"Why do you look like that? What are you thinking of?"

"Naples," she said.

"I will sing you the street song. And then, presently, we will go. I know we must not be too late, or your dear Mademoiselle Cronin will be frightened about you."

He left her, and went once more to the piano.

CHAPTER IV

About seven o'clock that evening Lady Sellingworth was sitting alone in her drawing-room. Sir Seymour Portman had been with her for an hour and had left her at half past six, believing that she was going to spend one of her usual solitary evenings, probably with a book by the fire. He would gladly, even thankfully, have stayed to keep her company. But no suggestion of that kind had been made to him. And, beyond calling regularly at the hour when he believed that he was welcome, he never pressed his company upon his dearly loved friend. Even in his great affection he preserved a certain ceremoniousness. Even in his love he never took a liberty. In modern days he still held to the reserve of the very great gentleman, old-fashioned perhaps now, but nevertheless precious in his sight.

He would have been not a little surprised had he been able to see his Adela at this moment.

She had changed the plain black gown in which she had received him, and was dressed in dark red velvet. She wore a black hat. Two big rubies gleamed in her ears, and there was another, surrounded with diamonds, at her throat. Her gown was trimmed with an edging of some dark fur.

As usual her hands were covered by loose white gloves. She was shod for walking out. Her eyebrows had been carefully darkened. There was some artificial red on her lips. Her white hair was fluffed out under the hat brim, and looked very thick and vital. Her white skin was smooth and even. Her eyes shone, as Cecile had just told her, "_comme deux lampes_." She was a striking figure as she sat on her sofa very upright near a lamp, holding a book in her hand. She even looked very handsome and, of course, very distinguished. But her face was anxious, her bright eyes were uneasy, and there was a perceptible stamp of artificiality upon her. A woman would have noticed it instantly. Even an observant man would probably not have missed it.

She seemed to be reading at first, and presently there was a faint rustle. She had turned a page. But soon she put the book down in her lap, still keeping her hand on it, and sat looking about the room. The clock chimed seven. She moved and sighed. Then again she sat very still like one listening. After a while she lifted the book, glanced at it again, and then put it down, got up and went to the fireplace. She turned on the lights there, leaned forward and looked into the gla.s.s.

Her face became stern with intentness when she did that. She put up a hand to her hair, turned her head a little to one side, smiled faintly, then a little more, and looked grave, then earnest. Finally she put both her hands on the mantelpiece, grasped it and stared into the gla.s.s.

In that moment she was feeling afraid.

She had arranged to dine with Alick Craven once more at the _Bella Napoli_. He would come for her in a few minutes. She was wondering very much how exactly she would appear to him, how old, how good-looking--or plain. She had tried, with Cecile's help, to look her very best. Cecile had declared the result was a success. "_Miladi est merveilleus.e.m.e.nt belle ce soir, mais vraiment belle!_" But a maid, of course, would not scruple to lie about such a matter. One could not depend on a maid's word. She was in love with Alick Craven, desperately in love as only an elderly woman can be with a man much younger than herself. And that love made her afraid.

There was a tiny mole on her face, near the mouth. She wished she had had it removed in Geneva. Why had not she had that done? No doubt because she was so accustomed to it that for years she had never thought of it, had never even seen it. Now suddenly she saw it, and it seemed to her noticeable, an ugly blemish. Anyone who looked at her must surely look at it, think of it. For a moment she felt desperate about it, and her whole body was suddenly hot as if a flame went over it. Then the mocking look came into her eyes. She was trying to laugh at herself.

"He doesn't think of me in _that_ way! No man will ever think of me in _that_ way again!"

But the mocking expression died out and the fear did not go. She was afraid of Craven's young eyes. It was terrible to feel so humble, so full of trembling diffidence. Oh, for a moment of the conquering sensation she had sometimes known in the years long ago when men had made her aware of her power!

Since their meeting in Dindie Ackroyde's drawing-room her friendship with Craven, renewed, had grown into something like intimacy. But there was an uneasiness in it which she felt acutely. There were humbug and fear in this friendship. Because she was desperately in love she was forced to be insincere with Craven. Haunted perpetually by the fear of losing what she had, the liking of a man who was not, and could never be, in love with her, she had to give Craven the impression that she was beyond the age of love, that the sensations of love were dead in her beyond hope of resurrection. She had to play at detachment when her one desire was to absorb and to be absorbed, had to sustain an appearance of physical coldness while she was burning with physical fever. She had to create a false atmosphere about her, and to do it so cleverly that it seemed absolutely genuine, the emanation of her personality in unstudied naturalness.

Her lack of all affection helped her to deceive. Though in moments she might seem constrained, oddly remote, frigidly detached, she was never affected. Now and then Craven had wondered about her, but he had never guessed that she was acting a part. The charm of her was still active about him, and it was the charm of apparent sincerity. To him so far the false atmosphere seemed real, and he was not aware of the fear.

Lady Sellingworth feared being found out by Craven, and feared what might happen if he found out that she was in love with him. She feared her age and the addition each pa.s.sing day made to it. She feared her natural appearance, and now strove to conceal it as much as possible without being unskilful or blatant. And she feared the future terribly.

For Time galloped now. She often felt herself rushing towards the abyss of the seventies.

The worst of it all was that in humbug she was never at ease. Instead of, like many women, living comfortably in insincerity, she longed to be sincere. To love as she did and be insincere was abominable to her. To her insincerity now seemed to be the direct contradiction of love. Often when she was deceiving Alick Craven she felt almost criminal. Perhaps if she had been much younger she might not have been so troubled in the soul by the necessity for constant pretence. But to those who are of any real worth the years bring a growing need of sincerity, a growing hunger which only true things can satisfy. And she knew that need and suffered that hunger.

She was feeling it now as she waited for Craven. She longed to be able to let him see her as she was and to be accepted by him as she was.

But he would not accept her. She knew that. He did not want her as she wanted him. He was satisfied with things as they were. She was at a terrible disadvantage with him, for she was in his power, while he was not in hers. He could ruin such happiness as she now had. But she could not ruin his happiness. If he gave her up she would be broken, though probably no one would know it. But if she gave him up he would not mind very much, though no doubt his pride would be hurt. Perhaps, even now, she was only a palliative in his life. Beryl Van Tuyn had evidently treated him badly. He turned to others for some casual consolation.

Lady Sellingworth often wondered painfully what Craven felt about the American girl. Was she only comforting Craven, playing a sort of dear old mother's part to him? Did he come to her because he considered her a skilful binder up of wounds? Could Beryl whenever she chose take him away?

Lady Sellingworth's instinct told her that while she had been abroad Craven and Beryl had travelled in their friendship. But she did not yet know exactly how far Craven had gone. It seemed evident now that Beryl had been suddenly diverted, no doubt by some strong influence, on to another track; Lady Sellingworth knew that she and Craven were no longer meeting. Something had happened which had interfered with their intimacy. Rumour said that Beryl Van Tuyn was in love with another man, with this Nicolas Arabian, whom n.o.body knew. Everyone in the Coombe set was talking about it. How keenly did Craven feel this sudden defection?

That it had hurt his young pride Lady Sellingworth was certain. But she was not certain whether it had seriously wounded his heart.

"Am I a palliative?" she thought as she gazed into the gla.s.s.

And then came the terrible question:

"How can I be anything else?"

She heard the door opening behind her, took her hands from the mantelpiece, and turned round quickly.

"Mr. Craven, my lady."

"You're all ready? Capital! I say, am I late?"

"No. It's only a little past seven."

He had taken her hand. She longed to press his, but she did not press it. He looked at her, she thought, rather curiously.

"I've got a taxi at the door. It's rather a horrid night. You're not dressed for walking?"

Again his look seemed to question her.

She put up a hand to her face, near the mouth, nervously.

"We had better drive. In these winter evenings walking isn't very pleasant. We must be a little less Bohemian in taste, mustn't we?"

He seemed now slightly constrained. His eyes did not rest upon her quite naturally, she thought.

"Shall we go down?" she said.

"Yes, do let us."

As she moved to go she looked into the gla.s.s. She could not help doing that. He noticed it, and thought:

"I wonder why she has begun making her face up like this?"

He did not like it. He preferred her as she had been when he had first come to her house on an autumn evening. To him there was something almost distressing in this change which he noticed specially to-night.

And her look into the gla.s.s had shown him that she was preoccupied about her appearance. Such a preoccupation on her part seemed foreign to her character as he had conceived of it. Her greatest charm had been her extraordinary lack, or apparent lack, of all self-consciousness. She had never seemed to bother about herself, to be thinking of the impression she was making on others.

But she was certainly looking very handsome.

She put on a fur. They got into the cab and drove to Soho.

Craven had ordered the table in the window to be reserved for them. The restaurant was fairly, but not quite, full. The musicians were in their accustomed places looking very Italian. The l.u.s.trous _padrona_ smiled a greeting to them from her counter. Their bright-eyed waitress hurried up and welcomed them in Italian. Vesuvius erupted at them from the walls.

There was a cozy warmth in the unpretentious room, an atmosphere of careless intimacy and good fellowship.

"Let me take off your fur!"

She slipped out of it, and he hung it up on a hook among hats and coats which looked as if they could never have anything to do with it.

"I'll sit with my back to the window," she said. She sat down, and he sat on her left facing the entrance.