"Who are you?" said the frightened Miss Tucker, to whom it seemed that the little chub had dropped down out of the sky, or come to life off Henrietta's slate.

"I'm Periwinkle, and you mustn't touch my Henrietta. I've come down to see about it, I have."

Miss Tucker, in a sudden reaction, sank down on a chair exhausted and bewildered. Then she sobbed a little in despair.

"What shall I do with that girl?" she muttered. "I'm beat out."

"Come home, Henrietta," said Periwinkle, and she marched Henrietta out the door under the very eyes of the schoolmistress.

"Come back this minute!" cried Miss Tucker, rallying when it was too late. But the weeping Henrietta, the solemn Periwinkle, and the rejoicing Rob Riley went away and answered the poor woman never a word.

Miss Tucker, who was not without some good sense and good intentions, found out that evening that she did not like teaching. She forthwith resigned the school in East Weston. In a week or two a new teacher was engaged, "a young thing from town," as the people put it, "who never could manage that Henrietta Newton."

But sometimes even a "young thing" is gifted with that undefined something that we call tact. Sarah Reade soon found out, from the gratuitous advice lavished upon her, that her chief trouble would be from Henrietta; so she took pains to get acquainted with the unruly girl the first day. Finding that the center of Henrietta's heart was Periwinkle, she took great interest in getting the girl to tell her all about Periwinkle. Henrietta was so much softened by this treatment that for three whole days after the advent of Miss Reade she did not draw a picture on the slate. But the self-denial was too great. On the fourth day, while Miss Reade was hearing recitation, and the girls at the desk behind Henrietta were looking over at her, she drew a cow very elaborately.

She was just trying to make the horns look right, rubbing them out and retouching them, while the other girls rose up in their seats and brought their heads together in a cl.u.s.ter to see, declaring in a whisper that "it was the wonderfullest thing how Henrietta could draw,"

when who should look down among them but Miss Reade herself. As soon as Henrietta became conscious of Miss Reade's attention she dropped her pencil, not with the old defiant feeling, but with a melancholy sense of having lost standing with one whose good opinion she would fain have retained.

The teacher took the slate in her hand, not in Miss Tucker's energetic fashion, but with a polite "Excuse me," which made Henrietta's heart sink down within her. For half a minute Miss Reade scrutinized the drawing without saying a word.

"Did anybody ever give you any drawing lessons?" she said to the detected criminal.

"No, ma'am."

"You draw well; you ought to have a chance. You'll make an artist some day. Your cow is not quite right. If you'll bring the picture to me after school I'll show you some things about it. I think you'd better put it away now till you get your geography lesson."

Henrietta, full of wonder at finding her art no longer regarded as a sin, put the slate into the desk, and cheerfully resumed the study of the boundaries and chief products of North Carolina, while Miss Reade returned to the hearing of the third-reader cla.s.s.

"I say, Henrietta, she's j-u-s-t s-p-l-e-n-d-i-d!" whispered Maria Thomas. And Rob Riley thought Miss Reade was almost as fine as Henrietta herself.

"You see," said Miss Reade to Henrietta after school, "that the hind legs of your cow look longer than the fore legs."

"There's something wrong." said the girl, "but that isn't it. I've measured, and the cow's just as high before as behind, though she doesn't look so."

"Yes, but you've put her head a little toward you. The hind legs ought to seem shorter at a little distance off. Now try it. Make her not so high from the ground behind," and Miss Reade proceeded to explain one or two principles of perspective. When Henrietta had experimented on her cow and saw the result, she was delighted.

"I don't know much about drawing," said Miss Reade, "but I've a set of drawing books and some drawing cards. Now, if you'll let drawing alone till you get your lessons each day, I'll lend you my drawing books and give you all the help I can."

When the old man Newton heard that the "new school ma'am" was permitting Henrietta to draw "fool picters on her slate," he was sure that it never would work. He believed in breaking a child's will, for his part, "though the one that broke Henriettar's will would hev to git up purty airly in the mornin' now, certain," he added with a grim smile. But when the old man found Henrietta unexpectedly industrious, toiling over her studies at night, he was surprised beyond measure; and when he understood the compact by which studies were to come first and drawing afterward, he winked his eye knowingly at his wife.

"Who'd a thought that little red-headed school ma'am would a ben so cute? She knows the very bait for Henriettar now. That woman would do to trade hosses."

But when the little schoolmistress seriously proposed that he should send Henrietta down to New York to take lessons in drawing, he quickly changed his mind. Of what kind of use was drawing? And then, it would cost, according to Miss Reade's own account, about two or three hundred dollars a year for board; all to learn a lot of nonsense. It is true, when the teacher craftily told him stories of the prices that some lucky artists received for their work, he felt as though she were pointing down into a gold mine. But the money in his hand was good money, and he never sent good money after bad. And so Henrietta's newly raised hope of being an artist was dashed, and Rob Riley was grievously disappointed; for he was sure that Henrietta would astonish the metropolis if once she could take her transcendent ability out of East Weston into New York. Besides, Rob Riley himself was going off to New York to develop his own talent by learning the granite cutter's trade.

He confided to Henrietta that he expected to come to something better than granite cutting, for he had heard that there had been granite cutters who, being, like himself, good at figures, in time had come to be great contractors and builders and bosses. He was going to be something, and when he was settled at work in New York Henrietta had a letter from him telling that he was learning mechanical drawing in the Cooper Union night school, and that he got books out of the Apprentices' Library. He also attended free lectures, and was looking out for a chance to be something some day. Henrietta carried the letter about with her, and wished heartily that she also might go to New York, where she could improve herself and see Rob Riley occasionally.

Now it happened that Mrs. Newton had a cousin, a rich man, in New York--at least, he seemed rich to those not used to the measure applied to wealth in a great city. She had not seen him since he left the little town in western Ma.s.sachusetts, where they were both brought up.

But she often talked about Cousin John. Whenever she saw his business advertis.e.m.e.nts in the papers she started out afresh in her talk about Cousin John. It is something quite worth the having--a cousin in New York whose name is in the papers, and who is rich. Whenever Mrs. Jones, Mrs. Newton's neighbor, talked too ostentatiously about her uncle, who was both a deacon and a justice of the peace up in New Hampshire, then Mrs. Newton said something about Cousin John. To save her life she couldn't imagine how Cousin John lived, except that he kept a carriage or two, or in what precisely his greatness consisted, since he held no office either in church or State, but the old lady evidently believed in her heart that a cousin who was a big man down in New York was nearly as good as an uncle who was a deacon up in New Hampshire.

Now it happened that John Willard, the Cousin John of Mrs. Newton's gossip, was spending the summer at Lebanon Springs, and at the close of his vacation he started to drive home through the beautiful region once the scene of the anti-renters' conflict with the old patroons. He stopped to see the Shaker villages, and then drove on among the rich farms, taking great pleasure in explaining to his town-bred wife the difference between wheat and rye as it stood in the shock, feeling for once the superiority of one whose early life has been pa.s.sed in the country. He happened to remember that he had a cousin over in Weston, and though he had not seen her for many years, he proposed to turn aside and eat one dinner with old Farmer Newton and his wife.

And thus it happened that Cousin John Willard, and especially that Mrs.

Cousin John Willard, saw Henrietta's drawings, and heard of her aspiration to learn to draw and paint; and thus it happened that Cousin John, and, what is of more consequence, Mrs. Cousin John, invited the girl to come down to New York and spend the winter with them and develop her talent for drawing; though Mrs. Willard did not think so much of Henrietta's developing her gift for art as that she had a fine face, and would undoubtedly develop into a beauty under city influences. And as Mrs. Willard had no children, and her house was lonesome, she thought it might add to her own consequence and to the cheerfulness of her house to have a handsome cousin under her care.

Henrietta's father was rather unwilling to let her go; he didn't see how she could be spared from the housework; but the mother was resolved that she should go, and go she did.

The first things that excited the country girl's wonder were not the streets and buildings and the works of art, but the unwonted luxury of city life. Velvet carpets, large panes of plate gla.s.s, hot and cold water that came for the turning of a stopc.o.c.k, illumination that burst forth as by magic, mirrors that showed the whole person and reduplicated the room--even doorbells and sliding doors, and dumb waiters and speaking-tubes, were things that filled her with astonishment. For weeks she felt that she had moved out of the world into a fairy book. But, being a high-spirited girl, she carefully concealed her wonder, moving about with apparent nonchalance, as though she had lived in the enchanted ground all her life. Secretly she carried on experiments upon water works, gas fixtures, and plate-gla.s.s mirrors, using the inductive method of reasoning, as all intelligent people have from the beginning, without any of the c.u.mbrous and pedantic machinery provided for them by Lord Chancellor Bacon.

She was soon at work, but drawing from uninteresting plaster casts of scroll-work in the lower cla.s.ses of the School of Design for Women was not so pleasant as spontaneous picture-making on her slate had been. In Weston, too, she had been a prodigy; her gift for drawing was little less than miraculous in the eyes of her companions. But in Cooper Inst.i.tute she was one of many, and there were those whom much practice had rendered more skillful. She would slip away from her work and go through the alcoves sometimes, on one pretext or another, to envy the girls who were in their second year, and were drawing from a bust of Psyche or The Young Augustus, and especially did she wish that she were one of the favored circle in the Venus Room. She thought it would be fine to try the statue of the Venus de Milo. But day in and day out she had to stand before a cast of a meaningless scroll, endeavoring to represent it on drawing paper. This was no longer play, but work as tedious as the geography lessons in Weston. There is a great difference between work and play, though they both may consist in doing the same thing. Nevertheless Henrietta had positive ability, and the almost mechanical training of the first months did her good.

But somehow she was not so glad to see Rob Riley, the granite cutter, as she had expected to be. When Rob called at first to see her, the maid, who had received many warnings against allowing sneak thieves and tramps to stand in the hall, did not dare leave him by the hatrack. She eyed him suspiciously, cross-questioned him sharply, and finally called the cook upstairs to stand guard over him and the overcoats while she went to call Henrietta. Poor Rob, already frightened at having to ring the door-bell of a brown-stone house, stood in the hall fumbling his hat, while the stalwart cook never once took her eyes off him, but stood ready to throttle him if he made a motion to seize a coat or to open the door behind him. Somehow the greeting between the two under these circ.u.mstances was as different as possible from their parting in the country. Henrietta felt that by receiving Rob Riley in his Sunday clothes she had forever compromised herself with Hibernia downstairs; and poor Rob, half chilled by Henrietta's reception, and wholly dampened by the rosewood furniture and the lace curtains, and the necessity for sitting down on damask upholstery, was very ill at ease.

Henrietta longed to speak freely, as she had done in the old days when they strolled through the hill pasture together, but then she trembled lest the door-bell should ring and some of Mrs. Cousin John's fine visitors enter the reception room. So the meeting was a failure. Rob even forgot that he had meant to ask Henrietta to go with him to the free lecture the next evening. And he was glad when he got out, and Henrietta was relieved, though she cried with vexation and disappointment when he was gone. As for Rob, he went home in great doubt whether it was worth while trying to be something. Of what use was it to seek to get to be a boss, a builder, or the owner of a quarry? Things were all wrong anyhow.

After this he only met Henrietta now and then as she came in or went out, though this was not easy, for he had to work with the hammer all day, and his evenings were spent in mechanical drawing. On second thought, he _would_ be something, if only just to show folks that looked down on him. Though, if he had only known it, Henrietta did not look down on him at all; all her contempt was expended on herself.

But this feeling wore away as she became naturalized in Mrs. Cousin John's world. There were little dance parties, and though Henrietta was obliged to dress plainly, she grew more to be a beautiful woman. The simplicity of her dress set off this fine loveliness, and Henrietta Newton was artist enough to understand this, so that her clothes did not make her abashed in company. She had no party dresses, but with Mrs. Willard's a.s.sistance she always looked the beautiful country cousin. Other girls remarked upon the monotony of her dress, but then the gentlemen did not care that one woolen gown did duty on many occasions. Some women can stand the ordeal of a uniform for church and theater, party and _tete-a-tete_.

Mrs. Willard meant well by Henrietta. If Henrietta's art got on slowly, and her chance for a prize decreased steadily under the dissipating influences about her, it was not that Mrs. Willard intended to do her harm by parading her pretty cousin on Sundays and week days. It was only a second growth of vanity in Cousin John's wife. When one is no longer sought after for one's own sake, the next best thing is to be sought after for somebody else's sake. Mrs. Willard shone now in a reflected glory, as the keeper of the pretty Miss Newton. Young gentlemen stood squarely in front of Mrs. Willard and made full bows to her, and were delighted when she asked them to call. Mrs. Willard also carried it up to her own credit, in her confidential talks with ladies of her own age, that she was doing so much for John's cousin, whom she had found buried in an old farmhouse. For Mrs. Willard was a Christian and a philanthropist, besides being a reformer.

She was endeavoring with all her heart to reform a younger brother of her own, who was enough to have filled the hands of three or four red, white, and blue ribbon a.s.sociations. He was a fine subject to work on, this young Harrison Lowder. Few young men have been so much reformed.

He had a bright wit and genial manners, but moral endowments had been accidentally omitted in his makeup. Nothing that was pleasant could seem wrong to him. He was a magnificent sinner, with an artistic lightness of touch in wrongdoing, and he took his evil courses with such unfailing good nature that people forgave him.

It was a happy thought of Mrs. Willard's, when she saw him becoming fascinated with Henrietta, to reform him and render Henrietta a service at the same time. For Lowder had money, and to a poor country girl such a marriage ought to be a heaven-send, while it would serve to reform Harry, no doubt. It isn't always that a matchmaker can be sure of being a benefactor to both sides. One of the most remarkable things in nature, however, is the willingness of women to lay a girl's life on the altar for the chance of saving the morals of a scapegrace man. If a pious mother can only marry her son Beelzebub to some "good, religious girl," the chance of his reformation is greatly increased. The girl is neither here nor there when one considers the necessity for saving the dear Beelzebub.

Harry Lowder had the advantage of all other comers with Henrietta. The keeper was on his side, in the first place; and he was half domesticated at the house, coming and going when he pleased. The city dazzled the country girl, and it was a great pleasure to him to take her to theaters and operas. His winning manners, his apparent frankness, and the round of amus.e.m.e.nts he kept her in, could not but have their effect on a strong-willed creature such as she was. Her pent-up intensity of life burst out now into the keenest enjoyment of all that she saw and heard and felt for the first time.

There were times when the memory of her country home and little Periwinkle came into her mind like a fresh breeze from the hills. At such times she recoiled from the round of unhealthful excitement in which she found herself; she hated the high-wrought plays and burlesque operas that she had seen; she despised the exciting novels that Harry Lowder had lent her. Then the old farm, with its stern and quiet ways, seemed a sort of paradise; she longed for her mother's voice, and even for her father's rebuke, for Rob Riley's homely love-making, and Periwinkle's quaint ways. At such times she had a sense of standing in some imminent peril, a dark foreboding shadowed her, and she wished that she had never come to New York, for the drawing did not get on well. Harry Lowder said it didn't matter about the drawing; she was meant for something better. There was always an easy way out of such depressions. Harry told her that she had the blues, and that if she would go to see this or that the blues would disappear. There is an easy way of getting rid of the blues by p.a.w.ning to-morrow to pay to-day's debts.

It would hardly be right to say that Lowder was in love with Henrietta Newton, for in our good English tongue there is usually a moral element to the word love. But Harry certainly was fascinated with Henrietta--more fascinated than he had ever been with any one else. And as he had become convinced that it was best for him to marry and to reform--just a little--he thought that Henrietta Newton would be the girl to marry.

So it happened that Periwinkle, who had waited for Christmas to come that she might see Henrietta again, was bitterly disappointed. At Christmas Henrietta had been promised two great treats--Fox in Humpty Dumpty and the sight of St. Dives's Church in its decorations, with the best music in the city. And then there were to be other things quite as wonderful to the country girl. In truth, Henrietta was afraid to go home. Somewhere in the a.s.sociations of home there lay in wait for her a revengeful conscience which she feared to meet. Then, too, Rob Riley would be at home, and a meeting with him must produce shame in her, and bring on a decision that she would rather postpone. Mrs. Willard begged her to stay, and it was hard to resist her benefactress. But in her girl's heart at times she was tired and homesick, and the staying in the city cost her two or three good crying spells. And when the holidays were past she bitterly repented that she had not gone home.

In this mood she sat down and wrote a long letter to her mother, full of regrets and homesickness, and longing and contradictoriness. She liked the city and she didn't. She hadn't done very well in her drawing, as she confessed, but she meant to do better. It was a letter that gave the good old mother much uneasiness. This city world was something that she could not understand--a great sea for the navigation of which she had no chart. She got from Henrietta's letter a vague sense of danger, a danger terrible because entirely incomprehensible to her.

And, indeed, she had already become uneasy, for when Rob Riley came home at Christmas time he did not come to see them, nor did he bring any messages from Henrietta. When she asked him about the girl, at meeting time on Sunday, Rob hung his head and looked at the toe of his boot a minute, and then said that he "hadn't laid eyes on her for six weeks." What did it all mean? Had Henrietta got into some disgrace? The father was alarmed also. He thought it about time that she should be getting a thousand dollars for a picture; though, for his part, he couldn't see why anybody should pay for a picture enough money to build two or three barns.

The little Periwinkle heard all of these discussions, though n.o.body thought of her understanding them.

"I'm going down there," she said. "I'm going to see about that, I am."

"What?" said the grandfather, looking at the little thing fondly.

"About Henrietta. I'm a-goin' down with Wob Wiley."

"h.e.l.lo! you air, air you?"

Now it happened that in her fit of repentance and homesickness Henrietta had written: "I wish you would send dear little Periwinkle down here some time. I do want to see her, and she would be such a good model to draw from." Henrietta had not thought of the practical difficulties of getting the chubby little thing down, nor of how she would keep her if she came, nor, indeed, of the possibility of her words being understood in their literal sense. It was only a cry of longing.

But now the mother, full of apprehension and at her wits' end what to do, looked with a sort of superst.i.tions respect at the self-confident little creature who proposed to go down to the city and see about things.

The old lady at first proposed to go down herself and take little Periwinkle with her; but she felt timid about the great city, and about Cousin John's fine ways of living. She wouldn't be able to find her way around, and she felt "scarr't" when she thought about it. Besides, who'd get father's breakfast for him if she went away?