Games may be divided into two cla.s.ses, those played with toys and those for which no toys are needed; but whatever the games may be they all have their special seasons. Once a man wrote an almanack on children's games, and noted down ail the different sports and their seasons, but, as the poet Huggens truly said,

'De kindren weten tyd van knickeren en kooten, En zonder almanack en ist hen nooit ontschoten,'

which, freely translated, means that children know which games are in season by intuition, and do not need an almanack, so he might have saved himself the trouble. 'The children know the time to play marbles and "Kooten," and without an almanack have not forgotten.'

In the eighteenth century driving a hoop was as popular an amus.e.m.e.nt with children as it is now, only then it was also a sport, and prizes were given to the most skilful. In fact, hoop-races were held, and boys and girls alike joined in them. They had to drive their hoops a certain distance, and the one who first reached the goal received a silver coin for a prize. This coin was fastened to the hoop as a trophy, and the more noise a hoop made while rolling over the streets the greater the honour for the owner of it, for it showed that a great many prizes had been gained. In Drenthe the popular game for boys is 'Man ik sta op je blokhuis,' similar to 'I am the King of the Castle,' but there is also the 'Windspel.' For the latter a piece of wood and a ball are necessary. The wood is placed upon a pole and the ball laid on one side of it, then with a stick the child strikes as hard as possible the other side of the piece of wood, at the same time calling 'W-i-n-d,' and the ball flies up into the air, and may be almost lost to sight.

'Boer lap den Buis,' an exciting game from a boy's point of view, is a general favourite in Gelderland and Overyssel. For this the boys build a sort of castle with large stones, and after tossing up to see who is to be 'Boer,' the boy on whom the lot has fallen stands in the stone fortress, and the others throw stones at it from a distance, to see whether they can knock bits off it. As soon as one succeeds in doing so he runs to get back his stone, at the same time calling out 'Boer, lap den buis,' signifying that the 'Boer' must mend the castle. If the 'Boer' accomplishes this, and touches the bag before he has picked up his stone, they change places, and the game begins anew.

Little girls of the labouring cla.s.ses have not much time for games of any sort, for they are generally required at home to act as nursemaids and help in many other duties of the home life, but sometimes on summer afternoons they bring out their younger brothers and sisters, their knitting and a skipping-rope, which they take in turns, and so pa.s.s a few pleasant hours free from their share (not an inconsiderable one) of household cares, or in the evenings, when the younger members of the family are in bed, they will be quite happy with a bit of rope and their skipping songs, of which they seem to know many hundreds, and which might be sung with equal reason to any other game under the sun for all the words have to do with skipping.

After a long spell of rain the first fall of snow is hailed with delight, for it is a sign that frost is not far off. Jack Frost, after several preliminary appearances in December, usually pays his first long visit in January (sometimes, however, this is but a flying visit of two or three days), and, as a rule, a Dutchman may reckon on a good hard winter. As soon, therefore, as he sees the snow he thinks of the good old saying--'Sneeuw op slik in drie dagen ys dun of dik' ('Snow on mud in three days' time, thin or thick'). Ice is to be expected, and he gets out his skates with all speed. This is one of the few occasions when the people of the Netherlands are enthusiastic. Certainly skating is _the_ national sport. The ditches are always the first to be tried, as the water in them is very shallow, and naturally freezes sooner than the very deep and exposed waters of river and ca.n.a.l, over which the wind, which is always blowing in Holland, has fair play; but when once these are frozen, then skating begins in real earnest. The tracks are all marked out by the Hollandsche Ysvereeniging, a society which was founded in 1889 in South Holland, and which the other provinces have now joined.

Finger-posts to point the way are put up by this society at all cross-roads and ditches, with notices to mark the dangerous places, while the newspapers of the day contain reports as to which roads are the best to take, and which trips can be planned. For people living in South Holland the first trip is always to the Vink at Leyden, as it can be reached by narrow streams and ditches, and it is quite a sight to see the skaters sitting at little tables with plates of steaming hot soup before them. The Vink has been famous for its pea soup many years, and has been known as a restaurant from 1768. When the Galgenwater is frozen (the mouth of the Rhine which flows into the sea at Kat wyk), then the Vink has a still gayer appearance, for not only skaters, but pedestrians from Leyden and the villages round about that town, flock to this _cafe_ to watch the skating and enjoy the amusing scenes which the presence of the ice affords them. Then the broad expanse of water, which in summer looks so deserted and gloomy as it flows silently and dreamily towards the sea, is dotted ail over with tents, flags, 'baanvegers,' and, if the ice is strong, even sleighs.

Among the peasant cla.s.ses of South Holland it is the custom, as soon as the ice will bear, to skate to Gouda, men and women together, there to buy long Gouda pipes for the men and 'Goudsche sprits' for the women, and then to skate home with these brittle objects without breaking them. As they come along side by side, the farmer holding his pipe high above his head and the woman carefully holding her bag of cakes, every pa.s.ser-by knocks against them and tries to upset them, but it seldom happens that they succeed in doing so, as a farmer stands very firmly on his skates, and, as a rule, he manages to keep his pipe intact after skating many miles. The longest trip for the people of South Holland, North Holland, and Utrecht, is through these three provinces, and the way over the ice-clad country is quite as picturesque as in summer-time, the little mills, quaint old drawbridges, and rustic farmhouses losing nothing of their charm in winter garb. All along the banks of the ca.n.a.ls and rivers little tents are put up to keep out the wind; a roughly fashioned rickety table stands on the ice under the shelter of the matting, and here are sold all manner of things for the skaters to refresh themselves with--hot milk boiled with aniseed and served out of very sticky cups, stale biscuits, and sweet cake. The tent-holders call out their wares in the most poetical language they can muster--

'Leg ereis an! Leg ereis an!

In het tentje by de man.

Warme melk en zoete koek En een bevrozen vaatedoek.'

['Put up, put up At the tent with the man; Warm milk and sweet cake, And a frozen dish-cloth.']

and they tell you plainly that you may expect unwashed cups, for the cloth wherewith to wipe them is frozen, as well as the water to cleanse them.

Under the bridges the ice is not always safe, and even if it has become safe the men break it up so that they may earn a few cents by people pa.s.sing over their roughly constructed gangways, and so boards are laid down by the 'baanvegers' for the skaters to pa.s.s over without risking their lives. Besides making these wooden bridges, the 'baanvegers' keep the tracks clean. Every hundred yards or so one is greeted by the monotonous cry of 'Denk ereis an de baanveger,' so that on long trips these sweepers are a great nuisance, for having to get out one's purse and give them cents greatly impedes progress. The Ice Society has, however, minimized the annoyance by appointing 'baanvegers' who work for it and are paid out of the common funds, so that the members of the society who wear their badge can pa.s.s a 'baanveger' with a clear conscience, while as the result of this combination you can skate over miles of good and well-swept ice without interference for the modest sum of tenpence, this being the cost of membership of the society for the whole season.

[Ill.u.s.tration: Skating to Church.]

The Kralinger Pla.s.sen and the Maas near Rotterdam are greatly frequented spots for carnivals on the ice, but the grandest place for skating and ice sports of all kinds is the Zuyder Zee. In a severe winter this large expanse of ice connects instead of dividing Friesland with North Holland.

Here we see the little ice-boats flying over the glossy surface as fast as a bird on the wing, and sleighs drawn by horses with waving plumes, while thousands of people flock from Amsterdam to the little Isle of Marken, and the variety of costume and colour swaying to and fro on the fettered billows of the restless inland sea makes it seem for the moment as though the Netherlander's dream had come true, and Zuyder Zee had really become once more dry land. In winter every one, from the smallest to the greatest, gives himself up to ice-sports, and even the poor are not forgotten. In some villages races are proclaimed, for which the prizes are turfs, potatoes, rice, coals, and other things so welcome to the poor in cold weather. A racer is appolnted for every poor family, and where there are no sons big enough to join in the races, a young man of the better cla.s.ses generally offers his services, and, when successful, hands his prize over to the family he undertook to help.

Skating is second nature with the Dutch, and as soon as a child can walk it is put upon skates, even though they may often be much too big for it.

Moreover, when the ice is good, winter-time affords recreation for the working as well as the leisured cla.s.ses, for the ca.n.a.ls and rivers become roads, and the hard-worked errand-boys, the butchers' and the bakers' boys manage to secure many hours of delightful enjoyment as they travel for orders on skates. The milkman also takes his milk-cart round on a sledge, and the farmers skate to market, saving both time and money, for then there is no railway fare to be paid, and a really good skater goes almost as fast as a train in Holland--especially the Frisian farmers, for Frisians are renowned for their swift skating, and the most famous racer of the commencement of the nineteenth century, Kornelis Ynzes Reen, skated four miles in five minutes.

But although the ice affords, and always has afforded, so much pleasure, there are periods in history when the frost caused great anxiety to the people of the Netherlands. The cities Naarden and Dordrecht are easily reached by water, and when that is frozen it would give any one free access to the town, and so in time of war frost was a much-dreaded thing.

In the year 1672 this fear was realized, for when the ships of the Geuzen round about Naarden were stuck fast in the ice, and the Zuyder Zee was frozen, the enemy, armed with canoes and battle-axes, came over the ice from the Y and across the Zuyder Zee to Naarden. The best skaters among the Geuzen immediately volunteered to meet the Spaniards on the ice. They took only their swords with them, and while the ships' cannon had fair play from the bulwarks of the vessels over the heads of the Geuzen into the Spanish ranks, the Geuzen could approach them fearlessly and unmolested for a hand-to-hand fight. The Spaniards, who, besides being very heavily armed were very bad skaters, were soon defeated, for they kept tumbling over each other. The Geuzen pursued them to Amsterdam, and then returned to their ships, where they were greeted with great enthusiasm, and, as the thaw set in the next day, they were happily saved from a renewed attack.

Chapter XII

Music and the Theatre

Singing was one of the princ.i.p.al social pastimes of the Dutch nation during the eighteenth and far into the nineteenth century, and the North Hollander was especially fond of vocal music. When young girls went to spend the evening at the house of a friend they always carried with them their 'Liederboek '--a volume beautifully bound in tortoise-sh.e.l.l covers or mounted with gold or silver. The songs contained in these books were a strange mixture of the gay and grave. Jovial drinking-songs or 'Kermisliedjes' would find a place next to a 'Christian's Meditation on Death.' It was an _olla podrida_, in which everybody's tastes were considered. Recitations were also a feature of these little gatherings.

Nowadays these national songs are rarely heard. French, Italian, and German songs have taken their place, and it is but seldom one hears a real Dutch song at any social gathering. The 'people,' too, seem to have forgotten their natural gift of poetry, for the only songs now heard about the streets are badly translated French or English ditties. If England brings out a comic song of questionable art, six months later that song will have made its way to Holland, and will have taken a popular place in a Dutch street musician's _repertoire;_ it will be whistled in many different keys by butcher and baker boys, and will be heard issuing painfully from the wonderful mechanism of the superfluous concertina. For almost every one in Holland possesses some musical instrument on which he plays, well or otherwise, when his daily work is over, or on Sunday evenings at home. And here a notable characteristic of the Dutch higher cla.s.ses must be mentioned by way of contrast. Musical though they are, trained as they generally are both to play and sing well, they yet seldom exercise their gifts in a friendly, social, after-dinner way in their own homes. They become, in fact, so critical or so self-conscious that they prefer to pay to hear music rendered by recognized artists, and so a by no means inconsiderable element of geniality is lost to the social and domestic circle.

The decay of folk-song is the more regrettable, since Holland is rich in old ballads, some of which, handed down just as the people used to sing them centuries ago, are quaint, _nave,_ and exceedingly pretty. The melodies have all been put to modern harmonies by able composers, and published for the use of the public.

'Het daghet in het oosten, Het lichtis overal,'

is a little jewel of poetic feeling, and the melody is very sweet. The story, like most of the songs of the past troublous centuries, tells of a battlefield where a young girl goes to seek her lover, but finds him dead. So, after burying him with her own white hands, with his sword and his banner by his side, she vows entrance into a convent. The story is a picture in miniature of the times, and as a piece of literature it ranks high.

Music of some sort finds a place in the homes of the poorest, and the concert, theatre, and opera are as much frequented by the humble of the land as by the wealthy and n.o.ble born. The servant cla.s.s on their 'evening out' frequently go to the French opera, and there is not a boy on the street but is able to whistle some tune from the great modern operas, such as 'Faust,' 'Lohengrin,' and other standard works. And no wonder, for the choristers in the operas walk behind fruit-carts all day long, and often call out their wares in the musical tones learnt while following their more select profession as public singers. Some, of course, cannot read a note of music, and the melodies they have to sing have to be drummed, or rather trumpeted, into their ears. To this end they are placed in a row, and a man with a large trumpet stands before them and plays the tune over and over again until they know it off. In the summer-time whole parties of these Jewish youths--for Jewish they chiefly are--go about the woods on their Sabbath day singing the parts they take in the operas in the winter season, and crowds of people flock to hear them, for their voices are really well worth listening to.

Concerts are naturally not so largely patronized by the people as are operas and theatres. In the larger towns of Holland especially theatricals take a very prominent place in popular relaxation, and even the smaller towns and villages, should they lack theatres and be unable to get good theatrical companies to pay them periodical visits, arrange for dramatic performances by local talent. The popularity of the opera may be judged from the fact that at Amsterdam, The Hague, Rotterdam, Groningen, Arnhem and Utrecht, operas in Dutch and French are regularly given, and occasionally works in German and even Italian are produced. Money is scarce in Holland, the people generally have little to spare, so grand opera-houses, such as are thought necessary in most European cities of any pretension to culture, are impossible, and the singers can seldom count on liberal fees. But most of the best works are heard all the same--which, after all, is the princ.i.p.al thing--and the enjoyment and edification which result are not less genuine because of the simplicity of the properties and the humble character of the entire surroundings.

Yet outdoor music possesses a powerful attraction for the Dutch humbler cla.s.ses, as for the same cla.s.ses in most, if not all, countries; and when in the summer-time there is music in the Wood at The Hague on Sunday afternoons or Wednesday evenings, the walks round about the 'Tent' are alive with servants and their lovers, parading decorously arm-in-arm.

Happy fathers, too, with their wives and children in Sunday best, perambulate the grounds or rest on the seats amongst the trees and listen to the 'Bosch-muziek.' People of the better cla.s.s only are members of the 'Witte Societeit,' and sit inside the green paling to listen to the music and drink something meanwhile. For it is strange but true, that a Dutchman never seems thoroughly to enjoy himself unless he has liquid of some sort at hand, and never feels really comfortable without his cigar. Indeed, if smoking were abolished from places of public amus.e.m.e.nt, most Dutchmen would frequent them no more. In winter concerts are given every other Wednesday at The Hague--and what is true of The Hague applies to Amsterdam and all other towns of any size in the country--and the Public Hall is always packed; but besides these 'Diligentia' concerts there are others given by various Singing Societies, so that there is variety enough to choose from.

In the summer-time there is another attraction besides the Wood for the people of The Hague, for the season at Scheveningen opens on the 1st of June, and there is music at the Kurhaus twice a day--in the afternoon on the terrace of that building, and in the evening in the great hall inside.

On Friday night is given what is called a 'Symphony Concert.' To this all the world flocks, for no one who at all respects himself, or esteems the opinion of society, would venture to miss it. Whether every one understands or enjoys the high cla.s.s music given is another question, which it would be imprudent to press too urgently, but then it belongs to 'education' to go to concerts, and so all enjoy it in their own way. For the townspeople and the working-cla.s.ses, who have no free time during the week, concerts are given at the large Voorhout on the Sunday evenings in summer, so that on that day even the busiest and poorest may enjoy recreation of a better kind than the public-house offers them, and this effort on their behalf is greatly appreciated by the people, who gladly make use of the opportunities of hearing good and popular music.

The national love of music is a.s.siduously fostered by the Netherlands Musical Union, whose branches are to be found all over the country. Every town has musical and singing societies of some kind--private as well as public--and these make life quite endurable in winter, even in the smallest places. Nor do these 'Zangvereenigingen' derive their membership exclusively from the higher cla.s.ses, for the humbler folk have organizations of their own. Even the servant girl and the day-labourer will often be found to belong to singing clubs of some kind. Music is also taught at most of the public schools, though it was long before the Government capitulated upon the point, and gave this subject a place side by side with drawing as part of the normal curriculum of the children of the people.

Happily for the musical and dramatic tastes of the nation, both the concert and the theatre are cheap amus.e.m.e.nts in Holland. As a rule, the dearest seats cost only from 3s. to 5s., while the cheapest, even in first-cla.s.s houses at Amsterdam, Rotterdam, and The Hague, cost as little as sixpence. The only exceptions are when renowned artists tour the country, and even then the prices seldom exceed 1 for the best places.

There is one musical event which makes a more serious call upon the purse, and it is the periodical operatic performance of the Wagner Society in Amsterdam. As a rule, two representations a year are given, and some of the best singers of Europe are invited to sing in one or other of Wagner's operas. The best Dutch orchestra plays, and chosen voices from the Amsterdam Conservatoire take part in the choruses. The scenery is worthy of Bayreuth itself, and such expense and care are bestowed upon these choice performances that, though the house is invariably filled on every occasion, the fees for admission never pay the costs, so that the musical enthusiasts of Amsterdam, Haarlem, and The Hague regularly make up the deficit each year, which sometimes amounts to as much as 1000.

While, however, the Dutch may with truth be cla.s.sed as a distinctly musical nation, they would seem to have outlived their fame in the domain of musical art. For it should not be forgotten that Holland has in this respect a distinguished history behind it. So long ago as the times of Pope Adrian I. a Dutch school of music was established under the tuition of Italian masters, and it compared favourably with the contemporary schools of other nations. Even in the ninth century Holland produced a composer famous in the annals of music in the person of the monk Huchbald of St. Amand, in Flanders. He it was who changed the notation, and arranged the time by marking the worth of each note, and he is also remembered for his 'Organum,' the oldest form of music written in harmonies. It is often lamented that the compositions of to-day lack the originality which marked the earlier works. The country has none the less produced some noticeable composers during the past century. Of these J.

Verhust, W.F.G. Nicolal, Daniel de Lange, Richard Hol, and G. Mann are best known, though of no modern composer can it be said that he has any special 'cachet,' for the younger men, fed as they are on the works of other nations, grow into their style of thinking and writing, and follow almost slavishly in their footsteps. It is unfortunate that many rising composers cannot be persuaded to publish their works. The reason is that the cost of publishing in the Netherlands is almost fabulous, and if they do publish them at all it is done in Germany. But even then the circulation is so limited, owing to the smallness of the country, that it does not repay the cost; and so they prefer to plod on unknown, or to cultivate celebrity by giving private concerts of their own works.

Chapter XIII

Schools and School Life

If the Dutch peasant is not generally well educated it is not for want of opportunity, but rather because he has not taken what is offered him. For many years past a good elementary education has been within the reach of all. Even the small fees usually asked may be remitted in the case of those parents who cannot afford to pay anything, without entailing any civil disability; but attendance at school was only made compulsory by an Act which pa.s.sed the Second Chamber in March, 1900, and which, at the time of writing, has just come into force. It is said that as many as sixty thousand Dutch children are getting no regular schooling. About one half of this number live on the ca.n.a.l-boats, and will probably give a good deal of trouble to those who will administer the new Act; for, as we have already seen, the families that these boats belong to have no other homes and are always on the move, so that it must ever be difficult to get hold of the children, especially as their parents do not see the necessity of sending them to school. It remains to be seen, therefore, whether any great improvement will resuit from the new Act, especially as private tuition may take the place of attendance at a school, and exemption is granted to those who have no fixed place of abode, and to parents who object to the tuition given in all the schools within two and a half miles of their homes. Under these conditions it seems that any one who wishes to evade the law will have little difficulty in doing so. The ca.n.a.l-boat people, apparently, are exempt so long as they do not remain for twenty-eight days consecutively in the same 'gemeente,' or commune.

The education provided by the State is strictly neutral in regard to religion and politics, but there are many denominational schools all over the country. Protestants call theirs 'Bible schools,' and Romanists call theirs 'Catholic schools,' and both these receive subsidies from the State if they satisfy the inspectors. Private schools also exist, but do not as a rule receive State aid. They are all, however, under State supervision and subject to the same conditions as to teachers' qualifications; and a very good rule is in force, namely, that no one may teach in Holland without having pa.s.sed a Government examination.

Instruction in the elementary schools supported by Government is in two grades, though the dividing line is not always clearly drawn. In Amsterdam, for example, there are four different grades. In the lower schools the subjects taught are, besides reading, writing, and arithmetic, grammar and history, geography, natural history and botany, drawing, singing and free gymnastics, and the girls also learn needlework, but a large proportion of the pupils are satisfied with a more modest course, and know little more than the three R's. The children attending these schools are between six and twelve years of age, though in some rural districts few of them are less than eight years old, but according to the new law they must begin to attend when they are seven and go on until they are twelve or thirteen according to the standard attained. In the upper grade schools the same subjects are taught in a more advanced form, with the addition of universal history, French, German, and English. These languages, being optional, are taught more or less after regular school hours.

All the teachers in these schools must hold teachers' or head-teachers'

certificates, to gain which they have to pa.s.s an examination in all the subjects which they are to teach except languages, for each of which a separate certificate is required. Every commune must have a school, though hitherto no one has been obliged to attend it, and lately, owing to the new Education Act, the builders have been busy in many places enlarging the schools to meet the new requirements. If there are more than forty children two masters are now necessary, and for more than ninety there must be at least three. Ten weeks' holidays are allowed in the year, and these are to be given when the children are most wanted to help at home, in addition to which leave of absence may be granted in certain cases by the district inspectors. Holidays, therefore, vary according to the conditions of a town or village.

All schools are more or less under State control. They are divided into three cla.s.ses according to the type of education which they provide. Lower or elementary education has already been dealt with. Between this and the higher education of the 'Gymnasia' and Universities comes what is called 'middelbaar onderwijs'--that is, secondary, or rather intermediate, education. This is represented by technical or industrial schools, 'Burgher night schools,' and 'Higher burgher schools.' The first named train pupils for various trades and crafts, more especially for those connected with the princ.i.p.al local industries. The course is three years or thereabouts, following on that of the elementary schools, and there is generally an entrance examination, but the conditions vary in different communes. Sometimes the instruction is free, sometimes fees are charged amounting to a few shillings a year, the cost being borne by the communes, and in a few towns there are similar schools for girls who have pa.s.sed through the elementary schools. The technical cla.s.ses for girls cover such subjects as fancy-work, drawing and painting of a utilitarian character, and sometimes book keeping and dress-making. Most of them are free, but for some special subjects a small payment is required. Drawing seems to be a favourite subject, and in most of these technical schools there are cla.s.ses for mechanical drawing as well as for some kind of artistic work connected with industry. In addition there are numerous art schools, some of them being devoted to the encouragement of fine art, while in others the object kept in view is the application of art to industry.

The 'Burgher night schools,' like the technical schools, are supported by the communes in which they are situated. There are about forty of them in all, and most of them are very well attended, in some cases the regular students, who are all working men and women, number several hundreds. The instruction is similar to that given in the technical schools, that is to say, it is chiefly practical, and local industries receive special attention. Formerly there were day schools also for working men, on the same lines as these, but they were not a success, and the technical schools have taken their place.

Of a higher cla.s.s, but still included in the term 'middelbaar onderwijs,'

is the 'modern' education of the 'higher burgher' schools. The majority of these schools were founded by the communes, the rest by the State, but internally they are ail alike, and all are inspected by commissioners appointed by the Government for the purpose. Pupils enter at twelve years of age, and must pa.s.s an entrance examination, which, like nearly every examination in Holland, is a Government affair. Having pa.s.sed this, they attend school for five years, as a rule, but at some of these inst.i.tutions the course lasts only three years. In some degree the 'higher burgher'