Miss Van Tuyn, who was on her way to the door, did not hear him, and Garstin swiftly and softly took the paper and slipped it into the pocket of his overcoat. When he had said good-bye to Beryl he went back to Glebe Place. He mounted the stairs to the studio on the first floor, turned on the lights, went to the Spanish cabinet, poured himself out a drink, lit one of the black cigars, then sat down in a worn arm-chair, put his feet on the sofa, and unfolded _The Westminster Gazette_. What had she been reading so intently? What was it in the paper that had got on her nerves?

The political news, the weather, the leading article, notes, reviews of new books. He looked carefully at each of the reviews. Not there! Then he began to read the news of the day, but found nothing which seemed to him capable of gripping Beryl's attention. Finally, he turned to the last page but one of the paper, saw the heading, "Our Paris Letter," and gave the thrush's call softly. Paris--Beryl! This was sure to be it.

He began to read, and almost immediately was absorbed. His brows contracted, his lips went up towards his long, hooked nose. A strong light shone in his hard, intelligent eyes, eyes surely endowed with the power to pierce into hidden places. Presently he put the paper down. So that was it! That was why Beryl had been so startled when he touched her in the restaurant!

He got up and walked to the easel on which was the new sketch for Arabian's portrait, stood before it and looked at it for a very long time. And all the time he stood there what he had just read was in his mind. Fear! The fascination of fear! There were women who could only love what they could also fear. Perhaps Beryl was one of them. Perhaps underneath all her audacity, her self-possession, her "d.a.m.ned cheek,"

her abnormal vanity, there was the thing that could shrink, and quiver, and love the brute.

Was that her secret? And his? Arabian's?

Garstin threw himself down presently and looked at the paper again.

The article which he felt sure had gripped Miss Van Tuyn's attention described a new play which had just made a sensation in Paris. A woman, apparently courageous almost to hardness, self-engrossed, beautiful and cold, became in this play fascinated by a man about whom she knew nothing, whom she did not understand, who was not in her circle of society, who knew none of her friends, who came from she knew not where.

Her instinct hinted to her that there was in him something abominable.

She distrusted him. She was even afraid of him. But he made an enormous impression upon her. And she said of him to a man who warned her against him, "But he means a great deal to me and other men mean little or nothing. There is something in him which speaks to me and in others there is nothing but silence. There is something in him which leads me along a path and others leave me standing where I am."

Eventually, against the warning of her own instinct, and, as it were, in spite of herself, she gave herself up to the man, and after a very short a.s.sociation with him--only a few days--he strangled her. She had a long and very beautiful neck. Hidden in him was a homicidal tendency.

Her throat had drawn his hands, and, behind his hands, him. And she?

Apparently she had been drawn to the murderer hidden in him, to the strong, ruthless, terribly intent, crouching thing that wanted to destroy her.

As the writer of the article pointed out, the play was a Grand Guignol piece produced away from its proper environment. It was called _The Lure of Destruction_.

How Beryl had started when a hand had touched her in the restaurant! And how angry she had been afterwards! Garstin smiled as he remembered her anger. But she had looked wonderful. She might be worth painting presently. He did not really care to paint a Ceres. But she was rapidly losing the Ceres look.

Before he went to bed he again stood in front of the scarcely begun sketch for the portrait of Arabian, and looked at it for a long time.

His face became grim and set as he looked. Presently he moved his lips as if he were saying something to a listener within. And the listener heard:

"In the underworld--but is the fellow a king?"

CHAPTER III

Francis Braybrooke was pleased. Young Craven and Beryl were evidently "drawing together" now Adela Sellingworth was happily out of the way.

He heard of them dining together at the _Bella Napoli_, playing golf together at Beaconsfield--or was it Chorley Wood? He was not quite sure.

He heard of young Craven being seen at Claridge's going up in the lift to Miss Van Tuyn's floor. All this was very encouraging. Braybrooke's former fears were swept away and his confidence in his social sense was re-established upon its throne. Evidently he had been quite mistaken, and there had been nothing in that odd friendship with Adela Sellingworth. This would teach him not to let himself go to suspicion in the future.

He still did not know where Lady Sellingworth was. Nothing had appeared in the _Morning Post_ about her movements. n.o.body seemed to know anything about her. He met various members of the "old guard" and made inquiry, but "Haven't an idea" was the invariable reply. Even, and this was strangest of all, Seymour Portman did not know where she was.

Braybrooke met him one day at the Marlborough and spoke of the matter, and Seymour Portman, with his most self-contained and reserved manner, replied that he believed Lady Sellingworth had gone abroad to "take a rest," but that he was not sure where she was "at the moment." She was probably moving about.

Why should she take a rest? She never did anything specially laborious.

It really was quite mysterious. One day Braybrooke inquired discreetly in Berkeley Square, alleging a desire to communicate with Lady Sellingworth about a charity bazaar in which he was interested; but the footman did not know where her ladyship was or when she was coming back to town. And still letters were not being forwarded.

Meanwhile f.a.n.n.y Cronin felt that Paris was drifting quite out of her ken. The autumn was deepening. The first fogs of winter had made a premature appearance, and the spell of the Wallace Collection was evidently as strong as ever on Beryl. But was it the Wallace Collection?

Miss Cronin never knew much about what Beryl was doing. Still, she was a woman and had her instincts, rudimentary though they were. Mr.

Braybrooke must certainly have received his conge. Mrs. Clem Hodson quite agreed with Miss Cronin on that point. Beryl had probably refused the poor foolish old man that day at the Ritz when there had been that unpleasant dispute about the plum cake. But now there was this Mr.

Craven! Miss Cronin had found him once with Beryl in the latter's sitting-room; she had reason to believe they had played golf together.

The young man was certainly handsome. And then Beryl had seemed quite altered just lately. Her temper was decidedly uncertain. She was unusually restless and preoccupied. Twice she had been exceedingly cross about Bourget. And she looked different, too; even Suzanne Hodson had noticed it. There was something in her face--"a sort of look," Miss Cronin called it, with an apt feeling for the choice of words--which was new and alarming. Mrs. Clem declared that Beryl had the expression of a woman who was crazy about a man.

"It's the eyes and the cheek-bones that tell the tale, f.a.n.n.y!" she had observed. "They can't deceive a woman. Don't talk to me about the Wallace Collection."

Poor Miss Cronin was very uneasy. The future looked almost as dark as the London days. As she lay upon the French bed, or reclined upon the sofa, or sat deep in her arm-chair, she envisaged an awful change, when the Avenue Henri Martin would know her no more, when she might have to return to the lair in Philadelphia from which Miss Van Tuyn had summoned her to take charge of Beryl.

One day, when she was almost brooding over the fire, between five and six o'clock in the afternoon, the door opened and Beryl appeared. She had been out since eleven in the morning. But that was nothing new. She went out very often about half-past ten and scarcely ever came back to lunch.

"f.a.n.n.y!" she said. "I want you."

"What is it, dear?" said Miss Cronin, sitting forward a little in her chair and laying aside her book.

"I've brought back a friend, and I want you to know him. Come into my sitting-room."

Miss Cronin got up obediently and remembering Mrs. Clem's words, looked at Beryl's cheek-bones and eyes.

"Is it Mr. Craven?" she asked in a quavering voice.

"Mr. Craven--no! You know him already."

"I have seen him once, dear."

"Come along!"

Miss Cronin followed her into the lobby. The door of the sitting-room was open, and by the fire was standing a stalwart-looking man in a dark blue overcoat. As Miss Cronin came in he gazed at her, and she thought she had never before seen such a pair of matching brown eyes. Beryl introduced him as Mr. Arabian.

The stranger bowed, and then pressed Miss Cronin's freckled right hand gently, but strongly too.

"I have been hoping to meet you," he said, in a strong but gentle voice which had, Miss Cronin thought, almost caressing inflexions.

"Very glad to meet you, indeed!" said the companion.

"Yes. Miss Van Tuyn has told me what you are to her."

"Forgive me for a minute!" said Miss Van Tuyn. "I must take off my things. They all feel as if they were full of fog. f.a.n.n.y, entertain Mr.

Arabian until I come back. But don't talk about Bourget. He's never read Bourget, I'm sure."

She looked at f.a.n.n.y Cronin and went out of the room. And in that look old f.a.n.n.y, slow in the uptake though she undoubtedly was, read a tremendous piece of news.

This must be the Wallace Collection!

That was how her mind put it. This must be the great reason of Beryl's lingering in London, this total stranger of whom she had never heard till this moment. Her instinct had not deceived her. Beryl had at last fallen in love. And probably Mr. Braybrooke had been aware of it when he had called that afternoon and talked so persistently about the changes and chances of life. In that case Miss Cronin had wronged him. And he had perhaps come to plead the cause of another.

"The weather--it is really terrible, is it not? You are wise to stay in the warm."

So the conversation began between Miss Cronin and Arabian, and it continued for quite a quarter of an hour. Then Miss Van Tuyn came back in a tea gown, looking lovely with her uncovered hair and her shining, excited eyes, and some twenty minutes later Arabian went away.

When he had gone Miss Van Tuyn said carelessly:

"f.a.n.n.y, darling, what do you think of him?"

f.a.n.n.y, darling! That was not Beryl's usual way of putting things. Miss Cronin was much shaken. She felt the ground of her life, as it were, rocking beneath her feet, and yet she answered--she could not help it: