Eppiu dal convento e frati dogni santi avere per chagione duna meza fighura di bronzo di Sco. rossore della quale non sa fatto merchato niuno. Chredo restare avere piu che fior 30.

truovomi con questa famiglia in chasa:

Donato danni 40.

M^a Orsa mia madre 80.

M^a t.i.ta mia sirochia, vedova, sanza dote 45.

Giuliano figliuolo di detta M^a t.i.ta atratto 18.

Sto a pigione in una chasa di ghuglielmo adimari, posta ne chorso degli adimari e nel popolo Sco. Cristofano,--paghone fior. 15 l'anno.

B.

The contract for the payment of 1900 florins to Donatello in respect of the Bronze Gates for the Sacristy doors of the Cathedral, a work which was subsequently entrusted to Luca della Robbia. (Semper, p.

284.)

21. ii. 1487. Item commiserunt Nicolao Johannotii de Biliottis et Salito Jacobi de Risalitis duobus ex eorum officio locandi Donato N.B.B. civi Florentino magistro intagli faciendo duas portas de bronzo duabus novis sacristiis cathedralis ecclesie florentine pro pretio in totum flor. 1900 pro eo tempore et c.u.m illis pactis et storiis et modis pro ut eis videbitur fore utilius et honorabilius pro dicta opera et quidquid fecerint circa predictum intelligatur et sit ac si factum foret per totum eorum officium.

C.

Payment for casting the bronze statue of St. Louis for the Paduan altar; also for two of the Miracle reliefs and two symbols of the Evangelists. (Gloria.)

19. vi. 1447. E a d dicto ava M^o Andrea dal Mayo per far getare duy de i miracholli de S. Antonio e dui guagnelista e un S. Luixe. i quali va in lanchona de laltaro grande--lire 45 soldi 12.

D.

Payment to Donatello and some of his a.s.sistants (Gloria.)

11. ii. 1447. E a d ii dicto ave Donatello da Fiorenza per so nome de luy e de urbano e de Zuan da Pixa e de Antonio Celino e de Francesco del Vallente su garzon e de Nicolo depentor so desipollo over garzon per parte over sora la anchona over palla el dicto e i dicti de (_i.e._, devono) fare al altaro grande del curo (_i.e._, coro) del santo,--lire cento e soldi dexe.

Uniform with this Volume

MICHAEL ANGELO BUONARROTI

BY

CHARLES HOLROYD

CURATOR OF THE NATIONAL GALLERY OF BRITISH ART

With Fifty-two Ill.u.s.trations

"Mr. Holroyd has done excellent service. This story of a marvellous career is full of human charm.... Valuable book."--_Standard._

"A serviceable and competent biography which many will be glad to see.... Numerous and excellent ill.u.s.trations."--_Literary World._

"A book that both the student and the general reader will find full of interest. Extremely interesting and vividly recorded."--_Westminster Gazette._

"Mr. Holroyd's comprehensive study will be found useful and interesting. The ill.u.s.trations are numerous and good."--_Manchester Guardian._

"A really admirable picture of one who is perhaps the greatest personality in the history of Art; and a sympathetic, yet critical account of his works. Mr. Holroyd writes with knowledge and enthusiasm.... Numerous and well-executed ill.u.s.trations."--_Yorkshire Post._

"This excellent work ... is as suited to the general reader as to the artist. We do not find those deserts of literary speculation so common to the lives of artists."--_Spectator._

"The volume gives in a convenient form almost everything that the student for whom it is intended will need to know about Michael Angelo, and will prove a safe guide to his works. The ill.u.s.trations are well chosen.... We are especially grateful for the engravings of those frescoes in the Pauline Chapel which every one writes about and no one publishes."--_New York Evening Post._

THE PUBLISHERS HAVE ARRANGED TO ISSUE A

LIBRARY OF ART

IN STYLE SIMILAR TO THIS VOLUME

_ALL SCHOOLS AND PERIODS will be represented, but only the Greatest Masters will emerge as Biographies. The rest will be treated in relation to their fellows and forerunners as incidents of a development._

_The Series will, it is hoped, reflect the subject in its true proportions more closely than has been attempted hitherto. At the same time, the scope of the Series will admit of occasional monographs on little-known artists, when some specialist has been able to throw light by new researches on an obscure period. The aesthetic side will not be neglected, but the aim will be to make the Series a store-house of that positive knowledge which must form the basis of all opinion._

_The following is a List of the Volumes now arranged for_

THE CRITICISM OF ART

By A.J. FINBERG

SIX GREEK SCULPTORS

MYRON, PHEIDIAS POLYKLEITOS, SKOPAS, PRAXITELES, AND LYSIPPOS

By ERNEST GARDNER

Professor of Greek Archaeology at University College, London

ROMAN ART, FROM AUGUSTUS TO CONSTANTINE