Inside the Putah Creek Community Bank, three tellers sat ready to work the windows, but there weren't any customers. A couple of other employees were huddled over a desk behind the screened work area-muffled voices that seemed to be talking gossip, not banking. Out front, a matronly-looking middle-aged woman raised her head at the entrance of Glitsky and Matt Wessin. With a nervous smile, she rose from her seat behind a shiny, empty desk.
Glitsky, in his all-weather jacket with a gun in his armpit, hung back a few steps while the chief extended his hand to the woman. Obviously, the two were acquainted-small town. "Traci," he said, "this is Deputy Chief Glitsky from San Francisco police."
"Yes, we talked a couple of days ago." More handshakes.
And Wessin went on. "He's told you, I believe, that he's got a warrant to view the records of one of your accounts, and also the contents of a safe-deposit box linked to the same account. Do you remember a match in a 314(a) form you sent in a couple of weeks ago? Monica Breque?"
"I do. I think it's the first one we've had out of this branch, but I'm afraid I don't remember her. When I saw the name on the 314 form"-she turned to Glitsky-"and then when we talked the other day, I tried to remember something about her, but nothing came to me."
Wessin said, "Maybe one of these will help." He produced from the folder he carried several likenesses that Glitsky had brought up with him, including not only the glossy of the Chronicle photo, but also several of Hardy's snapshots from the Hanover family albums. Now Traci examined the pictures slowly, one by one. When she'd gone through them all, she shook her head. "I'm afraid I don't know her at all. And we pride ourselves on personal service, knowing our customers on sight by name."
"She might have had a bit of a French accent, if that's any help," Glitsky offered.
She stopped shaking her head. "A French accent? Now that rings a bell. And she started here last May, we said? That would have been me if it was a new account, too. I'm sorry." Traci looked back down at the pictures. "I just don't have any memory of someone who looked like this. I do remember the accent, though. Is it all right if I show these to the staff?"
Five minutes later, one of the tellers admitted that, like Traci, maybe she'd seen the woman, or someone who looked like her. If it was the same person, though, the hair was certainly different, and she doubted if she'd been wearing the same kind of tailored, high-end city clothes she fancied in the pictures. "But all the same, I'd bet it's her. Great face."
"So she still comes in here?" Glitsky asked.
"I don't know," Carla said. "I wouldn't call her a regular."
"Can you think of what was different about the hair?"
The teller closed her eyes and gave it a try. "Maybe it was short, and not so dark, but I can't really be sure." She checked the picture again. "But I've seen her. Definitely."
This was reasonably good news, but didn't get them anywhere, so Glitsky and Wessin went back to the manager's desk and got to the account records themselves. Missy, or Monique, or Monica, did not use her checking account to write checks. She had deposited a hundred dollars to open the account on May 17, and hadn't touched it since.
This gave Glitsky a sense of foreboding that he tried to ignore. "Let's take a look at the safe-deposit box," he said.
They all walked into an old-fashioned vault with a heavily reinforced door, its inner workings and tumblers open to the lobby. Traci had a set of the bank's master keys for one of the locks and she'd called in a locksmith to drill out the other one, which needed the customer's key. In short order, she was taking the box from its space in the wall. She placed it on a table in the center of the vault. It was one of the larger boxes-a foot wide, eighteen inches long, four inches in depth. It only took an other few seconds to get it open.
Unwittingly, Wessin whistled under his breath.
The stacks of money-fifty- and hundred-dollar bills-was what caught the eye first, but then Glitsky noticed what looked to be a rogue bit of tissue paper stuck against one side of the box. He picked that up first and opened it in his hand. It was, of course, the ring, with the stone actually larger than he'd pictured it. Wrapping it back up rather more neatly than it had been, he put it on the table next to the box. "I guess we ought to count this next," he said.
Tuesday, two days ago, early afternoon in Jackman's office with the door closed behind him and thick, rare slabs of sunshine streaking the floor over by the windows, the wind screaming outside. Jackman is in his oversize leather chair behind his desk, his fingers templed at his mouth. Treya, on the second day of her first week back at work after Zachary's birth, stands guard with her back against the door.
Glitsky is looking on while the DA reads the 314(a) form. "I just got this thing and wanted to run it by you."
"I don't understand how this can be," Jackman says. "Didn't you tell me her Social Security number came up deceased?"
"When I checked six weeks ago, yes. But if she opened this account within a few weeks of the Hanover fire, say, or even sooner than that, the computer wouldn't have caught up with her yet."
Treya says, "She's a banker, sir. She knew it wouldn't."
Glitsky adds. "She's done this before, remember. Established an identity in a new town with ginned-up docs. Undoubtedly she knew they don't check names against socials. If nobody ever thought to ask, and nobody has now for ten months, she's golden. What she didn't know about were the changes since 9/11."
Jackman asks, "So what name is she using now?"
"Monica Breque."
"I bet people call her Missy," Treya says.
"I wouldn't be surprised."
Jackman straightens up in his chair. "We need to get her in custody. Have you talked to the Davis people? Police."
"Yes, sir, a little. And there is still a problem-I talked to the manager at the bank and got a local address that seems not to be hers. It's not fictitious. It's just not where she lives. They sent some officers around to check right away, and it was somebody else's house entirely. So we don't know where she is."
Jackman isn't too fazed by this. "It's a small town. Somebody'll know where she lives."
"I'll be following up on that."
"I thought you might be." Jackman hesitates. "Abe." He talks quietly, but he's firm. "Why not have them work on the follow-up, the Davis police? Have them bring in the FBI if they want. It's a banking matter, so it's federal. And she's a protected witness. And when they find her and surround her and place her under arrest, then have them bring her down here for her trial when they're done with her. You've found her. You don't physically have to bring her in."
Glitsky is standing in the at-ease position between his wife and the DA. He wouldn't be at all surprised if they both had the same opinion of what he should do now, but he is not going to be drawn into this discussion. Instead, he nods in apparent assent. "Good point," he says.
Three hundred and fifteen thousand, four hundred dollars even.
It took them nearly an hour to count it twice and be sure. Traci left the two policemen to the work. Toward the end of it, Wessin seemed to become a bit impatient, checking his watch several times, and Glitsky learned that he was to be the speaker at a Rotary event at noon. Glitsky had loosened up by now and had become nearly voluble. He told Wessin he should have known that the chief would have some public event he needed to attend-half of Glitsky's own life was administrative stupidity and public relations. Both men agreed that if people knew, they'd never want to move up through the ranks. Even so, they both understood the importance of Wessin's speaking gig and picked up their speed. When they finally finished, Wessin still had fifteen minutes.
They called Traci back in to lock up the box again and insert it into its proper location. A next-to-worst-case scenario for Glitsky-after the possibility of her escaping again altogether-would be if they could not locate the woman in a day or two of canvassing shopkeepers and neighborhoods and had to assign a full-time person to keep watch in case she went to the bank for some cash.
But he had hopes that it wouldn't come to that. Already this morning, Wessin's task force had gone out into the town and onto the university campus, armed with their photographs. Two officers were going to the post office-they had what they hoped was a current alias, and if she'd ever gotten so much as a gas bill under that name, they could find where she lived. The French accent would stand out, as would the face. All talk of small town aside, though, the population of the greater area during the school year when college was in session was something in the order of a hundred thousand souls. If she were consciously laying low-and her years as a rebel in Algeria had certainly prepared her for that-they could miss her for a very long time, perhaps forever. And that's if she were still here at all.
Although the money argued that she was.
Glitsky and Wessin-by now they were Abe and Matt-were standing on the sidewalk outside the bank. The drizzle had let up along with most of the wind, and though the streets were wet and it was still overcast, patches of blue were showing in the sky above them. "People will be checking back in at the station after lunch, Abe. I could drop you back there now if you'd like. Or you could grab a bite downtown here. It's not San Francisco, but there's a couple of places to eat."
"I'll find 'em. You don't have a Jewish deli, do you?"
"No, but if you want deli, Zia's is pretty damn good Italian. It's on the next block, on the way to where I'm going to talk. You want, I'll show you."
It was a sad but true fact of Glitsky's life that since his heart attack and the never-ending battle with cholesterol, he rarely ate sandwiches anymore, especially freshly sliced mortadella and salami and all those great nitrates with cheese and vinegar and oil on a just-out-of-the-oven sourdough roll. But he was having one now, enjoying it immensely, washing it down with San Pellegrino water, thinking he liked this low-rise, not-quite-yuppified town, even as he wondered where the black people were.
With the improving weather, a steady stream of mostly young people-students, he surmised-passed in front of him where he sat outside on the sidewalk. He saw as many per-capita Asians as there were in San Francisco, and Hispanics, and from the evidence a thriving lesbian community-in fact, ethnicities and minorities of every stripe seemed well represented here, but there was nary a black person. What, he wondered, was that about? More than anything else, he found it odd, out of sync with the world he inhabited.
It was clouding up again as he was finishing his sandwich and his drink, and he went back inside the crowded little deli to discard his bottle and napkins. He looked at his watch. He wasn't due to meet Wessin for another twenty minutes, so he stopped for a moment to look at the display of imported Italian goods around the shelves. Maybe he'd pick up some eggplant caponata for Treya, or roasted red peppers, and surprise her. They hadn't had much romance in their lives since Zachary's birth, and now she was already back at work after the maternity leave. He should really get her something. He never thought to surprise her. He ought to change that. In fact, he should bring her presents more often, he was thinking, let her know how much she was appreciated.
Appreciated? He silently berated himself for the understatement. He way more than appreciated her. In four years, she had become the center of his life. Some days he felt she had given him the gift of feeling again, when it had for so long been dormant.
Maybe some chocolate? A box of Baci, or "little kisses"? Too romantic? What was too romantic? What kind of concept was that?
Carefully replacing the roasted red peppers and the little jar of relish so they wouldn't fall, he went over to the cash register where they kept the boxes of candy and was reaching out to pick one up when the woman behind the counter waved and cheerily called out, "Au revoir, madame."
An answering chirp of "au revoir" came from the doorway and Glitsky whirled to catch a glimpse of female profile as she walked out the door and turned left up the street. The candy forgotten now, his mind completely blank, he stood for a long instant frozen in his steps.
He wasn't completely sure. Whoever she was had become blond now, hair cropped so short that it nearly appeared crew cut. He'd only glimpsed her briefly, and the first impression-after the shock of recognition itself- was her youth. This could not be a thirty-nine-year-old former terrorist and killer. This was an anonymous student, possibly in graduate school, wearing very little if any makeup and sporting maybe a piercing through her eyebrow.
He didn't exactly have to fight his way out of the little shop, but if he didn't want to push people over and cause a scene, he had to be careful. By the time he'd come out onto the sidewalk, she was already at the corner crossing, walking away from him.
His mind racing, he fell in behind her. He had his pager on his belt, but had left his cell phone in his car back at police headquarters-they were only going down to the bank and then back on a quick errand, and he'd had no reason to think he'd need it. He did have his gun, but the sidewalk was, if not packed solid with humanity, at least well traveled-twenty or more people shuffled and strolled and simply walked in the space that separated them.
Reluctant to close too much of the space between them, he overruled his early inclination to try to make an arrest alone in the midst of these people. He knew nothing about her own preparations or readiness in case of trouble. She herself might well be the embodiment of that old cliche-armed and extremely dangerous. He could not risk provoking anything like a hostage situation. He also had no idea how she would react if he tried to place her under arrest by himself. The sight of a black man with a gun in a strange, curiously white-bread town might cause the citizenry to react unpredictably. Even if he flashed a badge, there might be enough craziness to allow a young screaming woman to get away in the startled crowd.
He had to get a plan. He had to get a plan.
Half a block further on, she stopped to look in a shopwindow and it gave him a chance to close the gap. Already he was within the same block, close enough to study her. He had lived with the photographs of her now for six weeks, that face from any number of angles, that face with a wide range of expressions. A car honked on the street behind him and she turned to look, and any doubt melted away.
He had found her!
She wore oversize tan overalls and sandals with no socks. On top, an overlong sweater in a washed-out green hid any intimation of the form beneath. She was any dowdy, even slovenly student, unconcerned about her appearance. Without the casually overheard French good-bye, Glitsky might have stood next to her in the deli-probably had been standing next to her-and he would have missed her entirely.
She brought a hand to her mouth. Biting into some kind of pastry, perhaps a cannoli, from the deli, she leaned over slightly to keep the crumbs from falling on her. Then she began walking again. Glitsky stepped into the doorway of the magazine store where she had slowed down and watched as she crossed over diagonally in the middle of the block. A few raindrops hit the pavement and she looked skyward, threw her pastry into a corner trash can and picked up her pace.
He was going to lose her if he didn't move.
But when he crossed behind her and got to the corner, she was still within the block. Stopping under the shelter of a building's overhang, she seemed to be checking her reflection in the bank's window, then brushing crumbs or the rain from her clothes. With another glance at the sky, she started up again, walking away from downtown.
They crossed what Glitsky recognized as Fifth Street and after that entered a residential neighborhood with small stand-alone houses on tiny lots. The foot traffic, here only three blocks from downtown, was nonexistent, which obliged him to extend the distance between them. He ran the slight risk of losing her, but he didn't think he would.
In any case, he had the feeling that this was her general neighborhood. She had come out for a snack or for lunch and now was walking home.
He could, of course, rush her now. With no other pedestrians about, he could put her on the ground if need be and place her under arrest. But he was most of a full block behind her, and there would be very little possibility of surprise. And if she did notice him coming up on her, and was in fact armed, it could become needlessly ugly very fast. Better, and it looked as if the opportunity would soon present itself, would be to remain unseen and unnoticed behind her and let her get home. Then he would have her address, after which he would immediately get to a phone and call for backup.
And the arrest would be done according to Hoyle.
She crossed another larger street-Eighth-then turned right and left and into the driveway of a parking lot in front of a two-story stucco apartment building. Jogging, Glitsky managed to reach the driveway in time to see her disappear into the next to last downstairs unit.
He checked his watch. Wessin would have finished his talk and would be waiting by his car, wondering where Glitsky was, but he could do nothing about that now. All he needed was the unit number, and he didn't even, strictly speaking, need that. He knew it was the second from the end unit on the ground floor. But he wanted to know for certain when he called it in. It would be bad luck to get it wrong and have a bunch of eager patrolmen, guns drawn, come crashing through the door of some piano teacher.
He stood now in a steady light rain at the outer entrance to the open asphalt parking lot. It was a small enough area, with hash lines marking spaces for each of the eight apartment units, and occupied at the moment by three well-used cars, none of them models from the current millennium.
In number three, where she'd gone, a light came on in the window. He took a few steps into the lot, getting some relief from the rain under a tree.
He still had the option to take her now, by himself. Under any pretense or none at all, he could simply knock at her door and wait until she opened it. Why would she suspect anything? She'd been living here, apparently unmolested, for ten months now, and her life must have settled into some kind of a routine.
But he would be wise not to take her too lightly. She'd had years of experience in the terrorist underground of Algeria, and in that time had learned who could say how many tricks to elude capture or incapacitate authorities when capture was a synonym for death. And truth be told, though it galled him, he was not sufficiently prepared for an arrest. Even if she had no weapon at her disposal, he had no handcuffs, and no way to restrain her except at the point of a gun, which might turn out to be a limited option if he wasn't prepared to shoot her out of hand.
He had to get to a phone. He thought it unlikely that having just returned home, she would leave again, especially in the rain. He wondered if one of the cars in the lot was hers. Maybe the apartment belonged to a friend and she was visiting, not living there.
He had to move. He could lose her if he waited until every possible contingency had been covered.
But she was right here! He stood under the tree, torn by indecision, mesmerized by the light in her window. Had a shadow just moved in the room? He moved a few steps to his left to get a better view. The rain fell in slow, steady vertical drops. A little harder now in front of him, suddenly audible above him in the leaves of his sheltering tree.
He had to move.
The familiar snick semiautomatic's round being chambered sounded very close to his ear. The woman's voice from behind him was quiet and assured, with no trace of panic or even unusual concern. "I have a gun pointed at the back of your head. Don't turn around. Don't make any sudden movements. Keep your hands out in front of you where I can see them. The only reason you're still alive is that I need to know who you're with."
"San Francisco police."
"Walk toward the apartment house, second door from the left."
"Are you going to shoot me?"
"If you don't walk, yes."
Glitsky moved forward, out into the rain. He heard her footsteps now behind him and marveled that she could have come up behind him so quickly without a sound or a warning.
"Stop," she said when he reached the door. "Turn the knob and kick the door all the way so it swings open." Following her instructions to the letter, Glitsky stood in the threshold. "Now walk into the middle of the room and link your hands on the top of your head."
He did as he was told, heard her come in behind him and close the door. "Now turn around." The orders continued, specific and organized. "Take your right hand only-slowly, very slowly-and unzip your jacket all the way. Thank you. Get it off, easy, slowly, and drop it to the floor behind you. Step away from it. Now!"
She held the gun steadily in one hand. Glitsky noted how comfortable she looked with it and, at the same time, how nearly unrecognizable she'd made herself. The haircut was not so much short as chopped unevenly. With no lipstick or other facial makeup, and with the silver post through her bleached white eyebrows, she had adopted the look of an all but marginal figure, anonymous. By looks alone, she was a kind of lost-looking older and pathetic waif, a spare-change artist from whom people would naturally tend to avert their eyes.
But she never took her eyes from him. "Hold your left arm straight out like I'm doing. Okay, now with your right, thumb and first finger only, lift the gun out of the holster and put it on the floor. Stand." She raised her own gun to his chest and Glitsky thought she was going to execute him. But she extended her arm instead and said, "Back up. More."
The backs of Glitsky's knees hit the couch and he heavily, awkwardly, went down to a sit on the piece of furniture. She got to his gun, picked it up, put it into the pocket of her overalls. "Pull both of your pant legs up to your knees. All right, you can let them back down. Now hands back on your head. Link them." Neither eyes nor gun ever leaving him, she went to the open kitchen area, six feet away, and pulled a metal chair over onto the rug in the center of the room. She sat on it, facing him. "What's your name?"
"Abe Glitsky."
"You're with the San Francisco police?"
"Yes, I am."
"You need training in how to follow people. You're no good at it."
"I'll keep it in mind next time," he said.
But she didn't follow up on that, a conversation line that he thought might humanize him, which in turn could perhaps give her pause as she was deciding whether or not to kill him. Although to protect her identity and her family, he knew that she would have to.
But she simply said, "It's about Paul, then. " "And Dorris." Glitsky would keep her talking if he could, even if he had to bait her. "You remember Dorris?"
She moved her shoulders in a kind of shrug. "Dorris had to be. In the world, there are millions of Dorrises who have uses and then become expendable. I wish it hadn't been necessary." Almost as an afterthought, she added, "I thought I was done with killing. But no one will ever miss her. She didn't matter."
"And what about Paul?" "We won't talk about Paul. In fact, there is nothing more to say." Her eyes went to the gun in her hand.
"But there is." He was staring at the gun's barrel. If it moved, he would try to jump her, and probably die trying. But maybe they weren't quite to that point yet. "I don't understand what happened," he said. "You had a life together. You were going to get married."
Shaking her head as though to ward off the thought, she snapped out the words. "I loved him." Then, matterof-fact. "I loved him."
"But you killed him?" "I killed him. That's what I do. I betray people and then kill them. Or someone else does."
Glitsky risked unlinking his hands, lowering them slowly onto his lap. "Why?"