Fire and Hemlock.

Diana Wynne Jones.

PART ONE.

NEWHERO.

allegro vivace

1.

A dead sleep came over me And from my horse I fell T A M L I N.

Polly sighed and laid her book face down on her bed. She rather thought she had read it after all, some time ago. Before she swung her feet across to get on with her packing, she looked up at the picture above the bed. She sighed again. There had been a time, some years back, when she had gazed at that picture and thought it marvelous. Dark figures had seemed to materialize out of its dark center-strong, running dark figures-always at least four of them, racing to beat out the flames in the foreground. There had been times when you could see the figures quite clearly. Other times, they had been shrouded in the rising smoke. There had even been a horse in it sometimes. Not now.

Here, now, she could see it was simply a large color photograph, three feet by two feet, taken at dusk, of some hay bales burning in a field. The fire must have been spreading, since there was smoke in the air, and more smoke enveloping the high hemlock plant in the front, but there were no people in it. The shapes she used to take for people were only too clearly dark clumps of the dark hedge behind the blaze. The only person in that field must have been the photographer. Polly had to admit that he had been both clever and lucky. It was a haunting picture. It was called Fire and Hemlock Fire and Hemlock . She sighed again as she swung her feet to the floor. The penalty of being grown up was that you saw things like this photograph as they really were. And Granny would be in any minute to point out that Mr. Perks and Fiona were not going to wait while she did her . She sighed again as she swung her feet to the floor. The penalty of being grown up was that you saw things like this photograph as they really were. And Granny would be in any minute to point out that Mr. Perks and Fiona were not going to wait while she did her packing tomorrow morning-and Granny would have things to say about feet on the bedspread. Polly just wished she felt happier at the thought of another year of college.

Her hand knocked the book. Polly did not get up after all. And books put down on their faces, spoiling them, Granny would say. It's only a paperback, Granny. It was called Times out of Mind Times out of Mind , editor L. Perry, and it was a collection of supernatural stories. Polly had been attracted to it a couple of years back, largely because the picture on the cover was not unlike the , editor L. Perry, and it was a collection of supernatural stories. Polly had been attracted to it a couple of years back, largely because the picture on the cover was not unlike the Fire and Hemlock Fire and Hemlock photograph-dusky smoke, with a dark blue umbrella-like plant against the smoke. And, now Polly remembered, she had read the stories through then, and none of them were much good. Yet-here was an odd thing. She could have sworn the book had been called something different when she first bought it. And, surely, hadn't one of the stories actually been called "Fire and Hemlock" too? photograph-dusky smoke, with a dark blue umbrella-like plant against the smoke. And, now Polly remembered, she had read the stories through then, and none of them were much good. Yet-here was an odd thing. She could have sworn the book had been called something different when she first bought it. And, surely, hadn't one of the stories actually been called "Fire and Hemlock" too?

Polly picked the book up, with her finger in it to keep the place in the story she was reading. "Two-timer," it was called, and it was about someone who went back in time to his own childhood and changed things, so that his life ran differently the second time. She remembered the ending now. The man finished by having two sets of memories, and the story wasn't worked out at all well. Polly did not worry when she lost her place in it as she leafed through looking for the one she thought had been called "Fire and Hemlock." Odd. It wasn't there. Had she dreamed it, then? She did often dream the most likely-seeming things. Odder still. Half the stories she thought she remembered reading in this book were not there-and yet she did, very clearly, remember reading all the stories which seemed to be in the book now. For a moment she almost felt like the man in "Two-timer," with his double set of memories. What a madly detailed dream she must have had. Polly found her place in the story again, largely because the pages were spread apart there, and stopped in the act of putting the book face down on her rumpled bedspread.

Was it Granny who minded you putting books down like this? Granny didn't read much anyway. it Granny who minded you putting books down like this? Granny didn't read much anyway.

"And why should I feel so worried about it?" Polly asked aloud. "And where's my other photo-the one I stole?"

A frantic sense of loss came upon her, so strong that for a moment she could have cried. Why should she suddenly have memories that did not seem to correspond with the facts?

"Suppose they were were once facts," Polly said to herself, with her hand still resting on the book. Ever since she was a small girl, she had liked supposing things. And the habit died hard, even at the age of nineteen. "Suppose," she said, "I really am like the man in the story, and something happened to change my past." once facts," Polly said to herself, with her hand still resting on the book. Ever since she was a small girl, she had liked supposing things. And the habit died hard, even at the age of nineteen. "Suppose," she said, "I really am like the man in the story, and something happened to change my past."

It was intended simply as a soothing daydream, to bury the strange, pointless worry that seemed to be growing in her. But suddenly, out of it leaped a white flash of conviction. It was just like the way those four-or more-figures used to leap into being behind the fire in that photograph. Polly glanced up at it, almost expecting to see them again. There were only men-shaped clumps of hedge. The flash of conviction had gone too. But it left Polly with a dreary, nagging suspicion in its place: that something had had been different in the past, and if it had, it was because of something dreadful she had done herself. been different in the past, and if it had, it was because of something dreadful she had done herself.

But there seemed no way to discover what was different. Polly's past seemed a smooth string of normal, half-forgotten things: school and home, happiness and miseries, fun and friends, and, for some reason, a memory of eating toasted buns for tea, dripping b.u.t.ter. Apart from this odd memory about the book, there seemed no foothold for anything unusual.

"If nothing happened, then there's nothing to remember," she told herself, trying to sound philosophical. "Of course there's nowhere to start." For some reason, that appalled her. She crouched, with her hand growing damp on the book, forgetting her grimy shoes tangling in the bedspread and the suitcases open on the floor, staring into her appallingly normal memories: a Cotswold town, London, a shopping precinct somewhere, a horse-"That's absurd. I don't know know any horses!" she said. "It's no good. I'll have to go back to the time before it all started, or didn't start, and get in from that end." That was when she was how old? Ten? What was she doing then? What friends had she? any horses!" she said. "It's no good. I'll have to go back to the time before it all started, or didn't start, and get in from that end." That was when she was how old? Ten? What was she doing then? What friends had she?

Friends. That did it. From nine years ago came swimming theshape of Polly's once-dear friend Nina. Fat, silly Nina. Granny used to call Nina a ripe banana. And Polly was so attached to Nina that Granny had agreed to have Nina along with Polly, that first time Polly came to stay with Granny. That would be back around the time there was first a question of divorce between Polly's parents. Back too to when Polly's favorite reading was a fat book called Heroes Heroes that had once been Granny's. that had once been Granny's.

At that, Polly raised her head. "The funeral!" she said.

2.

O I forbid you, maidens all, That wear gold in your hair, To come or go by Carterhaugh For young Tam Lin is there.

T A M L I N.

In those days people who did not know Polly might have thought she chose Nina as a friend to set herself off by comparison. Nina was a big, fat girl with short, frizzy hair, gla.s.ses, and a loud giggle. Polly, on the other hand, was an extremely pretty little girl, and probably the prettiest thing about her was her ma.s.s of long, fine, fair hair. In fact, Polly admired and envied Nina desperately, both Nina's looks and her bold, madcap disposition. Polly, at that time, was trying to eat a packet of biscuits every day in order to get fat like Nina. And she spent diligent hours squashing and pressing at her eyes in hopes either of making herself need gla.s.ses too, or at least of giving her eyes the fat, pink, staring look that Nina's had when Nina took off her gla.s.ses. She cried when Mum refused to cut her hair short like Nina's. She hated her hair. The first morning they were at Granny's, she took pleasure in forgetting to brush it.

It was not hard to forget. Polly and Nina had been awake half the night in Granny's spare room, talking and laughing. They were wildly excited. And it was such a relief to Polly to be away from thewhispered quarreling at home, and the hard, false silences whenever Mum and Dad noticed Polly was near. They did not seem to realize that Polly knew a quarrel when she heard one, just like anyone does. Granny was a relief because she was calm. Nina's wild, silly jokes were even more of a relief, even if Polly was hardly awake the next morning. The whole first day at Granny's was like a dream to Polly.

It was a windy day in autumn. In Granny's garden the leaves whirled down. Nina and Polly raced about, catching them. Every leaf you caught, Nina shrieked, meant one happy day. Polly only caught seven. Nina caught thirty-five.

"Well, it's a whole week. Count your blessings," Granny said to Polly in her dry way when they came panting in to show her, and she gave them milk and biscuits. Granny always made Polly think of biscuits. She had a dry, shortbread sort of way to her, with a hidden taste that came out afterward. Her kitchen had a biscuit smell to it, a nutty, b.u.t.tery smell like no other kitchen.

While Polly was sniffing the smell, Nina remembered that today was Halloween. She decided that she and Polly must both dress up as High Priestesses, and she clamored for long black robes. "Never a dull moment with our Nina," Granny remarked, and she went away to see what she could find. She came back with two old black dresses and some dark curtains. In an amused, uncommitted way, she helped them both dress up. Then she turned them firmly out of doors. "Go and make an exhibit of yourselves round the neighborhood," she said. "They need a bit of stirring up here."

Nina and Polly paraded up and down the road for a while. Nina looked for all the world like a large, fat nun, and the dress held her knees together. Polly's dress, apart from being long, was quite a good fit. The neighborhood did not seem to notice them. The houses-except for a few small ones like Granny's-were large and set back from the road, hidden by the trees that grew down both sides, and not a soul came to see the two High Priestesses, even though Nina laughed and shrieked and exclaimed every time her headdress flapped. They paraded right up to the big house across the end of the road and looked through the bars of its gate. It was called Hunsdon House-the name was cut into the stone of bothgateposts. Inside, they saw a length of gravel drive, much strewn with dead leaves, and, coming slowly crunching along it toward them, a shiny black motor-hea.r.s.e with flowers piled on top.

At the sight Nina shrieked and ran away down the road, trailing her headdress. "Hold your collar! Hold your collar till you see a four-legged animal!"

They ran into Granny's garden, where, luckily, Granny's black-and-white cat, Mintchoc, was sitting on the wall. So that was all right. They could use both hands again. "Now what shall we do?" demanded Nina.

Polly was still laughing at Nina. "I don't know," she said.

"Think of something. What do High Priestesses do?" do?" said Nina. said Nina.

"No idea," said Polly.

"Yes you have," said Nina. "Think-or I shan't play with you any more!"

Nina was always making that threat. It never failed with Polly. "Oh-er-they walk in procession and make human sacrifices," Polly said.

Nina shrieked with gleeful laughter. "We did! We have! Our corpse was in the hea.r.s.e! Then what happens?"

"Um," said Polly. "We have to wait for the G.o.ds to answer our sacrifice. And-I know-while we wait, the police come after us for murder."

Nina liked that. She ran flapping and squawking into Granny's back garden, crying out that the police were after her. When Polly caught up with her, she was trying to climb the wall into the next garden. "What are you doing?" Polly said, hardly able to speak for laughing.

"Escaping from the police, of course!" said Nina. With a great deal of silly giggling, she managed to scramble to the top of the wall, where her black robe split with a sound like a gunshot. "Oh!" she cried. "They got me!" Whereupon she swung her legs over the wall and vanished in a crash of rotting wood. "Come on!" said her voice from behind the wall. "I won't be your friend if you stay there."

As usual, the threat was enough for Polly. It was not really that she was afraid Nina would stop being her friend-though she was, a little. It was more that Polly could not seem to break out of her prim, timid self in those days, and be properly adventurous, without Nina's threats to galvanize her. So now she boldly swung herself up the wall, and was quite grateful to Nina when she landed in the middle of somebody's woodshed on the other side.

After that, the morning became more like a dream than ever-a very silly dream too. Nina and Polly scrambled through garden after garden. Some were neat and open, and they sprinted through those, and some were overgrown, with hiding-places where they could lurk. One garden was full of washing, and they had to crouch behind flapping sheets while somebody took down a row of pants. They were on the edge of giggles the whole time, terrified that someone would catch them and yet, in a dreamlike way, almost sure they were safe. Both of them lost their curtain headdresses in different gardens, but they went on, quite unable to stop or go back, neither of them quite knowing why. Nina invented a reason in about the tenth garden. She said they were coming to a road, because she could hear cars. So they went more madly than ever, across a row of rotting shed roofs that creaked and splintered under them, and jumped down from the wall into what seemed to be a wood. Nina ran toward the open, laughing with relief, and Polly lost her for a few seconds.

When Polly came out into the open, it was not a road after all. It was gravel at the side of a house. There was a door open in the house, and through it Polly caught a glimpse of Nina walking up a polished pa.s.sage, actually inside the house.

"The cheek Nina has!" she said to herself. For a moment she almost did not dare follow Nina. But the dreamlike feeling was still on her. She thought of the threats Nina would make if she stayed hiding in the wood, and she sprinted on her toes across the s.p.a.ce in a scatter of gravel and went into the house too, into a strong smell of polish and scent. Cautiously, she tiptoed up the pa.s.sage.

Here it was completely like a dream. The pa.s.sage led into a grand hall with a white-painted staircase wrapped round the outside of it in joints, each joint a balcony, and huge, painted china vases standing around, every one big enough to contain one of Ali Baba's forty thieves. A man met her here. As people do in dreams, he seemed to be expecting Polly. He was obviously a servitor, for he was wearing evening dress and carrying a tray with gla.s.ses on it. Polly made a little movement to run away as he came up to her, but all he said was, "Orangeade, miss? I fancy you're a bit young yet for sherry." And he held the tray out.

It made Polly feel like a queen. She put out a somewhat grubby hand and took a gla.s.s of orangeade. There was ice in it and a slice of real orange. "Thank you," she said in a stately, queenlike way.

"Turn left through that door, miss," the servitor said.

Polly did as he said. She had a feeling she was supposed to. True, underneath she had a faint feeling that this couldn't be quite right, but there did not seem to be anything she could do about it. Holding the clinking gla.s.s against her chest, Polly walked like a queen in her black dress into a big, carpeted room. It was dingy in the gusty light of the autumn day, and full of comfortable armchairs lined up in not very regular rows. A number of people were standing about holding winegla.s.ses and talking in murmurs. They were all in dark clothes and looked very respectable, and every one of them was grownup. None of them paid any attention to Polly at all. Nina was not there. Polly had not really expected her to be. It was clear Nina had vanished the way people do in dreams. She saw the woman she had mistaken for Nina-it was the split skirt and the black dress which had caused the mistake-standing outlined against the dim green garden beyond the windows, talking to a high-shouldered man with gla.s.ses. Everything was very hushed and elderly. "And I shan't look on it very kindly if you do," Polly heard the woman say to the man. It was a polite murmur, but it sounded like one of Nina's threats, only a good deal less friendly.

More people came in behind Polly. She moved over out of their way and sat on one of the back row of chairs, which were hard and upright, still carefully holding her orangeade. She sat and watched the room fill with murmuring, dreamlike people in dark clothes. There was one other child now. He was in a gray suit and looked as respectable as the rest, and he was rather old too-at least fourteen, Polly thought. He did not notice Polly. n.o.body did, exceptthe man with gla.s.ses. Polly could see the gla.s.ses flashing at her uncertainly as the lady talked to him.

Then a new stage seemed to start. A busy, important man swept through the room and sat down in a chair facing all the others. All the rest sat down too, in a quiet, quick way, turning their heads to make sure there was a chair there before they sat. The room was all rustling while they arranged themselves, and one set of quick footsteps as the high-shouldered man walked about looking for a place. Everyone looked at him crossly. He hunched a bit-you do, Polly thought, when everyone stares-and finally sat down near the door, a few seats along from Polly.

The important man flipped a large paper open with a rattle. A doc.u.ment, Polly thought. "Now, ladies and gentlemen, if I have your attention, I shall read the Will."

Oh dear, Polly thought. The dream feeling went away at once, and the ice in her drink rattled as she realized where she was and what she had done. This was Hunsdon House, where she and Nina had seen the hea.r.s.e. Someone had died here and she had gatecrashed the funeral. And because she was dressed up in a black dress, no one had realized that she should not be here. She wondered what they would do to her when they did. Meanwhile she sat, trying not to shake the ice in her gla.s.s, listening to the lawyer's voice reading out what she was sure were all sorts of private bequests-from the Last Will and Testament of Mrs. Mabel Tatiana Leroy Perry, being of a sound mind et cetera-which Polly was sure she should not be hearing at all.

As the lawyer's voice droned on, Polly became more and more certain she was listening to private things. She could feel the way each item made sort of waves among the silent listeners, waves of annoyance, anger, and deep disgust, and one or two spurts of quite savage joy. The disgust seemed to be because so many things went to "my daughter Mrs. Eudora Mabel Lorelei Perry Lynn." Even when things went to other people, such as "my cousin Morton Perry Leroy," or "my niece Mrs. Silvia Nuala Leroy Perry," the Will seemed to change its mind every so often and give them to Mrs. Perry Lynn instead. The joy was on the rare occasions when someone different, like Robert Goodman Leroy Perry or SebastianRalph Perry Leroy, actually got something. Polly began to wonder if it might even be against the law for her to be listening to these things. She tried not to listen-and this was not difficult, because most of it was very boring-but she became steadily more unhappy.

She wished she dared creep away. She was quite near the door. It would have been easy if only that man hadn't chosen to sit down just beyond her, right beside the door. She looked to see if she still might slip out, and looked at the same moment as the man looked at her, evidently wondering about her. Polly hastily turned her head to the front again and pretended to listen to the Will, but she could feel him still looking. The ice in her drink melted. The Will went on to an intensely boring bit about "a Trust shall be set up." Beside the door, the man stood up. Polly's head turned, without her meaning it to, as if it were on strings, and he was still looking at her, right at her. The eyes behind the gla.s.ses met hers and sort of dragged, and he nodded his head away sideways toward the door. "Come on out of that," said the look. "Please," it added, with a sort of polite, questioning stillness.

It was a fair cop. Polly nodded too. Carefully she put the melted orange drink down on the chair beside hers and slid to the floor. He was now holding out his hand to take hers and make sure she didn't get away. Feeling fated, Polly put her hand into his. It was a big hand, a huge one, and folded hers quite out of sight under its row of long fingers. It pulled, and they both went softly out of the door into the hall with the jointed staircase.

"Didn't you want your drink?" the man asked as the lawyer's voice faded to a rise and fall in the distance.

Polly shook her head. Her voice seemed to have gone away. There was an archway opening off the hall. In the room through the archway she could see the servitor setting winegla.s.ses out on a big, polished dinner table. Polly wanted to shout to him to come and explain that he had let her into the funeral, but she could not utter a sound. The big hand holding hers was pulling her along, into the pa.s.sage she had come in by. Polly, as she went with it, cast her eyes round the hall for a last look at its grandeurs. Wistfully she thought of herself jumping into one of the Ali Baba vases and staying there hidden until everyone had gone away. But as shethought it, she was already in the side pa.s.sage with the door standing open on the gusty trees at the end of it. The lawyer's voice was out of hearing now.

"Will you be warm enough outside in that dress?" the man holding her hand asked politely.

His politeness seemed to deserve an answer. Polly's voice came back. "Yes thank you," she replied sadly. "I've got my real clothes on underneath."

"Very wise," said the man. "Then we can go into the garden." They stepped out of the door, where the wind wrapped Polly's black dress round her legs and flapped her hair sideways. It could not do much with the man's hair, which was smoothed across his head in an elderly style, so it stood it up in colorless hanks and rattled the jacket of his dark suit. He shivered. Polly hoped he would send her off and go straight indoors again. But he obviously meant to see her properly off the premises. He turned to the right with her. The wind hurled itself at their faces. "This is better," said the man. "I wish I could have thought of a way to get that poor boy Seb out of it too. I could see he was as bored as you were. But he didn't have the sense to sit near the door."

Polly turned and looked up at him in astonishment. He smiled down at her. Polly gave him a hasty smile in return, hoping he would think she was shy, and turned her face back to the wind to think about this. So the man thought she really was part of the funeral. He was just meaning to be kind. "It was was boring, wasn't it?" she said. boring, wasn't it?" she said.

"Terribly," he said, and let go of her hand.

Polly ought to have run off then. And she would have, she thought, remembering it all nine years later, if she had simply thought he was just being kind. But the way he spoke told her that he had found the funeral far more utterly boring than she had. She remembered the way the lady she had mistaken for Nina had spoken to him, and the way the other guests had looked at him while he was walking about looking for a seat. She realized he had sat down on purpose near the door, and she knew-perhaps without quite understanding it-that if she ran away, it would mean he hadto go back into the funeral again. She was his excuse for coming out of it.

So she stayed. She had to lean on the wind to keep beside him while they walked under some ragged, nearly finished roses and the wind blew white petals across them.

"What's your name?" he asked.

"Polly." "Polly what?"

"Polly Whittacker," she said without thinking. Then of course she realized that the right name for the funeral should have been Leroy or Perry, or Perry Leroy, or Leroy Perry, like the people who got the bequests in the Will, and had to cover it up. "I'm only adopted, you know. I come from the other branch of the family really."

"I thought you might," he said, "with that hair of yours."

"And what part of the family are you?" Polly said, quickly and artificially, to distract him from asking more. She took a piece of her blowing hair and bit it anxiously.

"Oh, no part really," he said, ducking his head under a clawing rose. "The dead lady is the mother of my ex-wife, so I felt I ought to come. But I'm the odd man out, here." Polly relaxed. He was distracted. He said, "My name's Thomas Lynn."

"Both parts surname?" Polly asked doubtfully. "Everyone's so double-barreled in there."

That made him give a little crow of laughter, which he swallowed hastily down, as if he were ashamed of laughing at a funeral. "No, no. Just the second part."

"Mr. Lynn, then," said Polly. She let her hair blow round her face as they walked down some sunken steps, and studied him. Long hair had its uses. He was tall and thin and walked in a way that stooped his round, colorless head between his shoulders, making his head look smaller than it really was-though some of that could have been distance: he was so tall that his head was a long way off from Polly. Like a very tall tortoise, Polly thought. The gla.s.ses added to the tortoise look. It was an amiable, vague face they sat on. Polly decided Mr. Lynn was nice. "Mr. Lynn," she asked, "whatdo you like doing most?"

The tortoise head swung toward her in surprise. "I was just going to ask you you that!" that!"

"Snap!" said Polly, and laughed up at him. She knew, of course, by this time, that she was starting to flirt with Mr. Lynn. Mum would have given Polly one of her long, heavy stares if she had been there. But, as Polly told herself, she did have to distract Mr. Lynn from thinking too deeply about her connection with the funeral, and she did think Mr. Lynn was nice anyway. Polly never flirted with anyone unless she liked them. So, as they edged their way between two vast gray hedges of uncut lavender, she said, "What I like best-apart from running and shouting and jokes and fighting-is being things."

"Being things?" Mr. Lynn asked. "Like what?" He sounded wistful and mystified.

"Making things like heroes up with other people, then being them," Polly explained. The tortoise head turned to her politely. She could tell he did not understand. It was on the tip of her tongue to show him what she meant by telling him how she had arrived at the funeral by being a High Priestess with the police after her. But she dared not say that. "I'll show you," she said instead. "Pretend you're not really you at all. In real life you're really something quite different."

"What am I?" Mr. Lynn said obligingly.

It would have been better if he had been like Nina and said he would not be friends unless she told him. Without any prodding, Polly's invention went dead on her. She could only think of the most ordinary things. "You keep an ironmonger's shop," she said rather desperately. To make this seem better, she added, "A very good good ironmonger's shop in a very nice town. And your name is really Thomas Piper. That's because of your name-Tom, Tom, the piper's son-you know." ironmonger's shop in a very nice town. And your name is really Thomas Piper. That's because of your name-Tom, Tom, the piper's son-you know."

Mr. Lynn smiled. "Oddly enough, my father used to play the flute professionally. Yes. I sell nails and dustbins and hearth-brushes.

What else?"

"Hot-water bottles and spades and buckets," said Polly. "Every morning you go out and hang them round your door, and stack wheelbarrows and watering cans on the pavement."

"Where pa.s.sers-by can bark their shins on them. I see," said Mr. Lynn. "And what else? Am I happy in my work?"

"Not quite happy," Polly said. He was playing up so well that her imagination began to work properly. Down between the lavender bushes, the wind was cut off and she felt much calmer. "You're a bit bored, but that doesn't matter, because keeping the shop is only what everyone thinks thinks you do. Really you're secretly a hero, a very strong one who's immortal-" you do. Really you're secretly a hero, a very strong one who's immortal-"

"Immortal?" Mr. Lynn said, startled.

"Well nearly," said Polly. "You'd live for hundreds of years if someone doesn't kill you in one of your battles. Your name is really-um-Tan Coul and I'm your a.s.sistant."

"Are you my a.s.sistant in the shop as well, or just when I'm being a hero?" asked Mr. Lynn.

"No. I'm me," said Polly. "I'm a learner hero. I come with you whenever you go out on a job."

"Then you'll have to live within call," Mr. Lynn pointed out. "Where is this shop of mine? Here in Middleton? It had better be, so that I can pick you up easily when a job comes up."

"No, it's in Stow-on-the-Water," Polly said decidedly. Pretending was like that. Things seemed to make themselves up, once you gotgoing.

"That's awkward," Mr. Lynn said.

"It is, isn't it?" Polly agreed. "If you like, I'll come and work in your shop and pretend to be your real-life a.s.sistant too. Say when I found out where you lived, I journeyed miles from Middleton to be near you."