THE SHEPHERD-BOY PAINTER

One day a traveler was walking through a part of Italy where a great many sheep were pasturing. Near the top of a hill he saw a little shepherd boy who was lying on the ground while a flock of sheep and lambs were grazing around him.

As he came nearer he saw that the boy held a charred stick in his hand, with which he was drawing something on a flat rock. The lad was so much interested in his work that he did not see the stranger.

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The stranger bent over him and looked at the picture he had made on the rock. It was the picture of a sheep, and it was drawn so well that the stranger was filled with astonishment.

"What is your name, my boy?" he said.

The lad was startled. He jumped to his feet and looked up at the kind gentleman.

"My name is Giotto," [Footnote: Giotto (_pro_. jot'to).] he answered.

"What is your father's name?"

"Bondone." [Footnote: BON do'na.]

"And whose sheep are these?"

"They belong to the rich man who lives in the big white house there among the trees. My father works in the field, and I take care of the sheep." "How would you like to live with me, Giotto? I would teach you how to draw pictures of sheep and horses, and even of men," said the stranger. The boy's face beamed with delight. "I should like to learn to do that--oh, ever so much!" he answered. "But I must do as father says." "Let us go and ask him," said the stranger.

The stranger's name was Cimabue.[Footnote: Cimabue (_pro_. she ma boo'a).] He was the most famous painter of the time. His pictures were known and admired in every city of Italy.

Bondone was surprised when Cimabue offered to take his little boy to Florence and teach him to be a great painter.

"I know that the lad can draw pictures wonderfully well," he said. "He does not like to do anything else. Perhaps he will do well with you.

Yes, you may take him."

In the city of Florence [Footnote: Flor'ence.] little Giotto saw some of the finest pictures in the world. He learned so fast that he could soon paint as well as Cimabue himself.

One day Cimabue was painting the picture of a man's face. Night came on before he had finished it. "I will leave it till morning," he said; "then the light will be better."

In the morning, when he looked at the picture, he saw a fly on the man's nose. He tried to brush it off, but it remained there. It was only a painted fly.

"Who has done this?" he cried. He was angry, and yet he was pleased.

Little Giotto came out from a corner, trembling and ashamed. "I did it, master," he said. "It was a good place for a fly, and I never thought of spoiling your picture."

He expected to be punished. But Cimabue only praised him for his great skill. "There are few men who can draw so good a picture of a fly,"

he said.

This happened six hundred years ago, in the city of Florence in Italy.

The shepherd boy became a very famous painter and the friend of many famous men.

TWO GREAT PAINTERS

There was once a painter whose name was Zeuxis. [Footnote: Zeuxis (_pro_. zuke'sis).] He could paint pictures so life-like that they were mistaken for the real things which they represented.

At one time he painted the picture of some fruit which was so real that the birds flew down and pecked at it. This made him very proud of his skill.

"I am the only man in the world who can paint a picture so true to life," he said.

There was another famous artist whose name was Parrhasius. [Footnote: Parrhasius (_pro_. pa ra'shl us).] When he heard of the boast which Zeuxis had made, he said to himself, "I will see what I can do."

So he painted a beautiful picture which seemed to be covered with a curtain. Then he invited Zeuxis to come and see it.

Zeuxis looked at it closely. "Draw the curtain aside and show us the picture," he said.

Parrhasius laughed and answered, "The curtain is the picture."

"Well," said Zeuxis, "you have beaten me this time, and I shall boast no more. I deceived only the birds, but you have deceived me, a painter."

Some time after this, Zeuxis painted another wonderful picture. It was that of a boy carrying a basket of ripe red cherries. When he hung this painting outside of his door, some birds flew down and tried to carry the cherries away.

"Ah! this picture is a failure," he said. "For if the boy had been as well painted as the cherries, the birds would have been afraid to come near him."

THE KING AND THE BEES

One day King Solomon was sitting on his throne, and his great men were standing around him.

Suddenly the door was thrown open and the Queen of Sheba came in.

"O King," she said, "in my own country, far, far away, I have heard much about your power and glory, but much more about your wisdom. Men have told me that there is no riddle so cunning that you can not solve it. Is this true?"

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"It is as you say, O Queen," answered Solomon.

"Well, I have here a puzzle which I think will test your wisdom. Shall I show it to you?"

"Most certainly, O Queen."

Then she held up in each hand a beautiful wreath of flowers. The wreaths were so nearly alike that none of those who were with the king could point out any difference.