From the winter of 1821, when I first read Bentham, and especially from the commencement of the Westminster Review, I had what might truly be called an object in life; to be a reformer of the world. My conception of my own happiness was entirely identified with this object. The personal sympathies I wished for were those of fellow labourers in this enterprise. I endeavoured to pick up as many flowers as I could by the way; but as a serious and permanent personal satisfaction to rest upon, my whole reliance was placed on this; and I was accustomed to felicitate myself on the certainty of a happy life which I enjoyed, through placing my happiness in something durable and distant, in which some progress might be always making, while it could never be exhausted by complete attainment. This did very well for several years, during which the general improvement going on in the world and the idea of myself as engaged with others in struggling to promote it, seemed enough to fill up an interesting and animated existence. But the time came when I awakened from this as from a dream. It was in the autumn of 1826. I was in a dull state of nerves, such as everybody is occasionally liable to; unsusceptible to enjoyment or pleasurable excitement; one of those moods when what is pleasure at other times, becomes insipid or indifferent; the state, I should think, in which converts to Methodism usually are, when smitten by their first "conviction of sin." In this frame of mind it occurred to me to put the question directly to myself: "Suppose that all your objects in life were realised; that all the changes in inst.i.tutions and opinions which you are looking forward to, could be completely effected at this very instant: would this be a great joy and happiness to you?" And an irrepressible self-consciousness distinctly answered, "No!" At this my heart sank within me: the whole foundation on which my life was constructed fell down. All my happiness was to have been found in the continual pursuit of this end. The end had ceased to charm, and how could there ever again be any interest in the means? I seemed to have nothing left to live for.

At first I hoped that the cloud would pa.s.s away of itself; but it did not. A night's sleep, the sovereign remedy for the smaller vexations of life, had no effect on it. I awoke to a renewed consciousness of the woful fact. I carried it with me into all companies, into all occupations. Hardly anything had power to cause me even a few minutes'

oblivion of it. For some months the cloud seemed to grow thicker and thicker. The lines in Coleridge's "Dejection"--I was not then acquainted with them--exactly describe my case:

"A grief without a pang, void, dark and drear, A drowsy, stifled, unimpa.s.sioned grief, Which finds no natural outlet or relief In word, or sigh, or tear."

In vain I sought relief from my favourite books; those memorials of past n.o.bleness and greatness from which I had always. .h.i.therto drawn strength and animation. I read them now without feeling, or with the accustomed feeling _minus_ all its charm; and I became persuaded, that my love of mankind, and of excellence for its own sake, had worn itself out. I sought no comfort by speaking to others of what I felt. If I had loved any one sufficiently to make confiding my griefs a necessity, I should not have been in the condition I was. I felt, too, that mine was not an interesting, or in any way respectable distress. There was nothing in it to attract sympathy. Advice, if I had known where to seek it, would have been most precious. The words of Macbeth to the physician often occurred to my thoughts. But there was no one on whom I could build the faintest hope of such a.s.sistance. My father, to whom it would have been natural to me to have recourse in any practical difficulties, was the last person to whom, in such a case as this, I looked for help.

Everything convinced me that he had no knowledge of any such mental state as I was suffering from, and that even if he could be made to understand it, he was not the physician who could heal it. My education, which was wholly his work, had been conducted without any regard to the possibility of its ending in this result; and I saw no use in giving him the pain of thinking that his plans had failed, when the failure was probably irremediable, and, at all events, beyond the power of _his_ remedies. Of other friends, I had at that time none to whom I had any hope of making my condition intelligible. It was, however, abundantly intelligible to myself; and the more I dwelt upon it, the more hopeless it appeared.

My course of study had led me to believe, that all mental and moral feelings and qualities, whether of a good or of a bad kind, were the results of a.s.sociation; that we love one thing, and hate another, take pleasure in one sort of action or contemplation, and pain in another sort, through the clinging of pleasurable or painful ideas to those things, from the effect of education or of experience. As a corollary from this, I had always heard it maintained by my father, and was myself convinced, that the object of education should be to form the strongest possible a.s.sociations of the salutary cla.s.s; a.s.sociations of pleasure with all things beneficial to the great whole, and of pain with all things hurtful to it. This doctrine appeared inexpugnable; but it now seemed to me, on retrospect, that my teachers had occupied themselves but superficially with the means of forming and keeping up these salutary a.s.sociations. They seemed to have trusted altogether to the old familiar instruments, praise and blame, reward and punishment. Now, I did not doubt that by these means, begun early, and applied unremittingly, intense a.s.sociations of pain and pleasure, especially of pain, might be created, and might produce desires and aversions capable of lasting undiminished to the end of life. But there must always be something artificial and casual in a.s.sociations thus produced. The pains and pleasures thus forcibly a.s.sociated with things, are not connected with them by any natural tie; and it is therefore, I thought, essential to the durability of these a.s.sociations, that they should have become so intense and inveterate as to be practically indissoluble, before the habitual exercise of the power of a.n.a.lysis had commenced. For I now saw, or thought I saw, what I had always before received with incredulity--that the habit of a.n.a.lysis has a tendency to wear away the feelings: as indeed it has, when no other mental habit is cultivated, and the a.n.a.lysing spirit remains without its natural complements and correctives. The very excellence of a.n.a.lysis (I argued) is that it tends to weaken and undermine whatever is the result of prejudice; that it enables us mentally to separate ideas which have only casually clung together: and no a.s.sociations whatever could ultimately resist this dissolving force, were it not that we owe to a.n.a.lysis our clearest knowledge of the permanent sequences in nature; the real connections between Things, not dependent on our will and feelings; natural laws, by virtue of which, in many cases, one thing is inseparable from another in fact; which laws, in proportion as they are clearly perceived and imaginatively realised, cause our ideas of things which are always joined together in Nature, to cohere more and more closely in our thoughts. a.n.a.lytic habits may thus even strengthen the a.s.sociations between causes and effects, means and ends, but tend altogether to weaken those which are, to speak familiarly, a _mere_ matter of feeling.

They are therefore (I thought) favourable to prudence and clear-sightedness, but a perpetual worm at the root both of the pa.s.sions and of the virtues; and, above all, fearfully undermine all desires, and all pleasures, which are the effects of a.s.sociation, that is, according to the theory I held, all except the purely physical and organic; of the entire insufficiency of which to make life desirable, no one had a stronger conviction than I had. These were the laws of human nature, by which, as it seemed to me, I had been brought to my present state. All those to whom I looked up, were of opinion that the pleasure of sympathy with human beings, and the feelings which made the good of others, and especially of mankind on a large scale, the object of existence, were the greatest and surest sources of happiness. Of the truth of this I was convinced, but to know that a feeling would make me happy if I had it, did not give me the feeling. My education, I thought, had failed to create these feelings in sufficient strength to resist the dissolving influence of a.n.a.lysis, while the whole course of my intellectual cultivation had made precocious and premature a.n.a.lysis the inveterate habit of my mind. I was thus, as I said to myself, left stranded at the commencement of my voyage, with a well-equipped ship and a rudder, but no sail; without any real desire for the ends which I had been so carefully fitted out to work for: no delight in virtue, or the general good, but also just as little in anything else. The fountains of vanity and ambition seemed to have dried up within me, as completely as those of benevolence. I had had (as I reflected) some gratification of vanity at too early an age: I had obtained some distinction, and felt myself of some importance, before the desire of distinction and of importance had grown into a pa.s.sion: and little as it was which I had attained, yet having been attained too early, like all pleasures enjoyed too soon, it had made me _blase_ and indifferent to the pursuit. Thus neither selfish nor unselfish pleasures were pleasures to me. And there seemed no power in nature sufficient to begin the formation of my character anew, and create in a mind now irretrievably a.n.a.lytic, fresh a.s.sociations of pleasure with any of the objects of human desire.

These were the thoughts which mingled with the dry heavy dejection of the melancholy winter of 1826-7. During this time I was not incapable of my usual occupations. I went on with them mechanically, by the mere force of habit. I had been so drilled in a certain sort of mental exercise, that I could still carry it on when all the spirit had gone out of it. I even composed and spoke several speeches at the debating society, how, or with what degree of success, I know not. Of four years'

continual speaking at that society, this is the only year of which I remember next to nothing. Two lines of Coleridge, in whom alone of all writers I have found a true description of what I felt, were often in my thoughts, not at this time (for I had never read them), but in a later period of the same mental malady:

"Work without hope draws nectar in a sieve, And hope without an object cannot live."

In all probability my case was by no means so peculiar as I fancied it, and I doubt not that many others have pa.s.sed through a similar state; but the idiosyncrasies of my education had given to the general phenomenon a special character, which made it seem the natural effect of causes that it was hardly possible for time to remove. I frequently asked myself, if I could, or if I was bound to go on living, when life must be pa.s.sed in this manner. I generally answered to myself, that I did not think I could possibly bear it beyond a year. When, however, not more than half that duration of time had elapsed, a small ray of light broke in upon my gloom. I was reading, accidentally, Marmontel's "Memoires," and came to the pa.s.sage which relates his father's death, the distressed position of the family, and the sudden inspiration by which he, then a mere boy, felt and made them feel that he would be everything to them--would supply the place of all that they had lost. A vivid conception of the scene and its feelings came over me, and I was moved to tears. From this moment my burden grew lighter. The oppression of the thought that all feeling was dead within me, was gone. I was no longer hopeless: I was not a stock or a stone. I had still, it seemed, some of the material out of which all worth of character, and all capacity for happiness, are made. Relieved from my ever present sense of irremediable wretchedness, I gradually found that the ordinary incidents of life could again give me some pleasure; that I could again find enjoyment, not intense, but sufficient for cheerfulness, in sunshine and sky, in books, in conversation, in public affairs; and that there was, once more, excitement, though of a moderate kind, in exerting myself for my opinions, and for the public good. Thus the cloud gradually drew off, and I again enjoyed life: and though I had several relapses, some of which lasted many months, I never again was as miserable as I had been.

The experiences of this period had two very marked effects on my opinions and character. In the first place, they led me to adopt a theory of life, very unlike that on which I had before acted, and having much in common with what at that time I certainly had never heard of, the anti-self-consciousness theory of Carlyle. I never, indeed, wavered in the conviction that happiness is the test of all rules of conduct, and the end of life. But I now thought that this end was only to be attained by not making it the direct end. Those only are happy (I thought) who have their minds fixed on some object other than their own happiness; on the happiness of others, on the improvement of mankind, even on some art or pursuit, followed not as a means, but as itself an ideal end. Aiming thus at something else, they find happiness by the way. The enjoyments of life (such was now my theory) are sufficient to make it a pleasant thing, when they are taken _en pa.s.sant_, without being made a princ.i.p.al object. Once make them so, and they are immediately felt to be insufficient. They will not bear a scrutinising examination. Ask yourself whether you are happy, and you cease to be so.

The only chance is to treat, not happiness, but some end external to it, as the purpose of life. Let your self-consciousness, your scrutiny, your self-interrogation, exhaust themselves on that; and if otherwise fortunately circ.u.mstanced you will inhale happiness with the air you breathe, without dwelling on it or thinking about it, without either forestalling it in imagination, or putting it to flight by fatal questioning. This theory now became the basis of my philosophy of life.

And I still hold to it as the best theory for all those who have but a moderate degree of sensibility and of capacity for enjoyment, that is, for the great majority of mankind.

The other important change which my opinions at this: time underwent, was that I, for the first time, gave its proper place, among the prime necessities of human well-being, to the internal culture of the individual. I ceased to attach almost exclusive importance to the ordering of outward circ.u.mstances, and the training of the human being for speculation and for action.

I had now learnt by experience that the pa.s.sive susceptibilities needed to be cultivated as well as the active capacities, and required to be nourished and enriched as well as guided. I did not, for an instant, lose sight of, or undervalue, that part of the truth which I had seen before; I never turned recreant to intellectual culture, or ceased to consider the power and practice of a.n.a.lysis as an essential condition both of individual and of social improvement. But I thought that it had consequences which required to be corrected, by joining other kinds of cultivation with it. The maintenance of a due balance among the faculties, now seemed to me of primary importance. The cultivation of the feelings became one of the cardinal points in my ethical and philosophical creed. And my thoughts and inclinations turned in an increasing degree towards whatever seemed capable of being instrumental to that object.

I now began to find meaning in the things which I had read or heard about the importance of poetry and art as instruments of human culture.

But it was some time longer before I began to know this by personal experience. The only one of the imaginative arts in which I had from childhood taken great pleasure, was music; the best effect of which (and in this it surpa.s.ses perhaps every other art) consists in exciting enthusiasm; in winding up to a high pitch those feelings of an elevated kind which are already in the character, but to which this excitement gives a glow and a fervour, which, though transitory at its utmost height, is precious for sustaining them at other times. This effect of music I had often experienced; but like all my pleasurable susceptibilities it was suspended during the gloomy period. I had sought relief again and again from this quarter, but found none. After the tide had turned, and I was in process of recovery, I had been helped forward by music, but in a much less elevated manner. I at this time first became acquainted with Weber's Oberon, and the extreme pleasure which I drew from its delicious melodies did me good, by showing me a source of pleasure to which I was as susceptible as ever. The good, however, was much impaired by the thought, that the pleasure of music (as is quite true of such pleasure as this was, that of mere tune) fades with familiarity, and requires either to be revived by intermittence, or fed by continual novelty. And it is very characteristic both of my then state, and of the general tone of my mind at this period of my life, that I was seriously tormented by the thought of the exhaustibility of musical combinations. The octave consists only of five tones and two semi-tones, which can be put together in only a limited number of ways, of which but a small proportion are beautiful: most of these, it seemed to me, must have been already discovered, and there could not be room for a long succession of Mozarts and Webers, to strike out, as these had done, entirely new and surpa.s.singly rich veins of musical beauty. This source of anxiety may, perhaps, be thought to resemble that of the philosophers of Laputa, who feared lest the sun should be burnt out. It was, however, connected with the best feature in my character, and the only good point to be found in my very unromantic and in no way honourable distress. For though my dejection, honestly looked at, could not be called other than egotistical, produced by the ruin, as I thought, of my fabric of happiness, yet the destiny of mankind in general was ever in my thoughts, and could not be separated from my own.

I felt that the flaw in my life, must be a flaw in life itself; that the question was, whether, if the reformers of society and government could succeed in their objects, and every person in the community were free and in a state of physical comfort, the pleasures of life, being no longer kept up by struggle and privation, would cease to be pleasures.

And I felt that unless I could see my way to some better hope than this for human happiness in general my dejection must continue; but that if I could see such an outlet, I should then look on the world with pleasure; content as far as I was myself concerned, with any fair share of the general lot.

This state of my thoughts and feelings made the fact of my reading Wordsworth for the first time (in the autumn of 1828), an important event in my life. I took up the collection of his poems from curiosity, with no expectation of mental relief from it, though I had before resorted to poetry with that hope. In the worst period of my depression, I had read through the whole of Byron (then new to me), to try whether a poet, whose peculiar department was supposed to be that of the intenser feelings, could rouse any feeling in me. As might be expected, I got no good from this reading, but the reverse. The poet's state of mind was too like my own. His was the lament of a man who had worn out all pleasures, and who seemed to think that life, to all who possess the good things of it, must necessarily be the vapid, uninteresting thing which I found it. His Harold and Manfred had the same burden on them which I had; and I was not in a frame of mind to desire any comfort from the vehement sensual pa.s.sion of his Giaours, or the sullenness of his Laras. But while Byron was exactly what did not suit my condition, Wordsworth was exactly what did. I had looked into the Excursion two or three years before, and found little in it; and I should probably have found as little, had I read it at this time. But the miscellaneous poems, in the two-volume edition of 1815 (to which little of value was added in the latter part of the author's life), proved to be the precise thing for my mental wants at that particular juncture.

In the first place, these poems addressed themselves powerfully to one of the strongest of my pleasurable susceptibilities, the love of rural objects and natural scenery; to which I had been indebted not only for much of the pleasure of my life, but quite recently for relief from one of my longest relapses into depression. In this power of rural beauty over me, there was a foundation laid for taking pleasure in Wordsworth's poetry; the more so, as his scenery lies mostly among mountains, which, owing to my early Pyrenean excursion, were my ideal of natural beauty.

But Wordsworth would never have had any great effect on me, if he had merely placed before me beautiful pictures of natural scenery. Scott does this still better than Wordsworth, and a very second-rate landscape does it more effectually than any poet. What made Wordsworth's poems a medicine for my state of mind, was that they expressed, not mere outward beauty, but states of feeling, and of thought coloured by feeling, under the excitement of beauty. They seemed to be the very culture of the feelings which I was in quest of. In them I seemed to draw from a source of inward joy, of sympathetic and imaginative pleasures, which could be shared in by all human beings; which had no connection with struggle or imperfection, but would be made richer by every improvement in the physical or social condition of mankind. From them I seemed to learn what would be the perennial sources of happiness, when all the greater evils of life shall have been removed. And I felt myself at once better and happier as I came under their influence. There have certainly been, even in our own age, greater poets than Wordsworth; but poetry of deeper and loftier feeling could not have done for me at that time what his did. I needed to be made to feel that there was real, permanent happiness in tranquil contemplation. Wordsworth taught me this, not only without turning away from, but with a greatly increased interest in the common feelings and common destiny of human beings. And the delight which these poems gave me, proved that with culture of this sort, there was nothing to dread from the most confirmed habit of a.n.a.lysis. At the conclusion of the Poems came the famous Ode, falsely called Platonic, "Intimations of Immortality:" in which, along with more than his usual sweetness of melody and rhythm, and along with the two pa.s.sages of grand imagery but bad philosophy so often quoted, I found that he too had had similar experience to mine; that he also had felt that the first freshness of youthful enjoyment of life was not lasting; but that he had sought for compensation, and found it, in the way in which he was now teaching me to find it. The result was that I gradually, but completely, emerged from my habitual depression, and was never again subject to it.

I long continued to value Wordsworth less according to his intrinsic merits, than by the measure of what he had done for me. Compared with the greatest poets, he may be said to be the poet of unpoetical natures, possessed of quiet and contemplative tastes. But unpoetical natures are precisely those which require poetic cultivation. This cultivation Wordsworth is much more fitted to give, than poets who are intrinsically far more poets than he.

FOOTNOTES:

[Footnote 3: From Chapter V of the Autobiography, 1874.]

OLD CHINA[4]

CHARLES LAMB

I have an almost feminine partiality for old china. When I go to see any great house, I inquire for the china-closet, and next for the picture-gallery. I cannot defend the order of preference, but by saying that we have all some taste or other, of too ancient a date to admit of our remembering distinctly that it was an acquired one. I can call to mind the first play, and the first exhibition, that I was taken to; but I am not conscious of a time when china jars and saucers were introduced into my imagination.

I had no repugnance then--why should I now have?--to those little, lawless, azure-tinctured grotesques, that, under the notion of men and women, float about, uncirc.u.mscribed by any element in that world before perspective--a china tea-cup.

I like to see my old friends, whom distance cannot diminish, figuring up in the air (so they appear to our optics), yet on _terra firma_ still--for so we must in courtesy interpret that speck of deeper blue, which the decorous artist, to prevent absurdity, had made to spring up beneath their sandals.

I love the men with women's faces, and women, if possible, with still more womanish expressions.

Here is a young and courtly Mandarin, handing tea to a lady from a salver--two miles off. See how distance seems to set off respect! And here the same lady, or another--for likeness is ident.i.ty on tea-cups--is stepping into a little fairy boat, moored on the hither side of this calm garden river, with a dainty mincing foot, which in a right angle of incidence (as angles go in our world) must infallibly land her in the midst of a flowery mead--a furlong off on the other side of the same strange stream!

Further on--if far or near can be predicated of their world--see horses, trees, paG.o.das, dancing the hays.[5]

Here--a cow and rabbit couchant, and coextensive--so objects show, seen through the lucid atmosphere of fine Cathay.

I was pointing out to my cousin last evening, over our Hyson (which we are old-fashioned enough to drink unmixed still of an afternoon), some of these _speciosa miracula_[6] upon a set of extraordinary old blue china (a recent purchase) which we were now for the first time using; and could not help remarking, how favourable circ.u.mstances had been to us of late years, that we could afford to please the eye sometimes with trifles of this sort--when a pa.s.sing sentiment seemed to overshade the brows of my companion. I am quick at detecting these summer clouds in Bridget.

"I wish the good old times would come again," she said, "when we were not quite so rich. I do not mean that I want to be poor; but there was a middle state,"--so she was pleased to ramble on,--"in which I am sure we were a great deal happier. A purchase is but a purchase, now that you have money enough and to spare. Formerly it used to be a triumph. When we coveted a cheap luxury (and, oh! how much ado I had to get you to consent in those times!) we were used to have a debate two or three days before, and to weigh the _for_ and _against_, and think what we might spare it out of, and what saving we could hit upon, that should be an equivalent. A thing was worth buying then, when we felt the money that we paid for it.

"Do you remember the brown suit, which you made to hang upon you, till your friends cried shame upon you, it grew so threadbare--and all because of that folio _Beaumont and Fletcher_, which you dragged home late at night from Barker's in Covent-garden? Do you remember how we eyed it for weeks before we could make up our minds to the purchase, and had not come to a determination till it was near ten o'clock of the Sat.u.r.day night, when you set off from Islington, fearing you should be too late--and when the old bookseller with some grumbling opened his shop, and by the twinkling taper (for he was setting bed-ward) lighted out the relic from his dusty treasures--and when you lugged it home, wishing it were twice as c.u.mbersome--and when you presented it to me--and when we were exploring the perfectness of it (_collating_ you called it)--and while I was repairing some of the loose leaves with paste, which your impatience would not suffer to be left till daybreak--was there no pleasure in being a poor man? or can those neat black clothes which you wear now, and are so careful to keep brushed, since we have become rich and finical, give you half the honest vanity with which you flaunted it about in that overworn suit--your old corbeau--for four or five weeks longer than you should have done, to pacify your conscience for the mighty sum of fifteen--or sixteen shillings was it?--a great affair we thought it then--which you had lavished on the old folio. Now you can afford to buy any book that pleases you, but I do not see that you ever bring me home any nice old purchases now.

"When you came home with twenty apologies for laying out a less number of shillings upon that print after Lionardo which we christened the 'Lady Blanch'; when you looked at the purchase, and thought of the money--and thought of the money, and looked again at the picture--was there no pleasure in being a poor man? Now, you have nothing to do but to walk into Colnaghi's, and buy a wilderness of Lionardos. Yet do you?

"Then, do you remember our pleasant walks to Enfield, and Potter's bar, and Waltham, when we had a holiday--holidays and all other fun are gone now we are rich--and the little handbasket in which I used to deposit our day's fare of savory cold lamb and salad--and how you would pry about at noon-tide for some decent house, where we might go in and produce our store--only paying for the ale that you must call for--and speculate upon the looks of the landlady, and whether she was likely to allow us a tablecloth--and wish for such another honest hostess as Izaak Walton has described many a one on the pleasant banks of the Lea, when he went a fishing--and sometimes they would prove obliging enough, and sometimes they would look grudgingly upon us--but we had cheerful looks still for one another, and would eat our plain food savorily, scarcely grudging Piscator[7] his Trout Hall? Now, when we go out a day's pleasuring, which is seldom, moreover, we _ride_ part of the way, and go into a fine inn, and order the best of dinners, never debating the expense, which, after all, never has half the relish of those chance country snaps, when we were at the mercy of uncertain usage, and a precarious welcome.

"You are too proud to see a play anywhere now but in the pit. Do you remember where it was we used to sit, when we saw the _Battle of Hexham_, and the _Surrender of Calais_, and Bannister and Mrs. Bland in the _Children in the Wood_--when we squeezed out our shilling apiece to sit three or four times in a season in the one-shilling gallery--where you felt all the time that you ought not to have brought me--and more strongly I felt obligation to you for having brought me--and the pleasure was the better for a little shame--and when the curtain drew up, what cared we for our place in the house, or what mattered it where we were sitting, when our thoughts were with Rosalind in Arden, or with Viola at the Court of Illyria? You used to say that the gallery was the best place of all for enjoying a play socially; that the relish of such exhibitions must be in proportion to the infrequency of going; that the company we met there, not being in general readers of plays, were obliged to attend the more, and did attend, to what was going on on the stage, because a word lost would have been a chasm which it was impossible for them to fill up. With such reflections we consoled our pride then, and I appeal to you whether, as a woman, I met generally with less attention and accommodation than I have done since in more expensive situations in the house? The getting in, indeed, and the crowding up those inconvenient staircases, was bad enough,--but there was still a law of civility to woman recognised to quite as great an extent as we ever found in the other pa.s.sages--and how a little difficulty overcome heightened the snug seat, and the play, afterward!

Now we can only pay our money, and walk in. You cannot see, you say, in the galleries now. I am sure we saw, and heard too, well enough then--but sight, and all, I think, is gone with our poverty.

"There was pleasure in eating strawberries, before they became quite common--in the first dish of peas, while they were yet dear--to have them for a nice supper, a treat. What treat can we have now? If we were to treat ourselves now--that is, to have dainties a little above our means, it would be selfish and wicked. It is the very little more that we allow ourselves beyond what the actual poor can get at, that makes what I call a treat--when two people living together, as we have done, now and then indulge themselves in a cheap luxury, which both like; while each apologises, and is willing to take both halves of the blame to his single share. I see no harm in people making much of themselves in that sense of the word. It may give them a hint how to make much of others. But now--what I mean by the word--we never _do_ make much of ourselves. None but the poor can do it. I do not mean the veriest poor of all, but persons as we were, just above poverty.

"I know what you were going to say, that it is mighty pleasant at the end of the year to make all meet,--and much ado we used to have every Thirty-first Night of December to account for our exceedings--many a long face did you make over your puzzled accounts, and in contriving to make it out how we had spent so much--or that we had not spent so much--or that it was impossible we should spend so much next year--and still we found our slender capital decreasing--but then, betwixt ways, and projects, and compromises of one sort or another and talk of curtailing this charge, and doing without that for the future--and the hope that youth brings, and laughing spirits (in which you were never poor till now), we pocketed up our loss, and in conclusion, with 'l.u.s.ty brimmers' (as you used to quote it out of _hearty, cheerful Mr.

Cotton_[8], as you called him), we used to welcome in the 'coming guest.' Now we have no reckoning at all at the end of the old year; no flattering promises about the new year doing better for us."

Bridget is so sparing of her speech, on most occasions, that when she gets into a rhetorical vein, I am careful how I interrupt it. I could not help, however, smiling at the phantom of wealth which her dear imagination had conjured up out of a clear income of poor ---- hundred pounds a year. "It is true we were happier when we were poorer, but we were also younger, my cousin. I am afraid we must put up with the excess, for if we were to shake the superflux into the sea, we should not much mend ourselves. That we had much to struggle with, as we grew up together, we have reason to be most thankful. It strengthened and knit our compact closer. We could never have been what we have been to each other, if we had always had the sufficiency which you now complain of. The resisting power, those natural dilations of the youthful spirit, which circ.u.mstances can not straiten--with us are long since pa.s.sed away. Competence to age is supplementary youth, a sorry supplement indeed, but I fear the best that is to be had. We must ride where we formerly walked: live better and lie softer--and shall be wise to do so--than we had means to do in those good old days you speak of. Yet could those days return, could you and I once more walk our thirty miles a day, could Bannister and Mrs. Bland again be young, and you and I be young to see them, could the good old one shilling gallery days return--they are dreams, my cousin, now, but could you and I at this moment, instead of this quiet argument, by our well-carpeted fireside, sitting on this luxurious sofa--be once more struggling up those inconvenient staircases, pushed about and squeezed, and elbowed by the poorest rabble of poor gallery scramblers--could I once more hear those anxious shrieks of yours, and the delicious _Thank G.o.d, we are safe_, which always followed, when the topmost stair, conquered, let in the first light of the whole cheerful theatre down beneath us--I know not the fathom line that ever touched a descent so deep as I would be willing to bury more wealth in than Croesus had, or the great Jew R---- is supposed to have, to purchase it. And now do just look at that merry little Chinese waiter holding an umbrella, big enough for a bed-tester, over the head of that pretty insipid half-Madonna-ish chit of a lady in that very blue summer-house."

FOOTNOTES:

[Footnote 4: From "Last Essays of Elia," 1833.]

[Footnote 5: The hays: an old English dance.]

[Footnote 6: Speciosa miracula: beautiful marvels.]

[Footnote 7: Piscator: The Angler--the author's spokesman in Walton's "The Complete Angler."]

[Footnote 8: Charles Cotton, a humorist of the seventeenth century.]