Etidorhpa or the End of Earth.

by John Uri Lloyd.

PREFACE

[Ill.u.s.tration]

Books are as tombstones made by the living for the living, but destined soon only to remind us of the dead. The preface, like an epitaph, seems vainly to "implore the pa.s.sing tribute" of a moment's interest. No man is allured by either a grave-inscription or a preface, unless it be accompanied by that ineffable charm which age casts over mortal productions. Libraries, in one sense, represent cemeteries, and the rows of silent volumes, with their dim t.i.tles, suggest burial tablets, many of which, alas! mark only cenotaphs--empty tombs. A modern book, no matter how talented the author, carries with it a familiar personality which may often be treated with neglect or even contempt, but a volume a century old demands some reverence; a vellum-bound or hog-skin print, or antique yellow parchment, two, three, five hundred years old, regardless of its contents, impresses one with an indescribable feeling akin to awe and veneration,--as does the wheat from an Egyptian tomb, even though it be only wheat. We take such a work from the shelf carefully, and replace it gently. While the productions of modern writers are handled familiarly, as men living jostle men yet alive; those of authors long dead are touched as tho' clutched by a hand from the unseen world; the reader feels that a phantom form opposes his own, and that spectral eyes scan the pages as he turns them.

[Ill.u.s.tration: "THE STERN FACE, ... ACROSS THE GULF."]

The stern face, the penetrating eye of the personage whose likeness forms the frontispiece of the yellowed volume in my hand, speak across the gulf of two centuries, and bid me beware. The t.i.tle page is read with reverence, and the great tome is replaced with care, for an almost superst.i.tious sensation bids me be cautious and not offend. Let those who presume to criticise the intellectual productions of such men be careful; in a few days the dead will face their censors--dead.

Standing in a library of antiquated works, one senses the shadows of a cemetery. Each volume adds to the oppression, each old tome casts the influence of its spirit over the beholder, for have not these old books spirits? The earth-grave covers the mind as well as the body of its moldering occupant, and while only a strong imagination can a.s.sume that a spirit hovers over and lingers around inanimate clay, here each t.i.tle is a voice that speaks as though the heart of its creator still throbbed, the mind essence of the dead writer envelops the living reader. Take down that vellum-bound volume,--it was written in one of the centuries long past. The pleasant face of its creator, as fresh as if but a print of yesterday, smiles upon you from the exquisitely engraved copper-plate frontispiece; the mind of the author rises from out the words before you. This man is not dead and his comrades live.

Turn to the shelves about, before each book stands a guardian spirit,--together they form a phantom army that, invisible to mortals, encircles the beholder.

[Ill.u.s.tration: "THE PLEASANT FACE OF ITS CREATOR ... SMILES UPON YOU."]

Ah! this antique library is not as is a church graveyard, only a cemetery for the dead; it is also a mansion for the living. These alcoves are trysting places for elemental shades. Essences of disenthralled minds meet here and revel. Thoughts of the past take shape and live in this atmosphere,--who can say that pulsations unperceived, beyond the reach of physics or of chemistry, are not as ethereal mind-seeds which, although unseen, yet, in living brain, exposed to such an atmosphere as this, formulate embryotic thought-expressions destined to become energetic intellectual forces? I sit in such a weird library and meditate. The shades of grim authors whisper in my ear, skeleton forms oppose my own, and phantoms possess the gloomy alcoves of the library I am building.

[Ill.u.s.tration: "SKELETON FORMS OPPOSE MY OWN."]

With the object of carrying to the future a section of thought current from the past, the antiquarian libraries of many nations have been culled, and purchases made in every book market of the world. These books surround me. Naturally many persons have become interested in the movement, and, considering it a worthy one, unite to further the project, for the purpose is not personal gain. Thus it is not unusual for boxes of old chemical or pharmacal volumes to arrive by freight or express, without a word as to the donor. The mail brings ma.n.u.scripts unprinted, and pamphlets recondite, with no word of introduction. They come unheralded. The authors or the senders realize that in this unique library a place is vacant if any work on connected subjects is missing, and thinking men of the world are uniting their contributions to fill such vacancies.

Enough has been said concerning the ancient library that has bred these reflections, and my own personality does not concern the reader. He can now formulate his conclusions as well perhaps as I, regarding the origin of the ma.n.u.script that is to follow, if he concerns himself at all over subjects mysterious or historical, and my connection therewith is of minor importance. Whether Mr. Drury brought the strange paper in person, or sent it by express or mail,--whether it was slipped into a box of books from foreign lands, or whether my hand held the pen that made the record,--whether I stood face to face with Mr. Drury in the shadows of this room, or have but a fanciful conception of his figure,--whether the artist drew upon his imagination for the vivid likeness of the several personages figured in the book that follows, or from reliable data has given fac-similes authentic,--is immaterial. Sufficient be it to say that the ma.n.u.script of this book has been in my possession for a period of seven years, and my lips must now be sealed concerning all that transpired in connection therewith outside the subject-matter recorded therein. And yet I can not deny that for these seven years I have hesitated concerning my proper course, and more than once have decided to cover from sight the fascinating leaflets, hide them among surrounding volumes, and let them slumber until chance should bring them to the attention of the future student.

These thoughts rise before me this gloomy day of December, 1894, as, s.n.a.t.c.hing a moment from the exactions of business, I sit among these old volumes devoted to science-lore, and again study over the unique ma.n.u.script, and meditate; I hesitate again: Shall I, or shall I not?--but a duty is a duty. Perhaps the mysterious part of the subject will be cleared to me only when my own thought-words come to rest among these venerable relics of the past--when books that I have written become companions of ancient works about me--for then I can claim relationship with the shadows that flit in and out, and can demand that they, the ghosts of the library, commune with the shade that guards the book that holds this preface.

JOHN URI LLOYD.

PREFACE TO THIS EDITION.

The foot-note on page 160, with the connected matter, has awakened considerable interest in the life and fate of Professor Daniel Vaughn.

The undersigned has received many letters imparting interesting information relating to Professor Vaughn's early history, and asking many questions concerning a man of whose memory the writer thinks so highly but whose name is generally unknown.

Indeed, as some have even argued that the author of Etidorhpa has no personal existence, the words John Uri Lloyd being a _nom de plume_, so others have accepted Professor Vaughn to have been a fanciful creation of the mystical author.

Professor Daniel Vaughn was one whose life lines ran nearly parallel with those of the late Professor C. S. Rafinesque, whose eventful history has been so graphically written by Professor R. Ellsworth Call. The cups of these two talented men were filled with privation's bitterness, and in no other place has this writer known the phrase "The Deadly Parallel"

so aptly appropriate. Both came to America, scholars, scientists by education; both traveled through Kentucky, teachers; both gave freely to the world, and both suffered in their old age, dying in poverty--Rafinesque perishing in misery in Philadelphia and Vaughn in Cincinnati.

Daniel Vaughn was not a myth, and, in order that the reader may know something of the life and fate of this eccentric man, an appendix has been added to this edition of Etidorhpa, in which a picture of his face is shown as the writer knew it in life, and in which brief mention is made of his record.

The author here extends his thanks to Professor Richard Nelson and to Father Eugene Brady for their kindness to the readers of Etidorhpa and himself, for to these gentlemen is due the credit of the appended historical note.

J. U. L.

A VALUABLE AND UNIQUE LIBRARY.

From the Pharmaceutical Era, New York, October, 1894.

In Cincinnati is one of the most famous botanical and pharmacal libraries in the world, and by scientists it is regarded as an invaluable store of knowledge upon those branches of medical science. So famous is it that one of the most noted pharmacologists and chemists of Germany, on a recent trip to this country, availed himself of its rich collection as a necessary means of completing his study in the line of special drug history. When it is known that he has devoted a life of nearly eighty years to the study of pharmacology, and is an emeritus professor in the famous University of Stra.s.sburg, the importance of his action will be understood and appreciated. We refer to Prof. Frederick Flueckiger, who, in connection with Daniel Hanbury, wrote Pharmacographia and other standard works. Attached to the library is an herbarium, begun by Mr. Curtis Gates Lloyd when a schoolboy, in which are to be found over 30,000 specimens of the flora of almost every civilized country on the globe. The collections are the work of two brothers, begun when in early boyhood. In money they are priceless, yet it is the intention of the founders that they shall be placed, either before or at their death, in some college or university where all students may have access to them without cost or favor, and their wills are already made to this end, although the inst.i.tution to receive the bequest is not yet selected. Eager requests have been made that they be sent to foreign universities, where only, some persons believe, they can receive the appreciation they deserve.

The resting place of this collection is a neat three-story house at 204 West Court street, rebuilt to serve as a library building. On the door is a plate embossed with the name Lloyd, the patronymic of the brothers in question. They are John Uri and Curtis Gates Lloyd. Every hour that can be spent by these men from business or necessary recreation is spent here. Mr. C. G. Lloyd devotes himself entirely to the study of botany and connected subjects, while his brother is equally devoted to materia medica, pharmacy, and chemistry.

In the botanical department are the best works obtainable in every country, and there the study of botany may be carried to any height. In point of age, some of them go back almost to the time when the art of printing was discovered. Two copies of Aristotle are notable. A Greek version bound in vellum was printed in 1584. Another, in parallel columns of Greek and Latin, by Pacius, was published in 1607. Both are in excellent preservation. A bibliographical rarity (two editions) is the "Historia Plantarum," by Pinaeus, which was issued, one in 1561, the other in 1567. It appears to have been a first attempt at the production of colored plates. Plants that were rare at that time are colored by hand, and then have a glossy fixative spread over them, causing the colors still to be as bright and fresh as the day that the three-hundred-years-dead workmen laid them on. Ranged in their sequence are fifty volumes of the famous author, Linnaeus. Mr. Lloyd has a very complete list of the Linnaean works, and his commissioners in Europe and America are looking out for the missing volumes. An extremely odd work is the book of Dr. Josselyn, ent.i.tled "New England Rarities," in which the Puritan author discusses wisely on "byrds, beastes and fishes" of the New World. Dr. Carolus Plumierus, a French savant, who flourished in 1762, contributes an exhaustive work on the "Flora of the Antilles." He is antedated many years, however, by Dr. John Clayton, who is termed Johannes Claytonus, and Dr. John Frederick Gronovius. These gentlemen collated a work ent.i.tled the "Flora of Virginia," which is among the first descriptions of botany in the United States. Two venerable works are those of Mattioli, an Italian writer, who gave his knowledge to the world in 1586, and Levinus Lemnius, who wrote "De Miraculis Occultis Naturae" in 1628. The father of modern systematized botany is conceded to be Mons. J. P. Tournefort, whose comprehensive work was published in 1719. It is the fortune of Mr. Lloyd to possess an original edition in good condition. His "Histoire des Plantes," Paris (1698), is also on the shelves. In the modern department of the library are the leading French and German works. Spanish and Italian authors are also on the shelves, the Lloyd collection of Spanish flora being among the best extant.

Twenty-two volumes of rice paper, bound in bright yellow and st.i.tched in silk, contain the flora of j.a.pan. All the leaves are delicately tinted by those unique flower-painters, the j.a.panese. This rare work was presented to the Lloyd library by Dr. Charles Rice, of New York, who informed the Lloyds that only one other set could be found in America.

One of the most noted books in the collection of J. U. Lloyd is a Materia Medica written by Dr. David Schoepf, a learned German scholar, who traveled through this country in 1787. But a limited number of copies were printed, and but few are extant. One is in the Erlangen library in Germany. This Mr. Lloyd secured, and had it copied verbatim. In later years Dr. Charles Rice obtained an original print, and exchanged it for that copy. A like work is that of Dr. Jonathan Carver of the provincial troops in America, published in London in 1796. It treats largely of Canadian materia medica. Mana.s.seh Cutler's work, 1785, also adorns this part of the library. In addition to almost every work on this subject, Mr. Lloyd possesses complete editions of the leading serials and pharmaceutical lists published in the last three quarters of a century.

Another book, famous in its way, is Barton's "Collections Toward a Materia Medica of the United States," published in 1798, 1801, and 1804.

Several noted botanists and chemists have visited the library in recent years. Prof. Flueckiger formed the acquaintance of the Lloyds through their work, "Drugs and Medicines of North America," being struck by the exhaustive references and foot-notes. Students and lovers of the old art of copper-plate engraving especially find much in the ornate t.i.tle pages and portraits to please their aesthetic sense. The founders are not miserly, and all students and delvers into the medical and botanical arts are always welcome. This library of rare books has been collected without ostentation and with the sole aim to benefit science and humanity. We must not neglect to state that the library is especially rich in books pertaining to the American Eclectics and Thomsonians.

Since it has been learned that this library is at the disposal of students and is to pa.s.s intact to some worthy inst.i.tution of learning, donations of old or rare books are becoming frequent.

PROLOGUE.

My name was Johannes Llewellyn Llongollyn Drury. I was named Llewellyn at my mother's desire, out of respect to her father, Dr. Evan Llewellyn, the scientist and speculative philosopher, well known to curious students as the author of various rare works on occult subjects. The other given names were ancestral also, but when I reached the age of appreciation, they naturally became distasteful; so it is that in early youth I dropped the first and third of these c.u.mbersome words, and retained only the second Christian name. While perhaps the reader of these lines may regard this cognomen with less favor than either of the others, still I liked it, as it was the favorite of my mother, who always used the name in full; the world, however, contracted Llewellyn to Lew, much to the distress of my dear mother, who felt aggrieved at the liberty. After her death I decided to move to a western city, and also determined, out of respect to her memory, to select from and rearrange the letters of my several names, and construct therefrom three short, terse words, which would convey to myself only, the resemblance of my former name. Hence it is that the Cincinnati Directory does not record my self-selected name, which I have no reason to bring before the public. To the reader my name is Llewellyn Drury. I might add that my ancestors were among the early settlers of what is now New York City, and were direct descendants of the early Welsh kings; but these matters do not concern the reader, and it is not of them that I now choose to write. My object in putting down these preliminary paragraphs is simply to a.s.sure the reader of such facts, and such only, as may give him confidence in my personal sincerity and responsibility, in order that he may with a right understanding read the remarkable statements that occur in the succeeding chapters.

The story I am about to relate is very direct, and some parts of it are very strange, not to say marvelous; but not on account of its strangeness alone do I ask for the narrative a reading;--that were mere trifling. What is here set down happened as recorded, but I shall not attempt to explain things which even to myself are enigmatical. Let the candid reader read the story as I have told it, and make out of it what he can, or let him pa.s.s the page by unread--I shall not insist on claiming his further attention. Only, if he does read, I beg him to read with an open mind, without prejudice and without predilection.

Who or what I am as a partic.i.p.ant in this work is of small importance. I mention my history only for the sake of frankness and fairness. I have nothing to gain by issuing the volume. Neither do I court praise nor shun censure. My purpose is to tell the truth.

Early in the fifties I took up my residence in the Queen City, and though a very young man, found the employment ready that a friend had obtained for me with a manufacturing firm engaged in a large and complicated business. My duties were varied and peculiar, of such a nature as to tax body and mind to the utmost, and for several years I served in the most exacting of business details. Besides the labor which my vocation entailed, with its manifold and multiform perplexities, I voluntarily imposed upon myself other tasks, which I pursued in the privacy of my own bachelor apartments. An inherited love for books on abstruse and occult subjects, probably in part the result of my blood connection with Dr. Evan Llewellyn, caused me to collect a unique library, largely on mystical subjects, in which I took the keenest delight. My business and my professional duties by day, and my studies at night, made my life a busy one.

In the midst of my work and reading I encountered the character whose strange story forms the essential part of the following narrative. I may antic.i.p.ate by saying that the ma.n.u.script to follow only incidentally concerns myself, and that if possible I would relinquish all connection therewith. It recites the physical, mental, and moral adventures of one whose life history was abruptly thrust upon my attention, and as abruptly interrupted. The vicissitudes of his body and soul, circ.u.mstances seemed to compel me to learn and to make public.

ETIDORPHA.