The Six Wives of Henry VIII.

by Alison Weir.

Introduction.

The reign of Henry VIII is one of the most fascinating in English history. Not only was it a time of revolutionary political and social change, but it was also dominated by one of the most extraordinary and charismatic men to emerge in the history of the British Isles - the King's contemporaries thought him 'the greatest man in the world' and 'such a king as never before'. He ruled England in unprecedented splendour, surrounded by some of the most intriguing personalities of the age, men and women who have left behind such vivid memorials of themselves that we can almost reach out across the centuries and feel we know them personally.

Six of these people were the King's wives. It is - and was then - a remarkable fact in itself that a man should have six wives, yet what makes it especially fascinating to us is that these wives were interesting people in their own right. We are fortunate that we know so much about them - not only the major events and minutiae of their public lives, but also something of their thoughts and feelings, even the intimate details of their private lives. Henry VIII's marital affairs brought the royal marriage into public focus for the first time in our history; prior to his reign, the conjugal relationships of English sovereigns were rarely chronicled, and there remain only fragmentary details of the intimate lives of earlier kings and queens. Yet, thanks to Henry VIII, such details became a matter of public interest, and no snippet of information was thought too insignificant to be recorded and a.n.a.lysed, a trend that has continued 2unabated for 450 years, and which has burgeoned in the twentieth century with the expansion of the media.

Thanks to the wealth of written material that has survived in the form of early biographies, letters, memoirs, account books and diplomatic reports, unprecedented in any preceding reign, we know a great deal about, and are able to make sense of, the lives of these six long-dead women. That such material was for the first time available to any sizeable extent was thanks to the humanism of the Renaissance and the widening interest in learning it engendered. There was a dramatic expansion of educational facilities, with the founding of many new colleges and schools, and literacy was now seen as being of prime importance, not only for men, but- to an increasing degree as the Tudor period progressed - for women also. The development of printing gave rise to a growth industry in popular works and tracts, which coincided with a renewed interest in history, leading to a succession of books by a new generation of chroniclers. Greater care was taken, both in England and abroad, to maintain public records, and with the evolution of intelligence systems, such as that established by Thomas Cromwell, more detailed information than ever before was acc.u.mulated.

Much of the source material for the reign of Henry VIII was collated by historians and published in the late nineteenth and early twentieth centuries, giving rise to a succession of biographies, learned and otherwise, of the King, his courtiers and his wives. Yet while there have been several excellent recent individual biographies of the wives (seeBibliography),there has been no serious collective biography since 1905 when M. A. S. Hume's scholarly book,The Wives of Henry VIIIwas published. This present book aims to fill that gap for the general reader, with information drawn from only the most reliable of the original sources.

What were they really like, those six wives? Because of the nature of the source material for the reign, nearly all of which has a political or religious bias, a writer could come up with very different a.s.sessments of each of them, all of which might be equally valid. But this would be abdicating some of the responsibilities of an historian, whose function is to piece together the surviving evidence and arrive at a workable conclusion. What follows are the conclusions I have 3reached after many years of research into the subject, conclusions that, on the weight of the evidence, must be as realistic as anything can be after a lapse of 450 years.

Thus, we will see that Katherine of Aragon was a staunch but misguided woman of principle; Anne Boleyn an ambitious adventuress with a penchant for vengeance; Jane Seymour a strong-minded matriarch in the making; Anne of Cleves a good-humoured woman who jumped at the chance of independence; Katherine Howard an empty-headed wanton; and Katherine Parr a G.o.dly matron who was nevertheless all too human when it came to a handsome rogue. They were fascinating women, both because of who they were and what happened to them; yet we should not lose sight of the fact that, while they were queens and therefore, nominally at least, in a position of power, they were also bound to a great degree by the constraints that restricted the lives of all women at that time. We should therefore, before proceeding with their story, pause to consider those constraints.

'Woman in her greatest perfection was made to serve and obey man,' wrote the Scots reformer John Knox in his treatiseFirst Blast of the Trumpet against the Monstrous Regiment of Women,published in 1558. In Tudor England, as in the Middle Ages, women were brought up to believe that they were vastly inferior to men. Even a queen was subordinate to the will of her husband, and - like all wives - was required to learn in silence from him 'in all subjection'. Two of Henry VIII's wives - Anne Boleyn and Katherine Parr - being highly intelligent and outspoken women, found this particularly hard, and consequently both clashed with the King on numerous occasions. Naturally, Henry won. The concept of female inferiority was older than Christianity, but centuries of Christian teaching had rigidly enforced it. Woman was an instrument of the devil, the author of original sin who would lure man away from the path to salvation - in short, the only imperfection in G.o.d's creation.

Henry VIII's wives would all have learned very early in life that, as women, they had very little personal freedom. Brought up to obey their parents without question, they found that, once married to the King, they were expected to render the same unquestioning obedience to a husband - indeed, more so than ordinary wives, for this husband also happened to be the King of England. Even widowhood brought its constraints, as Katherine of Aragon found 4 after her first husband died and she was left to the tender mercies of her father and father-in-law until she remarried. Only during courtship might a woman briefly gain the upper hand, as both Anne Boleyn and Jane Seymour did, but woe betide her if she did not quickly learn to conform once the wedding-ring was on her finger.

The notion that women could be equal to men would have been totally foreign to the King and most of his male contemporaries. Thus women, single or married, possessed very few legal rights. A woman's body and her worldly goods both became her husband's property on marriage, and the law allowed him to do exactly as he pleased with them. Infidelity in a wife was not tolerated, but for queens Henry VIII made it a treasonable offence punishable by death, because it threatened the succession. Two of Henry's wives died on the scaffold after being found guilty of criminal intercourse, and the wife of a peer could face the same penalty if her adultery was proved and her husband pet.i.tioned the King to have her executed. A wife who murdered her husband was guilty, not of murder, but of petty treason, and the penalty for this until the eighteenth century was death by burning. Even if a wife merely displeased her husband, justifiably or not, the law allowed him to turn her out of the house with just a shift to cover her, and she had no right of redress. Wife- beating was common and, instead of provoking the horrified reaction it arouses today, 450 years ago it would have been regarded as a righteous punishment for an erring or disobedient wife, although there is no evidence that Henry VIII ever beat any of his wives.

From the cradle to the grave, the lives of Henry's queens - and of all women - were lived according to prescribed rules and conventions. Only four of the six received any formal education; Jane Seymour and Katherine Howard appear to have been barely literate. Many people in the first half of the sixteenth century still did not believe that women should be educated, holding to the medieval view that girls taught to write would only waste their skill on love-letters. But thanks to men such as the Spanish educationist Juan Luis Vives, and Sir Thomas More, whose daughters were renowned examples of womanly erudition, as well as the shining examples of both Katherine of Aragon and Katherine Parr who proved that women could be both learned and virtuous, the Renaissance concept of 5 female education gradually became accepted and even applauded. Nevertheless, the Elizabethan bluestocking was not yet born; in Henry VIII's time, the education of girls was the privilege of the royal and the rich, and its chief aim was to produce future wives schooled in G.o.dly and moral precepts. It was not intended to promote independent thinking; indeed, it tended to the opposite.

When it came to choosing a marriage partner, high-born girls - and princesses in particular - were at the mercy of their fathers, for it was almost unheard of for them to select their own husbands. One married for political reasons, to cement alliances, to gain wealth, land and status, and to forge bonds between families; marrying for love was merely wayward and foolish. Royal marriages, of course, were largely matters of political expediency: it was not unknown for a king to see his bride's face for the first time on their wedding day, and it was still thought unusual for a king to marry one of his own subjects. Kings were expected to ally themselves with foreign powers for political and trading advantages, and had done so until 1464 when Henry's grandfather, Edward IV, had married Elizabeth Woodville, a commoner, for love alone, and caused a furore. Half a century later, a burgeoning sense of English nationalism meant that Henry VIII's marriages to four commoners pa.s.sed without anyone complaining that they were not of royal blood. What did excite comment was that he had married them for love, a sensational departure from tradition. In a sense, however, these were political marriages too, since the political and religious factions at Henry's court were continually trying to manoeuvre their master in and out of wedlock.

Negotiations for marriages between royal houses could be - and often were - very protracted. It took thirteen years to arrange the marriage of Katherine of Aragon and Arthur Tudor; fortunately - as so often happened - negotiations began when both were toddlers. Royal courtship in such cases consisted of formal letters containing fulsome declarations of love, and symbolic gifts, usually rings or jewels. Unless a bride was being reared at her future husband's court, geographical barriers often prevented the couple from meeting. Kings had to rely on the accuracy of descriptions sent by amba.s.sadors, and also on the artistry of court painters, though there were notable 6 mishaps: Holbein painted Anne of Cleves, but in doing so unduly flattered the lady, and a distraught Henry was driven to complain that it was 'the fate of princes to take as is brought them by others, while poor men be commonly at their own choice'.

There was no legal age for marriage in the sixteenth century. Marriage between children was not unknown, but the usual age of both partners was around fourteen or fifteen, old enough for cohabitation. No one questioned whether young people were mature enough to marry and procreate at such an early age: life expectancy was short, and the average woman could not expect to live much beyond thirty. In this context, therefore, all of Henry's wives except Katherine Howard married him at quite a late age. Katherine of Aragon was twenty-four (it was her second marriage), Anne Boleyn around thirty-two, Jane Seymour twenty-eight, Anne of Cleves twenty-four, and Katherine Parr thirty-one (her third marriage). By contrast, Katherine Howard was only fifteen or thereabouts when Henry, at the age of forty-nine, took her to wife, and the bride's youth excited much comment.

A formal betrothal was called a precontract; in the case of a royal union, its terms and conditions were set out in a formal marriage treaty. A precontract could be in written form, or consist of a verbal promise to marry made before witnesses. Once it had been made, only s.e.xual intercourse was necessary to transform it into marriage, and many couples lived together quite respectably after having conformed to this custom. Some, of course, went on to take their vows in church, but this was not a necessity except in the case of a royal or n.o.ble union, such as that between Henry VIII and Anne Boleyn, which came about in this way, but which was later regularised by a ceremony of marriage.

The dowry, or marriage portion, was always the chief issue in any betrothal contract. A dowry could consist of lands, money, jewellery, plate, even household goods, and a girl's chances of marriage depended more upon her father's financial and social status than upon her face and form, although these sometimes helped. Even the plainest girl, if she had a rich dowry, would never lack for suitors. The contract would also feature the terms of the bride's jointure, settled upon her by her husband-to-be or his father, for her maintenance after marriage and during widowhood. Yet it was never 7 hers to control directly unless her husband permitted it, or unless she was widowed and did not remarry.

Without a precontract, s.e.x before marriage was forbidden, although, of course, it was a frequent occurrence that was not just confined to the lower orders of society. As Katherine Howard's experiences prove, lax morality could prevail among the n.o.bility also. Men, however, were encouraged to sow their wild oats, but a woman who did so became a social outcast and ruined her chances of making a good marriage. For this reason, Henry VIII conducted his courtships of Katherine Howard and Jane Seymour in the presence of their relatives, in order to preserve the good reputation of his future wives.

Weddings themselves were performed according to ancient Roman Catholic rites, with vows being exchanged in the church porch, followed by a nuptial ma.s.s at the high altar. Two witnesses had to be present. The old form of the service then in use required the bride to vow to be 'bonair and buxom [amiable] in bed and at board'. Henry VIII's weddings were all solemnised in private ceremonies, with only a few selected courtiers present. Only three were marked by public celebrations afterwards: those to Katherine of Aragon, Jane Seymour and Anne of Cleves. The date and place of the King's marriage to Anne Boleyn were kept so secret that even Archbishop Cranmer could not be certain about them. This is not to say, however, that the modern concept of a royal wedding, with all its attendant pageantry, was unknown. Public royal weddings had been the rule up until the reign of Henry VIII, and that of his parents, Henry VII and Elizabeth of York, in 1486 at Westminster Abbey was a very public affair, as was the wedding of Katherine of Aragon and Arthur Tudor at St Paul's Cathedral in 1501. Indeed, the ceremonies observed, the procession through the streets, and the cheering crowds, were not so very different from those that a worldwide television audience saw when the present Prince of Wales married Lady Diana Spencer on the same site 480 years later.

The English had a fondness for traditional customs, and celebrated their weddings with feasting and a good deal of bawdy revelry. Dancing would follow the nuptial banquet, and then the bride and groom would be ceremoniously put to bed by the guests, the marriage bed being blessed by a priest before the couple were left 8 alone to consummate their marriage. There is, however, no record of Henry VIII being publicly put to bed with any of his wives, although Katherine of Aragon was with Prince Arthur, in front of many witnesses.

Once the marriage had been consummated, the couple were literally viewed as one flesh, and Sir Thomas More advised them to regard their s.e.xual union as being similar to 'G.o.d's coupling with their souls'. Theological doctrine inclined to the view that all carnal relationships were of a base and sinful nature; only the sacrament of marriage made the 'd.a.m.nable act' 'pure, clean, and without spot of sin'. However, although instances of marital s.e.x did not have to be mentioned in the confessional, the marriage ceremony was not intended as a gateway to self-indulgent l.u.s.t. The Church taught that s.e.x was only for the procreation of children, that the Word of G.o.d might be handed down to future generations; s.e.x was therefore a sacred duty in marriage. 'Who does not tremble when he considers how to deal with his wife?' asked Henry VIII in his treatise A Defence of the Seven Sacraments; A Defence of the Seven Sacraments; 'for not only is he bound to love her, but so to live with her that he may return her to G.o.d pure and without stain, when G.o.d who gave shall demand His own again.' 'for not only is he bound to love her, but so to live with her that he may return her to G.o.d pure and without stain, when G.o.d who gave shall demand His own again.'

Marriage brought with it further constraints for women. Matrimony was essential to the Tudor concept of the divine order of the world: the husband ruled his family, as the King ruled his realm, and as G.o.d ruled the universe, and - like subjects - wives were bound in obedience to their husbands and masters. In 1537, Sir Thomas Wyatt advised his son to 'rule his wife well' so that she would love and reverence him 'as her head'. 'I am utterly of the opinion,' wrote Thomas Lupset in An Exhortation to Young Men An Exhortation to Young Men (1535), 'that the man may make, shape and form the woman as he will.' Certainly this was what Henry VIII expected to do as a husband. In his eyes, and in those of other men of his era, a loving, virtuous and obedient wife was a blessing direct from G.o.d. But for women, even queens, marriage often brought with it total subjection to and domination by a domestic tyrant. (1535), 'that the man may make, shape and form the woman as he will.' Certainly this was what Henry VIII expected to do as a husband. In his eyes, and in those of other men of his era, a loving, virtuous and obedient wife was a blessing direct from G.o.d. But for women, even queens, marriage often brought with it total subjection to and domination by a domestic tyrant.

Marriage was therefore a period of great upheaval and adjustment for young women, and even more so for those born royal, for a princess often had to face a perilous journey to a new land and a stranger she had never before set eyes on, as well as a heart 9 wrenching parting from parents, siblings, friends, home and native land, all of which she might never see again. If she were clever, however, a royal bride could come to enjoy considerable power and influence, as did both Katherine of Aragon and Anne Boleyn. Yet such status and power emanated solely from her husband. She enjoyed no freedoms but those he permitted her. Without him, she was nothing.

Queens of England were housewives on a grand scale, with nominal charge of vast households and far-flung estates from which they derived huge revenues. In fact, they had an army of officials to administer these for them, and only controlled their own income to the degree permitted them by the King; no major transactions would be conducted without his consent. Any decisions they made concerning finances, patronage, benefactions, estate management and household matters were subject to his approval; their privy council was an advisory body appointed by him to oversee their affairs on his behalf. There is evidence that Henry VIII was in fact happy to leave a good many domestic decisions to his wives' discretion, and was certainly generous with money when the mood took him. He could also be callous when he felt the need, and was not above reminding Anne Boleyn that he had the power to lower her more than he had raised her, leaving her in no doubt as to who held the upper hand.

What was really required of a queen was that she produce heirs for the succession and set a high moral standard for court and kingdom by being a model of wifely dignity and virtue. To depart from this role could spell disaster, as both Anne Boleyn and Katherine Howard found to their cost. Katherine was certainly promiscuous, but Anne merely lacked the necessary modesty, circ.u.mspection and humility of manner; thus it was easy for her contemporaries to believe her guilty of moral laxity.

A queen's formal dignity was reinforced by the clothes and jewels she wore, and nowhere were the constraints upon women as obvious as when it came to the rules governing their attire. The everyday dress of a married woman was preordained by convention. Hair that had been worn loose before marriage must now be hidden under a hood and veil; only queens might have their hair flowing after marriage, and then only on state occasions when it was necessary 10 to wear a crown. Women only cut their hair to enter a cloister; most wore it long - Anne Boleyn and Katherine of Aragon both had hair so long they could sit on it. Widows were required to wear a nun- like wimple and chin-barbe, familiar on portraits of the Lady Margaret Beaufort, Henry VII's mother. This practice was dying out by the time of the Reformation, although for some time afterwards widows would wear severe white caps or hoods.

Even in summer, sleeves were required to reach the wrist, and gowns were worn long, sweeping the floor. Such were the dictates of modesty, which also required a woman to suffer agonising constriction within a corset of stiff leather or even wood. Yet it was not thought indecent to wear gowns with a square neckline low enough to expose most of the upper b.r.e.a.s.t.s; in an age when hand- reared babies rarely survived, the sight of a female breast was a common one and excited little censure.

The sumptuous attire of queens provided yet further limitation; the heavy velvets and damasks used, the long court trains, the elaborate head-dresses, and the c.u.mbersome oversleeves, all had the effect of severely restricting movement. Queens walked slowly, danced slowly, and moved with regal bearing, not just because they were born to it, but because their clothes constrained them to it. Yet they did not complain - like many women in all periods of history, they were willing to suffer in the cause of fashion.

The chief function of a queen- and of the wives of lesser men, for that matter - was to bear her husband male heirs to ensure the continuity of his dynasty. Pregnancy could be, and often was, an annual event - from the male point of view, a highly satisfactory state, although not so satisfactory for those wives who were worn out with frequent childbearing, or for the high proportion of women and babies who died in childbed. Pregnancy and childbirth were extremely hazardous. As well as preparing a layette and a nursery, an expectant mother would, as a matter of routine, make provision for someone to care for her child in the event of her dying at its birth. And even if she survived the birth, she might be physically scarred for life. This is not the place to discuss the truly horrific things that could happen to a woman in childbed - suffice it to say that lack of medical knowledge (only midwives attended confinements, doctors were rarely called in unless it was to deal with severe complications) 11 and the absence of any real understanding of hygiene were what really killed women.

A woman who bore ten children could expect to see less than half grow to full maturity if she were lucky. Katherine of Aragon and Anne Boleyn had ten pregnancies between them: two children survived. Caesarian section and forceps were unknown, and many babies died at birth. Given the problems with the feeding and management of babies that prevailed at the time, it is surprising that any survived at all. Many were given unsuitable foods, and there were no antibiotics; any chance infection could carry an infant off with hardly a warning. A mother could herself be at risk, even after the birth was successfully over, for at any time during her lying-in period, puerperal fever could strike; Jane Seymour died of this, probably because a tear in her perineum became infected. In this respect, marriage brought no real security to women; in all too many cases, they died as a result of it.

In an age of arranged marriages, a wife could not expect her husband to be faithful. Marriages were business arrangements, pleasure could be found elsewhere. Adultery in men was common, and Henry VIII is known to have strayed frequently during his first two marriages. Nor did he expect to be censured for it: he once brutally advised Anne Boleyn to shut her eyes as her betters had done when she dared to upbraid him for being unfaithful.

The medieval tradition of courtly love still flourished at the Tudor court. It was a code of behaviour by which the chivalrous knight paid court to the lady of his heart, who was usually older, married and of higher rank - and thus conveniently unattainable. A man could refer to his 'mistress' in the n.o.blest sense, without implying that there was any s.e.xual relationship, yet all too often the courtly ideal was merely an excuse for adultery. We shall see that Henry VIII was a great exponent of this chivalric cult, a concept inbred in him from infancy, and which inspired the courtship of all of his wives as well as the pursuit of his mistresses.

Marriage, however, was as far removed from courtly love as night from day. Once married, couples had to make the best of things, however bad, for there was rarely a way out. Divorce was very rare, and was only granted by Act of Parliament in exceptional cases, usually involving adultery among the n.o.bility. Annulment by an 12ecclesiastical court, or even by the Pope, was more common, but the only grounds permissible were non-consummation of the marriage, discovery of a near degree of affinity, insanity, or the discovery of a previous precontract to someone else. Where a couple were within the forbidden degrees of affinity, the Pope was usually happy to issue a dispensation before the marriage took place. The validity of such a dispensation was accepted without question in Europe until Henry VIII brought his suit against Katherine of Aragon in 1527, claiming that the Pope had contravened Levitical law by issuing a dispensation allowing him to marry his brother's widow. Such a stand, taken at a crucial time in the history of the Church, was enough to rend Christendom asunder.

To today's liberated women and 'new men', the lives of Henry VIII's wives appear to have been shockingly narrow and hemmed by intolerable constraints. Yet, having experienced nothing else, they did not think to question these, and accepted their inferior status as part of the divine order of things. Katherine Parr even applauded it; in her book,The Lamentations of a Sinner,published in 1548, she exhorted wives to wear 'such apparel as becometh holiness and comely usage with soberness', and warned them against the evils of overeating and drinking wine. Young women, she said, must be 'sober minded, love their husbands and children, and be discreet, housewifely, and good'. Henry VIII was dead when these words were written, but we may certainly read in them a reflection of his own views. Jane Seymour took as her motto the legend 'Bound to obey and serve', while Katherine Howard's was 'No other will than his'. They, like the King's other wives, accepted their subjugation; it was the price of their queenship and of marriage.

Katherine of Aragon

1.

The princess from Spain.

The child, thought the amba.s.sadors, was delightful, 'singularly beautiful'. Seated upon the lap of her mother, the Queen of Castile, she was gravely surveying the important yet deferential men who were taking such polite and fulsome interest in her. Only two years old in the spring of 1488, the Infanta Katherine of Aragon was already displaying the plump prettiness that was to enchant her two future husbands. Her wide blue eyes gazed from a round, firm- chinned face, which was framed by wavy, red-gold hair, worn loose as was the custom for princesses at that time. She sat with her mother on a dais in the midst of the court of Castile and Aragon, which had gathered for a brief respite in the wars against the Infidel to enjoy a tournament. And, during the interval, when the contesting knights had withdrawn to their tents, the English amba.s.sadors, sent by King Henry VII, came to pay their respects.

Queen Isabella, sovereign of Castile in her own right, and her husband Ferdinand of Aragon were well aware of their purpose. They came from a king whose t.i.tle to his crown was dubious, to say the least. Although three years had now elapsed since Henry Tudor had usurped the throne of England after defeating Richard III, the last Plantagenet king, at the battle of Bosworth, he was still working hard to consolidate his position. He had, in fact, no t.i.tle at all to the crown by descent; therefore he professed to claim it by right of conquest and through a questionable descent from the early British kings - not for nothing did he name his eldest son, born in 1486, Arthur.

16 Nevertheless, there were still living at least six male members of the House of Plantagenet with a better lineal claim to the throne than Henry VII, and he knew it. Ferdinand and Isabella knew it too, and they were sensible of the fact that a marriage alliance between England and one of the great European powers would imply recognition of Henry VII's t.i.tle and immeasurably strengthen his position both in his own kingdom and in the eyes of the world at large.

There were, at that time, two major powers in Europe: France and Spain. English distrust of the French, engendered by nearly 200 years of war, forced Henry VII to consider a more congenial alliance for his son with Spain, then a new political ent.i.ty. Until 1479, Spain had been made up of a group of minor kingdoms ruled by interrelated monarchs, and since the eighth century, much of the Spanish peninsula had been held by the Moors. Slowly, the Christian rulers had reclaimed the land. The 'Reconquest' had been going on for centuries, an internal crusade that absorbed Spanish energies and kept her to a large extent out of European politics. This long struggle against the Moors was in fact the greatest source of a sense of national ident.i.ty, and the biggest single unifying factor, more so even than the marriage between Ferdinand of Aragon and Isabella of Castile that brought the Spanish kingdoms together under a single monarchy. No Spanish rulers were more zealous in eliminating the Moors than Ferdinand and Isabella, and by 1488 only the Moorish kingdom of Granada remained unconquered by the Christians. The sovereigns were rulers of the rest of the Iberian peninsula, save for the kingdom of Portugal, and it would only be a matter of time before Granada too came under their dominion. Spain was therefore taking its place as a major European power.

Ferdinand and Isabella represented everything that seemed desirable to Henry VII: they were the descendants of ancient monarchies, their position was strong, and their reputation glorious. If they could be persuaded to agree to a marriage alliance between Prince Arthur and one of their four daughters, then the Tudor dynasty would be far more secure than hitherto. Moreover, Spain and France were hereditary enemies, and therefore a joint pact between England and Spain would benefit both sides. The Spanish sovereigns were well aware of the potential advantages to themselves of such an alliance, but they were in no hurry to make a commitment. Ferdinand was as 17wily a politician as Henry Tudor, and was not prepared to sign any treaties until he could be sure that the English King was firmly established on his throne. Given England's susceptibility to dynastic warfare, it seemed more than likely that Henry VII might not long enjoy his regal dignity.

There was, however, something that Ferdinand desired very much, and that was military a.s.sistance against the French. In March 1488, the Spanish amba.s.sador at the English court was Dr Roderigo de Puebla, an unscrupulous diplomat of Jewish origins. Ferdinand had instructed him to offer Henry an infanta for his son in return for an undertaking on Henry's part to declare war on France. The King of England had reacted enthusiastically to the proposal, and promptly despatched his amba.s.sadors to Spain to view the sovereigns' youngest daughter, Katherine.

A Spanish herald, Ruy Machado, was moved to comment on the charming impression made on the envoys by both the little girl and her mother, the Queen. At the same time, in England, Henry VII was welcoming Ferdinand's representatives and enthusiastically showing off his nineteen-month-old son, first dressed in cloth of gold and then stripped naked, so they could see he had no deformity. The Spaniards saw an auburn-haired, fair-skinned child who was tall for his age, and thought him both beautiful and graceful, with 'many excellent qualities'.

Ferdinand and Isabella were impressed by their reports, but still not happy about sending their daughter to a realm whose king might be deposed at any time. As Puebla told Henry VII quite candidly in July, 'Bearing in mind what happens every day to the kings of England, it is surprising that Ferdinand and Isabella should dare think of giving their daughter at all.' But at last Ferdinand decided that a.s.sistance against France was more important to him than his daughter's future security, and instructed his amba.s.sadors to draw up a treaty of marriage. There was some haggling between the representatives of both sides over the financial settlement to be made on the bride, but this was settled amicably and it was agreed that the Infanta should bring with her a dowry of 200,000 crowns (equivalent to about 5 million today). The alliance was ratified, and the dowry confirmed, by the Treaty of Medina del Campo, which was signed by the Spanish sovereigns on 27 March 1489. Thus Katherine's 18 matrimonial future was decided when she was three years old, a common fate of princesses at that time.

Katherine of Aragon was named after her English great-grandmother, Katherine of Lancaster, a daughter of John of Gaunt (a younger son of Edward III), who had married Henry III of Castile in 1388 and died in 1418. Her son by Henry succeeded his father as John I, and married his cousin, Isabella of Portugal; they were the parents of Isabella of Castile. Isabella had been born into a land ravaged by war, both dynastic and holy. Her brother, Henry IV, was a spineless weakling, and her mother went insane when she was a girl. Fortunately, in 1469 a marriage was arranged for Isabella with her cousin, Ferdinand of Aragon, a vigorous youth eleven months her junior. In 1474, Henry IV died childless, and Isabella became Queen of Castile in her own right.

The new Queen was of middle height with a good figure that would soon be ruined by ten pregnancies in quick succession. She had skin so fair it looked white, and her eyes were a greeny blue. She was graceful, beautiful, modest and pious, but was also blessed with a sense of humour and boundless energy. She was both clever and sensible, and turned a blind eye to her husband's many infidelities, although she loved him dearly. Her only fault, as noted by her contemporaries, was her love of ostentation in dress, for, like her daughter Katherine in later years, she was 'a ceremonious woman in her attire', favouring the rich velvets and cloth of gold so typical of the period.

In 1479, the King of Aragon died and Ferdinand succeeded him. Thus, for the first time in her history, Spain became united under centralised rule, with only the Moorish Kingdom of Granada refusing allegiance to the sovereigns. The reconquest of this Infidel bastion was to be the great enterprise of their reign, to which they would devote most of their time and resources. Campaign followed campaign, with the ever growing family of the King and Queen being trailed after them in the wake of their army, from city to city, through inhospitable and hostile territory, the monarchs themselves sometimes suffering gruelling privation in their quest for a holy victory.

This left the Queen with little time to devote to her children. Her 19first child, Isabella, was born in 1470, and was followed in rapid succession over the next fifteen years by nine others. Sadly, all the campaigning took its toll: five babies died young. However, the rest grew to maturity. An heir to the throne, the Infante John, was born in 1478; then there was Juana, born in 1479, Maria in 1482, and Katherine (who was called Catalina in her native land), born on the night of 15-16 December 1485 in the palace of the Bishop of Toledo at Alcala de Henares, in the midst of war. The Queen had been in the saddle all day, and rose from her bed the day after the birth to go back on the march, consigning her youngest daughter to the care of nurses. Nevertheless, she cared deeply for all her children, and personally supervised their education. They, in turn, all loved and respected her, especially Katherine, who grew up to be the most like her in looks and character.

While Isabella lived, Katherine had a champion who would consider her welfare and security before all else. Yet Katherine was Ferdinand's daughter as well, and he was very different from her mother. In appearance he was of medium height with a well- proportioned body, and had long dark hair and a good complexion. He was genial, charismatic and a good conversationalist. Like his wife, he possessed great energy which he put to good use on military campaigns but also expended on women. His contemporaries thought him compa.s.sionate, yet this did not always extend to his own family; he later abandoned one daughter to penury and had another declared insane in order to seize her kingdom. He was notorious as a great dissimulator, and for being fond of political intrigue. Yet for all his failings, he loved his wife, and theirs was a dynamic and successful partnership.

The only glimpse we have of Katherine of Aragon during her childhood is at the tournament where she was presented to the English amba.s.sadors. Yet she was an innocent witness to most of the great landmarks of her parents' reign: the fall of Granada in 1492, the discovery of America by Christopher Columbus, and the establishment of the notorious Spanish Inquisition. All of these things served to enhance the reputation of Ferdinand and Isabella as champions of the Catholic Church; Spain's prestige in the world had never been higher.

After the conquest of Granada, the four infantas were sent there to 20 live in the Moorish palace of the Alhambra. There they grew to maturity and were educated among the arched courtyards and splashing fountains where once the caliphs had kept their harem. The Christian princesses rarely left their sunny home, except for the great occasions of state at which their presence was required. Katherine's tutor, appointed by her mother, was a clerk in holy orders, Alessandro Geraldini, who would later accompany her to England as her chaplain. Her education was very much in the medieval tradition, although Erasmus, the celebrated Dutch humanist, who met Katherine in England, tells us that she was 'imbued with learning, by the care of her ill.u.s.trious mother'. She learned to write with a graceful hand, and improved her mind with devotional] reading, but she was also taught the traditional feminine skills of needlework and dancing, lacemaking, and embroidery in the Spanish 'black-work' style, which she would later popularise in England.] Before her eyes was the image of her pious mother as the supreme example of Christian queenship, an example that Katherine would try to emulate all her life.

Ferdinand and Isabella arranged advantageous marriages for all] their children, although none turned out as successfully as they had hoped. Isabella was married in 1490 to the Infante Alfonso of Portugal. Although it was an arranged marriage, the young couple] quickly fell in love, but their happiness was shattered when, only] seven months later, Alfonso was killed after a fall from his horse. His widow returned to Spain declaring it was her intention to enter a] nunnery, but Ferdinand was having none of this, and after protracted negotiations sent her back to Portugal in 1497 to marry Alfonso's cousin, King Manuel I. In 1498, Isabella died giving birth to a son,} the Infante Miguel, who only lived two years. Manuel would later remarry, and his bride would be Isabella's younger sister Maria.

Juana, the second daughter of the sovereigns, was volatile and] highly unstable, yet her parents arranged for her an even more glorious marriage. Their fame had led many princes to seek alliance with them, one such being the Holy Roman Emperor, Maximilian I, Hapsburg ruler of vast territories, including Austria, parts of Germany, Burgundy and the Low Countries. He had two gifted children, Philip and Margaret, and Ferdinand and Isabella were happy to ally themselves with Maximilian by marriages between 21Philip and Juana and Margaret of Austria and the Infante John, the heir to Spain.

Juana and Philip were married in 1496. Philip was not for nothing nicknamed 'the Handsome', and Juana fell violently and possessively in love with him, with the predictable result that he soon tired of her and took mistresses. This provoked his wife to terrible rages, and her behaviour became a public scandal both in Flanders and Spain. Reports of it reached Queen Isabella, who was deeply troubled by them, yet powerless to do very much to alter the situation. However, Juana's mental instability did not affect her fertility, and she produced six children, her eldest son Charles being born in 1500 at Ghent.

Her brother John fared rather better in his marriage, which took place in 1497. He was a pleasant youth who excelled in all the knightly virtues and who had captured the hearts of his future subjects. His const.i.tution, however, was delicate, and Ferdinand and Isabella were concerned that his spirited and robust bride would wear him out. Their fears were well founded, too, for the Infante died only six months after his marriage, leaving Margaret of Austria pregnant with a child that was later stillborn. This meant that the Infanta Isabella was now the heiress to the Spanish throne, and when she bore her son Miguel in 1498, there were great celebrations, in spite of her death in childbirth, for Spain once more had a male heir. Yet when Miguel succ.u.mbed to a childish illness in 1500, the unstable Juana became heiress to the sovereigns, which was naturally a matter of concern to them, though at least she had a healthy son of her own.

Queen Isabella grieved deeply for the loss of her children and grandchildren, which made her remaining unmarried daughter, Katherine, seem all the more precious to her. Throughout these years of marriages and tragedy, negotiations had dragged on for Katherine's wedding to Prince Arthur, and Isabella was now determined to ensure that her daughter's future would be as secure and happy as she could make it. In 1493, when Katherine was seven years old, it had been decided that she would go to England in 1498, when she was twelve. In 1497, Henry VII sent her 'a blessed ring' as a token of his fatherly affection. She could not remember a time when she had not been referred to as the Princess of Wales, and from the 22 age of two she had been schooled for her destiny as Queen of England. She had been brought up in the knowledge that one day she must leave Spain and her parents for ever, being told that such was the fate of all princesses like her. As she had been reared to absolute obedience to the will of her parents, she did not question this.

In August 1497, Katherine and Arthur were formally betrothed at the ancient palace of Woodstock in Oxfordshire, Dr de Puebla standing proxy for the bride. Katherine did not go to England in 1498; the date of her arrival was postponed until September 1500, when Prince Arthur would be fourteen and capable of consummating the marriage. There was concern at the English court that the bride would find it difficult to make herself understood when she arrived there, and both Queen Elizabeth and the Lady Margaret Beaufort, the King's mother, requested the sovereigns of Spain to ensure that Katherine always spoke French - the diplomatic language of Europe - with her sister-in-law Margaret of Austria, as they themselves did not understand Latin or Spanish. They also suggested that Katherine accustom herself to drink wine, as the water of England was not drinkable. In December 1497, Queen Elizabeth wrote to Queen Isabella asking to be kept informed of the health and safety of her future daughter-in-law 'whom we think of and esteem as our own daughter'.

The Spanish marriage alliance was popular in England, and Henry VII and his subjects were impatient to see the girl who would one day be Queen Consort of England. Spain's second amba.s.sador at the English court, Don Pedro de Ayala, boldly suggested to the sovereigns that it would be a good thing if Katherine came to England soon in order to accustom herself to the way of life and learn the language. He thought she could only lead a happy life by 'not remembering those things which would make her less enjoy what she would find here'. However, considering the manners and way of life of the English, he thought it best if she did not come until she was of marriageable age. Ferdinand was in no hurry: the recent appearance of a new pretender to the English throne, Perkin Warbeck - an imposter - and the continued existence of the Earl of Warwick, who had a very good claim to it, had made him cautious, and if another, better match had presented itself for his daughter at that time he would have accepted it. However, he did agree to a proxy 23wedding taking place on 19 May 1499 at Prince Arthur's manor house at Bewdley near Worcester. Again Dr de Puebla acted as proxy for the bride, and the Prince declared to him in a loud clear voice that he much rejoiced to contract the marriage because of his deep and sincere love for the Princess his wife, whom of course he had never seen. Such courtesies were the order of the day, however superficial.

Prince Arthur wrote several letters to his bride, of which only one survives, dated October 1499 and written in Latin to 'my dearest spouse'. In it he acknowledges the 'sweet letters' sent to him by her (none of which are extant), which so delighted him that he fancied he conversed with and embraced her. 'I cannot tell you what an earnest desire I feel to see your Highness, and how vexatious to me is this procrastination about your coming. Let [it] be hastened, [that] the love conceived between us and the wished-for joys may reap their proper fruit.' Such florid and adult sentiments from the pen of a thirteen-year-old boy hint at the a.s.sistance of a tutor, yet nevertheless it must have been a comfort to Katherine to receive encouragement from her future husband.

There remained only one obstacle to Katherine's departure for England, and that was the young Earl of Warwick, the nephew of Edward IV and Richard III, who was then a prisoner in the Tower. Ferdinand now made it very clear to Henry VII that unless Warwick were eliminated Katherine would never set foot in England, and Henry, anxious to preserve at all costs his friendship with Spain and the benefits the marriage alliance would bring, acted at once. Warwick was arraigned on a charge of conspiring with the pretender Perkin Warbeck; the simple-minded youth, beguiled by anagent provocateur,pleaded guilty, but was sentenced to death for his co-operation and beheaded on Tower Hill in November 1499. There was now nothing to stand in the way of Katherine's wedding to Arthur. Yet not for nothing would she one day say that her marriage had been made in blood, nor would she ever cease to feel an irrational sense of responsibility for the young Earl's death.

In 1500, a.s.sured by Dr de Puebla that 'not a doubtful drop of royal blood remains in England', the sovereigns began to prepare for their daughter's departure from Spain. Henry VII, in turn, was commanding the Mayor and aldermen of the City of London to arrange a lavish reception for his son's bride. He also requested that only 24 beautiful women be sent in the Princess's train, stipulating that 'at least, none of them should be ugly.' We do not know if Queen Isabella took this into account when appointing the ladies of her daughter's household; for her, the main criterion was that they should come from the n.o.blest and most ancient families of Spain. There was also a trousseau to be a.s.sembled. Katherine was to take with her many fine gowns of velvet and cloth of gold and silver, cut in the Spanish fashion, as well as undergarments edged with fine black-work lace, and hoods of velvet braided with gold, silver or pearls. The latter she would need after her marriage, when convention required a wife to cover her hair; only on state occasions would she wear it loose. Then there were night robes edged with lace for summer and fur for winter, cloth stockings and wooden stays, as well as the stiff Spanish farthingales that belled out the skirts of her gowns. Also in the trousseau was the gold and silver plate which was part of Katherine's dowry, and her jewellery, some of which was very fine and included heavy collar chains and crucifixes, and large brooches to be pinned to the centre of Katherine's bodices beneath the square necklines that would stay fashionable, and plunge ever lower, for the next sixty years. Lastly, a reminder to the Princess of where her duty lay, the Queen packed a beautifully embroidered christening robe.

When Isabella heard of Henry VII's extravagant plans for Katherine's reception, she was quick to write and tell him that she and Ferdinand would prefer it if 'expenses were moderate', as they did not want their daughter to be the cause of any loss to England; 'on the contrary, we desire that she will be the source of all kinds of happiness.' Isabella hoped, she said, that 'the substantial part of the festival should be his love'. But Henry was determined that this, the first major state occasion since his coronation, should be celebrated on a lavish scale in order to underline the splendour of the Tudor dynasty. In March 1501, he paid 14,000 for jewels alone for the wedding, and the City of London was sparing no expense in its plans for a magnificent reception for the Infanta. Already, workmen were building a great platform outside St Paul's Cathedral so that the crowds might witness the young couple taking their vows, and as this was a popular marriage there was mounting excitement in London.

25In April 1501, Queen Isabella announced that her daughter was ready. Accordingly, on 19 May, another proxy wedding ceremony took place at Bewdley, just to make sure that nothing could be found lacking in the first. Two days later, Katherine left the Alhambra for ever, and began the first stage of her journey to the port of Corunna, whence she was to take ship for England. She took her final leave of her parents in Granada, knowing full well that she might never see them again. Isabella had carefully chosen a duenna for her, Dona Elvira Manuel, a n.o.blewoman of mature years, who would act as chief lady-in-waiting, governess, chaperon, and general mother subst.i.tute. Dona Elvira was stern and proud, yet she was zealous in protecting her charge and concerned for her welfare. Only in later years, when Katherine began to resent the strict etiquette she imposed, did a rift develop between them.

The Infanta's household was headed by the Count and Countess de Cabra. It included the Commander Mayor Cardenas, Don Pedro Manuel (the duenna's husband), a chamberlain, Juan de Diero, Katherine's chaplain Alessandro Geraldini, three bishops and a host of ladies, gentlemen and servants. Travel in those days was by litter or on horseback; the strict conventions of the Spanish court demanded that Katherine's face be veiled in public, and that she travel behind the closed curtains of a litter, even during the hot summer months.

Katherine and her suite arrived at Corunna on 20 July, but could not embark for England until 17 August because of unfavourable winds. The sea crossing was terrible: a violent storm blew up in the Bay of Biscay, and the ship was tossed for four days in rough seas. Katherine was very sea-sick and later wrote to her mother to say 'it was impossible not to be terrified by the storm'. The captain was forced to return to Spain, and docked at Laredo on the Castilian coast for a month while the tempests raged. At last, on 27 September, the winds died down, and Katherine once more stepped on board the ship that would take her to England. Five days later, it arrived at Plymouth in Devon.

A true and loving husband.

As Katherine walked down the gangway, followed by her retinue, the first thing she saw through her veil was the Mayor of Plymouth and his aldermen, come to welcome her to England. The townsfolk were there too, cheering and waving, and there were banners in the streets. Se or Alcares, a gentleman in the Infanta's train, wrote to Queen Isabella that Katherine 'could not have been received with greater joy if she had been the saviour of the world'. After being served a great feast by the citizens of Plymouth, Katherine heard ma.s.s and gave thanks for her safe arrival in her adoptive land. Meanwhile, a royal messenger was speeding away to the King, to tell him that the Princess whose arrival he had awaited for thirteen years was actually in his kingdom.

From Plymouth, Katherine travelled eastwards on the road to London. Along the way, people who had heard of her coming lined the roads to see the mysterious veiled lady who would one day be their queen. When Henry VII received news of her arrival, it was already November, and he set off at once from the royal manor at Easthampstead, Berkshire, with Prince Arthur. In Hampshire, word reached the King that Katherine was lodged at the bishop's palace at Dogmersfield; Henry, Arthur and the lords of the Privy Council arrived there on the evening of 4 November, eager to see her.

The Count de Cabra and Dona Elvira met Henry at the door and politely informed him that Katherine had retired for the night and could see no one. Henry was first astonished and then, typically, 28 suspicious. Why would they not let him see his daughter-in-law? What was wrong with her? Was she deformed or ugly? His temper rose; he insisted he would see her, even if she were in bed. After some argument, the Spaniards had to agree to his demand and admit him to the Princess's rooms. Here, a mute and outraged Dona Elvira presented the Infanta, heavily veiled, to King Henry, who, with a marked lack of patience, lifted the veil. His relief was evident, for the amba.s.sador had not lied: Katherine was a very pretty girl, with no sign of any blemish or deformity.

There are still in existence several portraits of Katherine of Aragon, painted at different stages of her life. Two early ones, said with good reason to portray her, were painted by the Spanish artist, Miguel Sittow. The earlier, thought to be Katherine posing as Mary Magdalene, is in the Berg Collection, and shows a plump, heavy- featured girl with loose wavy golden hair, aged perhaps around fifteen years. The other portrait, now in the Kunsthistorisches Museum, Vienna, was executed around 1505, and shows what must be the same young woman, with round face and golden hair, eyes demurely lowered, wearing a brown velvet dress and a black velvet hood called a beguine. The sitter wears a heavy gold collar decorated with Ks and pomegranates; this fruit, symbol of fertility, was Katherine's personal badge. On this, and the strong resemblance to Isabella of Castile, rests the identification of the sitter with Katherine of Aragon.

These two portraits give us a good idea of what Henry VII saw when he lifted Katherine's veil on that November evening in 1501, a girl with a fair complexion, rich reddish-gold hair that fell below hip level, and blue eyes. It would be interesting to know Katherine's first impression of her father-in-law, that unknown Welshman who had usurped the Plantagenet throne sixteen years earlier.

Henry Tudor came from b.a.s.t.a.r.d stock. His mother, Margaret Beaufort, was his only link by blood to the Plantagenets, and she herself was descended from the b.a.s.t.a.r.ds born to John of Gaunt, Duke of Lancaster, fourth son of Edward III, and his mistress Katherine Swynford. These children, all surnamed Beaufort, were legitimised by statute of Richard II in 1397, after Gaunt married their mother; however, ten years later, Henry IV, confirming this, added a rider to the statute which barred the Beauforts and their heirs from 29 ever inheriting the crown. Thus Henry Tudor could claim only a disputed t.i.tle to it through his mother. His father, Edmund Tudor, who died before he was born, was one of the offspring of Henry V's widow, Katherine of Valois, by her liaison with the Welsh groom of her wardrobe, Owen Tudor; there is no proof that they ever married. Henry VII therefore had an extremely dubious claim to his throne, and was well aware of the fact that every single surviving member of the Plantagenet House of York had more right to occupy it than he. Nevertheless, after half a century of civil war, what England needed was firm, stable government, and this Henry VII had provided. He had also eliminated his most dangerous rivals for the crown. His marriage to the Plantagenet heiress, Elizabeth of York, had in the eyes of many gone a long way towards cloaking his usurpation with the mantle of legitimacy, although Henry himself insisted he occupied his throne by right of conquest, and not as Elizabeth's husband. Now, after sixteen years, he had obtained recognition by one of the greatest monarchies in the known world, and this in itself did much to consolidate his position.

According to the description of the King given by the Tudor chronicler, Edward Hall, Henry VII was tall and lean, his seeming fragility concealing a sinewy strength. He had gaunt, aquiline features, with thinning, greying hair and grey eyes. He presented to the world a genial, smiling countenance, yet beneath it he was suspicious, devious and parsimonious. He had grown to manhood in an environment of treachery and intrigue, and as a result never knew security. For all this, he ruled wisely and well, overcame plots to depose him, and put an end to the dynastic warfare that had blighted England during the second half of the fifteenth century.

Henry was miserly by nature, but he was also highly sensitive about the dubious validity of his claim to the throne, and therefore took much care to emphasise his majesty on as grand a scale as possible, thus setting a precedent for his Tudor successors. He was prepared to spend huge sums to impress the world with the splendour of his welcome to his daughter-in-law.

When, through an interpreter, pleasantries had been exchanged between the King and the Infanta, Katherine was presented to her future husband, the Prince of Wales, who later informed his parents that he 'had never felt so much joy in his life as when he beheld the sweet face of his bride'. The only portrait to survive of Prince Arthur is in the Royal Collection at Windsor, and shows a marked resemblance to youthful likenesses of Henry VIII. Arthur had reddish hair, small eyes and a high-bridged nose. In November 1501, he was fifteen years and two months old, while his bride was a month short of sixteen. He was well educated, thanks to his tutors, Dr Thomas Linacre and the poet Bernard Andre, and much beloved by the English because he so resembled his maternal grandfather, the popular Edward IV. Much of his childhood had been spent at Tickenhill, his manor house at Bewdley, which still survives camouflaged by a Georgian faqade; the King favoured this thirteenth- century, oak-beamed house because it was near the Welsh marches, a suitable place for a Prince of Wales to live, particularly this one, who had more Welsh blood in him than any of his predecessors since the native line of Welsh princes died out.

Katherine and Arthur conversed together in Latin; later that evening, Katherine entertained the King and his son in her chamber with music and dancing. She and her ladies danced the slow, stately pavan that permitted two beats to a step; when Arthur joined in, Katherine and one of her ladies taught him a dignified Spanish dance, after which he danced with Lady Guildford in the English style 'right pleasantly and honourably'. In the morning, Henry and Arthur took their leave of Katherine and returned to London to prepare for the wedding, due to take place in ten days' time. The Infanta and her household followed at a more leisurely pace, arriving on 9 November by river at Deptford, where they were received by the Lord Mayor, aldermen and guildsmen of the City, who saluted her from their barges before escorting her to the landing stage at Lambeth. Here, Katherine was welcomed by Edward Stafford, third Duke of Buckingham, one of the few remaining members of the older n.o.bility and a descendant of Edward III, and by the King's younger son, Henry Tudor, Duke of York, a big robust boy of ten with red- gold hair and glowing skin, who was there as his father's representative. These two conducted Katherine to her lodging in Lambeth Palace, where there awaited a letter from the King, expressing his great 'pleasure, joy and consolation' at her coming, and telling her that he and the Queen intended to treat her 'like our own daughter'. These were doubtless heartening words to a girl who 31had weathered a long and terrible journey to a strange land, with the prospect ahead of marriage to a virtual stranger. It says much for Katherine's strength of character that she was coping so well; beneath her docile, demure manner, there was an inner toughness and a strong will to succeed that sustained her.

Katherine made her state entry into London on 12 November, two days before her wedding. The streets were lined with expectant citizens jostling for a good view of the procession. The Infanta entered London from Southwark, pa.s.sing over London Bridge with its huddle of shops and houses and its chapel dedicated to St Thomas a Becket, with her Spanish retinue following her. One person who saw her that day was the young Thomas More, future Lord Chancellor of England, who was then a lawyer at the London Charterhouse. He later wrote of the 'tremendous ovation' Katherine had received from the people: 'She thrilled the hearts of everyone; there is nothing wanting in her that the most beautiful girl should have. Everyone is singing her praises.' About her household, however, he was less than complimentary: 'Good heavens! What a sight! You would have burst out laughing if you had seen them, for they looked so ridiculous: tattered, barefoot, pygmy Ethiopians, like devils out of h.e.l.l!' The chronicler Edward Hall, relying on the accounts of other eyewitnesses, later described the costly garments of the Princess and her ladies as 'strange fashions adorned with goldsmiths' work and embroidery'.

Katherine had on a wide gown with a gathered skirt over a farthingale with bell-shaped sleeves. The English had never before seen a lady thus attired, and, since she was small in stature, thought the hooped skirt made her look as broad as she was high. She also wore a little hat with a flat crown and wide brim, like a cardinal's, held in place with a gold lace under her chin. Beneath it she wore a Venetian coif covering her ears. Gone was the veil, gone also the litter; instead the Princess showed her face to the world and rode a gaily caparisoned horse. She was accompanied by a retinue of prelates, dignitaries, n.o.bles and knights, all richly dressed in her honour.

The procession wound its way over the bridge, along Fenchurch Street to Cornhill, and then to Cheaps