Do-It-Yourself.

s.p.a.ckled and Spooked.

Jennie Bentley.

Unannounced House Guest.

Without Derek here, the place was eerily quiet. I started humming, but stopped when I realized I was singing the theme song from the Twilight Zone.

I'd been at it for about ten minutes maybe, when I heard a sound. And then another. Footsteps. I stopped, holding my breath.

"Derek?" I tried. "Is that you?"

But no, how could it be? I'd put the security chain on the door; he couldn't have gotten in. So who was coming down the hallway toward the bathroom . . . ?

"Derek? If you don't stop scaring me right now, I'll kill you!" A little ribbing is OK-I'd come to expect that from him-but this was going too far.

"Derek? Dammit, say something, OK?"

Nothing. And yet the steps kept coming closer. Soft, inexorable steps on the fluffy carpet in the long hallway. Any second now, whoever was outside would be visible through the open door. I turned to face the opening, my legs stiff. I gripped my wallpaper scorer so tightly that my fingers hurt, and prepared for battle.

- Acknowledgments -.

Just like last time, a lot of people had a hand in making this book what it is, and in helping me survive the ordeal of getting it here. Thanks, hugs, and kisses to the following: My agent, Stephany Evans, for support and encouragement, and for sticking with me through it all.

My editor, Jessica Wade, for continued belief in me and for allowing me to continue the journey with Avery and Derek.

My publicists, Megan Swartz with Penguin Group (USA) Inc. and Tom Robinson with Author and Book Media, without whom this book would be nowhere.

To Rita Frangie and Jennifer Taylor, for an outstanding cover.

My long-distance critique partner, Jamie Livingston Dierks, for reading every word of this ma.n.u.script, twice.

My other critique partner, Myra McEntire, for hot chocolate and conversation, some of it when I really ought to have been writing instead.

Fellow writers Hank Phillippi Ryan, Tasha Alexander, Diana Killian, and Kelli Stanley, as well as the rest of the ITW Debut Authors and a.s.sorted Sisters and Brothers in Crime, for helping me navigate the choppy waters of the publishing biz.

My Facebook friend Jennie Puplett nee Bentley, for approving my use of her maiden name.

Everyone who read the first DIY, Fatal Fixer-Upper, and liked it-especially those of you who took the time to say so, to me or someone else.

My family and friends, near and far, who know the real me and love me anyway. Particularly my husband and my two boys, for putting up with my often crazy schedule, and for developing a real liking for frozen chicken nuggets and microwaveable vegetables. You allow me to do what I love, and I couldn't be more appreciative!

xoxo.

1.

"There is no such thing as ghosts," I said firmly.

"Glad to hear it," my partner in grime answered.

I squinted up at him, suspiciously. Not only is he quite a lot taller than me, but I was kneeling on the floor of my Second Empire Victorian cottage, putting the finishing touches on a chair I was reupholstering. He lounged in the doorway, scuffed boots crossed at the ankles and sculpted forearms crossed over his chest. "Why is that?"

He grinned, causing crinkles to form at the corners of his cornflower blue eyes. "Because you won't freak out when I tell you I bought a haunted house this morning."

"You did what?" I said, right on cue. He chuckled. I rolled my eyes. I love the guy-sort of-but his sense of humor can be a little trying at times. Especially those times when I'm the brunt of the joke, like now.

Derek Ellis and I had been business partners for just a few weeks and romantically involved for a few more. I had known him longer, but it had taken us a while to get to the point where we wanted to be this close.

Our joint venture, which had started out as Derek's venture, was a home repair and renovation business head-quartered in the small town of Waterfield, Maine. We both lived there, although not together. I had inherited my aunt's house the previous May, while Derek lived in a converted loft above the hardware store downtown. It has exposed brick, concrete kitchen counters, lacquered Scandinavian cabinets, and a whole lot of other things he won't allow me to put into Aunt Inga's-well, my-house because it would mess with the original 1870s mojo.

When I first learned of Aunt Inga's death and my inheritance, my plan had been to renovate the house and then sell it, taking the money I made back to New York to start my own textile design firm. But during the weeks I had spent in Maine getting everything ready, I had fallen in love with both the town and with Derek. So instead of going back to Manhattan at the end of the summer, I'd stayed in Waterfield. Ever since then, we had been keeping an eye out for a property to buy and renovate. Now, it seemed, we'd found one.

"A haunted house?" I repeated, picturing a gothic mansion with towers and turrets, clanking chains, and floating candles. None of those around here, at least not that I was aware of.

"Not that kind of haunted house," Derek said. It wasn't the first time he had demonstrated an ability to read my mind. "I'll show you." He reached down. I grabbed his hand, hard and warm, and let him haul me to my feet and guide me down the hallway to the front door.

Derek's black truck was parked at the curb outside, its new Waterfield R&R sticker on the side door. "Derek Ellis-proprietor; Avery Baker-designer," it said, beside a logo of an old house. I had drawn it myself, and now I smiled proudly at it-and at my name-before boosting myself onto the pa.s.senger seat.

"So where is this haunted house?" I wanted to know when Derek had cranked the engine over and we were rolling down the steep hill toward downtown and the harbor. In the distance, the Atlantic Ocean blinked in the afternoon sun, and the leaves on the slender birch trees overhanging the narrow street were just starting to turn shades of yellow and pale orange.

"The other side of town. Down towards Barnham College."

I pictured the layout of Waterfield in my head, the town extending east, west, and north from the harbor. Barnham College was on the west side of town, on the Portland road. "Near where Melissa and the Stenhams are building that new subdivision of half-million-dollar McMansions?"

Melissa James was Derek's ex-wife, and Ray Stenham her new boyfriend. He and his twin, Randy, my distant cousins, owned a construction company, which built (according to Derek, who might be allowed a certain amount of prejudice) shoddy condos and houses. Melissa is Waterfield's premier real estate agent, and her job is to sell them, in most cases for a lot more than they were worth. (Again according to Derek, although from what I'd seen and heard so far, I had to agree.) "Between there and the college. An old subdivision of 1950s and '60s ranches and split-levels."

"Your haunted house is a Brady Bunch split-level?" I started to laugh. So much for my vision of towers, turrets, and clanking chains.

Derek smiled back. "Actually, it's a ranch. All on one floor. Over two thousand square feet, three bedrooms, two baths, fireplace in the den, and hardwoods under the carpets. And it isn't actually mine. Ours. Not yet. I offered to buy it-kind of offhandedly-a month or so ago, while you were in New York for a visit, and I just heard from the lawyer that our offer was accepted and we can have it if we still want it."

"How much?" I asked, already starting to calculate repair costs and profit margins in my head.

"How much did I offer? Or how much do I think we'll have to spend? I offered ninety-five thousand dollars. I figure it'll take twenty-five or thirty in materials, and after we've worked our tails off for a couple of months, we should be able to sell it for around two hundred fifty thousand dollars."

I nodded. "Sounds like a good deal. Why was it so cheap?"

"I told you," Derek said, accelerating now that we were off the steep, narrow streets of Old Waterfield and on the main road going west, away from the ocean and into the afternoon sun. "It's haunted."

"And I told you there's no such thing as ghosts."

"Yeah, well."

I waited, but when it became obvious that he wasn't going to say anything else, I said, "Tell me about it. Why do you say it's haunted?"

He chuckled. "Just to get you torqued up, Tinkerbell."

I once asked why he called me that, and he said it's because I'm short and cunning-Maine-speak for cute-with a whole lot of yellow hair I sometimes pile on top of my head.

He continued, "It's not haunted. The kids used to say that it is, but there's no such thing as ghosts. Right?"

"Right," I said. Firmly.

"What it is, is what Melissa calls stigmatized."

I squinted. "Doesn't that mean haunted? I saw a program on HGTV once about stigmatized houses, and they were haunted."

"Ghosts are a stigma," Derek agreed, "but a house can be stigmatized in other ways as well. Murder on the property, suicides, even just that someone with cancer or AIDS once lived there, unfortunately. And with this house . . . well, there's been talk around town about it being haunted."

"Why?"

He glanced over. "A man shot his family there."

"Oh, my G.o.d!" I said, paling. "How horrible!"

Derek nodded.

"When? Did you know them?"

"Waterfield's a small town. Everyone pretty much knows everyone else around here, or used to, until Melissa talked the town council into allowing all these new houses to be built." He paused to shift gears up a steep hill. "It happened seventeen, eighteen years ago, when I was in high school."

"How many people died?" My voice sounded hushed, lost in the humming of the truck tires against the asphalt.

"Four. The father killed his wife and his in-laws and then himself. Their little boy survived."

How awful, to have one's entire family wiped out like that, especially at such a young age. "Poor kid," I said. "Was he hurt?"

Derek shook his head, eyes on the road. "He woke up when he heard the first shot, and instead of hiding under the blankets, he had enough sense to run."

"What happened to him? Afterwards, I mean?" He must have had psychological problems, poor little guy, even if he hadn't been physically hurt by the ordeal.

"Went to live with someone else, I think. Away."

Away is the downeastern term for someplace outside Maine. Downeast is the stretch of Maine that lies along the Atlantic coast, where most of the population lives. My mother was a downeasterner originally, and I grew up hearing these localisms. I was hearing a lot more of them now that I lived here, but it helped that I'd had an early introduction.

Derek slowed the truck as we pa.s.sed the entrance to the still-unfinished Devon Highlands, the new subdivision that the Stenhams were building and Melissa was selling. Her gorgeous face, fifty times magnified, smiled down at us from a billboard planted above one ostentatious brick gatepost, violet eyes gleaming and every pearly white tooth on display. "Devon Highlands, a slice of English country living in the heart of Waterfield," the sign said, "Lots from $100,000."

"A hundred grand just for the lot? That's steep." I looked away, determined not to notice the way Derek's eyes snagged on Melissa's face. Beyond the ma.s.sive entrance, skeletal houses were rising. Mud and straw was everywhere, with little stakes driven into the ground at intervals to show property lines. I saw several of the black Stenham Construction trucks parked throughout the landscape. Miniscule human shapes scurried around like busy worker ants.

Derek moved his attention from Melissa's perfect face to mine, which was not so perfect. After a moment, he smiled.

I grumbled, "Not exactly the heart of Waterfield, either, is it? We'll be pa.s.sing the city limits any minute, right?"

"I think they call that sort of thing puffing," Derek answered, turning his attention back to the road. "It's not exactly lying, but it's not exactly true, either. Could be construed as someone's opinion by a court of law."

"Someone who doesn't know the lay of the land, maybe." I swayed against him and caught a whiff of Ivory soap and citrus shampoo as he turned the car into another, much more established subdivision just down the road from Devon Highlands. It didn't have ostentatious gates with a carved name, but the prosaic street sign told me we were on Primrose Drive. After a few blocks, Derek turned right onto Becklea and rolled to a stop in front of a low-slung ranch, circa 1955, at the end of the cul-de-sac.

It was built of yellow brick, with a large picture window in the front, and it sat on a nice, big, level lot, framed by tall pine trees. "Nothing back there but woods," Derek remarked as he came around the truck and opened the door for me. "David Todd has been taking care of the gra.s.s; that's why it isn't as high as yours was when you first came."

I nodded. Mr. Todd was the person I had hired to cut my gra.s.s, which had easily been a foot tall when I arrived in Waterfield. And being a New Yorker born and bred, the intricacies of actually mowing my own lawn had been beyond me.

"He's the one who told me about the house," Derek added.

"That was nice of him," I said. "So can we go in?"

He nodded, pulling a key out of the pocket of his jeans. "I told the lawyer I wanted another look. Since it's been a couple of months since I saw it, and since you've never seen it."

"It's not . . . um . . ." I trailed after him up the flag-stone walkway toward the front door, distractedly admiring his rear view in the faded jeans. "What I mean to say is . . . they've cleaned up since the murders, haven't they?"

He glanced at me over his shoulder. "Oh, sure. Nothing to worry about. It looks just like any other old, unliv ed-in house. Dusty, dark, dated. The lawyer hired people to cut the gra.s.s and maintain the place-make sure the roof didn't leak and n.o.body broke in-but nothing else has been done here in almost twenty years."

The key fitted the wooden front door, which opened with a drawn-out squeal of hinges. I shuddered.

Honestly, though, if I hadn't known about the tragedy, I wouldn't have noticed anything out of the ordinary. Derek was right: It was just like any other old, unoccupied house. We'd seen plenty of them lately in our search for the perfect renovation project. The mini-blinds were closed and dusty, making the house chilly and dark. The carpets were old, and there was entirely too much dark paneling. The kitchen had brick red appliances and wallpaper with pictures of ketchup bottles. The floor was vinyl, with a raised pebble pattern, and the kitchen curtains were brown corduroy. Beyond, in the den, there was a threadbare, striped carpet and a wood-burning brick fireplace, not to mention fake beams across the ceiling. I looked at everything, shaking my head and sighing.

"I told you it needs work," Derek said, defensively.

I turned to him with a smile. "I'm not upset."

"You look upset."

I shook my head. "It's a great house. Big rooms, nice open feel. Once the blinds are down and the carpet's up, it'll look like a different place. I'm surprised it's been sitting here gathering dust for seventeen years. Why didn't they sell it?"

"Two reasons," Derek said, leaning his excellent posterior against the fake-wood kitchen counter. "Everyone knew about the murders, and n.o.body would have wanted to buy it back then."

"Makes sense. Is that going to be a problem for us, too, when we get ready to sell?"

He shook his head, causing a lock of sun-streaked hair to fall into his eyes. "I think it's been long enough that some of the stigma has worn off. And with all the flat landers moving in, it shouldn't be too hard to find someone who doesn't remember what happened here."

Flatlander is what a Mainer calls someone from the less mountainous New England states.

"I hope you're right," I said. "What's the other reason?"

"The boy-Patrick-was the sole surviving member of the Murphy family. The house defaulted to him when his parents died. I guess his mother's extended family, or whoever he went to live with, decided to hold off until he was old enough to make the decision himself whether he wanted to sell it or keep it."