EMILE. But yesterday we could see the forest, and here we cannot see the town.

JEAN JACQUES. That is just it. If we could only find it without seeing it.

EMILE. Oh! my dear friend!

JEAN JACQUES. Did not we say the forest was...

EMILE. North of Montmorency.

JEAN JACQUES. Then Montmorency must lie...

EMILE. South of the forest.

JEAN JACQUES. We know how to find the north at midday.

EMILE. Yes, by the direction of the shadows.

JEAN JACQUES. But the south?

EMILE. What shall we do?

JEAN JACQUES. The south is opposite the north.

EMILE. That is true; we need only find the opposite of the shadows. That is the south! That is the south! Montmorency must be over there! Let us look for it there!

JEAN JACQUES. Perhaps you are right; let us follow this path through the wood.

EMILE. (Clapping his hands.) Oh, I can see Montmorency! there it is, quite plain, just in front of us! Come to luncheon, come to dinner, make haste! Astronomy is some use after all.

Be sure that he thinks this if he does not say it; no matter which, provided I do not say it myself. He will certainly never forget this day's lesson as long as he lives, while if I had only led him to think of all this at home, my lecture would have been forgotten the next day. Teach by doing whenever you can, and only fall back upon words when doing is out of the question.

The reader will not expect me to have such a poor opinion of him as to supply him with an example of every kind of study; but, whatever is taught, I cannot too strongly urge the tutor to adapt his instances to the capacity of his scholar; for once more I repeat the risk is not in what he does not know, but in what he thinks he knows.

I remember how I once tried to give a child a taste for chemistry. After showing him several metallic precipitates, I explained how ink was made. I told him how its blackness was merely the result of fine particles of iron separated from the vitriol and precipitated by an alkaline solution. In the midst of my learned explanation the little rascal pulled me up short with the question I myself had taught him. I was greatly puzzled. After a few moments' thought I decided what to do. I sent for some wine from the cellar of our landlord, and some very cheap wine from a wine-merchant. I took a small [Footnote: Before giving any explanation to a child a little bit of apparatus serves to fix his attention.] flask of an alkaline solution, and placing two gla.s.ses before me filled with the two sorts of wine, I said.

Food and drink are adulterated to make them seem better than they really are. These adulterations deceive both the eye and the palate, but they are unwholesome and make the adulterated article even worse than before in spite of its fine appearance.

All sorts of drinks are adulterated, and wine more than others; for the fraud is more difficult to detect, and more profitable to the fraudulent person.

Sour wine is adulterated with litharge; litharge is a preparation of lead. Lead in combination with acids forms a sweet salt which corrects the harsh taste of the sour wine, but it is poisonous. So before we drink wine of doubtful quality we should be able to tell if there is lead in it. This is how I should do it.

Wine contains not merely an inflammable spirit as you have seen from the brandy made from it; it also contains an acid as you know from the vinegar made from it.

This acid has an affinity for metals, it combines with them and forms salts, such as iron-rust, which is only iron dissolved by the acid in air or water, or such as verdegris, which is only copper dissolved in vinegar.

But this acid has a still greater affinity for alkalis than for metals, so that when we add alkalis to the above-mentioned salts, the acid sets free the metal with which it had combined, and combines with the alkali.

Then the metal, set free by the acid which held it in solution, is precipitated and the liquid becomes opaque.

If then there is litharge in either of these gla.s.ses of wine, the acid holds the litharge in solution. When I pour into it an alkaline solution, the acid will be forced to set the lead free in order to combine with the alkali. The lead, no longer held in solution, will reappear, the liquor will become thick, and after a time the lead will be deposited at the bottom of the gla.s.s.

If there is no lead [Footnote: The wine sold by retail dealers in Paris is rarely free from lead, though some of it does not contain litharge, for the counters are covered with lead and when the wine is poured into the measures and some of it spilt upon the counter and the measures left standing on the counter, some of the lead is always dissolved. It is strange that so obvious and dangerous an abuse should be tolerated by the police. But indeed well-to-do people, who rarely drink these wines, are not likely to be poisoned by them.] nor other metal in the wine the alkali will slowly [Footnote: The vegetable acid is very gentle in its action. If it were a mineral acid and less diluted, the combination would not take place without effervescence.] combine with the acid, all will remain clear and there will be no precipitate.

Then I poured my alkaline solution first into one gla.s.s and then into the other. The wine from our own house remained clear and unclouded, the other at once became turbid, and an hour later the lead might be plainly seen, precipitated at the bottom of the gla.s.s.

"This," said I, "is a pure natural wine and fit to drink; the other is adulterated and poisonous. You wanted to know the use of knowing how to make ink. If you can make ink you can find out what wines are adulterated."

I was very well pleased with my ill.u.s.tration, but I found it made little impression on my pupil. When I had time to think about it I saw I had been a fool, for not only was it impossible for a child of twelve to follow my explanations, but the usefulness of the experiment did not appeal to him; he had tasted both gla.s.ses of wine and found them both good, so he attached no meaning to the word "adulterated" which I thought I had explained so nicely. Indeed, the other words, "unwholesome" and "poison," had no meaning whatever for him; he was in the same condition as the boy who told the story of Philip and his doctor. It is the condition of all children.

The relation of causes and effects whose connection is unknown to us, good and ill of which we have no idea, the needs we have never felt, have no existence for us. It is impossible to interest ourselves in them sufficiently to make us do anything connected with them. At fifteen we become aware of the happiness of a good man, as at thirty we become aware of the glory of Paradise. If we had no clear idea of either we should make no effort for their attainment; and even if we had a clear idea of them, we should make little or no effort unless we desired them and unless we felt we were made for them. It is easy to convince a child that what you wish to teach him is useful, but it is useless to convince if you cannot also persuade. Pure reason may lead us to approve or censure, but it is feeling which leads to action, and how shall we care about that which does not concern us?

Never show a child what he cannot see. Since mankind is almost unknown to him, and since you cannot make a man of him, bring the man down to the level of the child. While you are thinking what will be useful to him when he is older, talk to him of what he knows he can use now. Moreover, as soon as he begins to reason let there be no comparison with other children, no rivalry, no compet.i.tion, not even in running races. I would far rather he did not learn anything than have him learn it through jealousy or self-conceit. Year by year I shall just note the progress he had made, I shall compare the results with those of the following year, I shall say, "You have grown so much; that is the ditch you jumped, the weight you carried, the distance you flung a pebble, the race you ran without stopping to take breath, etc.; let us see what you can do now."

In this way he is stimulated to further effort without jealousy. He wants to excel himself as he ought to do; I see no reason why he should not emulate his own performances.

I hate books; they only teach us to talk about things we know nothing about. Hermes, they say, engraved the elements of science on pillars lest a deluge should destroy them. Had he imprinted them on men's hearts they would have been preserved by tradition. Well-trained minds are the pillars on which human knowledge is most deeply engraved.

Is there no way of correlating so many lessons scattered through so many books, no way of focussing them on some common object, easy to see, interesting to follow, and stimulating even to a child? Could we but discover a state in which all man's needs appear in such a way as to appeal to the child's mind, a state in which the ways of providing for these needs are as easily developed, the simple and stirring portrayal of this state should form the earliest training of the child's imagination.

Eager philosopher, I see your own imagination at work. Spare yourself the trouble; this state is already known, it is described, with due respect to you, far better than you could describe it, at least with greater truth and simplicity. Since we must have books, there is one book which, to my thinking, supplies the best treatise on an education according to nature. This is the first book Emile will read; for a long time it will form his whole library, and it will always retain an honoured place. It will be the text to which all our talks about natural science are but the commentary. It will serve to test our progress towards a right judgment, and it will always be read with delight, so long as our taste is unspoilt. What is this wonderful book? Is it Aristotle? Pliny? Buffon? No; it is Robinson Crusoe.

Robinson Crusoe on his island, deprived of the help of his fellow-men, without the means of carrying on the various arts, yet finding food, preserving his life, and procuring a certain amount of comfort; this is the thing to interest people of all ages, and it can be made attractive to children in all sorts of ways. We shall thus make a reality of that desert island which formerly served as an ill.u.s.tration. The condition, I confess, is not that of a social being, nor is it in all probability Emile's own condition, but he should use it as a standard of comparison for all other conditions. The surest way to raise him above prejudice and to base his judgments on the true relations of things, is to put him in the place of a solitary man, and to judge all things as they would be judged by such a man in relation to their own utility.

This novel, stripped of irrelevant matter, begins with Robinson's shipwreck on his island, and ends with the coming of the ship which bears him from it, and it will furnish Emile with material, both for work and play, during the whole period we are considering. His head should be full of it, he should always be busy with his castle, his goats, his plantations. Let him learn in detail, not from books but from things, all that is necessary in such a case. Let him think he is Robinson himself; let him see himself clad in skins, wearing a tall cap, a great cutla.s.s, all the grotesque get-up of Robinson Crusoe, even to the umbrella which he will scarcely need. He should anxiously consider what steps to take; will this or that be wanting. He should examine his hero's conduct; has he omitted nothing; is there nothing he could have done better? He should carefully note his mistakes, so as not to fall into them himself in similar circ.u.mstances, for you may be sure he will plan out just such a settlement for himself. This is the genuine castle in the air of this happy age, when the child knows no other happiness but food and freedom.

What a motive will this infatuation supply in the hands of a skilful teacher who has aroused it for the purpose of using it. The child who wants to build a storehouse on his desert island will be more eager to learn than the master to teach. He will want to know all sorts of useful things and nothing else; you will need the curb as well as the spur. Make haste, therefore, to establish him on his island while this is all he needs to make him happy; for the day is at hand, when, if he must still live on his island, he will not be content to live alone, when even the companionship of Man Friday, who is almost disregarded now, will not long suffice.

The exercise of the natural arts, which may be carried on by one man alone, leads on to the industrial arts which call for the cooperation of many hands. The former may be carried on by hermits, by savages, but the others can only arise in a society, and they make society necessary. So long as only bodily needs are recognised man is self-sufficing; with superfluity comes the need for division and distribution of labour, for though one man working alone can earn a man's living, one hundred men working together can earn the living of two hundred. As soon as some men are idle, others must work to make up for their idleness.

Your main object should be to keep out of your scholar's way all idea of such social relations as he cannot understand, but when the development of knowledge compels you to show him the mutual dependence of mankind, instead of showing him its moral side, turn all his attention at first towards industry and the mechanical arts which make men useful to one another. While you take him from one workshop to another, let him try his hand at every trade you show him, and do not let him leave it till he has thoroughly learnt why everything is done, or at least everything that has attracted his attention. With this aim you should take a share in his work and set him an example. Be yourself the apprentice that he may become a master; you may expect him to learn more in one hour's work than he would retain after a whole day's explanation.

The value set by the general public on the various arts is in inverse ratio to their real utility. They are even valued directly according to their uselessness. This might be expected. The most useful arts are the worst paid, for the number of workmen is regulated by the demand, and the work which everybody requires must necessarily be paid at a rate which puts it within the reach of the poor. On the other hand, those great people who are called artists, not artisans, who labour only for the rich and idle, put a fancy price on their trifles; and as the real value of this vain labour is purely imaginary, the price itself adds to their market value, and they are valued according to their costliness. The rich think so much of these things, not because they are useful, but because they are beyond the reach of the poor. Nolo habere bona, nisi quibus populus inviderit.

What will become of your pupils if you let them acquire this foolish prejudice, if you share it yourself? If, for instance, they see you show more politeness in a jeweller's shop than in a locksmith's. What idea will they form of the true worth of the arts and the real value of things when they see, on the one hand, a fancy price and, on the other, the price of real utility, and that the more a thing costs the less it is worth? As soon as you let them get hold of these ideas, you may give up all attempt at further education; in spite of you they will be like all the other scholars-you have wasted fourteen years.

Emile, bent on furnishing his island, will look at things from another point of view. Robinson would have thought more of a toolmaker's shop than all Saide's trifles put together. He would have reckoned the toolmaker a very worthy man, and Saide little more than a charlatan.

"My son will have to take the world as he finds it, he will not live among the wise but among fools; he must therefore be acquainted with their follies, since they must be led by this means. A real knowledge of things may be a good thing in itself, but the knowledge of men and their opinions is better, for in human society man is the chief tool of man, and the wisest man is he who best knows the use of this tool. What is the good of teaching children an imaginary system, just the opposite of the established order of things, among which they will have to live? First teach them wisdom, then show them the follies of mankind."

These are the specious maxims by which fathers, who mistake them for prudence, strive to make their children the slaves of the prejudices in which they are educated, and the puppets of the senseless crowd, which they hope to make subservient to their pa.s.sions. How much must be known before we attain to a knowledge of man. This is the final study of the philosopher, and you expect to make it the first lesson of the child! Before teaching him our sentiments, first teach him to judge of their worth. Do you perceive folly when you mistake it for wisdom? To be wise we must discern between good and evil. How can your child know men, when he can neither judge of their judgments nor unravel their mistakes? It is a misfortune to know what they think, without knowing whether their thoughts are true or false. First teach him things as they really are, afterwards you will teach him how they appear to us. He will then be able to make a comparison between popular ideas and truth, and be able to rise above the vulgar crowd; for you are unaware of the prejudices you adopt, and you do not lead a nation when you are like it. But if you begin to teach the opinions of other people before you teach how to judge of their worth, of one thing you may be sure, your pupil will adopt those opinions whatever you may do, and you will not succeed in uprooting them. I am therefore convinced that to make a young man judge rightly, you must form his judgment rather than teach him your own.

So far you see I have not spoken to my pupil about men; he would have too much sense to listen to me. His relations to other people are as yet not sufficiently apparent to him to enable him to judge others by himself. The only person he knows is himself, and his knowledge of himself is very imperfect. But if he forms few opinions about others, those opinions are correct. He knows nothing of another's place, but he knows his own and keeps to it. I have bound him with the strong cord of necessity, instead of social laws, which are beyond his knowledge. He is still little more than a body; let us treat him as such.

Every substance in nature and every work of man must be judged in relation to his own use, his own safety, his own preservation, his own comfort. Thus he should value iron far more than gold, and gla.s.s than diamonds; in the same way he has far more respect for a shoemaker or a mason than for a Lempereur, a Le Blanc, or all the jewellers in Europe. In his eyes a confectioner is a really great man, and he would give the whole academy of sciences for the smallest pastrycook in Lombard Street. Goldsmiths, engravers, gilders, and embroiderers, he considers lazy people, who play at quite useless games. He does not even think much of a clockmaker. The happy child enjoys Time without being a slave to it; he uses it, but he does not know its value. The freedom from pa.s.sion which makes every day alike to him, makes any means of measuring time unnecessary. When I a.s.sumed that Emile had a watch, [Footnote: When our hearts are abandoned to the sway of pa.s.sion, then it is that we need a measure of time. The wise man's watch is his equable temper and his peaceful heart. He is always punctual, and he always knows the time.] just as I a.s.sumed that he cried, it was a commonplace Emile that I chose to serve my purpose and make myself understood. The real Emile, a child so different from the rest, would not serve as an ill.u.s.tration for anything.

There is an order no less natural and even more accurate, by which the arts are valued according to bonds of necessity which connect them; the highest cla.s.s consists of the most independent, the lowest of those most dependent on others. This cla.s.sification, which suggests important considerations on the order of society in general, is like the preceding one in that it is subject to the same inversion in popular estimation, so that the use of raw material is the work of the lowest and worst paid trades, while the oftener the material changes hands, the more the work rises in price and in honour. I do not ask whether industry is really greater and more deserving of reward when engaged in the delicate arts which give the final shape to these materials, than in the labour which first gave them to man's use; but this I say, that in everything the art which is most generally useful and necessary, is undoubtedly that which most deserves esteem, and that art which requires the least help from others, is more worthy of honour than those which are dependent on other arts, since it is freer and more nearly independent. These are the true laws of value in the arts; all others are arbitrary and dependent on popular prejudice.

Agriculture is the earliest and most honourable of arts; metal work I put next, then carpentry, and so on. This is the order in which the child will put them, if he has not been spoilt by vulgar prejudices. What valuable considerations Emile will derive from his Robinson in such matters. What will he think when he sees the arts only brought to perfection by sub-division, by the infinite multiplication of tools. He will say, "All those people are as silly as they are ingenious; one would think they were afraid to use their eyes and their hands, they invent so many tools instead. To carry on one trade they become the slaves of many others; every single workman needs a whole town. My friend and I try to gain skill; we only make tools we can take about with us; these people, who are so proud of their talents in Paris, would be no use at all on our island; they would have to become apprentices."