Everything was combining to make an artist of her, for the chances of winning the suit brought on her behalf were growing as slender as the seven lean kine.

It was characteristic of Margaret that she had kept to herself most of what Madame Bonanni had told her, but Mrs. Rushmore knew the girl well, and guessed from her face that there was much more behind. The appointment at the theatre confirmed this surmise, and when Margaret telegraphed the next day that she was going to stay in town until the afternoon, with Madame De Rosa, there was no longer any room for doubt.

As for poor Lushington, Margaret had told him nothing at all, and her visit to Madame Bonanni had been a secret between herself and Mrs.

Rushmore. Logotheti had not made his appearance after all, but the young archaeologist had brought a.s.surances that the financier would be honoured, charmed and otherwise delighted to be presented to Mrs.

Rushmore within a day or two, if convenient to her. So it happened that Logotheti made his first visit after Lushington had left Versailles.

The latter went away in a very disconsolate frame of mind, and disappeared into Paris. It is not always wise to follow a discouraged man into the retirement of a shabby room in a quiet hotel on the left bank of the Seine, and it is never amusing. Psychology in fiction seems to mean the rather fruitless study of what the novelist himself thinks he might feel if he ever got himself into one of those dreadful sc.r.a.pes which it is a part of his art to invent outright, or to steal from the lives of men and women he has known or heard of. People who can a.n.a.lyse their own feelings are never feeling enough to hurt them much; a medical student could not take his scalpel and calmly dissect out his own nerves. You may try to a.n.a.lyse pain and pleasure when they are past, but nothing is more strangely and hopelessly undefined than the memory of a great grief, and no a.n.a.lysis of pleasure can lead to anything but the desire for more. The only real psychologists have been the great lyric poets, before they have emerged from the gloom of youth.

The outward signs of Lushington's condition were few and not such as would have seemed dramatic to an acquaintance. When he was in his room at the hotel in the Rue des Saints Peres, he got an old briar pipe out of his bag, filled it and lit it, and stood for nearly a quarter of an hour at the window, smoking thoughtfully with his hands in his pockets.

The subtle a.n.a.lyst, observing that the street is narrow and dull and presents nothing of interest, jumps to the conclusion that Lushington is thinking while he looks out of the window. Perhaps he is. The next thing to be done is to unpack his bag and place his dressing things in order on the toilet-table. They are simple things, but mostly made expressly for him, of oxidised silver, with his initials in plain block letters; and each object has a neat sole leather case of its own, so that they can be thrown pell-mell into a bag and jumbled up together without being scratched. But Lushington takes them out of their cases and disposes them on the table with mathematical precision, smoking vigorously all the time. This done, he unpacks his valise, his shirt-case and other belongings, in the most systematic way possible, looks through the things he left in the room when he went to Versailles, to see that everything is in order, and at last rings for the servant to take away the clothes and shoes that need cleaning. The subtle a.n.a.lyst would argue from all this that Lushington was one of those painfully orderly persons, who are made positively nervous by the sight of a hair-brush lying askew, or a tie dropped on the floor.

It was at most true that he had acquired a set of artificially precise habits to which he clung most tenaciously, and which certainly harmonised with the natural appearance of neatness that had formerly been his despair. Why he had taken so much trouble to become orderly was his own business. Possibly he had got tired of that state of life in which it is impossible to find anything in less than half an hour when one wants it in half a minute. At all events, he had taken pains to acquire orderliness, and, for reasons which will appear hereafter, it is worth while to note the fact.

When everything was arranged to his satisfaction, he sat down in the most comfortable chair in the room, filled another of the three wooden pipes that now lay side by side on the writing-table, and continued to smoke as if his welfare depended on consuming a certain quant.i.ty of tobacco in a given time. He must have had a sound heart and a strong head, for he did not desist from his occupation for many hours, though he had not eaten anything particular at breakfast, at Mrs. Rushmore's, and nothing at all since.

The afternoon was wearing on when he knocked the ashes out of his pipe very carefully, laid it in its place, rose from his seat and uttered a single profane e.j.a.c.u.l.a.t.i.o.n.

'd.a.m.n!'

Having said this, he said no more, for indeed, if taken literally, there could be nothing more to be said. The malediction, however, was directed against nothing particular, and certainly against no person living or dead; it only applied to the aggregate of the awkward circ.u.mstances in which he found himself, and as he was alone he felt quite sure of not being misunderstood.

He did not even take a servant with him when he travelled, though he had an excellent Scotchman for a valet, who could do a great variety of useful things, besides holding his tongue, which is one of the finest qualities in the world, in man or dog. And he also had a dog in London, a particularly rough Irish terrier called Tim; but as Tim would have been quarantined every time he came home it was practically impossible to bring him to the Continent. It will be seen, therefore, that Lushington was really quite alone in the quiet hotel in the Rue des Saints Peres.

He might have had company enough if he had wanted it, for he knew many men of letters in Paris and was himself known to them, which is another thing. They liked him, too, in their own peculiar way of liking their foreign colleagues. Most of them, without affectation and in perfect good faith, are convinced that there never was, is not, and never can be any literature equal to the French except that of Edgar Poe; but they feel that it would be rude and tactless of them to let us know that they think so. They are the most agreeable men in the world, as a whole, and considering what they really think of us--rightly or wrongly, but honestly--the courtesy and consideration they show us are worthy of true gentlemen. The most modest among ourselves seem a little arrogant and self-a.s.serting in comparison with them. They praise us, sometimes, and not faintly either; but their criticism of us compares us with each other, not with them. The very highest eulogy they can bestow on anything we do is to say that it is 'truly French,' but they never quite believe it and they cannot understand why that is perhaps the very compliment that pleases us least, though we may have the greatest admiration for their national genius. With all our vanity, should we ever expect to please a French writer by telling him that his work was 'truly English'?

Lushington liked a good many of his French colleagues in literature, and had at least one friend among them, a young man of vast learning and exquisite taste, who was almost an invalid. For a moment, he thought of going to see this particular one amongst them all, but he realised all at once that he did not wish to see any one at all that day. He went out and wandered towards the Quai Voltaire, and smelt the Seine and nosed an old book here and there at the stalls. Later he went and ate something in an eating-house on the outskirts of the Latin Quarter, and then went back to his hotel, smoked several more pipes by the open window, and went to bed.

That was the first day, and the second was very like it, so that it is not necessary to describe it in detail in order to produce an impression of profound dulness in the reader's mind. Lushington's hair continued to be as preternaturally smooth as before, his beard was as glossy and his complexion as blooming and child-like, and yet the look of pain that Margaret had seen in his face was there most of the time during those two days.

But in the evening he crossed the river and went to hear _Romeo and Juliet_, for he knew that it was the last night on which Madame Bonanni would sing before she left for the London season. He sat in the second row of the orchestra stalls, and never moved from his seat during the long performance. No secret intuition told him that Margaret was in the house, and that if he stood up and looked round after the second act he might see her and Madame De Rosa going out and coming back again and sitting at the end of a back row. He did not want to see any one he knew, and the surest way of avoiding acquaintances was to sit perfectly still while most people went out between the acts. His face only betrayed that the music pleased him, by turning a shade paler now and then; at the places he liked best, he shut his eyes, as if he did not care to see Madame Bonanni or the fat tenor.

She sang very beautifully that night, especially after the second act, and Lushington thought he had hardly ever heard so much real feeling in her marvellous voice. Afterwards he walked home, and he heard it all the way, and for an hour after he had gone to bed, when he fell asleep at last, and dreamt that he himself had turned into a very fat tenor and was singing Romeo, but the Juliet was Margaret Donne instead of Madame Bonanni, and though she sang like an angel, she was evidently disgusted by his looks; which was very painful indeed, and made him sing quite out of tune and perspire terribly.

'You look hot,' said Margaret-Juliet, with cruel distinctness, just as he was trying to throw the most intense pathos into the words, ''tis not the lark, it is the nightingale!'

Perhaps dreaming nonsense is also a subject for the inquiries of psychology. At the moment the poor man's imaginary sufferings were positively frightful, and he awoke with a gasp. He had always secretly dreaded growing fat, he had always felt a horror of anything like singing or speaking in public, and the only thing in the world he really feared was the possibility of being ridiculous in Margaret's eyes. Of course the ingenious demon of his dreams found a way of applying all these three torments at once, and it was like being saved from sudden death to wake up in the dark and smell the stale smoke of the pipe he had enjoyed before putting out his light.

Then he fell asleep again and did not awake till morning, being naturally a very good sleeper. It was raining when he got up, and he looked out disconsolately upon the dull street. It seemed to him that if it was going to rain in Paris he might as well go back to London, where he had plenty to do, and he began to consider which train he should take, revolving the advantages and disadvantages of reaching London early in the evening or late at night. He knew the different time-tables by heart.

But it stopped raining while he was dressing, and the sun came out, and a bird began to sing somewhere at a window high above the street, and it was suddenly spring again. It was a great thing to be alone in spring. If he went back to London he must see people he knew, and dine with people he hardly knew at all, and be asked out by others whom he had not even met, because he was the distinguished critic, flattered and feared and asked to dinner by everybody who had a seventh cousin in danger of literary judgment. He belonged to the flock of dramatic lions and must herd with them, eat with them and roar with them, for the greater glory of London society and his native country generally. Under ordinary circ.u.mstances such an existence was bearable and at times delightful, but just now he wanted to roar in the wilderness and a.s.sert his leonine right of roaming in desolate places not less than two geographical degrees east of Pall Mall.

He went out at last and strolled towards the bridge, and across it and much farther, but not aimlessly, for though he did not always take the shortest way, he kept mainly in the same direction till he came to the Avenue Hoche.

At the end of the street he stopped and looked at his watch. It was five minutes to eleven. Looking along the pavement in front of him his eye was attracted by the striped awning that distinguished Madame Bonanni's house from the others on the same side, and he noticed an extremely smart brougham that stood just before the door. The handsome black horse stood perfectly motionless in the morning sunshine, the stony-faced English coachman sat perfectly motionless on the box, looking straight between the horse's ears; he wore a plain black livery that fitted to perfection and there was no c.o.c.kade on his polished hat.

No turnout could have been simpler and yet none could have looked more overpoweringly smart.

Lushington suddenly turned on his heel and walked off in the opposite direction, as if he were not pleased, but he had not gone fifty yards when he heard the brougham behind him, and in a few seconds it pa.s.sed him at a sharp pace. He caught sight of the elderly man inside--a tremendous profile over a huge fair beard that was half grey, one large and rather watery blue eye behind a single eyegla.s.s with a broad black ribbon, a gardenia in the b.u.t.ton-hole of a smart grey coat, a cloud of cigarette smoke, one very large and aristocratic hand, with a plain gold ring, holding the cigarette and resting on the edge of the window.

He smelt the smoke after the brougham had pa.s.sed, and he recognised the fact that it was superlatively fragrant.

He turned back again in a few moments and saw that three men were just coming out of Madame Bonanni s house. One was Schreiermeyer, whom he knew, and one looked like a poor musician. The third was the Minister of Fine Arts, whom he did not know but recognised. The Minister and the pianist walked one on each side of Schreiermeyer, and were talking excitedly, but the manager looked at neither of them and never turned his head. They went down the Avenue Hoche away from Lushington, who walked very slowly and looked at his watch twice before he reached Madame Bonanni's door. There he stopped, rang and was admitted without question, as if he were in the habit of coming and going as he pleased.

He apparently took it for granted that the prima donna must be alone and already at her late breakfast, but he was stopped by the smiling servant who came out of the dining-room, arrayed as usual in a frock coat and a white satin tie.

'I will inform Madame,' he said.

'Is there any one there?' asked Lushington, evidently not pleased.

The servant shrugged his shoulders in a deprecatory way, and his smile became rather compa.s.sionate.

'One young person to breakfast,' he said, 'a musician'.

'Oh, very well.' Lushington's brow cleared.

The servant left him and went in again. A screen was so placed as to mask the interior of the dining-room when the door was open. Within, Madame Bonanni and Margaret were seated at table. Encouraged by circ.u.mstances the prima donna had on this occasion tied her napkin round her neck as soon as she had sat down; the inevitable plovers'

eggs had already been demolished, and she was at work on a creamy puree soup of the most exquisite pale green colour. It was clear that she had not lost a moment in getting to her meal after the men had left.

Margaret was eating too, but though there was fresh colour in her cheeks her eyes had a startled look each time she looked up, as if something very unusual had happened.

The servant whispered something in Madame Bonanni's ear. She seemed to hesitate a moment, and glanced at Margaret before making up her mind.

Then she nodded to the man without saying a word, and went on eating her soup.

A few seconds later Lushington entered. Margaret faced the door and their eyes met. Madame Bonanni dropped her spoon into her plate with a clang and uttered a scream of delight, as if she had not known perfectly well that Lushington was coming.

'What luck!' she cried. 'Little Miss Donne, this is my son!'

Margaret's jaw dropped in sheer amazement.

'Your son? Mr. Lushington is your son?'

'Yes. Ah, my child!' she cried, springing up and kissing Lushington on both cheeks with resounding affection. 'What a joy it is to see you!'

Lushington was rather pale as he laid his hand quietly on Madame Bonanni's.

'I have the pleasure of knowing Miss Donne already, mother,' he said steadily, 'but she did not know that I was your son. She is a little surprised.'

'Yes,' answered Margaret, faintly, 'a little.'

'Ah, you know each other?' Madame Bonanni seemed delighted. 'So much the better! Miss Donne will keep our little secret, I am sure. Besides she has another name, too. She is Senorita Margarita da Cordova from to-day. Sit down, my darling child! You are starving! I know you are starving! Angelo!' she screamed at the smiling servant, 'why do you stand there staring like a stuffed codfish? Bring more plovers' eggs!'

Angelo smiled as sweetly as ever and disappeared for an instant. Madame Bonanni took Lushington by the shoulders, as if he had been a little boy, made him sit down in the vacant place beside her, unfolded the napkin herself, spread it upon his knees, patted both his cheeks and kissed the top of his head, precisely as she had done when he was six years old. Margaret looked on in dumb surprise, and poor Lushington turned red to the roots of his hair.

'You have no idea what a dear child he is,' she said to Margaret, as she sat herself down in her own chair again. 'He has been my pa.s.sion ever since he was born! My dear, you never saw such a beautiful baby as he was! He was all pink and white, like a little sugar angel, and he had dimples everywhere--everywhere, my dear!' she repeated with suggestive emphasis.

'I don't doubt it,' said Margaret, biting her lips and looking at her plate.

By this time the plovers' eggs had come for Lushington and he was glad of anything to do with his hands.

'My mother can never believe that I am grown up,' he said, with much more self-possession than Margaret had expected; and suddenly he raised his eyes and looked steadily and quietly at her across the table.

It must have cost him something of an effort, for his colour came and went quickly. Margaret knew what he was suffering and her respect for him increased a hundredfold in those few minutes, because he did not betray the least irritation in his tone or manner. His mother evidently worshipped him, but her way of showing it was such as must be horribly uncomfortable to a man of his retiring character and sensitive taste.