"What kind of work will you do in New York? I don't believe we've got any linen mills. I think we get Irish linen table-cloths, and so on."

"Oh, I'm going out to service. I can't do heavy work, but I can do chambermaid's work."

All this time Sylvia was turning a quarter over in her pocket. It was the only American coin she had carried with her through Europe, and she now took it out slowly, and said:

"You'll accept a little something for your kindness in saving my hat."

"I'm much obliged, miss, but I'd rather not I'd rather have your kind words than any money. It's very lonesome I've been since I left Drogheda."

She put the quarter back into her pocket with something like shame; then she fumbled her rings in a strange embarra.s.sment. She had made a mess of it, she thought. At the same time she was glad the girl had so much pride.

"What is your name?" she asked.

"Margaret Byrne."

"You must let me help you in some way," said Miss Thorne at last.

"I wonder what kind of people they are in New York, now," said Margaret, looking at Sylvia wistfully. "It seems dreadful to go so far away and not know in whose house you'll be livin'."

Sylvia looked steadily at the girl, and then went away, promising to see her again. She smiled at Walter Kirk, who had finished his game of shuffleboard and was looking all up and down the deck for Miss Thorne.

She did not stop to talk with him, however, but pushed on to where her mother and father were sitting not far from the taffrail.

"Mamma, I've been out in the steerage."

"You'll be in the maintop next, I don't doubt," said her father, laughing.

"I've been talking to the Irish girl that caught my hat yesterday."

"You shouldn't talk to steerage people," said Mrs. Thorne. "They might have the smallpox, or they might not be proper people."

"I suppose cabin pa.s.sengers might have the smallpox too," said Mr.

Thorne, who liked to tease either wife or daughter.

"I offered the Irish girl a quarter, and she wouldn't have it."

"You're too free with your money," said her mother in a tone of complaint that was habitual.

"The girl wouldn't impose on you, Sylvia," said Mr. Thorne. "She's honest. She knew that your hat wasn't worth so much. Now, if you had said fifteen cents----"

"O papa, be still," and she put her hand over his mouth. "I want to propose something."

"Going to adopt the Irish----" But here Sylvia's hand again arrested Mr.

Thorne's speech.

"No, I'm not going to adopt her, but I want mamma to take her for upstairs girl when we get home."

Mr. Thorne made another effort to push away Sylvia's hand so as to say something, but the romping girl smothered his speech into a gurgle.

"I couldn't think of it. She's got no references and no character."

"Maybe she has got her character in her pocket, you don't know," broke out the father. "That's where some girls carry their character till it's worn out."

"I'll give her a character," said Sylvia. "She is a lady, if she is a servant."

"That's just what I don't want, Sylvia," said Mrs. Thorne, with a plaintive inflection, "a ladylike servant."

"Oh, well, we must try her. How's the girl to get a character if n.o.body tries her? And she's real splendid, I think, going off to get money to help her mother. And I'm sure she's had some great sorrow or disappointment, you know. She's got such a wistful look in her face, and when I spoke about Drogheda she said----"

"There you are again!" exclaimed the father. "You'll have a heroine to make your bed every morning. But you'd better keep your drawers locked for all that."

"Now, I think that's mean!" and the young girl tried to look stern. But the severity vanished when Mr. Kirk, of the senior cla.s.s in Highland College, came up to inform Miss Thorne that the young people were about getting up a conundrum party. Miss Sylvia accepted the invitation to join in that diluted recreation, saying, as she departed, "Let's try her anyway."

"If she wants her I suppose I shall have to take her, but I wish she had more sense than to go to the steerage for a servant."

"She could hardly find one in the cabin," ventured Mr. Thorne.

So it happened that, on arrival in New York, Margaret Byrne was installed as second girl at the Thornes'. For in an American home the authority is often equitably divided--the mother has the name of ruling the household which the daughter actually governs.

II.

How much has the setting to do with a romance? The old tales had castles environed with savage forests and supplied with caves and underground galleries leading to where it was necessary to go in the novelist's emergency. In our realistic times we like to lay our scenes on a ground of Axminster with environments of lace curtains, pianos, and oil paintings. How, then, shall I make you understand the real human loves and sorrows that often have play in a girl's heart, where there are no better stage fittings than stationary washtubs and kitchen ranges?

Sylvia Thorne was sure that the pretty maid from Drogheda, whose melancholy showed itself through the veil of her perfect health, had suffered a disappointment. She watched her as she went silently about her work of sweeping and bedmaking, and she knew by a sort of divination that here was a real heroine, a sufferer or a doer of something.

Mrs. Thorne p.r.o.nounced the new maid good, but "awfully solemn." But when Maggie Byrne met the eyes of Sylvia looking curiously and kindly at her sad face, there broke through her seriousness a smile so bright and sunny that Sylvia was sure she had been mistaken, and that there had been no disappointment in the girl's life.

Maggie shocked Mrs. Thorne by buying a shrine from an image vender and hanging it against the wall in the kitchen. The mistress of the house, being very scrupulous of other people's superst.i.tions, and being one of the stanchest of Protestants, doubted whether she ought to allow an idolatrous image to remain on the wall. She had read the Old Testament a good deal, and she meditated whether she ought not, like Jehu, the son of Nimshi, to break the image in pieces. But Mr. Thorne, when the matter was referred to him, said that a faithful Catholic ought to do better than an unfaithful one, and that so long as Margaret did not steal the jewelry she oughtn't to be disturbed at her prayers, which it was known she was accustomed to say every night, with her head bowed on the ironing table, before the image of Mary and her son.

"How can the Catholics pray to images and say the second commandment, I'd like to know?" said Mrs. Thorne, one morning, with some asperity.

"By a process like that by which we Protestants read the Sermon on the Mount, and then go on reviling our enemies and laying up treasures on earth," said her husband.

"My dear, you never will listen to reason; you know that the Sermon on the Mount is not to be taken literally."

"And how about the second commandment?"

"You'd defend the scribes and Pharisees, I do believe, just for the sake of an argument."

"Oh, no! there are plenty of them alive yet; let them defend themselves, if they want to," said the ungallant husband, with a wicked twinkle in his eye.

As for Sylvia, she was all the more convinced, as time went on, that the girl "had had a disappointment." On the evenings when the cook was out Sylvia would find her way into the kitchen for a talk with Maggie.

The quaint old stories of Ireland and the enthusiastic description of Irish scenes that found their way into Margaret Byrne's talk delighted Sylvia's fancy. But the conversations always ended by some allusion to the ship and the hat, and to the large-shouldered blond young man that came down after the hat; and Sylvia confided to Maggie that he had asked permission to call to see her the next summer, when he should come East after his graduation. Margaret had no other company, and she regularly looked for Sylvia on the evenings when she was alone, brightening the kitchen for the occasion so much as to convince the "down-stairs girl" that sly Maggie was accustomed to receive a beau in her absence.

One evening Miss Thorne found Maggie in tears.

"I've a mind to tell you all about it," said the girl, in answer to the inquiries of Sylvia, at the same time pushing her hair back off her face and leaning her head on her hands while she rested her elbows on the table.