'Oh, just at the end,' said Raiser, pacing forward. 'It's a fine night.

Did you hear her?'

'No; too late.'

Raiser pressed ahead, to meditate by himself, as was his wont. Finding Redworth beside him, he monologuized in his depths: 'They'll kill her.

She puts her soul into it, gives her blood. There 's no failing of the voice. You see how it wears her. She's doomed. Half a year's rest on Como ... somewhere... she might be saved! She won't refuse to work.'

'Have you spoken to her?' said Redworth.

'And next to Berlin! Vienna! A horse would be....

I? I don't know her,' Raiser replied. 'Some of their women stand it.

She's delicately built. You can't treat a lute like a drum without destroying the instrument. We look on at a murder!'

The haggard prospect from that step of the climax checked his delivery.

Redworth knew him to be a sober man in office, a man with a head for statecraft: he had made a weighty speech in the House a couple of hours back. This Opera cantatrice, no beauty, though gentle, thrilling, winning, was his corner of romance.

'Do you come here often?' he asked.

'Yes, I can't sleep.'

'London at night, from the bridge, looks fine. By the way...'

'It 's lonely here, that's the advantage,' said Rainer; 'I keep silver in my pocket for poor girls going to their homes, and I'm left in peace.

An hour later, there's the dawn down yonder.'

'By the way,' Redworth interposed, and was told that after these nights of her singing she never slept till morning. He swallowed the fact, sympathized, and resumed: 'I want a small favour.'

'No business here, please!'

'Not a bit of it. You know Mrs. Warwick.... You know of her. She 's publishing a book. I want you to use your influence to get it noticed quickly, if you can.'

'Warwick? Oh, yes, a handsome woman. Ah, yes; the Dannisburgh affair, yes. What did I hear!--They say she 's thick with Percy Dacier at present. Who was talking of her! Yes, old Lady Dacier. So she 's a friend of yours?'

'She's an old friend,' said Redworth, composing himself; for the dose he had taken was not of the sweetest, and no protestations could be uttered by a man of the world to repel a charge of tattlers. 'The truth is, her book is clever. I have read the proofs. She must have an income, and she won't apply to her husband, and literature should help her, if she 's fairly treated. She 's Irish by descent; Merion's daughter, witty as her father. It's odd you haven't met her. The mere writing of the book is extraordinarily good. If it 's put into capable hands for review! that's all it requires. And full of life... bright dialogue.. capital sketches.

The book's a piece of literature. Only it must have competent critics!'

So he talked while Rainer ejaculated: 'Warwick? Warwick?' in the irritating tone of dozens of others. 'What did I hear of her husband? He has a post.... Yes, yes. Some one said the verdict in that case knocked him over--heart disease, or something.'

He glanced at the dark Thames water. 'Take my word for it, the groves of Academe won't compare with one of our bridges at night, if you seek philosophy. You see the London above and the London below: round us the sleepy city, and the stars in the water looking like souls of suicides.

I caught a girl with a bad fit on her once. I had to lecture her!

It's when we become parsons we find out our cousinship with these poor peripatetics, whose "last philosophy" is a jump across the parapet. The bridge at night is a bath for a public man. But choose another; leave me mine.'

Redworth took the hint. He stated the title of Mrs. Warwick's book, and imagined from the thoughtful cast of Rainer's head, that he was impressing THE PRINCESS EGERIA On his memory.

Rainer burst out, with clenched fists: 'He beats her! The fellow lives on her and beats her; strikes that woman! He drags her about to every Capital in Europe to make money for him, and the scoundrel pays her with blows.'

In the course of a heavy tirade against the scoundrel, Redworth apprehended that it was the cantatrice's husband. He expressed his horror and regret; paused, and named THE PRINCESS EGERIA and a certain Critical Review. Another outburst seemed to be in preparation. Nothing further was to be done for the book at that hour. So, with a blunt 'Good night,' he left Charles Rainer pacing, and thought on his walk home of the strange effects wrought by women unwittingly upon men (Englishmen); those women, or some of them, as little knowing it as the moon her traditional influence upon the tides. He thought of Percy Dacier too. In his bed he could have wished himself peregrinating a bridge.

The PRINCESS EGERIA appeared, with the reviews at her heels, a pack of clappers, causing her to fly over editions clean as a doe the gates and hedges--to quote Mr. Sullivan Smith, who knew not a sentence of the work save what he gathered of it from Redworth, at their chance meeting on Piccadilly pavement, and then immediately he knew enough to blow his huntsman's horn in honour of the sale. His hallali rang high. 'Here's another Irish girl to win their laurels! 'Tis one of the blazing successes. A most enthralling work, beautifully composed. And where is she now, Mr. Redworth, since she broke away from that husband of hers, that wears the clothes of the worst tailor ever begotten by a thread on a needle, as I tell every soul of 'em in my part of the country?'

'You have seen him?' said Redworth.

'Why, sir, wasn't he on show at the Court he applied to for relief and damages? as we heard when we were watching the case daily, scarce drawing our breath for fear the innocent--and one of our own blood, would be crushed. Sure, there he stood; ay, and looking the very donkey for a woman to flip off her fingers, like the dust from my great uncle's prise of snuff! She's a glory to the old country. And better you than another, I'd say, since it wasn't an Irishman to have her: but what induced the dear lady to take him, is the question we 're all of us asking! And it's mournful to think that somehow you contrive to get the pick of us in the girls! If ever we 're united, 'twill be by a trick of circumvention of that sort, pretty sure. There's a turn in the market when they shut their eyes and drop to the handiest: and London's a vortex that poor dear dull old Dublin can't compete with. I 'll beg you for the address of the lady her friend, Lady Dunstane.'

Mr. Sullivan Smith walked with Redworth through the park to the House of Commons, discoursing of Rails and his excellent old friend's rise to the top rung of the ladder and Beanstalk land, so elevated that one had to look up at him with watery eyes, as if one had flung a ball at the meridian sun. Arrived at famed St. Stephen's, he sent in his compliments to the noble patriot and accepted an invitation to dinner.

'And mind you read THE PRINCESS EGERIA,' said Redworth.

'Again and again, my friend. The book is bought.' Sullivan Smith slapped his breastpocket.

'There's a bit of Erin in it.'

'It sprouts from Erin.'

'Trumpet it.'

'Loud as cavalry to the charge!'

Once with the title stamped on his memory, the zealous Irishman might be trusted to become an ambulant advertizer. Others, personal friends, adherents, courtiers of Redworth's, were active. Lady Pennon and Henry Wilmers, in the upper circle; Whitmonby and Westlake, in the literary; spread the fever for this new book. The chief interpreter of public opinion caught the way of the wind and headed the gale.

Editions of the book did really run like fires in summer furze; and to such an extent that a simple literary performance grew to be respected in Great Britain, as representing Money.

CHAPTER XVIII. THE AUTHORESS

The effect of a great success upon Diana, at her second literary venture, was shown in the transparent sedateness of a letter she wrote to Emma Dunstane, as much as in her immediate and complacent acceptance of the magical change of her fortunes. She spoke one thing and acted another, but did both with a lofty calm that deceived the admiring friend who clearly saw the authoress behind her mask, and feared lest she should be too confidently trusting to the powers of her pen to support an establishment.

'If the public were a perfect instrument to strike on, I should be tempted to take the wonderful success of my PRINCESS at her first appearance for a proof of natural aptitude in composition, and might think myself the genius. I know it to be as little a Stradivarius as I am a Paganini. It is an eccentric machine, in tune with me for the moment, because I happen to have hit it in the ringing spot. The book is a new face appealing to a mirror of the common surface emotions; and the kitchen rather than the dairy offers an analogy for the real value of that "top-skim." I have not seen what I consider good in the book once mentioned among the laudatory notices--except by your dear hand, my Emmy. Be sure I will stand on guard against the "vaporous generalizations," and other "tricks" you fear. Now that you are studying Latin for an occupation--how good and wise it was of Mr. Redworth to propose it!--I look upon you with awe as a classic authority and critic.

I wish I had leisure to study with you. What I do is nothing like so solid and durable.

'THE PRINCESS EGERIA' originally (I must have written word of it to you--I remember the evening off Palermo!) was conceived as a sketch; by gradations she grew into a sort of semi-Scudery romance, and swelled to her present portliness. That was done by a great deal of piecing, not to say puffing, of her frame. She would be healthier and have a chance of living longer if she were reduced by a reversal of the processes. But how would the judicious clippings and prickings affect our "pensive public"? Now that I have furnished a house and have a fixed address, under the paws of creditors, I feel I am in the wizard-circle of my popularity and subscribe to its laws or waken to incubus and the desert.

Have I been rash? You do not pronounce. If I have bound myself to pipe as others please, it need not be entirely; and I can promise you it shall not be; but still I am sensible when I lift my "little quill"

of having forced the note of a woodland wren into the popular nightingale's--which may end in the daw's, from straining; or worse, a toy-whistle.

'That is, in the field of literature. Otherwise, within me deep, I am not aware of any transmutation of the celestial into coined gold.

I sound myself, and ring clear. Incessant writing is my refuge, my solace--escape out of the personal net. I delight in it, as in my early morning walks at Lugano, when I went threading the streets and by the lake away to "the heavenly mount," like a dim idea worming upward in a sleepy head to bright wakefulness.

'My anonymous critic, of whom I told you, is intoxicating with eulogy.

The signature "Apollonius" appears to be of literary-middle indication.

He marks passages approved by you. I have also had a complimentary letter from Mr. Dacier:

'For an instance of this delight I have in writing, so strong is it that I can read pages I have written, and tear the stuff to strips (I did yesterday), and resume, as if nothing had happened. The waves within are ready for any displacement. That must be a good sign. I do not doubt of excelling my PRINCESS; and if she received compliments, the next may hope for more. Consider, too, the novel pleasure of earning money by the labour we delight in. It is an answer to your question whether I am happy. Yes, as the savage islander before the ship entered the bay with the fire-water. My blood is wine, and I have the slumbers of an infant. I dream, wake, forget my dream, barely dress before the pen is galloping; barely breakfast; no toilette till noon. A savage in good sooth! You see, my Emmy, I could not house with the "companionable person" you hint at. The poles can never come together till the earth is crushed. She would find my habits intolerable, and I hers contemptible, though we might both be companionable persons. My dear, I could not even live with myself. My blessed little quill, which helps me divinely to live out of myself, is and must continue to be my one companion. It is my mountain height, morning light, wings, cup from the springs, my horse, my goal, my lancet and replenisher, my key of communication with the highest, grandest, holiest between earth and heaven-the vital air connecting them.

'In justice let me add that I have not been troubled by hearing of any of the mysterious legal claims, et caetera. I am sorry to hear bad reports of health. I wish him entire felicity--no step taken to bridge division! The thought of it makes me tigrish.