"He's looking for the fellow that pulled the rope."

"You go tell him to back up--and slowly, too."

"No, thank you!" said Mallory. He was a brave young man, but he was not bearding the conductors of stopped expresses. Already the conductor's voice was heard in the smoking room, where he appeared with the rush and roar of a Bashan bull. "Well!" he bellowed, "which one of you guys pulled that rope?"

"It was n.o.body here, sir," Dr. Temple meekly explained. The conductor transfixed him with a baleful glare: "I wouldn't believe a gambler on oath. I bet you did it."

"I a.s.sure you, sir," Wedgewood interposed, "he didn't touch it. I was heah."

The conductor waved him aside and charged into the observation room, followed by all the pa.s.sengers in an awe struck rabble. Here, too, the conductor thundered: "Who pulled that rope? Speak up somebody."

Mallory was about to sacrifice himself to save Marjorie, but she met the conductor's black rage with the withering contempt of a young queen: "I pulled the old rope. Whom did you suppose?"

The conductor almost dropped with apoplexy at finding himself with n.o.body to vent his immense rage on, but this pink and white slip.

"You!" he gulped, "well, what in----Say, in the name of--why, don't you know it's a penitentiary offense to stop a train this way?"

Marjorie tossed her head a little higher, grew a little calmer: "What do I care? I want you to back up."

The conductor was reduced to a wet rag, a feeble echo: "Back up--the train up?"

"Yes, back the train up," Marjorie answered, resolutely, "and go slowly till I tell you to stop."

The conductor stared at her a moment, then whirled on Mallory: "Say, what in h.e.l.l's the matter with your wife?"

Mallory was saved from the problem of answering by Marjorie's abrupt change from a young Tsarina rebuking a serf, to a terrified mother.

She flung out imploring palms and with a gush of tears pleaded: "Won't you please back up? My darling child fell off the train."

The conductor's rage fell away in an instant. "Your child fell off the train!" he gasped. "Good Lord! How old was he?"

With one hand he was groping for the bell cord to give the signal, with the other he opened the door to look back along the track.

"He was two years old," Marjorie sobbed.

"Oh, that's too bad!" the conductor groaned. "What did he look like?"

"He had a pink ribbon round his neck."

"A pink ribbon--oh, the poor little fellow! the poor little fellow!"

"And a long curly tail."

The conductor swung round with a yell: "A curly tail!--your son?"

"My dog!" Marjorie roared back at him.

The conductor's voice cracked weakly as he shrieked: "Your dog! You stopped this train for a fool dog?"

"He wasn't a fool dog," Marjorie retorted, facing him down, "he knows more than you do."

The conductor threw up his hands: "Well, don't you women beat----" He studied Marjorie as if she were some curious freak of nature. Suddenly an idea struck into his daze: "Say, what kind of a dog was it?--a measly little cheese-hound?"

"He was a n.o.ble, beautiful soul with wonderful eyes and adorable ears."

The conductor was growing weaker and weaker: "Well, don't worry. I got him. He's in the baggage car."

Marjorie stared at him unbelievingly. The news seemed too gloriously beautiful to be true. "He isn't dead--Snoozleums is not dead!" she cried, "he lives! He lives! You have saved him." And once more she flung herself upon the conductor. He tried to bat her off like a gnat, and Mallory came to his rescue by dragging her away and shoving her into a chair. But she saw only the n.o.ble conductor: "Oh, you dear, good, kind angel. Get him at once."

"He stays in the baggage car," the conductor answered, firmly and as he supposed, finally.

"But Snoozleums doesn't like baggage cars," Marjorie smiled. "He won't ride in one."

"He'll ride in this one or I'll wring his neck."

"You fiend in human flesh!" Marjorie shrank away from him in horror, and he found courage to seize the bell rope and yank it viciously with a sardonic: "Please, may I start this train?"

The whistle tooted faintly. The bell began to hammer, the train to creak and writhe and click. The conductor pulled his cap down hard and started forward. Marjorie seized his sleeve: "Oh, I implore you, don't consign that poor sweet child to the horrid baggage car. If you have a human heart in your breast, hear my prayer."

The conductor surrendered unconditionally: "Oh, Lord, all right, all right. I'll lose my job, but if you'll keep quiet, I'll bring him to you." And he slunk out meekly, followed by the pa.s.sengers, who were shaking their heads in wonderment at this most amazing feat of this most amazing bride.

When they were alone once more, Marjorie as radiant as April after a storm, turned her sunshiny smile on Mallory:

"Isn't it glorious to have our little Snoozleums alive and well?"

But Mallory was feeling like a March day. He answered with a sleety chill: "You care more for the dog than you do for me."

"Why shouldn't I?" Marjorie answered with wide eyes, "Snoozleums never would have brought me on a wild goose elopement like this. Heaven knows he didn't want to come."

Mallory repeated the indictment: "You love a dog better than you love your husband."

"My what?" Marjorie laughed, then she spoke with lofty condescension: "Harry Mallory, if you're going to be jealous of that dog, I'll never marry you the longest day I live."

"So you'll let a dog come between us?" he demanded.

"I wouldn't give up Snoozleums for a hundred husbands," she retorted.

"I'm glad to know it in time," Mallory said. "You'd better give me back that wedding ring."

Marjorie's heart stopped at this, but her pride was in arms. She drew herself up, slid the ring from her finger, and held it out as if she scorned it: "With pleasure. Good afternoon, Mr. Mallory."

Mallory took it as if it were the merest trifle, bowed and murmured: "Good afternoon, Miss Newton."

He stalked out and she turned her back on him. A casual witness would have said that they were too indifferent to each other even to feel anger. As a matter of romantic fact, each was on fire with love, and aching madly with regret. Each longed for strength to whirl round with outflung arms of reconciliation, and neither could be so brave. And so they parted, each harking back fiercely for one word of recall from the other. But neither spoke, and Marjorie sat staring at nothing through raining eyes, while Mallory strode into the Men's Room as melancholy as Hamlet with Yorick's skull in his hands.

It was their first great quarrel, and they were convinced that the world might as well come to an end.

CHAPTER XXVIII