"And the imperial votaress pa.s.sed on, In maiden meditation, fancy-free."

This has been called the most graceful among all the countless compliments received by Queen Elizabeth. The word "fancy" in the Shaksperian quotation means simply "love."]

[Note 5: _A spade a spade_. The phrase really comes from Aristophanes, and is quoted by Plutarch, as Philip's description of the rudeness of the Macedonians. _Kudos_. Greek word for "pride", used as slang by school-boys in England.]

[Note 6: _Trailing clouds of glory_. _Trailing with him clouds of glory._ This pa.s.sage, from Wordsworth's _Ode on the Intimations of Immortality_ (1807), was a favorite one with Stevenson, and he quotes it several times in various essays.]

[Note 7: _The Flying Dutchman_. Wagner's _Der Fliegende Hollander_ (1843), one of his earliest, shortest, and most beautiful operas. Many German performances are given in the afternoon, and many German theatres have pretty gardens attached, where, during the long intervals (_grosse Pause_) between the acts, one may refresh himself with food, drink, tobacco, and the open air. Germany and German art, however, did not have anything like the influence on Stevenson exerted by the French country, language, and literature.]

[Note 8: _Theophrastus_. A Greek philosopher who died 287-B.C. His most influential work was his _Characters_, which, subsequently translated into many modern languages, produced a whole school of literature known as the "Character Books," of which the best are perhaps Sir Thomas Overbury's _Characters_ (1614), John Earle's _Microcosmographie_ (1628), and the _Caracteres_ (1688) of the great French writer, La Bruyere.]

[Note 9: _Consuelo, Clarissa Harlowe, Vautrin, Steenie Steenson_.

_Consuelo_ is the t.i.tle of one of the most notable novels by the famous French auth.o.r.ess, George Sand, (1804-1876), whose real name was Aurore Dupin. _Consuelo_ appeared in 1842.... _Clarissa_ (1747-8) was the masterpiece of the novelist Samuel Richardson (1689-1761). This great novel, in seven fat volumes, was a warm favorite with Stevenson, as it has been with most English writers from Dr. Johnson to Macaulay.

Writing to a friend in December 1877, Stevenson said, "Please, if you have not, and I don't suppose you have, already read it, inst.i.tute a search in all Melbourne for one of the rarest and certainly one of the best of books--_Clarissa Harlowe._ For any man who takes an interest in the problems of the two s.e.xes, that book is a perfect mine of doc.u.ments. And it is written, sir, with the pen of an angel."

(_Letters_, I, 141.) Editions of _Clarissa_ are not so scarce now as they were thirty years ago; several have appeared within the last few years.... _Vautrin_ is one of the most remarkable characters in several novels of Balzac; see especially _Pere Goriot_ (1834) ...

_Steenie Steenson_ in Scott's novel _Redgauntlet_ (1824).]

[Note 10: _No human being, etc_. Stevenson loved action in novels, and was impatient, as many readers are, when long-drawn descriptions of scenery were introduced. Furthermore, the love for wild scenery has become as fashionable as the love for music; the result being a very general hypocrisy in a.s.sumed ecstatic raptures.]

[Note 11: _You can keep no men long, nor Scotchmen at all_. Every Scotchman is a born theologian. Franklin says in his _Autobiography_, "I had caught this by reading my father's books of dispute on Religion. Persons of good sense, I have since observed seldom fall into it, except lawyers, university men, and generally men of all sorts who have been bred at Edinburgh." (Chap. I.)]

[Note 12: _A court of love_. A mediaeval inst.i.tution of chivalry, where questions of knight-errantry, constancy in love, etc., were discussed and for the time being, decided.]

[Note 13: _Spring-Heel'd Jack_. This is Stevenson's cousin "Bob,"

Robert Alan Mowbray Stevenson (1847-1900), an artist and later Professor of Fine Arts at University College, Liverpool. He was one of the best conversationalists in England. Stevenson said of him,

"My cousin Bob, ... is the man likest and most unlike to me that I have ever met.... What was specially his, and genuine, was his faculty for turning over a subject in conversation. There was an insane lucidity in his conclusions; a singular, humorous eloquence in his language, and a power of method, bringing the whole of life into the focus of the subject under hand; none of which I have ever heard equalled or even approached by any other talker." (Balfour's _Life of Stevenson_, I, 103. For further remarks on the cousin, see note to page 104 of the _Life_.)]

[Note 14: _From Shakespeare to Kant, from Kant to Major Dyngwell_.

Immanuel Kant, the foremost philosopher of the eighteenth century, born at Konigsberg in 1724, died 1804. His greatest work, the _Critique of Pure Reason_ (_Kritick der reinen Vernunft_, 1781), produced about the same revolutionary effect on metaphysics as that produced by Copernicus in astronomy, or by Darwin in natural science.... _Major Dyngwell I know not_.]

[Note 15: _Burly_. Burly is Stevenson's friend, the poet William Ernest Henley, who died in 1903. His sonnet on our author may be found in the introduction to this book. Leslie Stephen introduced the two men on 13 Feb. 1875, when Henley was in the hospital, and a very close and intimate friendship began. Henley's personality was exceedingly robust, in contrast with his health, and in his writings and talk he delighted in shocking people. His philosophy of life is seen clearly in his most characteristic poem:

"Out of the night that covers me, Black as the Pit from pole to pole, I thank whatever G.o.ds may be For my unconquerable soul.

In the fell clutch of circ.u.mstance I have not winced nor cried aloud.

Under the bludgeonings of chance My head is b.l.o.o.d.y, but unbowed.

Beyond this place of wrath and tears Looms but the Horror of the shade, And yet the menace of the years Finds, and shall find, me unafraid.

It matters not how strait the gate, How charged with punishments the scroll, I am the master of my fate: I am the Captain of my soul."

After the publication of Balfour's _Life of Stevenson_ (1901), Mr.

Henley contributed to the _Pall Mall Magazine_ in December of that year an article called _R.L.S._, which made a tremendous sensation. It was regarded by many of Stevenson's friends as a wanton a.s.sault on his private character. Whether justified or not, it certainly damaged Henley more than the dead author. For further accounts of the relations between the two men, see index to Balfour's _Life_, under the t.i.tle _Henley_.]

[Note 16: _Pistol has been out-Pistol'd_. The burlesque character in Shakspere's _King Henry IV_ and _V_.]

[Note 17: _c.o.c.kshot_. (The Late Fleeming Jenkin.) As the note says, this was Professor Fleeming Jenkin, who died 12 June 1885. He exercised a great influence over the younger man. Stevenson paid the debt of grat.i.tude he owed him by writing the _Memoir of Fleeming Jenkin_, published first in America by Charles Scribner's Sons, in 1887.]

[Note 18: _Synthetic gusto; something of a Herbert Spencer_. The English philosopher, Herbert Spencer (1820-1903), whose many volumes in various fields of science and metaphysics were called by their author the _Synthetic Philosophy_. His most popular book is _First Principles_ (1862), which has exercised an enormous influence in the direction of agnosticism. His _Autobiography_, two big volumes, was published in 1904, and fell rather flat.]

[Note 19: _Like a thorough "glutton."_ This is still the slang of the prize-ring. When a man is able to stand a great deal of punching without losing consciousness or courage, he is called a "glutton for punishment."]

[Note 20: _Athelred_. Sir Walter Simpson, who was Stevenson's companion on the _Inland Voyage_. For a good account of him, see Balfour's _Life of Stevenson_, I, 106.]

[Note 21: "_Dry light_." "The more perfect soul," says Herac.l.i.tus, "is a dry light, which flies out of the body as lightning breaks from a cloud." Plutarch, _Life of Romulus_.]

[Note 22: _Opalstein_. This was the writer and art critic, John Addington Symonds (1840-1893). Like Stevenson, he was afflicted with lung trouble, and spent much of his time at Davos, Switzerland, where a good part of his literary work was done. "The great feature of the place for Stevenson was the presence of John Addington Symonds, who, having come there three years before on his way to Egypt, had taken up his abode in Davos, and was now building himself a house. To him the newcomer bore a letter of introduction from Mr. Gosse. On November 5th (1880) Louis wrote to his mother: 'We got to Davos last evening; and I feel sure we shall like it greatly. I saw Symonds this morning, and already like him; it is such sport to have a literary man around....

Symonds is like a Tait to me; eternal interest in the same topics, eternal cross-causewaying of special knowledge. That makes hours to fly.' And a little later he wrote: 'Beyond its splendid climate, Davos has but one advantage--the neighbourhood of J.A. Symonds. I dare say you know his work, but the man is far more interesting.'" (Balfour's _Life of Stevenson_, I, 214.) When Symonds first read the essay _Talk and Talkers_, he pretended to be angry, and said, "Louis Stevenson, what do you mean by describing me as a moonlight serenader?" (_Life_, I, 233.)]

[Note 23: _Proxime accessit_. "He comes very near to it."]

[Note 24: _Sirens ... Sphinx Byronic ... Horatian ... Don Giovanni ...

Beethoven_. The Sirens were the famous women of Greek mythology, who lured mariners to destruction by the overpowering sweetness of their songs. How Ulysses outwitted them is well-known to all readers of the _Odyssey_. One of Tennyson's earlier poems, _The Sea-Fairies_, deals with the same theme, and indeed it has appeared constantly in the literature of the world.... The _Sphinx_, a familiar subject in Egyptian art, had a lion's body, the head of some other animal (sometimes man) and wings. It was a symbolical figure. The most famous example is of course the gigantic Sphinx near the Pyramids in Egypt, which has proved to be an inexhaustible theme for speculation and for poetry.... The theatrically tragic mood of _Byron_ is contrasted with the easy-going, somewhat cynical epicureanism of Horace.... _Don Giovanni_ (1787) the greatest opera of the great composer Mozart (1756-1791), tells the same story told by Moliere and so many others.

The French composer, Gounod, said that Mozart's _Don Giovanni_ was the greatest musical composition that the world has ever seen....

_Beethoven_ (1770-1827) occupies in general estimation about the same place in the history of music that Shakspere fills in the history of literature.]

[Note 25: _Purcel_. This stands for Mr. Edmund Gosse (born 1849), a poet and critic of some note, who writes pleasantly on many topics.

Many of Stevenson's letters were addressed to him. The two friends first met in London in 1877, and the impression made by the novelist on the critic may be seen in Mr. Gosse's book of essays, _Critical Kitcats_ (1896).]

[Note 26: _I know another person_. This is undoubtedly Stevenson's friend Charles Baxter. See the quotation from a letter to him in our introductory note to this essay. Compare what Stevenson elsewhere said of him: "I cannot characterise a personality so unusual in the little s.p.a.ce that I can here afford. I have never known one of so mingled a strain.... He is the only man I ever heard of who could give and take in conversation with the wit and polish of style that we find in Congreve's comedies." (Balfour's _Life of Stevenson_, I, 105.)]

[Note 27: _Restoration comedy ... Congreve_. Restoration comedy is a general name applied to the plays acted in England between 1660, the year of the restoration of Charles II to the throne, and 1700, the year of the death of Dryden. This comedy is as remarkable for the brilliant wit of its dialogue as for its gross licentiousness. Perhaps the wittiest dramatist of the whole group was William Congreve (1670-1729).]

[Note 28: _Falstaff ... Mercutio ... Sir Toby ... Cordelia ...

Protean_. Sir John Falstaff, who appears in Shakspere's _King Henry IV_, and again in the _Merry Wives of Windsor_, is generally regarded as the greatest comic character in literature.... _Mercutio_, the friend of Romeo; one of the most marvellous of all Shakspere's gentlemen. He is the Hotspur of comedy, and his taking off by Tybalt "eclipsed the gaiety of nations."... _Sir Toby Belch_ is the genial character in _Twelfth Night_, fond of singing and drinking, but no fool withal. A conversation between Falstaff, Mercutio, and Sir Toby would have taxed even the resources of a Shakspere, and would have been intolerably excellent.... _Cordelia_, the daughter of King Lear, whose sincerity and tenderness combined make her one of the greatest women in the history of poetry.... _Protean_, something that constantly a.s.sumes different forms. In mythology, Proteus was the son of Ocea.n.u.s and Tethys, whose special power was his faculty for lightning changes.

"Have sight of Proteus rising from the sea."--Wordsworth.]

[Note 29: This sequel was called forth by an excellent article in _The Spectator_, for 1 April 1882, and bore the t.i.tle, _The Restfulness of Talk_. The opening words of this article were as follows:--"The fine paper on 'Talk,' by 'R.L.S.,' in the _Cornhill_ for April, a paper which a century since would, by itself, have made a literary reputation, does not cover the whole field."]

[Note 30: _Valhalla_. In Scandinavian mythology, this was the heaven for the brave who fell in battle. Here they had an eternity of fighting and drinking.]

[Note 31: _Meticulous_. Timid. From the Latin, _meticulosus_.]

[Note 32: _Kindly_. Here used in the old sense of "natural." Compare the Litany, "the kindly fruits of the earth."]

[Note 33: "_The real long-lived things_." For Whitman, see our Note 12 of Chapter III above.]

[Note 34: _Robert Hunter, Sheriff of Dumbarton_. Hunter recognised the genius in Stevenson long before the latter became known to the world, and gave him much friendly encouragement. Dumbarton is a town about 16 miles north-west of Glasgow, in Scotland. It contains a castle famous in history and in literature.]

[Note 35: _A novel by Miss Mather_. The name should be "Mathers."

Helen Mathers (Mrs. Henry Reeves), born in 1853, has written a long series of novels, of which _My Lady Greensleeves, The Sin of Hagar_ and _Venus Victrix_ are perhaps as well-known as they deserve to be.]

[Note 36: _Chelsea_. Formerly a suburb, now a part of London, to the S.W. It is famous for its literary a.s.sociations. Swift, Thomas Carlyle, Leigh Hunt, George Eliot, Dante Gabriel Rossetti and many other distinguished writers lived in Chelsea at various times. It contains a great hospital, to which Stevenson seems to refer here.]

[Note 37: _Webster, Jeremy Taylor, Burke_. John Webster was one of the Elizabethan dramatists, who, in felicity of diction, approached more nearly to Shakspere than most of his contemporaries. His greatest play was _The d.u.c.h.ess of Malfi_ (acted in 1616). Jeremy Taylor (1613-1667), often called the "Shakspere of Divines," was one of the greatest pulpit orators in English history. His most famous work, still a cla.s.sic, is _Holy Living and Holy Dying_ (1650-1). Edmund Burke (1729-1797) the parliamentary orator and author of the _Sublime and Beautiful_ (1756), whose speeches on America are only too familiar to American schoolboys.]