening Glow? It has a bright rosy red flower and is a very free bloomer. Mix with that the Glory of Colwall, which is ageratum blue, showing double flowers, grown on stout, erect stems. The pink of the blossom contrasts admirably with the rosy red. The White Queen will mix with these two colors very effectively. This is a pure, splendid white and comes into blossom at the same season of the year.

A very interesting way of treating the defining line of the garden proper is by a low hedge. Many of these are berry bearing, thus working into the bird scheme. The Hawthorn Oxyacantha is well suited for this purpose. It is used in England for hedges and during the time of its blossoming shows a pure white, sweet-scented flower followed by a scarlet fruit. The Berberis is excellent for hedging. It blooms in the summer and is succeeded by a bright colored fruit that lasts into the winter.

Once interested in this feature of garden culture, by careful study one will realize what an inexhaustible theme it becomes. Color shades in berries often help out landscape effects in winter, therefore it is best not to plant promiscuously.

GARDEN SEATS

[Ill.u.s.tration: A FORMAL GARDEN SEAT]

CHAPTER VII

GARDEN SEATS

The ever-changing tide of fashion brings in its wake a constant development of new and original ideas in the furnishing of our garden plots. Flowers have been with us ever since the first settlement of our country and so has a love for life in the open. This is an inheritance that has deepened with the pa.s.sing years. So rapidly has this developed that to-day it demands our gardens as living rooms. It is this aspect of garden life that develops new and unusual features in equipment.

While we may flatter ourselves that we as garden lovers have originated this idea, yet it is of ancient origin. History relates that in the gardens of the early Romans and Greeks, garden seats were found. With the changing of styles in floral-culture the ornate came into existence, much used during the Italian Renaissance. Reproductions of their ideas are found in replica in many of the formal gardens of the twentieth century.

Logs, carelessly thrown on the ground, may have been the first seats used by our garden ancestors. Later on with the development of the one-path posy bed, seats were hollowed out of old trees. They formed a picturesque bit, clothed during the summer months in their garments of green, for trailing vines were encouraged to run rampant over their sides. These with the green arbor or pergola and the vine-clad summer house were the three styles of seats favored by the Colonial dames.

Styles and usage of furniture in this special way are as clearly defined as in interior decoration. The modern garden equipped with English, American or Italian furniture, gives a pleasing variety. The princ.i.p.al materials necessary for manufacture are stone, marble, terra cotta or wood. Of these, the latter suggests less expense, while the former can be purchased at any sum you wish.

Stone or marble are absolutely necessary in formal or Italian gardens, as they provide a proper medium for expression that nothing else would satisfy. Look at the gleam of the white marble shown up by its background of green trees and see what a charm it has in the furnishing of your garden plot. Take it all in all, it is the only right setting for an elaborate garden, partly on account of its being a descendant of the Italian Renaissance period which makes it desirable in designs that follow out the character of that period. Rarely, if ever, do we find this simple in form, but rather elaborately carved with representations of animals or figures. As an ornamental feature, it cannot be excelled, but as a garden seat it is not practical, being cold and hard to sit upon. Properly speaking, it should be placed at the head of a walk or topping the garden steps. This is on account of its decorative character and the necessity of making it fit into the floral scheme. The price is prohibitive except to the rich, although it varies with the elaboration of the carving.

Terra cotta, while not as often used, has its advantages. It can be moulded readily into any form desired. While it is not always suitable, yet its warmth of color, which is either buff or red, makes it admirable when one desires to bring out certain effects in the planting of beds.

It is, perhaps, the least used of any of the materials. A seat four feet in length can be purchased for from forty dollars upwards.

Concrete seats are the kind that are most commonly used for formal and informal gardens. We should remember, however, that we must not mix formal and informal furniture promiscuously, otherwise the result will be disastrous. One should bear in mind in treating this subject that formal pieces resemble well-bred people. They fit suitably into any place in their surroundings. It is far different, however, with informal pieces which are entirely wrong and out of place in formal settings.

This fact applies to concrete which is suitable for almost any occasion for it possesses almost endless possibilities as far as form is concerned. Rightly mixed, it can be moulded into almost any shape that you desire, which accounts for the fact that in its designs many of the elaborate garden seats are copied. This makes it popular and constantly in demand, on account of its less cost. To all intents and purposes, it is quite as durable as stone or marble. It has still another advantage, in that its neutral gray tint harmonizes picturesquely with almost any setting of shrubbery or flowers.

The least expensive of any of the materials that is used for this purpose is wood. It has this advantage, that it can be formed in such a great variety of shapes that there is always found some piece that is suitable for every taste and occasion. If you contrast it with marble or stone, you will realize that it has the advantage of being lighter in weight, and capable of being carried around from place to place with little or no trouble. Take it all in all, the best place for it to be at home in is the informal garden.

The kind of garden that most of us live in and enjoy intimately is the plot where wooden settles and chairs are used. Care should be taken, however, in the selection of material in order that it may have lasting qualities. One reason for its use is that unlike marble and stone it is not cold to sit upon, and is really comfortable. The best kind of wood, if you can afford it, is teakwood, which lasts for centuries. It is the most expensive, particularly the antique pieces. Those of to-day are shoddily put together and cannot resist weathering as do the century-old ones.

Many people prefer pine on account of less cost. This is all right, provided great care is taken to keep it well covered with paint of the glossy kind. The advantage of this over the other is that it can be readily wiped clean before using. Anyone who is a garden lover will appreciate this fact, for no matter how carefully placed, the seats will acc.u.mulate a reasonable amount of leaves and dirt.

Plain settles and benches which belong to the informal type can be placed anywhere, according to inclination. These need not, of necessity, be made of plain wooden strips, but can be varied by making them rustic in design. Use for this purpose limbs of the same size without removing the bark. They require so little work in putting them together that a village carpenter can accomplish this task, or if you are a genius you can do it yourself. An objection which many people offer is that they need repairing often, or replacing. Considering the cost, this is not a serious objection.