In the midst of an oppressive silence, one minute before the curtain rose, Madame de Bouillon appeared in her box. She was quite alone. As she seated herself, she displayed upon her beautiful white arm, a miniature of Count Saxe, set in diamonds. I dare say she stole it. She sat there, smiling and unconcerned, with every eye in the theater turned on her with hatred. But then sounded the three knocks which herald the rising of the curtain, and the play began.

When the time came for Mademoiselle Lecouvreur to appear and the first glimpse of her as Phedre in her cla.s.sic garb was seen, a frantic roar of applause went up--men shouting, women weeping their welcome. It was plain that she was very ill, but likewise every human soul in that house knew that she would go through her part. I will not speak of her acting that night: how she brought us to tears, and plunged us into despair and pity and horror at her will. But there was a climax, the essence of all feeling when she advanced to the front of the stage, and, fixing her beautiful, despairing eyes on Madame de Bouillon, repeated those immortal lines in a voice that might have been that of an accusing angel.

Je sais mes perfides, OEnone, et ne suis point de ces femmes hardies, Qui, goutant dans le crime une tranquille paix, Ont su se faire un front qui ne rougit jamais!

How shall I describe what followed? The pity, fury, and despair that filled all hearts; the cries, the maledictions directed toward Madame de Bouillon; the tears for Mademoiselle Lecouvreur; the pa.s.sion of regret, the tears, the words of endearment lavished upon her. When I came to myself after a period of frenzy, Gaston Cheverny had thrown his arm about my neck and was weeping like a woman. The d.u.c.h.esse de Bouillon had vanished. Hereault, a lieutenant of police, had told her he could not answer for her life if she remained in the theater.

Adrienne was still on the stage, supporting her frail body by leaning against an urn, and tears were dropping upon her cheeks; she looked like some fair effigy of patient grief. She wished to live--and she was so soon to die! I know not how the play ended, or if it was ended at all when the curtain went down.

An agitated crowd blocked all the streets leading to the theater.

Adrienne's coach was waiting to receive her. Presently, there was a sudden rush. Adrienne was being supported to the coach, and in the arms of Count Saxe--for she was more carried than led. A murmur of approval, of relief, of sorrowful satisfaction ran through the mult.i.tude. Adrienne, the paint washed from her face, was of a deathly pallor, but her eyes were full of light and joy. She was to die, but yet to die as she would have wished, with Count Saxe once more her own, won in triumph from her enemy, and the affectionate plaudits of the public which ever loved her, ringing in her ears.

Count Saxe caught sight of me in the crowd, and made a signal to me. I forced my way to the coach, and got on the box with the driver. Then, glancing back, I saw Monsieur Voltaire and the Earl of Peterborough spring upon the footman's running board behind. The people gave one single loud cry of approval, and then amid the tears and farewells of thousands, Adrienne Lecouvreur was borne away for the last time from the Theatre Francais, of which she had been the chiefest ornament.

When we reached her house, Monsieur Voltaire and Lord Peterborough sprang down, opened the coach door and let down the steps. Mademoiselle Lecouvreur laughed a little when she saw what manner of footmen she had; she was then in perfect peace, and could smile and even laugh.

Monsieur Voltaire took her in his arms and carried her up the long stairs to her apartment, Count Saxe following. Their jealousy was dead and about to be buried in Adrienne's grave.

I went up the stairs and sat in the anteroom. Within Adrienne's chamber there were my master, Monsieur Voltaire, Lord Peterborough, Mademoiselle Lecouvreur's sister, her two faithful servants and the doctor. There was a strange quiet for so many persons. The windows were opened, letting in the mild air of the spring night. Beneath the windows, a vast, silent and sorrowing crowd stood through the night, while the moon and stars watched and waned. The eastern sky grew rosy, and the long lances of the sun's advance-guard tipped the roofs and spires with glory. While I was watching this miracle of a new day, I heard the door to Mademoiselle Lecouvreur's room open behind me. I caught one glimpse of Monsieur Voltaire as he leaned weeping over the pillow whereon Mademoiselle Lecouvreur's head lay, naturally as if she had fallen asleep. Her face was turned a little toward the window, and one hand, half open, lay outside the coverlet--as Count Saxe had dropped it last. He came out of the room. I saw that he was almost as pale as the dead Adrienne; for she was dead, the beautiful, the loving, the generous, and gifted. He walked steadily enough toward me; then suddenly tottered. I helped him out of the room, and below and into a coach. He spoke not one word as we drove toward the Luxembourg, but wept--oh, how he wept!

I left him in his room, alone with his grief and his remorse. I went to my own. At my writing table sat Gaston Cheverny, writing, his tears dropping upon the paper. I believe everybody in Paris wept when Adrienne Lecouvreur died.

"I am writing an account for Mademoiselle Capello," he said; then laid down his pen, when he saw by my face what had happened.

Four days later Adrienne Lecouvreur was buried at midnight. I was among the few at her interment. Monsieur Voltaire managed it all, with a delicacy, a tenderness inexpressible. Those who say that man could not love, knew not the n.o.bility of his love for Adrienne Lecouvreur.

When her will was opened it was found that nearly all of her property was left to the poor.

The death of Adrienne Lecouvreur made an epoch with my master. Except her, he had not been fortunate in the women he had known best; and there were no more, for him, like Mademoiselle Lecouvreur. He never again spoke to the d.u.c.h.esse de Bouillon. In that, he was unfailingly true to the memory of the woman who had loved him so well.

This was in March of 1730. It seemed to me as if the days were growing heavier, and Paris drearier, every week that pa.s.sed. Not that Paris is reckoned a dreary town; particularly in the spring and summer, when everything is in full leaf and flower, and the whole population is out of doors all day in the yellow sunshine and half the night under the laughing moon and merry-twinkling stars--for the people of Paris think that the moon was made for their chief torch-bearer, and that the stars were set in the sky that Paris might be supplied with a handsome set of girandoles. But I was not of that mind. For a long time after Mademoiselle Lecouvreur's death, Count Saxe never spoke her name. He longed to be away from Paris. In June, the King of Saxony, his father, was to form a great camp at Radewitz, and Count Saxe, to his satisfaction, was invited to attend. So, preparing for that event, in which he was to take a considerable part, gave him some distraction during that sad springtime of 1730. I wished him to leave Paris, too.

I never thought the air of that town agreed with his const.i.tution.

Gaston Cheverny, as became a young man whose blood runs quick and red, liked the springtime. He had not enough money to go to court often, which he would have liked, so he put up with humbler pleasures. I do not believe he could, to save his life, pa.s.s one of those impromptu b.a.l.l.s on the corner of the street, where the people, young and old, dance to a pipe or a fiddle. He always joined in, and as he danced with grace and skill, the little milliners' girls and the merry old women always liked to have a fling with him.

We made many excursions on foot as well as on horseback, in those hours when Count Saxe had no need of me. We often loitered past the deserted garden of the Hotel Kirkpatrick, where the lilacs and syringas drenched the air with perfume as on that spring afternoon, four years before. Gaston would say to me:

"See yonder balcony--it was from that balcony Francezka bade me good by. And look--the very guelder rose-bush by which I once spoke with her, on coming to pay my respects to Madame Riano! I can conjure up that charming Francezka as if she were before me now!"

So could I.

By the artful subterfuge of sending Madame Riano the news of Paris, for which she thirsted, Gaston had been lucky enough to keep in constant communication with the chateau of Capello. Madame Riano often used Francezka as her amanuensis, and I grew to know her clear, firm handwriting well. Her letters were written at Madame Riano's dictation, but it was plain that Francezka managed to express in them her own thoughts as well as Madame Riano's. She often spoke of Regnard Cheverny.

"Monsieur Regnard was with us yesterday, at our fete champetre." And "Monsieur Cheverny is reading a Spanish story to us, which I understand quite well, although I have scarce spoken ten words of that language since I was a child." And once--oh, blessed letter!--she said, "My aunt and I desire our regards to Captain Babache. Tell him, as I know he is a poet in his heart, if not with his pen, that there is a beautiful poem being made now by a lady in Brabant. The lady is Mother Nature--period, this present springtime. It is a play in several acts. I watch it daily from the Italian garden. It is a comedy, with some tragic aspects--for Nature has her tragic moods. The comedy is in the birds and the laughing river, and the leaves and blossoms. These last are defying their cruel old father, Winter, as they come out in spite of him, at first shyly, and then boldly, to be kissed by their lover, the sun. The lake remains always tragic; it never laughs nor even smiles, but is always sadly beautiful, like Niobe, poor, childless one. This is all for Captain Babache. And so Mademoiselle Lecouvreur is no more--and how are we all impoverished by her loss!" And much more of the same sort.

In June we started for Radewitz, near the Elbe. Thirty thousand soldiers were a.s.sembled there, many royalties, including the King of Prussia and the Crown Prince Frederick, afterward known as the Great, and every pretty woman in Europe. It was a huge, royal fete champetre, in which the river Elbe seemed to run with champagne. I had expected it to be a practice camp, and so made preparations with pleasure for Count Saxe to go.

Gaston Cheverny was overjoyed to go, for several reasons; one was, that our road would lie directly toward Brussels, and he would have a chance to stop at his own house, and so, to see the lady of his love.

As soon as it was known that we were going, we received kind invitations from Madame Riano and Mademoiselle Capello to become guests at the chateau. It was not possible for Count Saxe to accept, however, and Gaston got only a week's leave, departing from Paris in advance of us and joining us at Brussels. My master seeing I was disappointed in not stopping at the chateau on our way, promised that I might stop on our return in July; and with this I was satisfied.

Gaston Cheverny left Paris the middle of May--he was in the highest spirits, as well he might be. The morning he set forth, I rode with him to the barriers. He had a good horse under him, he was to see the lady of his heart, he was then to take part in a great military pageant, beautiful to the eye of a soldier--he was, in short, a very happy young fellow, and forgot that his purse was light. He rode away along the highroad, waving me farewell, and I returned to work like a Trojan to get my master's escort in trim for the journey. I was glad for Count Saxe to be away from Paris then. Those who think that he was not grieved at Mademoiselle Lecouvreur's death, or did not silently lament her, know not the man. But a soldier must take arms against his sorrows, as against his enemies.

Another week found us on the road to Brussels. The very night of our arrival there, Gaston Cheverny turned up; and with him was his brother, Regnard.

Regnard, as usual, was handsome, smooth, well dressed and well equipped with horses and servants to make a good appearance at Radewitz. He was far better off externally than was Gaston; but the same brotherly feelings which made him perfectly at home in Gaston's house, made Gaston free of Regnard's servants and horses. The two brothers lived upon the same terms of amity and cordial intimacy as always, in spite of the fact that as they were now men, and not youths; and as Mademoiselle Capello was her own mistress, their rivalry had become far more serious.

After supper at the inn, I left Regnard with Count Saxe, while Gaston and I walked together upon the city ramparts, under the soft dark skies of the summer night. It was plain, without the telling, that his visit to Brabant had been highly satisfactory. He gave me a kind message from Mademoiselle Capello, and also one from Madame Riano. He told me that Francezka had developed the same capacity for affairs which marked Madame Riano; and to the surprise and chagrin of the wiseacres who expected to see everything at Capello at sixes and sevens under a woman's rule, hers was the best managed estate in the province. She had stewards, but looked after them herself, not being free from a fondness for ruling. Old Peter was still her right hand man, but aged and inexpressibly sorrowful at the humble tragedy of the lost Lisa. Jacques Haret had not since been seen in those parts; and Gaston Cheverny had given his word to Mademoiselle Capello that the next time he saw Jacques Haret, the scoundrel should have a double dose of punishment on old Peter's account, as well as on Gaston's own, and Francezka seemed mightily contented with the idea. Revenge, as well as all the other elemental pa.s.sions, was a part of Francezka Capello's nature.

Madame Riano, Gaston said, was the same Madame Riano, but a late fantasy of hers was giving Mademoiselle Capello some anxiety. Madame Riano had been seized with a raging desire to go to Scotland. She had a notion that the time was ripe for another uprising against the Hanoverians; and I believe that woman was capable of raising the clans and marching at their head to recover for Charles Edward Stuart the throne of his ancestors. This sudden pa.s.sion of Madame Riano for Scotland was very embarra.s.sing for Mademoiselle Capello, because it would almost force her to seek the protection of a husband, as she had no intention of forsaking her home in Brabant. I do not think this decision of Madame Riano's seemed to trouble Gaston Cheverny very deeply, although he candidly admitted what the consequences would be.

It was plain, however, that his prospects in that quarter were such as to warrant his taking a certain risk; and I believed he played fast and loose with the ladies slyly encouraging Madame Riano to go to Scotland, while ostensibly urging her to remain in Brabant. I asked him if his brother had yielded the field to him.

"By no means," he replied, "but the only way to make him yield is to carry the lady off. There is no waiting game to be played in love--one must be ready to take the hazard of the die at any moment. My brother is not my only rival--there are scores of others; but I do not count up my chances of failure--I only count my chances of success. Oh, Babache, if Francezka Capello should exchange her dower for the smallpox, it would make no difference to me--" and he quoted to me that sonnet of Master William Shakespeare's, in which the poet makes it clear that true love is not Time's fool.

We started next morning, in beautiful summer weather, which lasted us until we reached Radewitz.

What shall I say concerning the splendors of that place? The temporary palaces, built of painted and gilded canvas, adorned with pictures and statues, and surrounded with gardens and shrubberies, where kings and princes were served from gold and silver plate; where after the most magnificent military pageants all day long, at evening came soft and dulcet music, concerts and serenades and even operas; where all the splendor and beauty in Europe seemed gathered together.

It was like the Field of the Cloth of Gold, and it lasted for a whole month. I sometimes wondered why, among the great number of ladies present, there should not be Mademoiselle Capello and Madame Riano; and one summer afternoon, my question was answered, for rolling along the highway, toward a fine country mansion, where many guests were entertained, I saw a splendid traveling coach, well horsed and with outriders. The liveries were not the purple and canary of Madame Riano, but a superb crimson and gold. In this coach sat Madame Riano, and by her side, Francezka Capello--Francezka, in the very flush and flower of her exquisite beauty.

CHAPTER XVII

AN IMPATIENT LOVER

Why do I always call Mademoiselle Capello beautiful? I can not tell.

Her features were only tolerably regular, not even so regular as Madame Riano's; but Francezka had on her eloquent face the power, if not the substance, of the most dazzling loveliness. She put handsomer women behind the door, at the mere look of her. Everything became her.

If she were splendidly appareled, that seemed the best and only dress for her. If she rode a-horseback, with her hat and feather, that was the right thing for her, and when she wore a simple linen gown and a straw hat, we wondered how she could endure to wear any other costume.

That, I take it, is the essence of beauty--not that I am learned in beauty, though I am an expert in ugliness.

The coach was stopped, and I hastened to pay my duty to the ladies.

Madame Riano's greeting was kind, Francezka's more than kind. They were to be the guests of some great people at the fine mansion for which they were bound, during the remainder of the camp--about a fortnight longer. Madame Riano was disposed to grumble a little that so many sovereigns and princes should waste their time in pageants instead of using their arms to set Prince Charles Stuart upon the throne of his ancestors; but otherwise she was reasonable enough.

Francezka looked scarcely a day older than when I had last seen her two years and a half before. She leaned forward, out of the coach door, one little red-heeled shoe showing coquettishly. A large straw hat, fit for a woodland nymph to wear shaded her dark eyes, now soft, now sparkling. She expressed many wishes to see much of me, and reminded me, as did Madame Riano, that I was due at the chateau of Capello on our return to France. Presently, the coach rolled away, along the highroad, under the dappled shadows of the linden trees, and that was the only satisfactory interview I had with Francezka that bout.

Gaston Cheverny had not so much as even one satisfactory interview, for, straightway, Francezka was pounced upon by every man who felt the need of fortune for himself or his sons, and every woman who thought the estates of Capello would be desirable in her family. Besides this, there were numbers of young officers who were deeply smitten by Francezka's own dark eyes, for she was one of those women born to trouble the hearts of men. No young girl ever had more of admiration and adulation than Francezka had, on this her first entrance upon a larger stage than that of a province.

Count Saxe showed her marked, but respectful attention. The Crown Prince Frederick of Prussia admired her openly, and always danced with her at the grand b.a.l.l.s given every other night by the King of Saxony.

As for the young sprigs of royalty and n.o.bility, Mademoiselle Capello was the toast of the hour with them, and he that could rob her of her little slipper and drink her health in it was reckoned a hero.

It may be imagined how pleasant this was to Gaston Cheverny, who could scarce come near Francezka for the press. Moreover, Count Saxe attended that camp to work, and he made everybody under him work; so that Gaston Cheverny had not many hours to play the gallant to any one. Regnard Cheverny, who was merely a guest, had all the time he wanted to pursue Mademoiselle Capello, but not even he, the persistent, the tenacious, could charge successfully through the cordon of admirers which always surrounded Francezka now. I saw her sometimes at a distance, dancing at a ball, and looking like a fairy princess out of a story book; or, riding like a lapwing with Count Saxe, and other officers; or again, in gorgeous pleasure parties on the river. But she was like a comet in its brilliant but erratic course through the heavens, and no longer a fixed star, whose orbit is known.

Gaston Cheverny's misery was extreme. He pa.s.sed at once from the high heaven of delight to the lowest deeps of wretchedness, because, forsooth, Mademoiselle Capello did not show him the exclusive consideration she had bestowed on him in Brabant. He called her many of the hardest names in the lexicon; one would have thought to hear him rail at her, that she was under a strict obligation not to speak to another man than himself. Count Saxe and I rallied him often, but he grew so savage about it that presently we desisted. Regnard was far more debonair and reasonable, but I have always distrusted that man who is entirely reasonable in his loves and his hates.

At last the June days came to an end, and with it, the gorgeous pageantry of the camp of Radewitz. In a night the splendid scene vanished. The silken tents, the canvas palaces, suddenly were no more.

The fleet of purple-sailed pleasure boats upon the Elbe floated away; the fair green slopes, the gardens created as if by magic were trampled on by thirty thousand men on the march. The highway was choked with coaches and baggage-wagons and hors.e.m.e.n and horsewomen, and the inns on the roads that led from Radewitz were like camps, so many persons being forced to lodge out of doors. Count Saxe and myself, with Gaston Cheverny and faithful Beauvais, the valet, and other servants, scarcely slept in a bed from the time we left Radewitz until we reached Brussels. One reason was, that in common with other officers, Count Saxe was more generous than prudent, and after having lodged with kings at the camp, often he had not the money for a good inn. Then we were glad to take up our quarters in a roomy, clean barn; and one or two of the June nights we slept on the ground in our cloaks, as soldiers should.

In Brussels, my master made known his necessities to his father, the King of Saxony, who sent him a splendid remittance. Count Saxe remained in Brussels while awaiting this remittance, so that he might judiciously determine, in advance, how to spend it; and after it came, he naturally continued there, so as to carry out the intentions so carefully formed.

This time he allowed me to spend in Brabant, and also gave Gaston Cheverny leave; and Gaston inviting, or rather commanding me to become his guest, we had a whole fortnight at the Manoir Cheverny.