Here we go, I said. Someone's coming.

A shadowy figure started trudging down the hall, flipped the office light on, and came to the door. It was a man in his sixties, gray hair tousled, still drawing together the sash on his striped bathrobe.

We're closed! he shouted through the glass.

I banged again.

Goddamn it, he said. He unlocked the office door, swung it open a foot, and said, Do you know what time it is?

We're really sorry, I said.

Yeah, said Bob.

I'm Tim Blake, this is Bob Janigan, and we're trying to find my daughter.

What? said the manager.

My daughter, I said. We think it's possible she might be working here, and it's very important we find her.

Family emergency, Bob chimed in.

The manager shook his head. The gesture seemed designed to wake himself up as much as to display annoyance. What the hell's her name?

Sydney Blake, I said.

Never heard of her, he said and began to close the door.

I got my foot in. Please, just a minute. It's possible you might know her by another name.

What? he said. What other name?

I don't know, I said. I was reaching into my jacket for one of the photos of Syd I carried around with me everywhere I went. I reached through the door and handed it to him.

Reluctantly, he took it between his fingers and squinted at it. Hang on, he said and went around to the office desk, where a pair of reading glasses lay. That allowed us to open the door wider and take a step inside.

He peered through the glasses at the photo.

Hang on, he said again, and I felt my pulse quicken. I've seen this girl.

Where? I asked. When?

She came in here, I don't know, two weeks or more ago. Looking for some part-time work. I didn't have anything.

Did she tell you her name?

He shrugged. Maybe, but I don't remember it. I told her to try another place, one of their summer staff quit all of a sudden, they were looking for help.

What place? I asked.

Uh, hang on. Touch the Cloud.

What? Bob asked.

The inn. That's the name of it, the Touch the Cloud Inn. It's further up the road, on the way to Smugglers' Notch, where the road starts climbing.

Do you know if she got a job there?

Beats me, he said. Now you can go wake them up. He ushered us out of the office and killed the light.

Back in the car, the guns removed from the backs of our pants, we carried on up Mountain Road, driving slowly so as not to miss any of the signs.

Whoa, go back! Bob shouted. I think it's in there.

I backed up the Mustang about thirty yards. Even at night, it was clear to see that the Touch the Cloud Inn had seen better days. The towering rustic sign out front needed paint, a mock split-rail fence around the garden below it appeared to have been used for bumper impact tests, and one of the bulbs over the office door was burned out.

We parked again, tucked the guns into our waistbands, and did the whole routine all over again.

A second after the first knock, a small dog started yapping. I heard nails skittering across the floor, saw the shadow of something small scurrying across it. Yap yap! Yap yap yap!

Even before the lights came on inside, a woman was shouting: Mitzi! Mitzi! Stop it! Be quiet!

She was in her forties, streaky blonde hair, good-looking not easy to pull off this time of night in a frayed housecoat and no makeup. She was also very wary. She looked at us through the glass of the still-locked storm door and asked, Who are you? We introduced ourselves. What do you want? she shouted over Mitzi's yapping.

I said, loud enough to be heard through glass and over Mitzi, We're trying to find my daughter. It's an emergency. I said I thought she might be working there, and gave her Sydney's name.

Sorry, she said. I've got no one here by that name. Mitzi, Jesus, shut up!

The dog shut up.

I pressed Syd's picture up against the glass. The woman leaned in, studied it, and said, That's Kerry.

Kerry? I said.

Kerry Morton.

She works here? I asked.

The woman nodded. Who'd you say you were again?

Tim Blake. I'm her father.

If you're her father, how come her last name's not the same as yours?

It's a long story. Listen, it's very important that I find her. Do you know where she's staying?

The woman kept studying me. Maybe she was looking for some sort of family resemblance. Let me see some ID. Him too.

I dug out my wallet, pulled out my driver's license, and put it up against the glass. Bob did the same.

The woman was debating what to do. Hang on, she said. She left the office and could be heard in a nearby room saying, Wake up, wake up, pull some pants on. Some male grumbling. There's a couple chuckleheads here want me to walk off into the night with them, and there's no way I'm going out there alone.

A moment later she reappeared with a young shirtless and barefooted man who looked like he'd just walked out of an Abercrombie & Fitch ad. Washboard stomach, rippling arms, hair as black as the woods. The faded jeans he'd just pulled on were zipped but unbuttoned. Bob and I traded glances. A boy toy. But a boy toy who didn't look like he should be messed with.

This is Wyatt, she said. He blinked sleepily at us. He's joining us.

Great, I said.

We got several out-of-town kids working here, she said. Wyatt's one. We got a few mini-cabins out back for them. Evidently Wyatt was favored with better accommodations, at least tonight. Kerry's staying in one of those.

Where? I asked. Do they have numbers? Can you tell me where Hold your horses, she said and, along with Wyatt, led us down a sidewalk, around the side of the building to a row of cabins dimly lit by some lamps attached to wooden poles. They all backed onto a wooded area. I hoped Wyatt was groggy enough not to notice the bulges under the backs of our jackets. It was dark out, so I figured we were okay.

It's this one over here, she said. This better be a real emergency, because she's going to be pissed, getting woke up in the middle of the night. I know I am.

I didn't have anything to say. I was so excited about finally finding Sydney that my body was shaking.

The woman reached the door and rapped on it lightly with her knuckle. Hey, Kerry, it's Madeline. Kerry?

The windows stayed dark. I didn't hear any stirring inside. I came up to the door and called out, Sydney! It's Dad! Open the door! It's okay!

Still nothing. Open the door, I said to the woman I now knew to be Madeline.

I'll have to go back and get the Bob had come around behind her and kicked the door in. Hey! she said.

Whoa! said Wyatt. It was the first word we'd heard from him. He grabbed hold of Bob's arm, but Bob shook him off and reached around inside the door, found a light switch and flicked it on.

It was, at best, six by nine feet. A cot, two wooden chairs, an antique washstand. No running water, no bathroom. A quaint prison cell, in many ways. There were a few toiletry items on the washstand: a hairbrush, a set of keys, a pair of sunglasses. The cot didn't look slept in.

Where the hell is she? Madeline asked. She needs to be stripping beds first thing in the morning.

I stepped over to the washstand, picked up the keys. There were three house keys that made sense: my house, Susanne's, and now Bob's plus a remote and a car key, both stamped with the Honda emblem. I touched the hairbrush, then picked up the sunglasses.

They had Versace written on the arms.

This is Sydney's stuff, I said to Bob, trying to keep my voice from breaking.

I began looking about the cabin for any other clues, anything that might give me a hint as to where she was now.

When did you last see her? I asked Madeline, who was huddling up close to Wyatt.

Sometime today, she said vaguely. I don't really keep track. Kerry usually works an early shift, finishes up midafternoon. After that she can do what she wants.

So she did work today? I asked. You actually saw her?

Yeah, I saw her.

What was she like? How was she?

You mean today, or since she got here?

Both, everything.

She's just about the unhappiest girl I ever did see. Mopey and down, skittish, always looking over her shoulder; you come up behind her and say something and she jumps out of her skin. Cries all the time. Something's wrong with that girl, you don't mind my saying.

I'd felt so hopeful moments earlier, now very uneasy. We'd come so close to finding her. Where would she have gone in the middle of the night?

What if someone else had already found her?

I looked in the corners of the cabin, in the washstand, under the cot. I found some shorts, underwear, a couple of tops. What few items there were looked brand new. Syd had left Milford without packing, after all. There were a couple of prepaid phone cards she must have used to make long-distance calls, and some sheets of paper with material that had been printed off the Internet. Some of it was from the website I'd set up to find her. There was an online version of a New Haven Register story on her disappearance.

You have a computer here people can use? I asked.

There's one in the office I let the kids working for me borrow. Send emails home, that kind of thing.

Has Sydney Kerry used it?

Yeah, she sneaks some time on it every day. And yeah, she said, nodding at the papers in my hand, she's printed some stuff off it, but I don't know what it's about. She was always clearing the history every time she was done.

I asked Madeline, Did you hear anything unusual tonight, see any people around you didn't recognize?

I run a tourist business, Madeline said. I see different people around here every day.

How about you? I asked Wyatt.

The boy shrugged. I never talked to her, he said.

I turned to Bob. I don't know what to do, I said.

He stood there in the dim light of the cabin, shaking his head. He didn't seem to have any ideas either.

Maybe it's time to let Detective Jennings in on things, he said. Tell her where we are, see if she can get the locals involved.

Locals? Madeline said.

How about some of the other people you have working here? I asked. You have other kids working for you for the summer? Kids Sydney might have talked to?

Madeline said, Two cabins down, there's a girl here for the summer from Buffalo. I've seen the two of them talking a few times.

We need to talk to her right now, I said.

Madeline looked as though she was preparing to argue, then said, What the hell. With her housecoat flapping in the light breeze, she led us to the door of the other cabin and knocked on the door.

Alicia? Alicia, it's Madeline!

A light flicked on inside, and a few seconds later a sleepy-eyed girl, black, nineteen or twenty years old, opened the door. She was in a T-shirt and panties. When she saw that it wasn't just Madeline at the door, but three men, she narrowed the opening to about six inches, showing nothing but her face.

What's wrong? What's going on? Her eyes shifted from Madeline and Wyatt to Bob and me and back again.

These men need to talk to you about Kerry, Madeline said.