'It's you, d.i.c.k; it's you!'

'It's me all right, father. I say, don't be startled, or anything of that kind. We don't like that.'

'My boy!'

Evidently d.i.c.k is the taller, for Mr. Don has to look up to him. He puts his hands on the boy's shoulders.

'How am I looking, father?'

'You haven't altered, d.i.c.k.'

'Rather not. It's jolly to see the old studio again!' In a cajoling voice, 'I say, father, don't fuss. Let us be our ordinary selves, won't you?'

'I'll try, I'll try. You didn't say you had come to sit with _me_, d.i.c.k? Not with _me_!'

'Rather!'

'But your mother----'

'It's you I want.'

'Me?'

'We can only come to one, you see.'

'Then why me?'

'That's the reason.' He is evidently moving about, looking curiously at old acquaintances. 'h.e.l.lo, here's your old jacket, greasier than ever!'

'Me? But, d.i.c.k, it is as if you had forgotten. It was your mother who was everything to you. It can't be you if you have forgotten that.

I used to feel so out of it; but, of course, you didn't know.'

'I didn't know it till lately, father; but heaps of things that I didn't know once are clear to me now. I didn't know that you were the one who would miss me most; but I know now.'

Though the voice is as boyish as ever, there is a new note in it of which his father is aware. d.i.c.k may not have grown much wiser, but whatever he does know now he seems to know for certain.

'_Me_ miss you most? d.i.c.k, I try to paint just as before. I go to the club. d.i.c.k, I have been to a dinner-party. I said I wouldn't give in.'

'We like that.'

'But, my boy----'

Mr. Don's arms have gone out to him again. d.i.c.k evidently wriggles away from them. He speaks coaxingly.

'I say, father, let's get away from that sort of thing.'

'That is so like you, d.i.c.k! I'll do anything you ask.'

'Then keep a bright face.'

'I've tried to.'

'Good man! I say, put on your old greasy; you are looking so beastly clean.'

The old greasy is the jacket, and Mr. Don obediently gets into it.

'Anything you like. No, that's the wrong sleeve. Thanks, d.i.c.k.'

They are in the ingle-nook now, and the mischievous boy catches his father by the shoulders.

'Here, let me shove you into your old seat.'

Mr. Don is propelled on to the settle.

'How's that, umpire!'

'd.i.c.k,' smiling, 'that's just how you used to b.u.t.t me into it long ago!'

d.i.c.k is probably standing with his back to the fire, chuckling.

'When I was a kid.'

'With the palette in my hand.'

'Or sticking to your trousers.'

'The mess we made of ourselves, d.i.c.k.'

'I sneaked behind the settle and climbed up it.'

'Till you fell off.'

'On top of you and the palette.'

It is good fun for a father and son; and the crafty boy has succeeded in making the father laugh. But soon,

'Ah, d.i.c.k.'

The son frowns. He is not going to stand any nonsense.

'Now then, behave! What did I say about that face?'

Mr. Don smiles at once, obediently.

'That's better. I'll sit here.'

We see from his father's face which is smiling with difficulty that d.i.c.k has plopped into the big chair on the other side of the ingle-nook. His legs are probably dangling over one of its arms.

Rather sharply, 'Got your pipe?'