He surveyed her critically. "You need to look more debauched." He pulled down one of her sleeves. Since the back of her bodice was still untied, the fabric slid easily, exposing her left shoulder. When his fingers skimmed her bare flesh she almost jumped out of her skin.

Feeling her reaction, he hesitated, as if tempted to turn his attempt at camouflage into a caress. The moment hung suspended between them.

Finally, to her relief, he moved away and opened the door. After scanning the hall, he draped an arm around her shoulders and steered her out.

Voices sounded downstairs, but there no one was in sight. Getting into the spirit, she wrapped an arm around his lean waist and tried to look like a satisfied doxy. It was easy to act the part when his warm body was twined around hers. His closeness fueled the fire that had been kindled by his earlier kiss.

Grimly she reminded herself that she only had to hang on to the rags of her composure for a few more minutes. Then she would be free of her alarming companion.

On the ground floor they passed one of the Hellions with a half-naked woman supporting him as the couple headed for the stairs. In the dim light, she had no idea who the man was. A wavering tenor and soprano duet sounded from the drawing room as they passed, singing a song that Kit guessed would be horribly embarrassing if she understood what all of the words meant. But as Strathmore had predicted, she was safe with him. At least, safe from other men; the earl himself was another matter.

She broke away as soon as they entered the library and retrieved the cloak she had hidden behind the sofa. When she was safely swaddled in its folds, she parted the draperies and opened the French doors. The night air was piercingly cold.

He said softly, "I assume that you have a horse or carriage waiting to take you safely away?"

She studied his face. In the moonlight he had a cool, unearthly beauty. What would have happened if they had chanced to meet in a normal, uncomplicated way? Probably he would not even have noticed her. "I have, my lord. You need not concern yourself about my welfare any longer."

Before she could step outside, he caught her shoulders and drew her to him. "My name is Lucien." Then he bent his head and kissed her with calm possessiveness.

How quickly a presumptuous male embrace came to seem natural, then desirable. Her heartbeat accelerated as she kissed him back. Quite clearly she knew that she would never forget this moment or this man. The intimacy of male nearness, the erotic contrast of icy breeze and warm flesh, the soft caress of his breath on her temple when he released her-all were graven on her soul.

"I wonder if your name is really Jane," he said pensively. "Probably not, but no matter. I shall discover who you really are."

His matter-of-factness was the most unnerving aspect of a thoroughly unnerving encounter. "No, you won't," she retorted as fear overcame the haze of sensuality that had enveloped her. "Thank you again, my lord, and good-bye. There is no room in my life for you."

"You will make room," he said absolute assurance. "Until next time, my dear."

She slipped away into the night, pulses pounding as she thought about what he had said about "dancing on the wind." The phrase was a euphemism for dying on the scaffold, which was certainly a possibility if she continued her criminal activities.

But the words also described her quest. She felt as if she were dancing frantically in midair, struggling to stay aloft in a precarious situation where the least misstep would send her plunging to her doom. For that reason, the enigmatic earl was dangerous, for he caused her to lose her balance. She hoped to heaven that their paths would not cross again.

Interlude The silent, stone-faced maid came, which meant that it was time to prepare herself. After stripping off her regular clothing, she drew on a translucent black silk chemise that heft half her breasts bare and fell only to midthigh. Then the maid helped her into the black brocade corset, pulling the laces so tightly she could scarcely breathe.

Next came the black lace stockings that tied to her corset with scarlet ribbons. The long boots over them were made of supple black leather that clung to the curve of her calves. The boots had been specially made with high, thin heels that were difficult to walk in.

She sat still while the maid covered her light brown hair with a luxuriant red wig so long that it brushed her backside. Rouge to make her lips full and cruel and to bring a hectic flush to her pale cheeks. Last of all a black half mask with eyeslits cut at a wicked angle, and elbow-length black kid gloves.

She stood and examined her appearance in the mirror. All black, white, and scarlet, she was a caricature of femaleness with a tiny waist that exaggerated her breasts and hips and indecently long legs. The maid gave a nod of approval and left To prepare herself mentally, she stared at the clever, loathsome mechanical device she had been given and thought of what she must do. When she was as ready as she would ever be, she went into the next room and began lighting the dozens of candles that clustered on every surface. When they were all lit, the room had the orange glow of an antechamber to hell.

He would arrive soon. She picked up the whip and gave it an experimental flick. Perfectly balanced. All was in readiness for her premiere. Yet still she tensed when the key turned in the lock. In spite of her study, there was much she did not know.

Quickly she turned her back to the door, as if utterly indifferent. She sensed his entry, heard the key turn again behind him, and listened to the heaviness of his breathing. She toyed with a long tress of false red hair, making him wait.

When his impatience got the best of him, he said huskily, "I am here, mistress. What is your bidding?"

Slowly she turned, using her body to express arrogance, contempt, dominance. He watched her with avid eyes.

When he tried to speak again, she snarled, "Silence!"

The whip twitched in her hand like the tail of an angry cat. As the tension built, sweat appeared on his face and white became visible all around his irises.

With a sudden, fierce movement of her arm, she slashed out with the whip. The vicious crack shattered the suffocating silence. She caught his gaze and said with deadly menace, "Kneel, slave."

Chapter 7.

Kit awoke from sleep with a cry. Her heart hammered as she tried to remember the nightmare, but already it was dissolving into fragmentary images. She stared at her hands, hah? surprised to see them bare rather than clad in black leather.

There had been something important in the dream- desperately important-but it was gone beyond recall. She lit the bedside candle with shaking fingers. The clock showed a little after midnight. She slid from the bed. Her legs folded under her, and she fell to her knees, head spinning. Every bit of energy had been drained away, leaving her helpless as a babe.

When the world around her steadied, she got clumsily to her feet and pulled a robe over her nightgown. Then she went to the kitchen and set a kettle over the fire. Viola, who had been sleeping on the bed, strolled into the kitchen with a questioning meow. Kit scooped the cat up and cuddled her. The warm feline body eased her shattering sense of loneliness, but not enough.

As she waited for the kettle to boil, she heard the front door of the house open. It had to be Cleo Farnsworth, whose presence would be a blessing just now. Kit set the cat down, then hastened across the drawing room and unlocked her door. When she peered into the common hallway, she saw that Cleo, a shapely blonde in her early twenties, was halfway up the steps.

"Good evening, Cleo." Kit tried not to sound forlorn. "Would you like a cup of tea and a bite to eat?"

"Don't mind if I do. There's nothing like treading the boards to give one an appetite." The actress came down the steps and frowned. "You're up very late. Is something wrong?"

Kit was tempted to pour out all her woes, but she managed to control the impulse. "Only a nightmare," she said as she led the way into the flat. "I'm so tired. I feel as if I'm living three different lives, each of them exhausting."

"Well, you are. You've had a busy fortnight."

"It seems like much longer." Kit warmed the teapot and poured boiling water over the tea leaves, then set out cheese, pickled onions, and some sausage rolls that she'd bought at a bake shop. "How did tonight's performance go?"

Cleo shrugged. "Middling. The theater was only half full. I told Whitby it was too soon to stage The Magistrate again, but he never pays attention to mere females. I got a good bit of applause for my part, though."

After making short work of a wedge of cheese, two sausage rolls, and half a dozen pickled onions, Cleo pushed back her chair and gave a small, ladylike burp. "Have you decided what you're going to do next?"

"Based on my investigations so far, there are several men whom I consider to be the most likely suspects," Kit replied. "Mr. Jones has supplied me with their London addresses, so I will search the lodgings of each."

"Oh, Kit!" Cleo exclaimed. "That's even more dangerous than what you've been doing. Can't Mr. Jones find a nice reliable burglar who can do the searching for you?"

Kit smiled a little. "I doubt if there are any reliable burglars. Besides, no one but me can find what I'm looking for, because I'm not sure what it is."

"I suppose you're right," the actress admitted. "But how will you do it? Even though Mr. Jones has taught you how to pick locks, you'll still run the risk of walking into servants."

"I'll go over the roofs and through the upper windows. Growing up wild in the country made me quite a good athlete."

Cleo shuddered. "I don't even want to think about it. Still, you've managed so far. Pray God your luck holds."

"My luck has been erratic." Kit fed a bit of cheese to Viola, who lurked hopefully under the table. "It wasn't so bad when two of the Hellions tried to maul me-they had no idea that I wasn't what I seemed.

But one of the cleverer ones caught me rifling his room at Lord Chiswick's and recognized me from earlier encounters. He let me go after I spun a farrago of lies. I don't think he'll mention me to the others, but since he thinks my problem is solved, I'll be in trouble if he sees me again."

Cleo chuckled. "If that happens, I'm sure you can come up with another convincing tale. Who was the gentleman?"

"The Earl of Strathmore."

"Strathmore!" Cleo's expressive brows shot upward. "Old Lucifer himself. You do like to live dangerously."

"You know everything about everyone." Kit started to rub the itchy patch on her inner thigh, then stopped herself. She couldn't risk scarring. "What do you know about him?"

"I don't know much, but there's no shortage of rumors," Cleo said slowly. "He drifts through all levels of society, from the lowest to the highest. Though he's no gamester, when he gambles he has the devil's own luck, and they say he's ruined more than one man. He was considered one of the greatest catches in the marriage mart when he was younger, but I've heard that the hopeful mamas have given up on him. One has to wonder why, since he's rich, handsome, and eligible."

"None of that sounds very wicked."

"It's true that gossip of that sort doesn't mean much," Cleo agreed. "More worrisome is the fact that once or twice well-born gentlemen have vanished from society without a trace. I heard it suggested that Strathmore might have had something to do with the disappearances, but since he has friends in high places, no one dares accuse him openly."

It was not what Kit wanted to hear. Her mouth tightened. "So he may be a kidnapper, murderer, or worse."

"Perhaps." Cleo's expression turned pensive. "I met him once in the greenroom and liked him. A very witty man. He could have charmed any woman there into his bed, yet he didn't. I thought it strange, since few gentlemen will pass up a comely actress." Her face became grave. "Don't let him catch you again, Kit. He's a deep one and no mistake. I wouldn't rule out him being the one you're after."

"I liked him, too." Kit emptied the last of the tea into her cup. "Unfortunately."

"How are you coming with your dancing?"

The mere thought made Kit feel even more tired. "I think I have the steps down," she said without enthusiasm.

"Show me."

Kit blinked. "At one o'clock in the morning with me in my nightgown?"

Cleo grinned. "Why not? I'll hum the music." She rose and went into the drawing room and flopped into a chair, then began a wordless croon, her trained voice filling the chamber.

Feeling self-conscious, Kit belted her robe more tightly, then began dancing. It was a lively jig, and as she moved through the steps she began feeling stronger.

When she finished, Cleo said critically, "Not bad, but this time with more spirit. And show some leg, it's what the gentlemen come to see." She began humming again, this time clapping strongly to the beat.

Kit turned her thoughts inward for a moment, telling herself that she was an irresistible coquette, a man's deliciously seductive fantasy. She imagined Lucien Fairchild watching her, his eyes golden with desire___ A wave of heat coursed through her at the thought. She began to whirl about the drawing room, narrowly escaping collisions with the furniture. This time she submerged herself in the music, stamping her heels and spinning so that her robe soared above her knees. She ended with a flourish that changed Cleo's hand claps into real applause.

"Well done, Kit! You'll be a great success."

Kit's temporary high spirits began to fade. Perhaps her dancing would be successful, but that was the least important of her goals. Time was passing with frightening speed, and the crucial, life-or-death goal was as elusive as ever.

Lucien sat down at his desk to outline what he had learned in his investigation of the Hellions, but his pencil strayed and he began sketching. He had a knack for drawing that was useful when he designed his mechanical toys. What emerged on the paper this time was no penguin, but a woman's face.

When he was done, he studied the result. Lady Nemesis, as intriguing as she was elusive.

Mentally he called her Jane, since that was her most recent name. Though they had met three times and shared two really superior kisses, he wasn't sure exactly what she looked like. Were her cheekbones really that high, or had that been a trick of her skillful cosmetics? Was her face a perfect oval, or a little longer? And her mouth-touch had proved the softness of her lips, but he couldn't define the precise shape. The only thing he could swear to was the slim, graceful figure which he found more alluring than Sally the barmaid's artificial curves.

He tried sketching her several ways before giving up. None of the drawings seemed quite right. It was maddening to know that he might pass her on the street without recognizing her.

With a sigh, he leaned.back in his chair and propped his feet on the desk. The blasted female was becoming an obsession. He had said that he would find her and he would, though locating a nameless young woman who might be anywhere in Great Britain was akin to searching for a black cat in a cellar at midnight.

But after he found her, what the devil was he to do with her? The raging lust he had felt at Chiswick's had subsided to a manageable level, but he still wanted to bed her and the consequences be damned. He had been depressed before and he would be again; at least brave, clever Jane would be worth the emotional price. But one did not seduce well-born virgins, which she certainly was, in spite of her devious actions.

Women like her were the sort one married.

Which meant that he had no right to seek her out. His gaze went to the sketch of himself and Elinor. He had long ago decided that he would never marry unless he found a woman with whom he could share the profound emotional intimacy that had been absent from his life for so long.

He would be a happier man if he had never known such closeness. Yet though he still ached for the loss, he could not be sorry that he had once had it.

He was returning to business when his butler entered to announce "Lord Aberdare is here to see you, my lord."

"Nicholas!" Lucien rose and shook the hand of his friend, who had entered on the butler's heels. "I didn't know you were coming to London."

"No more did I. But Rafe summoned me here for that vote about the peace negotiations in Ghent that he is putting before the House of Lords."

"Good Lord, he brought you all the way from Wales for that?" Lucien waved his guest to a chair as he reseated himself. "Mind you, Rafe is right-since the war with the Americans has turned into a stalemate, it makes no sense for Britain to demand territorial concessions. Rafe's resolution requests that the government soften its position and accept existing boundaries, which is the only way a settlement will be reached. But even if the resolution passes, it won't carry the force of law."

"True, but when the House of Lords barks, the government listens, and Rafe needs every vote he can get. That's why he sent for me." Nicholas dropped casually into a chair and stretched out his legs. "It's time to put an end to a war that never should have started in the first place."

"That's certainly true. It was mad to slide into a brawl with the United States when we were fighting for our lives against Napoleon. The sooner we make peace, the better."

"Particularly since our upstart cousins have begun winning the battles," Nicholas said wryly.

Lucien asked, "How is my favorite countess?"

"Clare is as calm as always." Nicholas gave a rueful smile. "I'm the one who is quivering with nerves. She claims that there is no reason to worry because she comes from a long line of sturdy peasant women who were back in the fields cutting hay half an hour after giving birth. No doubt she's right, but I'll be glad when the baby has arrived."

Lucien pulled the mechanical penguin from a drawer. "I made this as a christening gift. You can take it back to Wales with you now."

"What have you done this time?" Nicholas wound the key. When the penguin started doing backflips, Nicholas collapsed back in his chair, helpless with laughter. "What a strange and wonderful mind you have, Luce," he gasped when he could speak again. "Clare will love it. But what will you do to match this if we have other children?"

"Penguins can do other things. Swim. Slide on their bellies. Dance. We'll see when the time comes."

Nicholas reached for the penguin again. As he did, he saw the sketches of Jane that lay on the desk. He lifted one and studied it. "An interesting face. Full of character and intelligence. Are you love-smitten?"

"Absolutely not," Lucien said repressively. "That is merely a female who is more trouble than a sackful of cats."

His friend chuckled. "Sounds promising. When can we expect an interesting announcement?"

Lucien rolled his eyes. "Don't try to persuade me of the advantages of marriage. There is only one Clare, and you found her first. Since I refuse to settle for anything less in a woman, I am condemned to spend the rest of my years a bachelor. Your children can call me Uncle Lucien and talk behind my back about my eccentricity."

Nicholas, intuitive as a cat, must have heard the bleakness under the surface levity, for he gave Lucien a sharp glance. "Apropos of nothing," he said slowly, "Clare said that the reason the Fallen Angels became so close is that none of us had a real family, so we had to invent one."

It was truth so unexpected and accurate that it momentarily silenced Lucien. At length he said, " 'Apropos of nothing,' indeed. What is it like to live with a woman who sees too much?"

"Sometimes alarming." Nicholas grinned. "Mostly wonderful."

Lucien decided that it was time to change the subject before his envy became too visible. "Have you heard any interesting news from your Gypsy kinfolk?"