She was mad, all right. For a moment, I thought she was going to take a swing at me. And I had to choke back the grin I felt fighting its way to the surface.

"Fine," I said. "My decisions be d.a.m.ned. But now we're going over and have a look at that trawler. There might be someone else aboard." There was something else I had to say-say to protect my own cover, if nothing else. So I did. "By the way, where did you learn how to use a handgun like that?"

I watched her closely for a reaction, but there was none.

"All you have to do, Mr. MacMorgan, is run the boat. What I know and what I do is none of your concern. And if you ever do anything this stupid again, I'll . . . I'll . . ."

I couldn't help it then. I felt the silly grin take my face.

"You'll what-shoot me too?"

She had quite a left. Her nostrils flared, her eyes became slits, and she threw a big roundhouse at my chin. It was to be no open-handed slap, either. The pretty brown fingers were clenched into a fist. I leaned away from it, caught her small hand in the palm of my left, and squeezed gently. I saw her teeth clench into a grimace. I lightened my grip and said evenly, "Woman, you'd be well advised never to try that again."

I dropped her hand, turned, and climbed back up to the flybridge, hearing her stalk off below.

I nudged Sniper up to the trawler. The stern was almost completely submerged, waves rolling over the transom. But the cleat on the port side of the transom was still above water, so I got a line around it, careful to pa.s.s it through by bow chock before securing it with a temporary slippery hitch. I left Sniper's engines gurgling-in case I wanted to back off quickly.

And just as I was about to step over onto the trawler, the woman came up behind me.

She said, "Don't you think the person with the gun should go first?"

I looked at her. She was calmer now, some of the anger gone. She held the revolver in her left hand.

"You're right," I said. "I'll carry it with me."

She shook her head. "No. That's not what I meant. I'll go first."

"I thought you wanted to get to Mariel Harbor safely."

It was as close as she had come all day to smiling. "That's exactly why I don't want you stumbling around with a loaded gun in your hand."

I stepped back and made a grandiose sweeping gesture with my arm. "After you, Miss Santarun."

Using the line for balance, she jumped lithely to the transom of the trawler, then walked knee deep in water toward the wheelhouse. It's eerie boarding any abandoned boat at open sea, but an abandoned boat that is hopelessly sinking adds a touch of the macabre which makes you strain to listen and obligates you to whisper. The ropes creaked in the wash of ocean, and a halyard tap . . . tap-tap-tapped in the light wind.

I expected the dead man's partner to be hidden somewhere in the cabin of the trawler. And I didn't want the woman to face him alone. So by the time she was entering the wheelhouse, I was right behind her, Gerber skinning knife in hand.

Even in the bright May sunlight, it seemed dark inside. Water covered the floor, and cushions and charts and clothing floated in shallow chaos. The electronic equipment had been ripped out by the dead pirate, and a box of more plunder-Danforth compa.s.s, ship's bell, and a life ring, face down-sat on the booth table, waiting to be loaded onto the Mako.

"Why don't you let me have the handgun and go first?"

Androsa Santarun held up her hand, telling me to be quiet. She stepped into the water of the wheelhouse, the revolver following along with the sweep of her eyes. She pulled open a storage closet, then tried a cabin light-which didn't work.

"It doesn't seem likely he'd be by himself."

She shook her head, agreeing. "No," she said. "It doesn't."

On both sides of the wheelhouse were couches, the tops of which opened for storage. She lifted the first, then dropped it back.

Nothing.

I was about to check the other one-but that's when I noticed. A line of bullet holes riveted inward along the port wall.

She saw them, too.

"Automatic weapon," I said. And then I added quickly in reply to her quizzical look, "I was in Nam for a year. You learn all about automatic weapons in the Army."

The holes swept across the bulkhead in a long arc, the smashed windows of the wheelhouse evidence of where they had finally halted.

"The guy in the Mako didn't have a weapon like that. If he had, he'd have used it on me long before you got your shot off."

"Possibly," she said. "But who else would want to shoot at some innocent private boat?"

"Drug runners," I said. "It's not all that unusual. Maybe the people running this boat were carrying a load and the compet.i.tion caught up with them. Or maybe they were just out here fishing and saw something they weren't supposed to see. Like I said-it happens."

She sighed. "I guess you'd better notify the Coast Guard-"

She stopped then, listening intently.

"Did you hear that-shush."

She tilted her head, straining to listen. And then I heard it, too. A soft, rhythmic thunk . . . thunk, coming from the forward berth beyond the door.

"Give me the revolver."

She looked at me, said nothing, then headed for the door, the .38 poised.

She put her right hand on the doork.n.o.b, hesitated for a moment, then jerked it open.

The water was deeper in the forward cabin. It came out in a black wash, calf-deep, rivering more floating junk-and something else, too.

A man, face up.

He was naked to the waist, his arms thrown out as if caught in some strange slow-motion fall.

His hair was short, blacker than the water, and his hands and face were a ghastly white.

He looked as if he was in his mid-twenties. A gray blotch marked where his wrist.w.a.tch had been. The mustache on his face looked ridiculously neat in comparison to the rest of his drained flesh.

His throat had been cut; cut so deeply that his head bobbed slowly in the water as if it were about to come off. And that's why the water was black-black with his blood.

The woman was stock-still at first. Then she covered her mouth suddenly and stumbled toward me. I locked my arm around her, feeling ribs heave beneath b.r.e.a.s.t.s, holding her close.

"Oh my G.o.d," she said. "Oh my G.o.d. . . ."

It was what the reporters would probably call an appalling sight.

And they would have been right. His face was contorted, locked in the horror of his final conflict: teeth bared, eyes wide, wolflike. Quickly, I moved the woman away from the body, over by the built-in couch.

"It's awful," she said. Her hands still covered her mouth.

"Feel like you're going to be sick?"

She shook her head and braced one elbow on the box of ship's hardware that had never quite made it to the Mako. "No," she said. "I'll be okay. Just give me a second."

With my foot, I rolled the corpse over. It was already bloated, spongy.

I was looking for a bullet wound, but found none.

It didn't make sense. Why had the black man slit the throat of his own partner?

Or maybe it wasn't his partner. Maybe it was the guy who had owned the boat. And maybe some drug runners had gotten to him first. . . .

I opened the narrow compartment below the wheel where the ship's papers should have been kept.

Empty.

Somebody had beat me to them.

I decided to check the skiff.

I took the woman gently by the arm. "We've got to get out of here," I said. "This boat isn't going to last much longer. One good wave and she'll turn turtle."

She seemed to be still in a daze. Shooting the pirate hadn't seemed to bother her. But the way this guy died, it even made me a little queasy myself.

"Let's go," I said again. "We'll cut the Mako loose and call the Coast Guard-"

The moment I said it, the couch seat I had not gotten around to checking came flying off. It knocked me back against the wall and, in slow-motion realization, I knew what was happening. The pirate's partner was hiding in there, hoping to h.e.l.l we'd just leave. But I had forced his hand-said I wanted to free the Mako, his only means of escape from this sinking boat.

I didn't see him or his pistol, but I heard the first shot-and saw the woman drop to a heap on the water-slick floor.

"Hold it right there, or I'll kill you, too!"

High voice, on the edge of hysterics. It was a kid. Not much older than twenty. Blond hair, tan face with a sneer that showed a row of bad teeth. When your life is on the line, you don't take time to reason. The instincts take over and the brain digests visual information at near superhuman speed all in a glance: Androsa Santarun was not dead-slightest movement of chest, no blood; the kid wasn't comfortable with a weapon-held it awkwardly, like a snake; whether I halted or not, the kid would kill us both. He had to.

I tossed the couch seat at him and dove for his feet, hearing, as I dove, the pistol explode and the crash of window gla.s.s. I jerked his feet out from under him and tried to smother his arms.

Didn't do a very good job. He got another shot off, right by my face. It made my ears ring and my head roar. But it missed.

"Watch out!"

It was the woman, on her feet again. There was a thin trickle of blood down her left cheek. She had recovered her .38 and had it leveled at the kid's head.

"What the h.e.l.l are you doing?"

I saw her pull back the hammer, a strange, starry look in her eyes. But before she had a chance to fire, I hit the kid's blanched face with a heavy overhand right, knocking him cold.

I stood up, pointing at him. "There you go-an easy shot. Go ahead and shoot if you want to kill someone else so bad!"

She lowered the handgun slowly, trembling.

"I'm sorry," she said. "I just . . . just . . ."

I took her by the arm and steered her back out onto the deck.

"Do you know how to use a radio?"

She nodded.

"Good. I'm going to tie up the kid and stick him and the other guy in the Mako. You call the Coast Guard. Don't give my call letters. Just tell them there's a vessel in trouble. The Loran is beside the radio. Just tell them the numbers you see flashing. They'll understand. Got it?"

She shook her head stoically. "And then what?"

"And then I'm taking you back to Key West-"

"No!"

"We have to have someone look at your cheek."

She touched her face, then studied the blood on her hand, as if she had forgotten the wound. "He didn't shoot me-I hit my head when I dove to the floor, dammit! No, don't say another word. We're going on to the Mariel Harbor-that's the agreement!"

There was something almost pathetic about her fierceness. She looked like a Spanish version of one of television's Angels, determined as h.e.l.l to solve the obligatory "mystery," fake blood and all.

But there was nothing fake about this woman-blood or mission or anything else.

"Okay," I said. "Fine. But when we get back, you do the explaining to the authorities."

Her firmness was edged with contempt. "Don't worry, Mr. MacMorgan. I'll see that you don't lose your precious boat."

She turned then, back toward Sniper. But before she did, she cast one more look into the wheelhouse of the trawler, at the dead man, at the kid-and at something else, too. The life ring. It had been knocked out of the box during the fight, and now floated right-side up in the shallow blood and water on the cabin floor. It explained the new determination in her. I knew the name from my conversation with Norm Fizer.

In black block letters, the life ring boasted the name of the trawler which now sank beneath us: Storm Nest.

7.

The first thing you raise approaching Cuba from open sea is a low bank of c.u.mulus clouds appearing, on the curve of horizon, like a sudden Dakota windscape. The sea is a mile deep, purple-black in shafts of clear light, and flying fish lift in coveys before you, skimming cresting waves and luminous sarga.s.sum weed like locusts.

It was dawn.

Clouds were fire-laced to the southeast, and, later, the bleak facades of factories and pre-Castro highrise hotels below Havana caught the light in a blaze of geometrics. Mariel Harbor, already demarcation point for more than sixty thousand refugees, was just twenty miles to the west, a surge of dark cliffs.

The Coast Guard had held us up.