Miss Van Tuyn left that at once.

"So Adela has run away!" she said.

She sat for a moment quite still, like one considering something carefully.

"But she will come back," she said presently, looking up at him, "bringing her sheaves with her."

"What do you mean?"

"Don't you remember--in the Bible?"

"But what has that to do with Lady Sellingworth?"

"Perhaps you'll understand when she comes back."

"I am really quite in the dark," he said, with obvious sincerity. "And it's nothing to me whether Lady Sellingworth comes back or stops away."

"I thought you joined with me in adoring her."

"Adoration isn't the word. And you know it."

"And letters are not to be forwarded?" said Miss Van Tuyn.

"I heard so."

"Ah! when you went to call on her!"

"Now you are merely guessing!"

"It must be terrible to be old!" said Miss Van Tuyn, with a change of manner. "Just think of going off alone to the Riviera in the autumn at the age of sixty! Beauties ought to die at fifty. Plain women can live to a hundred if they like, and it doesn't really matter. Their tragedy is not much worse then than it is at thirty-five. But beauties should never live beyond fifty--at the very latest."

"Then you must commit suicide at that age."

"Thank you. The old women in hotels!"

She shivered, and it seemed to him that her body shook naturally, as if it couldn't help shaking.

"But--remember--she'll come back with her sheaves!" she added, looking at him. "And then the 'old guard' will fall upon her."

For a moment she looked cruel, and though he did not understand her meaning Craven realized that she would not have much pity for Lady Sellingworth in misfortune. But Lady Sellingworth was cruel, too, had been cruel to him. And he saw humanity without tenderness, teeth and claws at work, barbarity coming to its own through the varnish.

He only said:

"I may be very stupid, but I don't understand."

And then he changed the subject of conversation. Miss Van Tuyn became gradually nicer to him, but he felt that she still cherished a faint hostility to him. Perhaps she thought he regarded her as a subst.i.tute.

And was not that really the fact? He tried to sweep the hostility away.

He laid himself out to be charming to her. The Lady Sellingworth episode was over. He would give himself to a different side of his nature, a side to which Miss Van Tuyn appealed. She did not encourage him at first, and he was driven to force the note slightly. When he went away they had arranged to play golf together, to dine together one night at the _Bella Napoli_. It was he who had suggested, even urged these diversions. For she had almost made him plead to her, had seemed oddly doubtful about seeing more of him in intimacy. And when he left her he was half angry with himself for making such a fuss about trifles. But the truth was--and perhaps she suspected it--that he was trying to escape from depression, caused by a sense of injury, through an adventure. He felt Miss Van Tuyn's great physical attraction, and just then he wished that it would overwhelm him. If it did he would soon cease from minding what Lady Sellingworth had done. A certain recklessness possessed him.

He dined with a friend at the club and stayed there rather late. When he was leaving about half past eleven Braybrooke dropped in after a party, and he told Braybrooke of Lady Sellingworth's departure for the Continent. The world's governess showed even more surprise than Miss Van Tuyn had shown. He had had no idea that Adela Sellingworth was going abroad. She must have decided on it very abruptly. He had seen nothing in the _Morning Post_. Had she gone alone? And no letters to be forwarded! Dear me! It was all very odd and unexpected. And she had gone on the Riviera at this time of year! But it was a desert; not a soul one knew would be there. The best hotels were not even open, he believed.

As he made his comments he observed Craven closely with his small hazel eyes, but the young man showed no feeling, and Braybrooke began to think that really perhaps he had made a mountain out of a molehill, that he had done Adela Sellingworth an injustice. If she had really been inclined to any folly about his young friend she would certainly not have left London in this mysterious manner.

"I suppose she let you know she was going?" he hazarded.

"Oh, no. I happened to call and the footman gave me the news."

"I hope she isn't ill," said Braybrooke with sudden gravity.

"Ill? Why should you think--?"

"There are women who hate it to be known when they are ill. Catherine Bewdley went away without a word and was operated on at Lausanne, and not one of us knew of it till it was all over. I don't quite like the look of things. Letters not being forwarded--ha!"

"But near Monte Carlo!"

"_Is_ it near Monte Carlo?"

He pursed his lips and went into the club looking grave, while Craven went out into the night. It was black and damp. The pavement seemed sweating. The hands of both autumn and winter were laid upon London. But soon the hands of autumn would fail and winter would have the huge city as its possession.

"_Is_ it Monte Carlo?"

Braybrooke's question echoed in Craven's mind. Could he have done Lady Sellingworth a wrong? Was there perhaps something behind her sudden departure in silence which altogether excused it? She might be ill and have disappeared without a word to some doctor's clinic, as Braybrooke had suggested. Women sometimes had heroic silences. Craven thought she could be heroic. There was something very strong in her, he thought, combined perhaps with many weaknesses. He wished he knew where she was, what she was doing, whom she was with or whether she was alone. His desire trailed after her against his will. Undoubtedly he missed her, and felt oddly homeless now she was gone.

CHAPTER II

Miss Van Tuyn believed that things were coming her way after all. Young Craven was suddenly released, and another very strong interest was dawning in her life. Craven had not been wrong in thinking that she was secretly excited when he met her in the hall at Claridge's. She had fulfilled her promise to d.i.c.k Garstin, driven to fulfilment by his taunt. No one should say with truth that she was afraid of anyone, man or woman. She would prove to Garstin that she was not afraid of the man he was trying to paint. So, on the day of their conversation in the studio, she had left Glebe Place with Arabian. For the first time she had been alone with him for more than a few minutes.

She had gone both eagerly and reluctantly; reluctantly because there was really something in Arabian which woke in her a sort of frail and quivering anxiety such as she had never felt before in any man's company; eagerly because Garstin had put into words what had till then been only a suspicion in her mind. He had told her that Arabian was in love with her. Was that true? Even now she was not sure. That was part of the reason why she was not quite at ease with Arabian. She was not sure of anything about him except that he was marvellously handsome. But Garstin was piercingly sharp. What he a.s.serted about anyone was usually the fact. He could hardly be mistaken. Yet how could a woman be in doubt about such a thing? And she was still, in spite of her vanity, in doubt.

When Arabian had come into the studio that day, and had seen the sketch of him ripped up by the palette knife, he had looked almost fierce for a moment. He had turned towards Garstin with a sort of hauteur like one demanding, and having the right to demand, an explanation.

"What's the row?" Garstin had said, with almost insolent defiance. "I destroyed it because it's d.a.m.ned bad. I hadn't got you."

And then he had taken the canvas from the easel and had thrown it contemptuously into a corner of the studio.

Arabian had said nothing, but there had been a cloud on his face, and Miss Van Tuyn had known that he was angry, as a man is angry when he sees a bit of his property destroyed by another. And she had remembered her words to Arabian, that the least sketch by Garstin was worth a great deal of money.

Surely Arabian was a greedy man.

No work had been done in the studio that morning. They had sat and talked for a while. Garstin had said most. He had been more agreeable than usual, and had explained to Arabian, rather as one explains to a child, that a worker in an art is sometimes baffled for a time, a writer by his theme, a musician by his floating and perhaps half-nebulous conception, a painter by his subject. Then he must wait, cursing perhaps, d.a.m.ning his own impotence, dreading its continuance. But there is nothing else to be done. _Pazienza!_ And he had enlarged upon patience. And Arabian had listened politely, had looked as if he were trying to understand.

"I'll try again!" Garstin had said. "You must give me time, my boy.

You're not in a hurry to leave London, are you?"

And then Miss Van Tuyn had seen Arabian's eyes turn to her as he had said, but rather doubtfully:

"I don't know whether I am."