I can't get anyone to explain what competency consists of, or how I achieve it -- when I try, I get accused of being 'difficult.' Of course, escaping onto the roof is a little beyond difficult. I have a feeling I'm going to be in pretty deep s.h.i.t. Do they know about the car?"

"The car?"

"In the parking lot. The one that blew up."

Doc Szandor laughs hard enough that his pacifier shoots across the room and lands in a hazmat bucket. "You son of a b.i.t.c.h -- that was you?"

"Yeah," I say, and drum my feet against the tin cupboards under the examination table.

"That was *my f.u.c.king car*!"

"Oh, Christ, I'm sorry," I say. "G.o.d."

"No no no," he says, fishing in his pocket and unwrapping a fresh pacifier.

"It's OK. Insurance. I'm getting a bike. Vroom, vroom! What a coincidence, though," he says.

Coincidence. He's making disgusting hamster-cage noises, grinding away at his pacifier. "Szandor, do you sometimes sneak out onto the landing to have a cigarette? Use a bit of tinfoil for your ashtray? Prop the door open behind you?"

"Why do you ask?"

"'Cause that's how I got out onto the roof."

"Oh, s.h.i.t," he says.

"It's our secret," I say. "I can tell them I don't know how I got out. I'm incompetent, remember?"

"You're a good egg, Art," he says. "How the h.e.l.l are we going to get you out of here?"

"Hey what?"

"No, really. There's no good reason for you to be here, right? You're occupying valuable bed s.p.a.ce."

"Well, I appreciate the sentiment, but I have a feeling that as soon as you turn me loose, I'm gonna be doped up to the t.i.ts for a good long while."

He grimaces. "Right, right. They like their meds. Are your parents alive?"

"What? No, they're both dead."

"Aha. Died suddenly?"

"Yeah. Dad drowned, Mom fell --"

"Ah ah ah! Shhh. Mom died suddenly. She was taking Haldol when it happened, a low antianxiety dose, right?"

"Huh?"

"Probably she was. Probably she had a terrible drug interaction. Sudden Death Syndrome. It's hereditary. And you say she fell? Seizure. We'll sign you up for a PET scan, that'll take at least a month to set up. You could be an epileptic and not even know it. Shaking the radioisotopes loose for the scan from the AEC, woah, that's a week's worth of paperwork right there! No Thorazine for you young man, not until we're absolutely sure it won't kill you dead where you stand. The hospital counsel gave us all a very stern lecture on this very subject not a month ago. I'll just make some notes in your medical history." He picked up his comm and scribbled.

"Never woulda thought of that," I say. "I'm impressed."

"It's something I've been playing with for a while now. I think that psychiatric care is a good thing, of course, but it could be better implemented. Taking away prescription pads would be a good start."

"Or you could keep public stats on which doctors had prescribed how much of what and how often. Put 'em on a chart in the ward where the patients' families could see 'em."

"That's *nasty*!" he says. "I love it. We're supposed to be accountable, right?

What else?"

"Give the patients a good reason to wear their tracking bracelets: redesign them so they gather stats on mobility and vitals and track them against your meds and other therapies. Create a dating service that automatically links patients who respond similarly to therapies so they can compare notes. Ooh, by comparing with location data from other trackers, you could get stats on which therapies make people more sociable, just by counting the frequency with which patients stop and spend time in proximity to other patients. It'd give you empirical data with which you track your own progress."

"This is great stuff. d.a.m.n! How do you do that?"

I feel a familiar swelling of pride. I like it when people understand how good I am at my job. Working at V/DT was hard on my ego: after all, my job there was to do a perfectly rotten job, to design the worst user experiences that plausibility would allow. G.o.d, did I really do that for two whole G.o.dd.a.m.ned years?

"It's my job," I say, and give a modest shrug.

"What do you charge for work like that?"

"Why, are you in the market?"

"Who knows? Maybe after I figure out how to spring you, we can go into biz together, redesigning nuthatches."

22.

Linda's first meeting with Art's Gran went off without a hitch. Gran met them at Union Station with an obsolete red cap who was as ancient as she was, a vestige of a more genteel era of train travel and bulky luggage. Just seeing him made Art's brain whir with plans for conveyor systems, luggage escalators, cart dispensers. They barely had enough luggage between the two of them to make it worth the old man's time, but he dutifully marked their bags with a stub of chalk and hauled them onto his cart, then trundled off to the service elevators.

Gran gave Art a long and teary hug. She was less frail than she'd been in his memory, taller and st.u.r.dier. The smell of her powder and the familiar acoustics of Union Station's cavernous platform whirled him back to his childhood in Toronto, to the homey time before he'd gotten on the circadian merry-go-round.

"Gran, this is Linda," he said.

"Oh, it's so *nice* to meet you," Gran said, taking Linda's hands in hers. "Call me Julie."

Linda smiled a great, pretty, toothy smile. "Julie, Art's told me all about you.

I just *know* we'll be great friends."

"I'm sure we will. Are you hungry? Did they feed you on the train? You must be exhausted after such a long trip. Which would you rather do first, eat or rest?"

"Well, *I'm* up for seeing the town," Linda said. "Your grandson's been yawning his head off since Buffalo, though." She put her arm around his waist and squeezed his tummy.

"What a fantastic couple you make," Gran said. "You didn't tell me she was so *pretty*, Arthur!"

"Here it comes," Art said. "She's going to ask about great-grandchildren."

"Don't be silly," Gran said, cuffing him gently upside the head. "You're always exaggerating."

"Well *I* think it's a splendid idea," Linda said. "Shall we have two? Three?

Four?"

"Make it ten," Art said, kissing her cheek.