"Capital! Let's go up, then!" And, preceded by the dog Balthasar, they ascended through the field. The sun was almost level in their faces now, and he could see, not only those silver threads, but little lines, just deep enough to stamp her beauty with a coin-like fineness--the special look of life unshared with others. "I'll take her in by the terrace," he thought: "I won't make a common visitor of her."

"What do you do all day?" he said.

"Teach music; I have another interest, too."

"Work!" said old Jolyon, picking up the doll from off the swing, and smoothing its black petticoat. "Nothing like it, is there? I don't do any now. I'm getting on. What interest is that?"

"Trying to help women who've come to grief." Old Jolyon did not quite understand. "To grief?" he repeated; then realised with a shock that she meant exactly what he would have meant himself if he had used that expression. a.s.sisting the Magdalenes of London! What a weird and terrifying interest! And, curiosity overcoming his natural shrinking, he asked:

"Why? What do you do for them?"

"Not much. I've no money to spare. I can only give sympathy and food sometimes."

Involuntarily old Jolyon's hand sought his purse. He said hastily: "How d'you get hold of them?"

"I go to a hospital."

"A hospital! Phew!"

"What hurts me most is that once they nearly all had some sort of beauty."

Old Jolyon straightened the doll. "Beauty!" he e.j.a.c.u.l.a.t.ed: "Ha! Yes! A sad business!" and he moved towards the house. Through a French window, under sun-blinds not yet drawn up, he preceded her into the room where he was wont to study The Times and the sheets of an agricultural magazine, with huge ill.u.s.trations of mangold wurzels, and the like, which provided Holly with material for her paint brush.

"Dinner's in half an hour. You'd like to wash your hands! I'll take you to June's room."

He saw her looking round eagerly; what changes since she had last visited this house with her husband, or her lover, or both perhaps--he did not know, could not say! All that was dark, and he wished to leave it so. But what changes! And in the hall he said:

"My boy Jo's a painter, you know. He's got a lot of taste. It isn't mine, of course, but I've let him have his way."

She was standing very still, her eyes roaming through the hall and music room, as it now was--all thrown into one, under the great skylight. Old Jolyon had an odd impression of her. Was she trying to conjure somebody from the shades of that s.p.a.ce where the colouring was all pearl-grey and silver? He would have had gold himself; more lively and solid. But Jo had French tastes, and it had come out shadowy like that, with an effect as of the fume of cigarettes the chap was always smoking, broken here and there by a little blaze of blue or crimson colour. It was not his dream! Mentally he had hung this s.p.a.ce with those gold-framed masterpieces of still and stiller life which he had bought in days when quant.i.ty was precious. And now where were they? Sold for a song! That something which made him, alone among Forsytes, move with the times had warned him against the struggle to retain them. But in his study he still had 'Dutch Fishing Boats at Sunset.'

He began to mount the stairs with her, slowly, for he felt his side.

"These are the bathrooms," he said, "and other arrangements. I've had them tiled. The nurseries are along there. And this is Jo's and his wife's. They all communicate. But you remember, I expect."

Irene nodded. They pa.s.sed on, up the gallery and entered a large room with a small bed, and several windows.

"This is mine," he said. The walls were covered with the photographs of children and watercolour sketches, and he added doubtfully:

"These are Jo's. The view's first-rate. You can see the Grand Stand at Epsom in clear weather."

The sun was down now, behind the house, and over the 'prospect' a luminous haze had settled, emanation of the long and prosperous day. Few houses showed, but fields and trees faintly glistened, away to a loom of downs.

"The country's changing," he said abruptly, "but there it'll be when we're all gone. Look at those thrushes--the birds are sweet here in the mornings. I'm glad to have washed my hands of London."

Her face was close to the window pane, and he was struck by its mournful look. 'Wish I could make her look happy!' he thought. 'A pretty face, but sad!' And taking up his can of hot water he went out into the gallery.

"This is June's room," he said, opening the next door and putting the can down; "I think you'll find everything." And closing the door behind her he went back to his own room. Brushing his hair with his great ebony brushes, and dabbing his forehead with eau de Cologne, he mused. She had come so strangely--a sort of visitation; mysterious, even romantic, as if his desire for company, for beauty, had been fulfilled by whatever it was which fulfilled that sort of thing. And before the mirror he straightened his still upright figure, pa.s.sed the brushes over his great white moustache, touched up his eyebrows with eau de Cologne, and rang the bell.

"I forgot to let them know that I have a lady to dinner with me. Let cook do something extra, and tell Beacon to have the landau and pair at half-past ten to drive her back to Town to-night. Is Miss Holly asleep?"

The maid thought not. And old Jolyon, pa.s.sing down the gallery, stole on tiptoe towards the nursery, and opened the door whose hinges he kept specially oiled that he might slip in and out in the evenings without being heard.

But Holly was asleep, and lay like a miniature Madonna, of that type which the old painters could not tell from Venus, when they had completed her. Her long dark lashes clung to her cheeks; on her face was perfect peace--her little arrangements were evidently all right again.

And old Jolyon, in the twilight of the room, stood adoring her! It was so charming, solemn, and loving--that little face. He had more than his share of the blessed capacity of living again in the young. They were to him his future life--all of a future life that his fundamental pagan sanity perhaps admitted. There she was with everything before her, and his blood--some of it--in her tiny veins. There she was, his little companion, to be made as happy as ever he could make her, so that she knew nothing but love. His heart swelled, and he went out, stilling the sound of his patent-leather boots. In the corridor an eccentric notion attacked him: To think that children should come to that which Irene had told him she was helping! Women who were all, once, little things like this one sleeping there! 'I must give her a cheque!' he mused; 'Can't bear to think of them!' They had never borne reflecting on, those poor outcasts; wounding too deeply the core of true refinement hidden under layers of conformity to the sense of property--wounding too grievously the deepest thing in him--a love of beauty which could give him, even now, a flutter of the heart, thinking of his evening in the society of a pretty woman. And he went downstairs, through the swinging doors, to the back regions. There, in the wine-cellar, was a hock worth at least two pounds a bottle, a Steinberg Cabinet, better than any Johannisberg that ever went down throat; a wine of perfect bouquet, sweet as a nectarine--nectar indeed! He got a bottle out, handling it like a baby, and holding it level to the light, to look. Enshrined in its coat of dust, that mellow coloured, slender-necked bottle gave him deep pleasure. Three years to settle down again since the move from Town--ought to be in prime condition! Thirty-five years ago he had bought it--thank G.o.d he had kept his palate, and earned the right to drink it. She would appreciate this; not a spice of acidity in a dozen.

He wiped the bottle, drew the cork with his own hands, put his nose down, inhaled its perfume, and went back to the music room.

Irene was standing by the piano; she had taken off her hat and a lace scarf she had been wearing, so that her gold-coloured hair was visible, and the pallor of her neck. In her grey frock she made a pretty picture for old Jolyon, against the rosewood of the piano.

He gave her his arm, and solemnly they went. The room, which had been designed to enable twenty-four people to dine in comfort, held now but a little round table. In his present solitude the big dining-table oppressed old Jolyon; he had caused it to be removed till his son came back. Here in the company of two really good copies of Raphael Madonnas he was wont to dine alone. It was the only disconsolate hour of his day, this summer weather. He had never been a large eater, like that great chap Swithin, or Sylva.n.u.s Heythorp, or Anthony Thornworthy, those cronies of past times; and to dine alone, overlooked by the Madonnas, was to him but a sorrowful occupation, which he got through quickly, that he might come to the more spiritual enjoyment of his coffee and cigar. But this evening was a different matter! His eyes twinkled at her across the little table and he spoke of Italy and Switzerland, telling her stories of his travels there, and other experiences which he could no longer recount to his son and grand-daughter because they knew them.

This fresh audience was precious to him; he had never become one of those old men who ramble round and round the fields of reminiscence.

Himself quickly fatigued by the insensitive, he instinctively avoided fatiguing others, and his natural flirtatiousness towards beauty guarded him specially in his relations with a woman. He would have liked to draw her out, but though she murmured and smiled and seemed to be enjoying what he told her, he remained conscious of that mysterious remoteness which const.i.tuted half her fascination. He could not bear women who threw their shoulders and eyes at you, and chattered away; or hard-mouthed women who laid down the law and knew more than you did.

There was only one quality in a woman that appealed to him--charm; and the quieter it was, the more he liked it. And this one had charm, shadowy as afternoon sunlight on those Italian hills and valleys he had loved. The feeling, too, that she was, as it were, apart, cloistered, made her seem nearer to himself, a strangely desirable companion. When a man is very old and quite out of the running, he loves to feel secure from the rivalries of youth, for he would still be first in the heart of beauty. And he drank his hock, and watched her lips, and felt nearly young. But the dog Balthasar lay watching her lips too, and despising in his heart the interruptions of their talk, and the tilting of those greenish gla.s.ses full of a golden fluid which was distasteful to him.

The light was just failing when they went back into the music-room. And, cigar in mouth, old Jolyon said:

"Play me some Chopin."

By the cigars they smoke, and the composers they love, ye shall know the texture of men's souls. Old Jolyon could not bear a strong cigar or Wagner's music. He loved Beethoven and Mozart, Handel and Gluck, and Schumann, and, for some occult reason, the operas of Meyerbeer; but of late years he had been seduced by Chopin, just as in painting he had succ.u.mbed to Botticelli. In yielding to these tastes he had been conscious of divergence from the standard of the Golden Age. Their poetry was not that of Milton and Byron and Tennyson; of Raphael and t.i.tian; Mozart and Beethoven. It was, as it were, behind a veil; their poetry hit no one in the face, but slipped its fingers under the ribs and turned and twisted, and melted up the heart. And, never certain that this was healthy, he did not care a rap so long as he could see the pictures of the one or hear the music of the other.

Irene sat down at the piano under the electric lamp festooned with pearl-grey, and old Jolyon, in an armchair, whence he could see her, crossed his legs and drew slowly at his cigar. She sat a few moments with her hands on the keys, evidently searching her mind for what to give him. Then she began and within old Jolyon there arose a sorrowful pleasure, not quite like anything else in the world. He fell slowly into a trance, interrupted only by the movements of taking the cigar out of his mouth at long intervals, and replacing it. She was there, and the hock within him, and the scent of tobacco; but there, too, was a world of sunshine lingering into moonlight, and pools with storks upon them, and bluish trees above, glowing with blurs of wine-red roses, and fields of lavender where milk-white cows were grazing, and a woman all shadowy, with dark eyes and a white neck, smiled, holding out her arms; and through air which was like music a star dropped and was caught on a cow's horn. He opened his eyes. Beautiful piece; she played well--the touch of an angel! And he closed them again. He felt miraculously sad and happy, as one does, standing under a lime-tree in full honey flower.

Not live one's own life again, but just stand there and bask in the smile of a woman's eyes, and enjoy the bouquet! And he jerked his hand; the dog Balthasar had reached up and licked it.

"Beautiful!" He said: "Go on--more Chopin!"

She began to play again. This time the resemblance between her and 'Chopin' struck him. The swaying he had noticed in her walk was in her playing too, and the Nocturne she had chosen and the soft darkness of her eyes, the light on her hair, as of moonlight from a golden moon.

Seductive, yes; but nothing of Delilah in her or in that music. A long blue spiral from his cigar ascended and dispersed. 'So we go out!' he thought. 'No more beauty! Nothing?'

Again Irene stopped.

"Would you like some Gluck? He used to write his music in a sunlit garden, with a bottle of Rhine wine beside him."

"Ah! yes. Let's have 'Orfeo.'" Round about him now were fields of gold and silver flowers, white forms swaying in the sunlight, bright birds flying to and fro. All was summer. Lingering waves of sweetness and regret flooded his soul. Some cigar ash dropped, and taking out a silk handkerchief to brush it off, he inhaled a mingled scent as of snuff and eau de Cologne. 'Ah!' he thought, 'Indian summer--that's all!' and he said: "You haven't played me 'Che faro.'"

She did not answer; did not move. He was conscious of something--some strange upset. Suddenly he saw her rise and turn away, and a pang of remorse shot through him. What a clumsy chap! Like Orpheus, she of course--she too was looking for her lost one in the hall of memory! And disturbed to the heart, he got up from his chair. She had gone to the great window at the far end. Gingerly he followed. Her hands were folded over her breast; he could just see her cheek, very white. And, quite emotionalized, he said:

"There, there, my love!" The words had escaped him mechanically, for they were those he used to Holly when she had a pain, but their effect was instantaneously distressing. She raised her arms, covered her face with them, and wept.

Old Jolyon stood gazing at her with eyes very deep from age. The pa.s.sionate shame she seemed feeling at her abandonment, so unlike the control and quietude of her whole presence was as if she had never before broken down in the presence of another being.

"There, there--there, there!" he murmured, and putting his hand out reverently, touched her. She turned, and leaned the arms which covered her face against him. Old Jolyon stood very still, keeping one thin hand on her shoulder. Let her cry her heart out--it would do her good.

And the dog Balthasar, puzzled, sat down on his stern to examine them.

The window was still open, the curtains had not been drawn, the last of daylight from without mingled with faint intrusion from the lamp within; there was a scent of new-mown gra.s.s. With the wisdom of a long life old Jolyon did not speak. Even grief sobbed itself out in time; only Time was good for sorrow--Time who saw the pa.s.sing of each mood, each emotion in turn; Time the layer-to-rest. There came into his mind the words: 'As panteth the hart after cooling streams'--but they were of no use to him.

Then, conscious of a scent of violets, he knew she was drying her eyes.

He put his chin forward, pressed his moustache against her forehead, and felt her shake with a quivering of her whole body, as of a tree which shakes itself free of raindrops. She put his hand to her lips, as if saying: "All over now! Forgive me!"

The kiss filled him with a strange comfort; he led her back to where she had been so upset. And the dog Balthasar, following, laid the bone of one of the cutlets they had eaten at their feet.