Because of it her close intimacy with him--it would certainly now be called, and thought of, as that--would very soon be public property.

All those women would hear about it. How crazy she had been to visit Arabian's flat at such a moment! She was angry with herself, and yet she believed that in like circ.u.mstances she would do the same thing again.

Her power of will had deserted her, or this man, Arabian, had the power to inhibit her will. And Craven? What could he be thinking about her?

She knew he was a sensitive man. What must he be thinking? That she had asked him to come all the way to Glebe Place merely in order that he might see her in deep conversation with another man. And she had not even spoken to him. He would be furious. She remembered his face. He was furious. By what she had done she had certainly alienated Craven.

And her father was dead!

She leaned back in the darkness of the cab, feeling weak and miserable, almost terrified. Surely Fate had her in a tight grip. She remembered Arabian's question: would it be necessary for her to go to America? Her father was very rich. She was his only child. He must certainly have left her a great deal of his money, for his second wife was wealthy and would not need it. There might be business to do which would necessitate her presence in New York. At that moment she almost wished for an urgent summons from the New World. A few hours in a train, the crossing of a gang-plank, the hoot of a siren, and she would be free from all these complications! The sea would lie between her and Arabian--Adela Sellingworth--Craven. She would stay away for months. She would not come back at all.

But this man, Arabian, would he let her go without a word, without doing something? Would his strange and horrible reserve last till her ship was at sea? She could not believe it. If she made up her mind to sail, and he knew it, he would speak, act. Something would happen. There would be some revelation of character, of intention. She was sure of it. Arabian was a man who could wait--but not for ever.

She still seemed to feel the pulse beating in his warm hand as she drove through the rain and the darkness.

PART SIX

CHAPTER I

Mrs. Ackroyde had a pretty little house in Upper Grosvenor Street, but she spent a good deal of her time in a country house which she had bought at Coombe close to London. She was always there from Sat.u.r.day to Monday, when she was not paying visits or abroad, and Coombe Hall, as her place was called, was a rallying ground for members of the "old guard." Invariably guests came down on the Sunday to lunch and tea.

Bridge was the great attraction for some. For others there were lawn tennis and golf. And often there was good music. For Mrs. Ackroyde was an excellent musician as well as an ardent card-player.

Lady Sellingworth had occasionally been to Coombe Hall, but for several years now she had ceased from going there. She did not care to show her white hair and lined face in Mrs. Ackroyde's rooms, which were always thronged with women she knew too well and with men who had ceased from admiring her. And she was no longer deeply interested in the gossip of a world in which formerly she had been one of the ruling spirits. She was, therefore, rather surprised at receiving a note from Mrs. Ackroyde soon after her return from Geneva urging her to motor to Coombe on the following Sunday for lunch.

"I suppose there will be the usual crowd," Mrs. Ackroyde wrote. "And I've asked Alick Craven and two or three who don't often come. What do you think of Beryl Van Tuyn's transformation into an heiress? I hear she's come into over three million dollars. I suppose she'll be more unconventional than ever now. Minnie Birchington met her just after her father's death, in fact the very day his death was announced in the papers. She'd just been to tea with a marvellously good-looking man called something Arabian, who has taken a flat in Rose Tree Gardens opposite to Minnie's. Evidently this is the newest way of going into deep mourning."

Lady Sellingworth hesitated for some time before answering this note.

Probably, indeed almost certainly, she would have refused the invitation but for the last three sentences about Beryl Van Tuyn. She did not want to see the girl again, for she could not help hating her. She had, of course, sent a note of sympathy to Claridge's, and had received an affectionate reply, which she had torn up and burnt after reading it.

But she had not gone to tell her regret at this death to Beryl, and Beryl had expressed no wish to see her.

In her heart Lady Sellingworth hated humbug, and she knew, of course, that any pretence of real friendship between Beryl and her would be humbug in an acute form. She might in the future sometimes have to pretend, but she was resolved not to rush upon insincerity. If Beryl sought her out again she would play her part of friend gallantly to conceal her wounds. But she would certainly not seek out Beryl.

She had not seen Craven since her return to London. In spite of her anger against him, which was complicated by a feeling of almost contemptuous disgust, she longed to see him again. Each day, when she had sat in her drawing-room in the late afternoon and had heard Murgatroyd's heavy step outside and the opening of the door, her heart beat fast, and she had thought, "Can it be he?" Each day, after the words "Sir Seymour Portman!" her heart had sunk and she had felt bitter and weary.

And now came this invitation, putting it in her power to meet Craven again naturally. Should she go?

She read Dindie Ackroyde's note once more carefully, and a strange feeling stung her. She had been angry with Beryl for being fond of Craven. (For she had supposed a real fondness in Beryl.) Now she was angry with Beryl for a totally different reason. It was evident to her that Beryl was behaving badly to Craven. As she looked at the note in her hand she remembered a conversation in a box at the theatre. Arabian!

That was the name of the man d.i.c.k Garstin was painting, or had been painting. Dindie Ackroyde called him "Something Arabian." Lady Sellingworth's mind supplied the other name. It was Nicolas. Beryl had described him as "a living bronze."

She had gone out to tea with him in a flat on the day her father's sudden death had been announced in the papers. And yet she had pretended that she was hovering on the verge of love for Alick Craven. She had even implied that she was thinking of marrying him. Lady Sellingworth saw Beryl as a treacherous lover, as well as an unkind friend and a heartless daughter, and suddenly her anger against Craven died in pity.

She had believed for a little while that she hated him, but now she longed to protect him from pain, to comfort him, to make him happy, as surely she had once made him happy, if only for an hour or two. She forgot her pride and her sense of injury in a sudden rush of feeling that was new to her, that perhaps, really, had something of motherliness in it. And she sat down quickly and wrote an acceptance to Mrs.

Ackroyde.

When Sunday came she felt excited and eager, absurdly so for a woman of sixty. But her secret diffidence troubled her. She looked into her mirror and thought of the piercing eyes of the "old guard," of those merciless and horribly intelligent women who had marked with amazement her sudden collapse into old age ten years ago, who would mark with a perhaps even greater amazement this bizarre attempt at a partial return towards what she had once been.

And what would Alick Craven think?

Nevertheless she put a little more red on her lips, called her maid, had something done to her hair.

"It has been a great success!" said the little Frenchwoman. "Miladi looks wonderful to-day. Black and white is much better than unrelieved black for miladi. And the _soupcon_ of blue on the hat and in the earrings of miladi lights up the whole personality. Miladi never did a wiser thing than when she visited Switzerland."

"You think not, Cecile?"

"Indeed yes, miladi. There is no specialist even in Paris like Monsieur Paulus. And as to the Doctor Lavallois, he is a marvel. Every woman who is no longer a girl should go to him."

Lady Sellingworth picked up a big m.u.f.f and went down to the motor, leaving Cecile smiling behind her. As she disappeared down the stairs Cecile, who was on the bright side of thirty, with a smooth, clear skin and chestnut-coloured hair, pushed out her under-lip slowly and shook her head.

"_La vieillesse!_" she murmured. "_La vieillesse amoureuse! Quelle horreur!_"

Lady Sellingworth had never given the maid any confidence about her secret reasons for doing this or that. But Cecile was a Parisian. She fully understood the reason for their visit to Geneva. Miladi had fallen in love.

Lady Sellingworth's excitement increased as she drove towards Coombe.

It was complicated by a feeling of shyness. To herself she said that she was like an old debutante. She had been out of the world for so long, and now she was venturing once more among the merciless women of the world that never rests from amusing itself, from watching the lives of others, from gossiping about them, from laughing at them. She had been a leader of this world until she had denied it, had shut herself away from it. And now she was venturing back--because of a man. As she drove on swiftly through the wintry and dull-looking streets, streets that seemed to grow meaner, more dingy, more joyless, as she drew near to the outskirts of London, she looked back over the past. And she saw always the same reason for the important actions of her life. All of them had been committed because of a man. And now, even at sixty--Presently she saw by the look of the landscape that she was nearing Coombe, and she drew a little mirror out of her m.u.f.f and gazed into it anxiously.

"What will they say? What will he think? What will happen to me to-day?"

The car turned into a big gravel sweep between tall, red-brick walls, and drew up before Mrs. Ackroyde's door.

In the long drawing-room, with its four windows opening on to a terrace, from which Coombe Woods could be seen sunk in the misty winter, Lady Sellingworth found many cheerful people whom she knew. Mrs. Ackroyde gave her blunt, but kindly, greeting, with her strange eyes, fierce and remote, yet notably honest, taking in at a glance the results of Geneva.

Lady Wrackley was there in an astonishing black hat trimmed with bird of paradise plumes. Glancing about her while she still spoke to Dindie Ackroyde carelessly, Lady Sellingworth saw young Leving; Sir Robert Syng; the d.u.c.h.ess of Wellingborough, shaking her broad shoulders and tossing up her big chin as she laughed at some joke; Jennie Farringdon, with her puffy pale cheeks and parrot-like nose, talking to old Hubert Mostine, the man of innumerable weddings, funerals and charity fetes, with his blinking eyelids and moustaches that drooped over a large and gossiping mouth; Magdalen Dearing, whose Mona Lisa smile had attracted three generations of men, and who had managed to look sad and be riotous for at least four decades; Francis Braybrooke, pulling at his beard; Mrs. Birchington; Lady Anne Smith, wiry, c.o.c.k-nosed, brown, ugly, but supremely smart and self-a.s.sured; Eve Colton, painted like a wall, and leaning, with an old hand blazing with jewels, on a stick with a jade handle; Mrs. Dews, the witty actress, with her white, mobile face, and the large irresponsible eyes which laughed at herself, the critics and the world; Lord Alfred Craydon, thin, high church and political, who loved pretty women but receded farther and farther from marriage as the years spun by; and Lady Twickenham, a French _poupee_; and Julian Lamberhurst, the composer, who looked as if he had grown up to his six foot four in one night, like the mustard seed; and Hilary Lane, the friend of poets; and--how many more! For Dindie Ackroyde loved to gather a crowd for lunch, and had a sort of physical love of noise and human complications.

At the far end of the room there was a section which was raised a few inches above the rest. Here stood two Steinway grand pianos, tail to tail, their dark polished cases shining soberly in the pale light of November. There were some deep settees on this species of dais, and, looking towards it, over the heads of the crowd in the lower part of the room, Lady Sellingworth saw Craven again.

He was sitting beside a pretty girl, whom Lady Sellingworth did not know, and talking. His face looked hard and bored, but he was leaning towards the girl as if trying to seem engrossed, intent, on the conversation and on her.

Francis Braybrooke came up. Lady Sellingworth was busy, greeting and being greeted. Once more she made part of the regiment. But the ranks were broken. There was no review order here. Only for an instant had she been aware of formality, of the "eyes right" atmosphere--when she had entered the room. Then the old voices hummed about her. And she saw the well-known and experienced eyes examining her. And she had to listen and to answer, to be charming, to "hold her own."

"I'm putting Alick Craven next to you at lunch, Adela. I know you and he are pals. He's over there with Lily Bright."

"And who is Lily Bright?" said Lady Sellingworth in her most offhand way.

"A dear little New Englander, Knickerbocker to the bone."

She turned away composedly to meet another guest.

Francis Braybrooke began to talk to Lady Sellingworth, and almost immediately Lady Wrackley and Mrs. Birchington joined them.

"How marvellous you look, Adela!" said Lady Wrackley, staring with her birdlike eyes. "You will cut us all out. I must go to Geneva. Have you heard about Beryl? But of course you have. She was so delighted at coming into a fortune that she rushed away to Rose Tree Gardens to celebrate the event with a man without even waiting till she had got her mourning. Didn't she, Minnie?"

Francis Braybrooke was looking shocked.

"I cannot believe that Miss Van Tuyn--" he began.

But Mrs. Birchington interrupted him.

"But I was there!" she said.