Recited soon after dawn, Prime was the figure of childhood; Tierce of youth; s.e.xt the full vigour of age; None the approaches of old age, while Vespers were an allegory of decrepitude. They belonged, moreover, to the Nocturns, and were sung about six o'clock in the evening, at that hour when, at the time of the Equinoxes, the sun sets in the red cinder of the clouds. As for Compline, it resounds when night, the symbol of death, has come.

This canonical Office was a marvellous rosary of psalms; every bead of each of these hours bore reference to the different phases of human existence, followed, little by little, the periods of the day, the decline of destiny, to end in the most perfect of offices, in Compline, that provisional absolution of a death, itself represented by sleep.

And if, from these texts so wisely selected, these Sequences so solemnly sealed, Durtal pa.s.sed to the sacerdotal robe of their sounds, to those neumatic chants, that divine psalmody all uniform, all simple, which is plain chant, he had to admit, that except in Benedictine cloisters, an organ accompaniment was everywhere added, that plain chant had been put forcibly in modern tonality, and it disappeared under vegetations which stifled it, became everywhere discoloured, amorphous and incomprehensible.

One only of its executioners, Niedermayer, showed himself at least pitiful. He tried a system more ingenious and more honest. He reversed the terms of torture. Instead of wishing to make plain chant supple and to thrust it into the mould of modern harmony, he constrained that harmony to bend itself to the austere tonality of plain chant. He thus preserved its character, but how far more natural would it have been to leave it solitary and not obliged it to tow an useless companion and awkward following?

Here at least at La Trappe it lived and spread in all security, without treason on the part of the monks. There was always sameness of sound, it was always chanted without accompaniment in unison.

He was able to satisfy himself about this truth once more after supper, that evening, when at the end of Compline the father sacristan lighted all the candles on the altar.

At that moment, in the silence of the Trappists on their knees, their head in their hands, or their cheek resting on the sleeve of their great cowl, three lay brothers entered, two carrying torches, and another preceding them with a censer, and behind them a few paces, came the prior with his hands joined.

Durtal looked at the changed costume of the three brothers. They had no longer their robes of serge, made of bits and sc.r.a.ps, stained mud colour, but robes of violet-brown, like plums on which was spread the white twilling of a new surplice.

While Father Maximin, vested in a copy of milky white, woven with a cross in orange yellow, placed the Host in the monstrance, the thurifer put down the censer, on the coals of which melted tears of real incense.

Contrary to what takes place in Paris, where the censer, swung before the altar, sounds against its chains, and is like the clear tinkling of a horse which, as he lifts his head, shakes his curb and bit, the censer at La Trappe remained immovable before the altar, and smoked by itself behind the officiants.

And everyone chanted the imploring and melancholy antiphon "Parce Domine," then the "Tantum Ergo," that magnificent song, which could be almost acted, so clear in their changes are the sentiments which succeed each other in their rhymed sequence.

In the first stanza it seems indeed to shake the head gently, to put forward the chin, so to speak, so as to affirm the insufficiency of the senses to explain the dogma of the real presence, the finished avatar of the Bread. It is then admiring and reflective; then that melody so attentive, so respectful, does not wait to affirm the weakness of the reason, and the power of faith, but in the second stanza it goes forward, adores the glory of the three Persons, exults with joy, only recovers itself at the end, where the music adds a new sense to the text of Saint Thomas, in avowing in a long and mournful Amen the unworthiness of those present to receive the Benediction of the Flesh placed upon that cross which the monstrance is about to trace in the air.

And slowly, while unrolling its coil of smoke, the censer spread, as it were, a blue gauze before the altar, while the Blessed Sacrament was lifted like a golden moon, amid the stars of the tapers, sparkling in the growing darkness of that fog, the bells of the abbey sounded with musical and sweet strokes. And all the monks bowed low with their eyes closed, then recovered themselves and entoned the "Laudate" to the old melody which is also sung at Notre Dame des Victoires at the Benediction in the evening.

Then one by one, having genuflected before the altar, they went out, while Durtal and the oblate returned to the guest-house, where Father Etienne was waiting for them.

He said to Durtal: "I would not go to bed without knowing how you have borne the day;" and as Durtal thanked him, a.s.suring him that this Sunday had been very peaceful, Father Etienne smiled and revealed in a word, that under their reserved att.i.tude all at La Trappe were more interested in their guest than he had himself believed.

"The reverend Father abbot and the Father prior will be glad when I give them this answer," said the monk, who wished Durtal good-night, pressing his hand.

CHAPTER VII.

At seven o'clock, just as he was preparing to eat his bread, Durtal encountered Father Etienne.

"Father," he said, "to-morrow is Tuesday; the time of my retreat has expired, and I am going; how should I order a carriage for Saint Landry?"

The monk smiled. "When the postman brings the letters I can charge him with the commission, but let us see; are you in a great hurry to leave us?"

"No, but I would not trespa.s.s...."

"Listen, since you are so well broken in to the life at La Trappe, stay here two days more. The Father procurator must go to settle a dispute at Saint Landry. He will take you to the station in our carriage. So you will avoid some expense, and the journey hence to the railroad will seem to you less long, since there will be two of you."

Durtal accepted, and as it rained, he went up to his room. "It is strange," he said, as he sat down, "how impossible one finds it in a cloister to read a book; one wants nothing, one thinks of G.o.d by Himself, and not by the volumes which speak about Him."

Mechanically he had taken up from a heap of books one in octavo, which he had found on his table the day he took possession of his cell; it bore the t.i.tle "Manresa," or the "Spiritual Exercises" of Ignatius of Loyola.

He had already run through the work at Paris, and the pages which he turned over afresh did not change the harsh, almost hostile, opinion which he had retained of this book.

The fact is that these exercises leave no initiative to the soul; they consider it as a soft paste good to run into a mould; they show it no horizon, no sky. Instead of trying to stretch it, and make it greater, they make it smaller deliberately; they put it back into the cases of their wafer box, nourish it only on faded trifles, on dry nothings.

This j.a.panese culture of deformed toes which remain dwarf; this Chinese deformation of children planted in pots, horrified Durtal, who closed the volume.

He opened another, the "Introduction to the Devout Life," by Saint Francis de Sales.

Certainly he found no need to read it again, in spite of its affectations, and its good nature, at first charming, but which ends by making you sick, by making the soul sticky with sweets with liqueurs in them, and lollypops; in a word, that work so much praised by Catholics was a julep scented with bergamot and ambergris. It was like a fine handkerchief shaken in a church in which a musty smell of incense remained.

But the man himself, the Bishop Saint Francis de Sales, was suggestive; with his name was called up the whole mystical history of the seventeenth century.

And Durtal recalled the memories he had kept of the religious life of that time. There were then in the Church two currents:

That of the high Mysticism, as it was called, originating from Saint Teresa and Saint John of the Cross; and this current was concentrated on Marie Guyon.

And another that of so-called temperate Mysticism, of which the adepts were Saint Francis de Sales and his friend the celebrated Baroness de Chantal.

It was naturally this second current which triumphed. Jesus, putting Himself within the reach of drawing-rooms, descending to the level of women of the world, a moderate and proper Jesus, only dealing with the soul of His creature just enough to give it one attraction the more, this elegant Jesus became all the fashion; but Madame Guyon, whose source was above all Saint Teresa, who taught the mystical theory of love, and familiar intercourse with heaven, raised the opposition of the whole clergy who abominated Mysticism without understanding it; she exasperated the terrible Bossuet, who accused her of the fashionable heresy, Molinism and Quietism. She refuted, unhappy as she was, this trouble without much difficulty, but he persecuted her for it none the less; he was furious against her, and had her imprisoned at Vincennes; revealed himself obstinate, surly, and atrocious.

Fenelon, who tried to conciliate these two tendencies in preparing a small Mysticism neither too hot nor too cold, a little less lukewarm than that of Saint Francis de Sales, and above all things much less ardent than that of Saint Teresa, ended in his turn by displeasing the cormorant of Meaux, and though he abandoned and denied Madame de Guyon, whose friend he had been for long years, he was persecuted and tracked down by Bossuet, condemned at Rome, and sent in exile to Cambrai.

And here Durtal could not but smile, for he remembered the desolate complaints of his partisans weeping for this disgrace, representing thus as a martyr this archbishop whose punishment consisted in quitting his post as courtier at Versailles to go at last and administer his diocese, in which he appeared till then to have never resided.

This mitred Job, who remained in his misfortune Archbishop and Duke of Cambrai, Prince of the Holy Roman Empire, and rich, so unhappy because he was obliged to visit his flock, well shows the state of the episcopate under the redundant reign of the great king. It was a priesthood of financiers and valets.

Only there was at any rate a certain attraction, there was talent in every case; while now bishops are not for the most part less intriguing nor less servile, but they have no longer either talent or manners.

Caught in part, in the fishpond of bad priests, they show themselves ready for everything, and turn out to be souls of old usurers, low jobbers, beggars, when you press them.

"It is sad to say it, but so it is," concluded Durtal. "As for Madame Guyon," he went on, "she was neither an original writer nor a saint; she was only an unwelcome subst.i.tute for the true mystics; she was presuming and certainly lacked that humility which magnified Saint Teresa and Saint Clare; but after all she burst into a flame, she was overcome by Jesus; above all, she was not a pious courtier, a bigot softened by a court like the Maintenon.

"After all, what a time for religion it was? All its saints have something formal and restricted, wordy and cold, which turns me away from them. Saint Francis de Sales, Saint Vincent de Paul, Saint Chantal ... No, I prefer Saint Francis of a.s.sisi, Saint Bernard, Saint Angela ... The Mysticism of the seventeenth century is all the fashion with its emphatic and mean churches, its pompous and icy painting, its solemn poetry, its gloomy prose.

"But look," he said, "my cell is still neither swept nor set in order, and I am afraid that in lingering here I may give some trouble to Father Etienne. It rains, however, too hard to allow of my walking in the wood; the simplest thing is to go and read the Little Office of Our Lady in the chapel."

He went down there; it was at this hour almost empty; the monks were at work in the fields or in the factory; two fathers only, on their knees before the altar of Our Lady, were praying so absorbedly that they did not even hear the opening of the door.

And Durtal, who had placed himself near them opposite the porch which gave upon the high altar, saw them reflected in the sheet of gla.s.s, placed before the shrine of the Blessed Guerric. This sheet had indeed the effect of a mirror, and the white fathers were in the depths of it, lived in prayers under the table, in the very heart of the altar.

And he also appeared there in a corner, reflected, at the back of the shrine, near the sacred remains of the monk.

At one moment he lifted his head, and saw that the round window in the apse, behind the altar, reproduced on its gla.s.s ornamented with grey and blue, the marks engraved on the reverse of the medal of Saint Benedict, the first letters of its imperative formulas, the initials of its distiches.

It might have been called an immense clear medal, sifting a pale light, straining it through prayers, not allowing them to penetrate to the altar till sanctified and blessed by the Patriarch.

And while he was dreaming, the clock struck; the two Trappists regained their stalls, while the others entered.

Waiting thus in the chapel, the hour of s.e.xt had struck. The abbot advanced. Durtal saw him again for the first time since their conversation; he seemed less ill, less pale; he marched majestically in his great white cowl, at the hood of which hung a violet acorn, and the fathers bowed, kissing their sleeve before him; he reached his place, which was designated by a wooden cross standing before a stall, and all enfolded themselves with a great sign of the cross, bowed to the altar, and the feeble imploring voice of the old Trappist rose: "Deus in adjutorium meum intende."