"Ah!" he said. "You are not here for a picture. A thousand pardons. Give me your papers. One moment--I will return to the General and explain."

He vanished, and Raymon and I waited in the growing dusk.

"No doubt the General supposed," explained Raymon, as he lighted a cigarette, "that you were here for _las machinas_, the moving pictures."

In a few minutes the aide-de-camp returned.

"Come," he said, "the General will see you now."

We returned to where we had left Carranza.

The General rose to meet me with outstretched hand and with a gesture of simple cordiality.

"You must pardon my error," he said.

"Not at all," I said.

"It appears you do not desire to be shot."

"Not at present."

"Later, perhaps," said the General. "On your return, no doubt, provided," he added with grave courtesy that sat well on him, "that you do return. My aide-de-camp shall make a note of it. But at present you wish to be guided to Francesco Villa?"

"If it is possible."

"Quite easy. He is at present near here, in fact much nearer than he has any right to be." The General frowned.

"We found this spot first. The light is excellent and the mountains, as you have seen, are wonderful for our pictures. This is, by every rule of decency, _our_ scenery.

Villa has no right to it. This is _our_ Revolution"--the General spoke with rising animation--"not his. When you see the fellow, tell him from me--or tell his manager--that he must either move his revolution further away or, by heaven, I'll--I'll use force against him. But stop," he checked himself. "You wish to see Villa. Good. You have only to follow the straight track over the mountain there.

He is just beyond, at the little village in the hollow, El Corazon de las Quertas."

The General shook hands and seated himself again at his work. The interview was at an end. We withdrew.

The next morning we followed without difficulty the path indicated. A few hours' walk over the mountain pa.s.s brought us to a little straggling village of adobe houses, sleeping drowsily in the sun.

There were but few signs of life in its one street--a mule here and there tethered in the sun, and one or two Mexicans drowsily smoking in the shade.

One building only, evidently newly made, and of lumber, had a decidedly American appearance. Its doorway bore the sign GENERAL OFFICES OF THE COMPANY, and under it the notice KEEP OUT, while on one of its windows was painted GENERAL MANAGER and below it the legend NO ADMISSION, and on the other, SECRETARY'S OFFICE: GO AWAY.

We therefore entered at once.

"General Francesco Villa?" said a clerk, evidently American. "Yes, he's here all right. At least, this is the office."

"And where is the General?" I asked.

The clerk turned to an a.s.sistant at a desk in a corner of the room.

"Where's Frank working this morning?" he asked.

"Over down in the gulch," said the other, turning round for a moment. "There's an attack on American cavalry this morning."

"Oh, yes, I forgot," said the chief clerk. "I thought it was the Indian Ma.s.sacre, but I guess that's for to-morrow.

Go straight to the end of the street and turn left about half a mile and you'll find the boys down there."

We thanked him and withdrew.

We pa.s.sed across the open plaza, and went down a narrow side road, bordered here and there with adobe houses, and so out into the open country. Here the hills rose again and the road that we followed wound sharply round a turn into a deep gorge, bordered with rocks and sage brush. We had no sooner turned the curve of the road than we came upon a scene of great activity. Men in Mexican costume were running to and fro apparently arranging a sort of barricade at the side of the road. Others seemed to be climbing the rocks on the further side of the gorge, as if seeking points of advantage. I noticed that all were armed with rifles and machetes and presented a formidable appearance. Of Villa himself I could see nothing. But there was a grim reality about the glittering knives, the rifles and the maxim guns that I saw concealed in the sage brush beside the road.

"What is it?" I asked of a man who was standing idle, watching the scene from the same side of the road as ourselves.

"Attack of American cavalry," he said nonchalantly.

"Here!" I gasped.

"Yep, in about ten minutes: soon as they are ready."

"Where's Villa?"

"It's him they're attacking. They chase him here, see!

This is an ambush. Villa rounds on them right here, and they fight to a finish!"

"Great heavens!" I exclaimed. "How do you know that?"

"Know it? Why because I _seen_ it. Ain't they been trying it out for three days? Why, I'd be in it myself only I'm off work. Got a sore toe yesterday--horse stepped on it."

All this was, of course, quite unintelligible to me.

"But it's right here where they're going to fight?" I asked.

"Sure," said the American, as he moved carelessly aside, "as soon as the boss gets it all ready."

I noticed for the first time a heavy-looking man in an American tweed suit and a white plug hat, moving to and fro and calling out directions with an air of authority.

"Here!" he shouted, "what in h--l are you doing with that machine gun? You've got it clean out of focus. Here, Jose, come in closer--that's right. Steady there now, and don't forget, at the second whistle you and Pete are dead. Here, you, Pete, how in thunder do you think you can die there? You're all out of the picture and hidden by that there sage brush. That's no place to die. And, boys, remember one thing, now, _die slow_. Ed"--he turned and called apparently to some one invisible behind the rocks--"when them two boys is killed, turn her round on them, slew her round good and get them centre focus. Now then, are you all set? Ready?"

At this moment the speaker turned and saw Raymon and myself.

"Here, youse," he shouted, "get further back, you're in the picture. Or, say, no, stay right where you are.

You," he said, pointing to me, "stay right where you are and I'll give you a dollar to just hold that horror; you understand, just keep on registering it. Don't do another thing, just register that face."

His words were meaningless to me. I had never known before that it was possible to make money by merely registering my face.

"No, no," cried out Raymon, "my friend here is not wanting work. He has a message, a message of great importance for General Villa."

"Well," called back the boss, "he'll have to wait. We can't stop now. All ready, boys? One--two--now!"

And with that he put a whistle to his lips and blew a long shrill blast.

Then in a moment the whole scene was transformed. Rifle shots rang out from every crag and bush that bordered the gully.