XII

ORATORY

[Greek: esti d' ouch ho logos tou rhetoros, Aischine, timion, oud'

ho tonos tes phones, alla to tauta proaireisthai tois pollois, kai to tous autous misein kai philein, housper an he patris.]

DEMOSTHENES. _De Corona_.

The important thing in public speaking is neither the diction nor the voice. What is important is that the speaker should have the same predilections as the majority, and that his country's friends and foes should be also his own.

I hope that I shall not be reproached with either Pedantry or Vanity (though I deserve both) if, having begun so cla.s.sically, I here introduce some verses which, when I was a boy at Harrow, my kind Head Master addressed to my Father. The occasion of these verses was that the recipient of them, who was then Sergeant-at-Arms in the House of Commons and was much exhausted by the long Session which pa.s.sed the first Irish Land Act, had said in his haste that he wished all mankind were dumb.

This petulant e.j.a.c.u.l.a.t.i.o.n drew from Dr. Butler the following remonstrance:

Semper ego auditor? Requies data nulla loquelae Quae miseras aures his et ubique premit?

Tot mala non tulit ipse Jobas, cui constat amicos Septenos saltem conticuisse dies.

"Si mihi non dabitur talem sperare quietem, Sit, precor, humanum sit sine voce genus!"

Mucius[42] haec sec.u.m, sortem indignatus iniquam, (Tum primum proavis creditus esse minor) Seque malis negat esse parem: cui Musa querenti, "Tu genus humanum voce carere cupis?

Tene adeo fatis diffidere! Non tibi Natus Quem jam signavit Diva Loquela suum?

En! ego quae vindex 'mutis quoque piscibus' adsum, Donatura cycni, si ferat hora, sonos, Ipsa loquor vates: Patriae decus addere linguae Hic sciet, ut t.i.tulis laus eat aucta tuis.

Hunc sua fata vocant; hunc, nostro numine fretum, Apta jubent aptis ponere verba locis.

Hunc olim domus ipsa canet, silvaeque paternae, Curiaque, et felix vatibus Herga parens.

Nec lingua caruisse voles, quo vindice vestrae Gentis in aeternum fama superstes erit."

H. M. B., Aug., 1870.

The prophecy has scarcely been fulfilled; but it is true that from my earliest days I have had an inborn love of oratory. The witchery of words, powerful enough on the printed page, is to me ten times more powerful when it is reinforced by voice and glance and gesture. Fine rhetoric and lofty declamation have always stirred my blood; and yet I suppose that Demosthenes was right, and that, though rhetoric and declamation are good, still the most valuable a.s.set for a public speaker is a complete identification with the majority of his countrymen, in their prejudices, their likings, and their hatreds.

If Oratory signifies the power of speaking without premeditation, Gladstone stands in a cla.s.s by himself, far above all the public speakers whom I have ever heard. The records of his speaking at Eton and Oxford, and the reports of his earliest performances in Parliament, alike give proof that he had, as Coleridge said of Pitt, "a premature and unnatural dexterity in the combination of words"; and this developed into "a power of pouring forth, with endless facility, perfectly modulated sentences of perfectly chosen language, which as far surpa.s.sed the reach of a normal intellect as the feats of an acrobat exceed the capacities of a normal body."

His voice was flexible and melodious (in singing it was a baritone); though his utterance was perceptibly marked by a Lancastrian "burr"; his gestures were free and graceful, though never violent; every muscle of his face seemed to play its part in his nervous declamation; and the flash of his deep-set eyes revealed the fiery spirit that was at work within. It may be remarked in pa.s.sing that he considered a moustache incompatible with effective speaking--"Why should a man hide one of the most expressive features of his face?" With regard to the still more expressive eyes, Lecky ruefully remarked that Gladstone's glance was that of a bird of prey swooping on its victim.

Lord Chief Justice Coleridge told me that he had once asked Gladstone if he ever felt nervous in public speaking. "In opening a subject," said Gladstone, "often; in reply never," and certainly his most triumphant speeches were those in which, when winding up a debate, he recapitulated and demolished the hostile arguments that had gone before. One writes glibly of his "most triumphant" speeches; and yet, when he was among us, he always delivered each Session at least one speech, of which we all used to say, with breathless enthusiasm, "That's the finest speech he ever made." On the platform he was incomparable. His fame as an orator was made within the walls of Parliament; but, when he ceased to represent the University of Oxford, and was forced by the conditions of modern electioneering to face huge ma.s.ses of electors in halls and theatres and in the open air, he adapted himself with the utmost ease to his new environment, and captivated the const.i.tuencies as he had captivated the House. His activities increased as his life advanced. He diffused himself over England and Wales and Scotland. In every considerable centre, men had the opportunity of seeing and hearing this supreme actor of the political stage; but Midlothian was the scene of his most astonishing efforts. When, on the 2nd of September, 1884, he spoke on the Franchise Bill in the Waverley Market at Edinburgh, it was estimated that he addressed thirty thousand people.

"Beneath his feet the human ocean lay, And wave on wave flowed into s.p.a.ce away, Methought no clarion could have sent its sound Even to the centre of the hosts around; And, as I thought, rose the sonorous swell, As from some church-tower swings the silvery bell.

Aloft and clear, from airy tide to tide, It glided, easy as a bird may glide; To the last verge of that vast audience sent, It played with each wild pa.s.sion as it went; Now stirred the uproar, now the murmur stilled: And sobs or laughter answered as it willed:"[43]

It is painful to descend too abruptly from such a height as that: but one would be giving a false notion of Gladstone's speaking if one suggested that it was always equally effective. Masterly in his appeal to a popular audience, supernaturally dexterous in explaining a complicated subject to the House of Commons, supremely solemn and pathetic in a Memorial Oration, he was heard to least advantage on a social or festive occasion. He would use a Club-dinner or a wedding-breakfast, a flower-show or an Exhibition, for the utterance of grave thoughts which had perhaps been long fermenting in his mind; and then his intensity, his absorption in his theme, and his terrible gravity, disconcerted hearers who had expected a lighter touch. An ill.u.s.tration of this piquant maladroitness recurs to my memory as I write. In 1882 I was concerned with a few Radical friends in founding the National Liberal Club.[44] We certainly never foresaw the palatial pile of terra-cotta and glazed tiles which now bears that name.[45] Our modest object was to provide a central meeting-place for Metropolitan and provincial Liberals, where all the comforts of life should be attainable at what are called "popular prices." Two years later, Gladstone laid the foundation-stone of the present Club-house, and, in one of his most austere orations, drew a sharp contrast between our poor handiwork and those "Temples of Luxury and Ease" which gaze in haughty grandeur on Pall Mall. We had hoped to provide what might seem like "luxury" to the unsophisticated citizen of Little Pedlington; and, at the least, we meant our Club to be a place of "ease" to the Radical toiler. But Gladstone insisted that it was to be a workshop dedicated to strenuous labour; and all the fair promises of our Prospectus were trodden under foot.[46]

I have often heard Gladstone say that, in the nature of things, a speech cannot be adequately reported. You may get the words with literal precision, but the loss of gesture, voice, and intonation, will inevitably obscure the meaning and impede the effect. Of no one's speaking is this more true than of his own. Here and there, in the enormous ma.s.s of his reported eloquence, you will come upon a fine peroration, a poetic image, a verse aptly cited, or a phrase which can be remembered. But they are few and far between--_oases_ in a wilderness of what reads like verbiage. Quite certainly, his speeches, in the ma.s.s, are not literature, as those found to their cost who endeavoured to publish them in ten volumes.

For speeches which are literature we must go to John Bright; but then Bright's speaking was not spontaneous, and therefore, according to the definition suggested above, could not be reckoned as Oratory. Yet, when delivered in that penetrating voice, with its varied emphasis of scorn and sympathy and pa.s.sion; enforced by the dignity of that n.o.ble head, and punctuated by the aptest gesture, they sounded uncommonly like oratory. The fact is that Bright's consummate art concealed the elaborate preparation which went to make the performance. When he was going to make a speech, he was encompa.s.sed by safeguards against disturbance and distraction, which suggested the rites of Lucina. He was invisible and inaccessible. No bell might ring, no door might bang, no foot tread too heavily. There was a crisis, and everyone in the house knew it; and when at length the speech had been safely uttered, there was the joy of a great reaction.

My Father, unlike most of the Whigs, had a warm admiration for Bright; and Bright showed his appreciation of this feeling by being extremely kind to me. Early in my Parliamentary career, he gave me some hints on the art of speech-making, which are interesting because they describe his own practice. "You cannot," he said, "over-prepare the substance of a speech. The more completely you have mastered it, the better your speech will be. But it is very easy to over-prepare your words. Arrange your subject, according to its natural divisions, under three or four heads--not more. Supply each division with an 'island'; by which I mean a carefully-prepared sentence to clinch and enforce it. You must trust yourself to swim from one 'island' to another, without artificial aids.

Keep your best 'island'--your most effective pa.s.sage--for your peroration; and, when once you have uttered it, sit down at once. Let no power induce you to go on."

Anyone who studies Bright's speeches will see that he exactly followed his own rule. The order and symmetry are perfect. The English is simple and unadorned. Each department of the speech has its notable phrase; and the peroration is a masterpiece of solemn rhetoric. And yet after all what Demosthenes said is true of these two great men--the Twin Stars of Victorian Oratory. Each had all the graces of voice and language, and yet each failed conspicuously in practical effect whenever he ran counter to the predilections and pa.s.sions of his countrymen. Gladstone succeeded when he attacked the Irish Church, and denounced the abominations of Turkish misrule: he failed when he tried to palliate his blunders in Egypt, and to force Home Rule down the throat of the "Predominant Partner." Bright succeeded when he pleaded for the Repeal of the Corn Laws and the extension of the Suffrage: he failed when he opposed the Crimean War, and lost his seat when he protested against our aggression on China. It must often fall to the lot of the patriotic orator thus to set himself against the drift of national sentiment, and to pay the penalty. No such perils beset the Demagogue.

I should not ascribe the t.i.tle of orator to Mr. Chamberlain. He has nothing of the inspiration, the poetry, the "vision splendid," the "faculty divine," which make the genuine orator. But as a speaker of the second, and perhaps most useful, cla.s.s, he has never been surpa.s.sed.

His speaking was the perfection of clearness. Each argument seemed irresistible, each ill.u.s.tration told. His invective was powerful, his pa.s.sion seemed genuine, his satire cut like steel and froze like ice.

His perception of his hearers' likes and dislikes was intuitive, and was heightened by constant observation. His friends and his enemies were those whom he esteemed the friends and the enemies of England; and he never committed the heroic but perilous error of setting himself against the pa.s.sing mood of national feeling. He combined in rare harmony the debating instinct which conquers the House of Commons, with the power of appeal to popular pa.s.sion which is the glory of the Demagogue.

The word with which my last sentence closed recalls inevitably the tragic figure of Lord Randolph Churchill. The adroitness, the courage, and the persistency with which between 1880 and 1885 he sapped Gladstone's authority, deposed Northcote, and made himself the most conspicuous man in the Tory Party, have been described in his Biography, and need not be recapitulated here. Mr. Chamberlain, who was exactly qualified to resist and abate him, had not yet acquired a commanding position in the House of Commons; and on the platform Churchill could not be beaten. In these two men each party possessed a Demagogue of the highest gifts, and it would have puzzled an expert to say which was the better exponent of his peculiar art. In January, 1884, Churchill made a speech at Blackpool, and thus attacked his eminent rival--"Mr.

Chamberlain a short time ago attempted to hold Lord Salisbury up to the execration of the people as one who enjoyed great riches for which he had neither toiled nor spun, and he savagely denounced Lord Salisbury and his cla.s.s. As a matter of fact, Lord Salisbury from his earliest days has toiled and spun in the service of the State, and for the advancement of his countrymen in learning, in wealth, and in prosperity; but no Radical ever yet allowed himself to be embarra.s.sed by a question of fact. Just look, however, at what Mr. Chamberlain himself does; he goes to Newcastle, and is entertained at a banquet there, and procures for the president of the feast a live Earl--no less a person than the Earl of Durham. Now, Lord Durham is a young person who has just come of age, who is in the possession of immense hereditary estates, who is well known on Newmarket Heath, and prominent among the gilded youth who throng the doors of the Gaiety Theatre; but he has studied politics about as much as Barnum's new white elephant, and the idea of rendering service to the State has not yet commenced to dawn on his ingenuous mind. If by any means it could be legitimate, and I hold it is illegitimate, to stigmatize any individual as enjoying great riches for which he has neither toiled nor spun, such a case would be the case of the Earl of Durham; and yet it is under the patronage of the Earl of Durham, and basking in the smiles of the Earl of Durham, and bandying vulgar compliments with the Earl of Durham, that this stern patriot, this rigid moralist, this unbending censor, the Right Honourable Joseph Chamberlain, flaunts his Radical and levelling doctrines before the astonished democrats of Newcastle. 'Vanity of Vanities,' saith the preacher, 'all is vanity.' 'Humbug of Humbugs,' says the Radical, 'all is humbug.'"

And with that most characteristic specimen of popular eloquence, we may leave the two great demagogues of the Victorian Age.

At the period of which I am speaking the House of Commons contained two or three orators surviving from a cla.s.s which had almost died away.

These were men who, having no gift for extempore speaking, used to study the earlier stages of a debate, prepare a tremendous oration, and then deliver it by heart. Such, in days gone by, had been the practice of Bulwer-Lytton, and, as far as one can see, of Macaulay. In my day it was followed by Patrick Smyth, Member for Tipperary, and by Joseph Cowen, Member for Newcastle. Both were real rhetoricians. Both could compose long discourses, couched in the most flowery English, interlarded with anecdotes and decorated with quotations; and both could declaim these compositions with grace and vigour. But the effect was very droll. They would work, say, all Tuesday and Wednesday at a point which had been exhausted by discussion on Monday, and then on Thursday they would burst into the debate just whenever they could catch the Speaker's eye, and would discharge these cascades of prepared eloquence without the slightest reference to time, fitness, or occasion.

My uncle, Lord Russell, who entered Parliament in 1813, always said that the first Lord Plunket was, on the whole, the finest speaker he had ever heard, because he combined a most cogent logic with a most moving eloquence; and these gifts descended to Plunket's grandson, now Lord Rathmore, and, in the days of which I am speaking, Mr. David Plunket, Member for the University of Dublin. Voice, manner, diction, delivery, were all alike delightful; and, though such finished oratory could scarcely be unprepared, Mr. Plunket had a great deal too much of his nation's tact to produce it except when he knew that the House was anxious to receive it. In view of all that has happened since, it is curious to remember that Mr. Arthur Balfour was, in those days, a remarkably bad speaker. No one, I should think, was ever born with less of the orator's faculty, or was under heavier obligations to the Reporters' Gallery. He shambled and stumbled, and clung to the lapels of his coat, and made immense pauses while he searched for the right word, and eventually got hold of the wrong one. In conflict with Gladstone, he seemed to exude the very essence of acrimonious partisanship, and yet he never exactly scored. As Lord Beaconsfield said of Lord Salisbury, "his invective lacked finish."

A precisely opposite description might befit Sir Robert Peel, the strangely-contrasted son of the great Free Trader. Peel was naturally an orator. He could make the most slashing onslaughts without the appearance of ill-temper, and could convulse the House with laughter while he himself remained to all appearance unconscious of the fun. His voice, p.r.o.nounced by Gladstone the most beautiful he ever heard in Parliament, was low, rich, melodious, and flexible. His appearance was striking and rather un-English, his gestures were various and animated, and he enforced his points with beautifully shaped hands. If voice and manner could make a public speaker great, Sir Robert Peel might have led the Tory Party; but Demosthenes was right after all. The graces of oratory, though delightful for the moment, have no permanent effect. The perfection of Parliamentary style is to utter cruel plat.i.tudes with a grave and informing air; and, if a little pomposity be superadded, the House will instinctively recognize the speaker as a Statesman. I have heard Sir William Harcourt say, "After March, comes April," in a tone which carried conviction to every heart.

A word must be said about speakers who read their speeches. I do not think I shall be contradicted if I say that in those distant days Sir William Harcourt, Sir George Trevelyan, and Mr. Gibson, now Lord Ashbourne, wrote every word, and delivered their speeches from the ma.n.u.script. In late years, when Harcourt had to pilot his famous Budget through Committee, he acquired a perfect facility in extempore speech; but at the beginning it was not so. The Irish are an eloquent nation, and we are apt to send them rather prosy rulers. "The Honourable Member for Bletherum was at that time perambulating the district with very great activity, and, I need not say, with very great ability." Such a sentence as that, laboriously inscribed in the ma.n.u.script of a Chief Secretary's speech, seems indeed to dissipate all thoughts of oratory.

Mr. Henry Richard, a "Stickit Minister" who represented Merthyr, was the worst offender against the Standing Order which forbids a Member to read his speech, though it allows him to "refresh his memory with notes"; and once, being called to order for his offence, he palliated it by saying that he was ready to hand his ma.n.u.script to his censor, and challenged him to read a word of it.

The least oratorical of mankind was the fifteenth Lord Derby, whose formal adhesion to the Liberal Party in 1882 supplied _Punch_ with an admirable cartoon of a female Gladstone singing in impa.s.sioned strain--

"Always the same, Derby my own!

Always the same to your old Glad-stone."

Lord Derby wrote every word of his speeches, and sent them in advance to the press. It was said that once he dropped his ma.n.u.script in the street, and that, being picked up, it was found to contain such entries as "Cheers," "Laughter," and "Loud applause," culminating in "'But I am detaining you too long.' (Cries of 'No, no,' and 'Go on.')"

The mention of Lord Derby reminds me of the much-criticized body to which he belonged. When I entered Parliament, the Chief Clerk of the House of Commons was Sir Thomas Erskine May, afterwards Lord Farnborough--an hereditary friend. He gave me many useful hints, and this among the rest--"Always go across to the House of Lords when they are sitting, even if you only stop five minutes. You may often happen on something worth hearing; and on no account ever miss one of their full-dress debates." I acted on the advice, and soon became familiar with the oratory of "the Gilded Chamber," as Pennialinus calls it. I have spoken in a former chapter of the effect produced on me as a boy by the predominance of Disraeli during the debates on the Reform Bill of 1867. He had left the House of Commons before I entered it, but that same mysterious attribute of predominance followed him to the House of Lords, and indeed increased with his increasing years. His strange appearance--un-English features, corpse-like pallor, blackened locks, and piercing eyes--marked him out as someone quite aloof from the common population of the House of Lords. When he sat, silent and immovable, on his crimson bench, everyone kept watching him as though they were fascinated. When he rose to speak, there was strained and awe-stricken attention. His voice was deep, his utterance slow, his p.r.o.nunciation rather affected. He had said in early life that there were two models of style for the two Houses of Parliament--for the Commons, _Don Juan_: for the Lords, _Paradise Lost_. As the youthful Disraeli, he had out-Juaned Juan; when, as the aged Beaconsfield, he talked of "stamping a deleterious doctrine with the reprobation of the Peers of England," he approached the dignity of the Miltonic Satan. It was more obviously true of him than of most speakers that he "listened to himself while he spoke"; and his complete mastery of all the tricks of speech countervailed the decay of his physical powers. He had always known the value of an artificial pause, an effective hesitation, in heralding the apt word or the memorable phrase; and just at the close of his life he used the method with a striking though unrehea.r.s.ed effect. On the 4th of March, 1881, he was speaking in support of Lord Lytton's motion condemning the evacuation of Kandahar. "My Lords," he said, "the Key of India is not Merv, or Herat, or,"--here came a long pause, and rather painful anxiety in the audience; and then the quiet resumption of the thread--"It is not the place of which I cannot recall the name--the Key of India is London."

At a dinner at Lord Airlie's in the previous month Lord Beaconsfield, talking to Matthew Arnold, had described the great (that is, the fourteenth) Lord Derby as having been "a man full of nerve, dash, fire, and resource, who carried the House irresistibly along with him." Bishop Samuel Wilberforce was reckoned by Mr. Gladstone as one of the three men who, of all his acquaintance, had the greatest natural gift of public speaking.[47] Both the Bishop and the Statesman found, each in the other, a foeman worthy of his steel; but both had pa.s.sed beyond these voices before I entered Parliament, leaving only tantalizing traditions--"Ah! but you should have heard Derby on the Irish Church,"

or "It was a treat to hear 'Sam' trouncing Westbury." Failing those impossible enjoyments, I found great pleasure in listening to Lord Salisbury. I should reckon him as about the most interesting speaker I ever heard. His appearance was pre-eminently dignified: he looked, whether he was in or out of office, the ideal Minister of a great Empire--

"With that vast bulk of chest and limb a.s.signed So oft to men who subjugate their kind; So st.u.r.dy Cromwell pushed broad-shouldered on; So burly Luther breasted Babylon; So brawny Cleon bawled his agora down; And large-limb'd Mahomed clutched a Prophet's crown."

In public speaking, Lord Salisbury seemed to be thinking aloud, and to be quite unconscious of his audience. Though he was saturated with his subject there was apparently no verbal preparation. Yet his diction was peculiarly apt and pointed. He never looked at a note; used no gesture; scarcely raised or lowered his voice. But in a clear and penetrating monotone he uttered the workings of a profound and reflective mind, and the treasures of a vast experience. Though ma.s.sive, his style was never ponderous: and it was constantly lightened by the sallies of a pungent humour. In the debate on the Second Reading of the Home Rule Bill of 1893, Lord Ribblesdale, then recently converted from Unionism to Gladstonianism, and Master of the Buckhounds in the Liberal government, had given the history of his mental change. In replying, Lord Salisbury said, "The next speech, my lords, was a confession. Confessions are always an interesting form of literature--from St. Augustine to Rousseau, from Rousseau to Lord Ribblesdale." The House laughed, and the Master of the Buckhounds laughed with it.

One of the most vigorous orators whom I have ever heard, in the House of Lords or out of it, was Dr. Magee, Bishop of Peterborough, and afterwards Archbishop of York. He had made his fame by his speech on the Second Reading of the Irish Church Bill, and was always at his best when defending the temporal interests of ecclesiastical inst.i.tutions. No clergyman ever smacked so little of the pulpit. His mind was essentially legal--clear, practical, logical, cogent. No one on earth could make a better case for a bad cause; no one could argue more closely, or declaim more vigorously. When his blood was up, he must either speak or burst; but his indignation, though it found vent in flashing sarcasms, never betrayed him into irrelevancies or inexact.i.tudes.

A fine speaker of a different type--and one better fitted for a Churchman--was Archbishop Tait, whose dignity of speech and bearing, clear judgment, and forcible utterance, made him the worthiest representative of the Church in Parliament whom these latter days have seen. To contrast Tait's stately calm with Benson's fluttering obsequiousness[48] or Temple's hammering force, was to perceive the manner that is, and the manners that are not, adapted to what Gladstone called "the mixed sphere of Religion and the _Saeculum_."

By far the greatest orator whom the House of Lords has possessed in my recollection was the late Duke of Argyll. I have heard that Lord Beaconsfield, newly arrived in the House of Lords and hearing the Duke for the first time, exclaimed, "And has this been going on all these years, and I have never found it out?" It is true that the Duke's reputation as an administrator, a writer, a naturalist, and an amateur theologian, distracted public attention from his power as an orator; and I have been told that he himself did not realize it. Yet orator indeed he was, in the highest implication of the term. He spoke always under the influence of fiery conviction, and the live coal from the altar seemed to touch his lips. He was absolute master of every mood of oratory--pathos, satire, contemptuous humour, ethical pa.s.sion, n.o.ble wrath; and his unstudied eloquence flowed like a river through the successive moods, taking a colour from each, and gaining force as it rolled towards its close.