"Use me?"

Mother of G.o.d, I thought. Here it comes. The elevator was crowded with race people: it was taking a long time to get from floor to floor. By the time we'd stopped at Three, he was trembling badly. Five more to go. .

"I ride the big ones!" he shouted suddenly. "The really big f.u.c.kers!"

I laughed, trying to de - fuse the scene. "The Vincent Black Shadow," I said. "We're with the factory team."

This brought a murmur of rude dissent from the crowd.

"Bulls.h.i.t," somebody behind me muttered.

"Wait a minute!" my attorney shouted . . . and then to the girl: "Pardon me, lady, but I think there's some kind of ignorant chicken - sucker in this car who needs his face cut open." He plunged his hand into the pocket of his black plastic jacket and turned to face the people crowded into the rear of the elevator. "You cheap honky f.a.ggots," he snarled. "Which one of you wants to get cut?"

I was watching the overhead floor - indicator. The door opened at Seven, but n.o.body moved. Dead silence. The door closed. Up to Eight . . . then open again. Still no sound ormovement in the crowded car. Just as the door began to close I stepped off and grabbed his arm, jerking him out just in time. The doors slid shut and the elevator light dinged Nine.

"Quick! Into the room," I said. "Those b.a.s.t.a.r.ds will have on us!" We ran around the corner to the room. My attorney was laughing wildly. "Spooked!" he shouted. "Did you see that? They were spooked. Like rats in a death - cage!"

Then, as we bolted the door behind us, he stopped laughing. "G.o.d d.a.m.n," he said. "It's serious now. That girl understood. She fell in love with me."

Now, many hours later, he was convinced that Lacerda - the so - called photographer - had somehow got his hands on the girl. "Let's go up there and castrate that f.u.c.ker," he said, waving his new knife around in quick circles in front of his teeth. "Did you put him onto her?"

"Look," I said, "you'd better put that G.o.dd.a.m.n blade away and get your head straight. I have to put the car in the lot." I was backing slowly towards the door. One of the things you learn, after years of dealing with drug people, is that everything is serious. You can turn your back on a person, but never turn your back on a drug - especially when it's waving a razor - sharp hunting knife in your eyes.

"Take a shower," I said. "I'll be back in twenty minutes." I left quickly, locking the door behind me and taking the key to Lacerda's room - the one my attorney had stolen earlier. That poor geek, I thought, as I hurried down the escalator. They sent him out here on this perfectly reasonable a.s.signment - just a few photos of motorcycles and dune buggies racing around the desert - and now he was plunged, without realizing it, into the maw of some world beyond his ken. There was no way he could possibly understand what was happening.

What were we doing out here? What was the meaning of this trip? Did I actually have a big red convertible out there on the street? Was I just roaming around these Mint Hotel escalators in a drug frenzy of some kind, or had I really come out here to Las Vegas to work on a story?

I reached in my pocket for the room key; "1850," it said. At least that much was real. So my immediate task was to deal with the car and get back to that room . . . and then hopefully get straight enough to cope with whatever might happen at dawn.

Now off the escalator and into the casino, big crowds still tight around the c.r.a.p tables. Who are these people? These faces! Where do they come from? They look like caricatures of used - car dealers from Dallas. But they're real. And, sweet Jesus, there are a h.e.l.l of a lot of them - still screaming around these desert - city c.r.a.p tables at four - thirty on a Sunday morning. Still humping the American Dream, that vision of the Big Winner somehow emerging from the last - minute pre - dawn chaos of a stale Vegas casino.

Big strike in Silver City. Beat the dealer and go home rich. Why not? I stopped at the Money Wheel and dropped a dollar on Thomas Jefferson - a $2 bill, the straight Freak ticket, thinking as always that some idle instinct bet might carry the whole thing off.

But no. Just another two bucks down the tube. You b.a.s.t.a.r.ds!

No. Calm down. Learn to enjoy losing. The important thing is to cover this story on its own terms; leave the other stuff to Life Life and and Look Look - at least for now. On the way down the escalator I saw the - at least for now. On the way down the escalator I saw the Life Life man twisted feverishly into the telegraph booth, chanting his wisdom into the ear of some h.o.r.n.y robot in a cubicle on that other coast. Indeed: "LAS VEGAS AT DAWN - The racers are still asleep, the dust is still on the desert, $50,000 in prize money slumbers darkly in the office safe at Del Webb's fabulous Mint Hotel in the bright heart of Casino Center. Extreme tension. And our man twisted feverishly into the telegraph booth, chanting his wisdom into the ear of some h.o.r.n.y robot in a cubicle on that other coast. Indeed: "LAS VEGAS AT DAWN - The racers are still asleep, the dust is still on the desert, $50,000 in prize money slumbers darkly in the office safe at Del Webb's fabulous Mint Hotel in the bright heart of Casino Center. Extreme tension. And our Life Life team is here (as always, with a st.u.r.dy police escort. . .)." Pause. "Yes, operator, that word was team is here (as always, with a st.u.r.dy police escort. . .)." Pause. "Yes, operator, that word was police police. What else? This is, after all, a Life Life Special . . . Special . . .

The Red Shark was out on Fremont where I'd left it. I drove around to the garage and checked it in - Dr. Gonzo's car, no problem, and if any of your men fall idle we can use awax job before morning. Yes, of course - just bill the room.

My attorney was in the bathtub when I returned. Submerged in green water - the oily product of some j.a.panese bath salts he'd picked up in the hotel gift shop, along with a new AM/FM radio plugged into the electric razor socket. Top volume. Some gibberish by a thing called "Three Dog Night," about a frog named Jeremiah who wanted "Joy to the World."First Lennon, now this, I thought. Next we'll have Glenn Campbell screaming "Where Have All the Flowers Gone?"

Where indeed? No flowers in this town. Only carnivorous plants. I turned the volume down and noticed a hunk of chewed - up white paper beside the radio. My attorney seemed not to notice the sound - change. He was lost in a fog of green steam; only half his head was visible above the water line.

"You ate this?" I asked, holding up the white pad.

He ignored me. But I knew. He would be very difficult to reach for the next six hours. The whole blotter was chewed up.

"You evil son of a b.i.t.c.h," I said. "You better hope there's some thorazine in that bag, because if there's not you're in bad trouble tomorrow."

"Music!" he snarled. "Turn it up. Put that tape on."

"What tape?"

"The new one. It's right there."

I picked up the radio and noticed that it was also a tape recorder - one of those things with a ca.s.sette - unit built in. And the tape, Surrealistic Pillow Surrealistic Pillow, needed only to be flipped over. He had already gone through side one - at a volume that must have been audible in every room within a radius of one hundred yards, walls and all.

"'White Rabbit,"' he said. "I want a rising sound."

"You're doomed," I said. "I'm leaving here in two hours - and then they're going to come up here and beat the mortal s.h.i.t out of you with big saps. Right there in the tub."

"I dig my own graves," he said. "Green water and the White Rabbit . . . put it on; don't make me use this." His arm lashed out of the water, the hunting knife gripped in his fist.

"Jesus," I muttered. And at that point I figured he was I help - lying there in the tub with a head full of acidand the sharpest knife I've ever seen, totally incapable of reason, demanding the White Rabbit. This is it, I thought. "I've gone as far as I can with this waterhead. This time it's a suicide trip. This time he wants it. He's ready..

"OK," I said, turning the tape over and pushing the "play" b.u.t.ton. "But do me one last favor, will you? Can you give me two hours? That's all I ask - just two hours to sleep before tomorrow. I suspect it's going to be a very difficult day."

"Of course," he said. "I'm your attorney. I'll give you all the time you need, at my normal rates: $45 an hour - but you'll be wanting a cushion, so why don't you just lay one of those $100 bills down there beside the radio, and f.u.c.k off?"

"How about a check?" I said. "On the Sawtooth National Bank. You won't need any ID to cash it there. They know me."

"Whatever's right," he said, beginning to jerk with the music. The bathroom was like the inside of a huge defective woofer. Heinous vibrations, overwhelming sound. The floor was full of water. I moved the radio as far from the tub as it would go, then I left and closed the door behind me.

Within seconds he was shouting at me. "Help! You b.a.s.t.a.r.d! Ineed help!"

I rushed back inside, thinking he'd sliced off an ear by accident.

But no . . . he was reaching across the bathroom toward the white formica shelf where the radio sat. "I want that tuckin radio," he snarled.

I grabbed it away from his hand. "You fool!" I said. "Get in that tub! Get away from that G.o.dd.a.m.n radio!" I shoved it back from his hand. The volume was so far up that it was hard to know what was playing unless you knew Surrealistic Pillow Surrealistic Pillow almost note for note . . . which I did, at the time, so I knew that "White Rabbit" had finished; the peak and had come and gone. almost note for note . . . which I did, at the time, so I knew that "White Rabbit" had finished; the peak and had come and gone.

But my attorney, it seemed, had not made it. He wanted more. "Back the tape up!" he yelled. "I need it again!" His eyes were full of craziness now, unable to focus. He seemed on the verge of some awful psychic o.r.g.a.s.m "Let it roll!" he screamed. "Just as high as the f.u.c.ker can go! And when it comes to that fantastic note where the rabbit bites its own head off, I want you to throw that f.u.c.kin radio into the tub with me."

I stared at him, keeping a firm grip on the radio. "Not me," I said finally. "I'd be happy to ram a G.o.dd.a.m.n 440 - volt cattle prod into that tub with you right now, but not this radio. It would blast you right through the wall - stone - dead in ten seconds." I laughed. "s.h.i.t, they'd make me explain it - drag me down to some rotten coroner's inquest and grill me about. . yes . . . the exact details. I don't need that."

"Bulls.h.i.t!" he screamed. "Just tell them I wanted to get Higher!"

I thought for a moment. "Okay," I said finally. "You're right. This is probably the only solution." I picked up the tape/radio - which was still plugged in - and held it over the tub. "Just let me make sure I have it all lined up," I said.

"You want me to throw this thing into the tub when 'White Rabbit' peaks - is that it?"

He fell back in the water and smiled gratefully. "f.u.c.k yes," he said. "I was beginnjng to think I was going to have to go out and get one of the G.o.dd.a.m.n maids to do it."

"Don't worry," I said. "Are you ready?" I hit the "play" b.u.t.ton and "White Rabbit" started building again.

Almost immediately he began to howl and moan . . . another fast run up that mountain, and thinking, this time, that he would finally get over the top. His eyes were gripped shut and only his head and both kneecaps poked up through the oily green water.

I let the song build while I sorted through the pile of fat ripe grapefruit next to the basin. The biggest one of the lot weighed almost two pounds. I got a good Vida Blue faitball grip on the f.u.c.ker - and just as "Whit. Rabbit" peaked Ilashed it into the tub like a cannonball.

My attorney screamed crazily, thrashing around in the tub like a shark after meat, churning water all over the floor as he struggled to get hold of something.

I jerked the AC cord out of the tape/radio and moved out of the bathroom very quickly . . . the machine kept on playing, but now it was back on its own harmless battery power. I could hear the beat cooling down as I moved across the room to my kitbag and fetched up the Mace can . . . just as my attorney ripped the bathroom door open and started out. His eyes were still unfocused, but he was waving the blade out in front of him like a man who meant to cut something.

"Mace!" I shouted. "You want this?" I waved the Mace bomb in front of his watery eyes.

He stopped, "You b.a.s.t.a.r.d!" he hissed. "You'd do that, wouldn't you?"

I laughed, still waving the bomb at him. "Why worry? You'll like it. s.h.i.t, there's nothing in the world like a Mace high - forty - five minutes on your knees with the dry heaves, gasping for breath. It'll calm you right down."

He stared in my general direction, trying to focus. "You cheap honky sonofab.i.t.c.h," he muttered. "You'd do it, wouldn't you?"

"Why not?" I said. "h.e.l.l, just a minute ago you were asking me to kilt you! And now you want to kill me! What I should do, G.o.dd.a.m.n it, is call the police!"

He sagged. "The cops?"

I nodded. "Yeah, there's no choice. I wouldn't dare go to sleep with you wandering around in this condition - with a head full of acid and wanting to slice me up with that G.o.d - d.a.m.n knife."

He rolled his eyes for a moment, then tried to smile.

"Who said anything about slicing you up?" he mumbled. I just wanted to carve a little Z on your forehead - nothing serious."

He shrugged and reached for a cigarette of the TV set, I menaced him again with the Mace can. "Get back in that tub," I said. "Eat some reds and try to calm down. Smoke some gra.s.s, shoot some smack - s.h.i.t, dowhatever you have to do, but let me get some rest."

He shrugged and smiled distractedly, as if everything I'd said made perfect sense.

"h.e.l.l yes," he said very earnestly. "You really need some sleep. You have towork tomorrow." He shook his head sadly and turned back toward the bathroom. "G.o.d d.a.m.n! What a b.u.mmer." He waved me off. "Try to rest," he said."Don't let me keep you up."

I nodded, and watched him shuffle back into the bathroom - still holding the blade, but now he seemed unaware of it. The acid had shifted gears on him; the next phase would probably be one of those h.e.l.lishly intense introspection night mares. Four hours or so of catatonic despair; but nothing physical, nothing dangerous. I watched the door close behind him, then I quietly slid a heavy, sharp - angled chair up in front of the bathroom k.n.o.b and put the Mace can beside the alarm clock.

The room was very quiet. I walked over to the TV set and turned it on to a dead channel - white noise at maximum decibels, a fine sound for sleeping, a powerful continuous hiss to drown out everything strange.

8. "Genius 'Round the Wand Stands Hand in Hand, and One Shock of Recognition Runs the Whole Circle 'Round"

- Art LinkIetter

I live in a quiet place, where any sound at night means some thing is about to happen: You come awake fast - thinking, what does that mean?

Usually nothing. But sometimes . . . it's hard to adjust to a city gig where the night is full of sounds, all of them comfortably routine. Cars, horns, footsteps . . . no way to relax; so drown it all out with the fine white drone of a cross - eyed TV set. Jam the b.u.g.g.e.r between channels and doze off nicely.

Ignore that nightmare in the bathroom. Just another ugly refugee from the Love Generation, some doom - struck gimp who couldn't handle the pressure. My attorney has never been able to accept the notion - often espoused by reformed drug abusers and especially popular among those on probation - that you can get a lot higher without drugs than with them.

And neither have I, for that matter. But I once lived down the hill from Dr. - on -Road, Names deleted at insistence of publisher's lawyer) a former acid guru who later claimed to have made that long jump from chemical frenzy to preternatural consciousness. One fine afternoon in the first rising curl of what would soon become the Great San Francisco Acid Wave I stopped by the Good Doctor's house with the idea of asking him (since he was even then a known drug authority) what sort of advice he might have for a neighbor with a healthy curiosity about LSD.

I parked on the road and lumbered up his gravel driveway, pausing enroute to wave pleasantly at his wife, who was working out in the graden . . . pruning carrots, or whatever . . . humming while she works, some tune I fail to recognize.

Humming. Yes . . . but it would be nearly ten years before I would recognize that sound for what it was: like Ginsberg far gone in the Om, - was trying to humm me off humm me off. That was no old lady out there in that garden; it was the good doctor himself - and his humming was a frantic attempt to block me out of his higher consciousness.

I made several attempts to make myself clear: Just a neighbor come to call and ask the doctor's advice about gobbling some LSD in my shack just down the hill from his house. I did, after all, have weapons. And I liked to shoot them - especially at night, when the great blue flame would leap out, along with all that noise . . . and, yes, the bullets, too. We couldn't ignore that. Big b.a.l.l.s of lead/alloy flying around the valley at speeds up to 3700 feet per second.

But I always fired into the nearest hill or, failing that, into blackness. I meant no harm; I just liked the explosions. And I was careful never to kill more than I could eat.

"Kill?" I realized I could never properly explain that word to this creature toiling here in its garden. Had it ever eaten meat? Could it conjugate the verb "hunt?" Did it understand hunger? Or grasp the awful fact that my income averaged around $32 a week that year?

No . . . no hope of communication in this place. I recognized that-but not soon enough to keep the drug doctor from humming me all the way down his driveway and into my car and down the mountain road. Forget LSD, I thought. Look what it's done to that that poor b.a.s.t.a.r.d. poor b.a.s.t.a.r.d.

So I stuck with hash and rum for another six months or so, until I moved into San Francisco and found myself one night, in a place called "The Fillmore Auditorium." And that was that. One grey lump of sugar, and BOOM. In my mind I was right back there in the doctor's garden. Not on the surface, but underneath - poking up through that finely cultivated earth like some kind of mutant mushroom. A victim of the Drug Explosion. A natural street freak, just eating whatever came by. I recall one night, in the Matrix, when a road - person came in with a big pack on his back, shouting: "Anybody want some L . . . S . . . D . . . ? I got all the makin's right here. All I need is a place to cook."

The manager was on him at once, mumbling, "Cool it, cool it, come on back to the office." I never saw him after that night, but before he was taken away, the road - person distributed his samples. Huge white spansules. I went into the men's room to eat mine. But only half at first, I thought. Good thinking, but a hard thing to accomplish under the circ.u.mstances. I ate the first half, but spilled the rest on the sleeve of my red Pendleton shirt . . . And then, wondering what to do with it, I saw one of the musicians come in. "What's the trouble," he said.

"Well," I said. "All this white stuff on my sleeve is LSD." He said nothing: Merely grabbed my arm and began sucking on it. A very gross tableau. I wondered what would happen if some Kingston Trio/young stockbroker type might wander in and catch us in the act. f.u.c.k him, I thought. With a bit of luck, it'll ruin his life - forever thinking that just be - hind some narrow door in all his favorite bars, men in red Pendleton shirts are getting incredible kicks from things he'll never know. Would he dare to suck a sleeve? Probably not. Play it safe. Pretend you never saw it.