But the river called us away from the remembrance of the lupins to follow the promise of the laurels. How charming was the curve of that brown, foam-flecked stream, as it rushed swiftly down, from pool to pool, under the ancient, overhanging elms and willows and sycamores! We gave ourselves to the current, and darted swiftly past the row of weather-beaten houses on the left bank, into the heart of the woods again.

Here the forest was dense, lofty, overarching. The tall silver maple, the black ash, the river birch, the swamp white oak, the sweet gum and the sour gum, and a score of other trees closed around the course of the stream as it swept along with full, swirling waters. The air was full of a diffused, tranquil green light, subdued yet joyous, through which flakes and beams of golden sunshine flickered and sifted downward, as if they were falling into some strange, ethereal medium--something half liquid and half aerial, midway between an atmosphere and the still depths of a fairy sea.

The spirit of enchantment was in the place; brooding in the delicate, luminous midday twilight; hushing the song of the strong-flowing river to a humming murmur; casting a spell of beautiful immobility on the slender flower-stalks and fern-fronds and trailing shrubberies of the undergrowth, while the young leaves of the tree-tops, far overhead, were quivering and dancing in the sunlight and the breeze. Here Oberon and t.i.tania might sleep beneath a bower of motionless royal Osmunda.

Here Puck might have a noon-tide council with Peaseblossom, Cobweb, Moth, and Mustardseed, holding forth to them in whispers, beneath the green and purple sounding-board of a Jack-in-the-Pulpit. Here, even in this age of reason, the mystery of nature wove its magic round the curious mind of man,

"Annihilating all that's made, To a green thought in a green shade."

Do you remember how old Andrew Marvell goes on from those two lovely lines, in his poem?

"Here at the fountain's sliding foot, Or at some fruit-tree's mossy root, Casting the body's vest aside, My soul into the boughs does glide; There, like a bird, it sits and sings, Then whets and claps its silver wings, And, till prepared for longer flight, Waves in its plumes the various light."

There were many beautiful shrubs and bushes coming into bloom around us as we drifted down the stream. Two of the fairest bore the names of nymphs. One was called after Leucothoe, "the white G.o.ddess," and its curved racemes of tiny white bells hanging over the water were worthy emblems of that pure queen who leaped into the sea with her babe in her arms to escape from the frenzy of Athamas. The other was named for Andromeda; and the great Linnaeus, who gave the name, thus describes his thought in giving it: "_Andromeda polifolia_ was now in its highest beauty, decorating the marshy grounds in a most agreeable manner. The flowers are quite blood-red before they expand, but when full-grown the corolla is of a flesh-colour. As I contemplated it, I could not help thinking of Andromeda as described by the poets; and the more I meditated upon their descriptions, the more applicable they seemed to the little plant before me. Andromeda is represented by them as a virgin of most exquisite and unrivalled charms.... This plant is always fixed on some little turfy hillock in the midst of the swamps, as Andromeda herself was chained to the rock in the sea, which bathed her feet as the fresh water does the roots of the plant. Dragons and venomous serpents surrounded her, as toads and other reptiles frequent the abode of her vegetable resembler. As the distressed virgin cast down her face through excessive affliction, so does this rosy coloured flower hang its head.... At length comes Perseus in the shape of summer, dries up the surrounding water and destroys the monsters."

But more lovely than any of the shrubs along the river was that small tree known as the sweet bay or the swamp laurel. Of course it is not a laurel at all, but a magnolia (_Magnolia glauca_), and its glistening leaves, dark green above, silvery beneath, are set around the large, solitary flowers at the ends of the branches, like backgrounds of malachite, to bring out the perfection of a blossom carved in fresh ivory. What creamy petals are these, so thick, so tenderly curved around the cone-like heart of the flower's fertility! They are warm within, so that your finger can feel the soft glow in the centre of the blossoms. But it is not for you to penetrate into the secret of their love mystery. Leave that to the downy bee, the soft-winged moth, the flying beetle, who, seeking their own pleasure, carry the life-bestowing pollen from flower to flower. Your heavy hand would bruise the soft flesh and discolor its purity. Be content to feast your eyes upon its beauty, and breathe its wonderful fragrance, floating on the air like the breath of love in the south and wild summer.

About the middle of the afternoon, after pa.s.sing through miles of enchanted forest, unbroken by sign of human habitation, we

"Came unto a land In which it seemed always afternoon."

Low-rolling ridges of gravel, clothed with pine and oak, came down along the river. The bank on the right rose higher, and, at a sharp angle in the stream, lifted itself into a bluff-like point. Opposite was the serpentine course of the Dead River, coiling through an open marsh-meadow. Below the junction of the two streams our own river flowed swiftly, through a straight reach, to the mouth of the still lagoon where Mare Run came in.

Here we made our second camp, on the point, among the pines and the hollies. For here, at last, we were in the heart of the region of laurels, which we had come to see. All along the river we had found some of them, just beginning to open their flowers, here and there. But above and below the mouth of the Dead River the banks and ridges, under the high shadow of the pines, were crowded with shining clumps of the _Kalmia latifolia_, and something in the soil and exposure, or perhaps even the single day of warm sunshine that had pa.s.sed since we began our voyage, had brought them already into the young flood of bloom.

I have seen the flame azaleas at their bright hour of consummation in the hill country of central Georgia--lakes of tranquil and splendid fire spreading far away through the rough-barked colonnades of the pineries. I have seen the thickets of great rhododendrons on the mountains of Pennsylvania in coronation week, when the magic of June covered their rich robes of darkest green with countless sceptres, crowns, and globes of white bloom divinely tinged with rose: superb, opulent, imperial flowers. I have seen the Magnolia Gardens near Charleston when their Arabian Nights' dream of colour was unfolding beneath the dark cypresses and moss-bannered live-oaks. I have seen the tulip and hyacinth beds of Holland rolled like a gorgeous carpet on the meadows beneath the feet of Spring; and the royal gardens of Kew in the month when the rose is queen of all the flowers; but never have I seen an efflorescence more lovely, more satisfying to the eye, than that of the high laurel along the sh.o.r.es of the unknown little river in South Jersey.

Cool, pure, and virginal in their beauty, the innumerable cl.u.s.ters of pink and white blossoms thronged the avenues of the pine woods, and ranged themselves along the hillsides and sloping banks, and trooped down by cape and promontory to reflect their young loveliness in the flowing stream. It was as if some quiet and shadowy region of solitude had been suddenly invaded by companies of maidens attired for a holiday and joyously confident of their simple charms. The dim woodland was illumined with the blush of conscious pleasure.

Seen at a distance the flower cl.u.s.ters look like big hemispheres of flushed snow. But examine them closely and you see that each of the rounded umbels is compounded of many separate blossoms--shallow, half-translucent cups poised on slender stems of pale green. The cup is white, tinted more or less deeply with rose-pink, the colour brightest along the rim and on the outside. The edge is scalloped into five points, and on the outer surface there are ten tiny projections around the middle of the cup. Looking within, you find that each of these is a little red hollow made to receive the crimson tip of a curving anther, cunningly bent like a spring, so that the least touch may loosen it and scatter the pollen. There is no flower in the world more exquisitely fashioned than this. It is the emblem of a rustic maid in the sweet prime of her morning.

We were well content with our day's voyage and our parting camp on the river. We had done no harm; no accident had befallen us; we had seen many lovely things and heard music from warbler and vireo, thrush and wren, all day long. Even now a wood thrush closed his last descant in flute-like notes across the river. Night began silently to weave her dusky veil upon the vast loom of the forest. The pink glow had gone from the flower-ma.s.ses around us; whitely they glimmered through the deepening shadows, and stood like gentle ghosts against the dark.

To-morrow we must paddle down to the village where the railroad crosses the river, and hurry back to civilization and work. But to-night we were still very far off; and we should sleep at the foot of a pine-tree, beneath the stars, among the virgin laurels.

LITTLE RED TOM

* My Uncle Peter was much interested in the war which broke out, not long ago, among the professional nature-writers. He said that it was a civil war, and therefore a philosopher was bound to be regardful of it, because a civil war always involved subtle problems of psychology. He also said that it was a most uncivil war, and that the picturesque violence of the language employed on both sides was intrinsically noteworthy to a philologist, and therefore he felt obliged to follow it with care. When the Chief Magistrate of his native country took a hand in it, my Uncle Peter claimed that it had become a subject of national importance and that no true patriot could be indifferent to it. Finally he admitted, in a moment of confidence, that the real reason for his interest was the fact that so many of his friends were engaged in the strife, on both sides, and were being badly pummeled; and that he would like to take some part in it himself. I asked him what part. He answered that he proposed to himself the part of peace-maker. I pointed out that this part is usually the most perilous and painful. He said that this should not deter him from doing his duty, and he added that he thought he could do it in such a way that no one could tell that he was doing it. A week later he brought me the following paper, which he called

THE TRAGEDY OF LITTLE RED TOM:

_A Contribution to the Fight About Nature-Books._

He was the youngest of the family, a late-comer at the feast of life. Yet the rose-garlands on the table were not faded when he arrived, and the welcome that he received was not colder, indeed it was probably several degrees warmer, because he was so tardy, so young, so tiny.

There was room for him in the household circle; joyous affection and merry murmurs of contentment greeted his coming. His older brothers never breathed a word of jealousy or unkindness toward him. He grew peacefully under the shelter of mother-love; and it would have been difficult to foresee, in the rosy promise of his youth, the crimson tragedy in which his life ended.

How dull, how insensible to such things, most men and women are!

They go on their way, busily and happily, doing their work, seeking their daily food, enjoying their human pleasures, and never troubling themselves about the hidden and inarticulate sorrows of the universe. The hunter hunts, and the fisher fishes, with inconsiderate glee. A man kills a troublesome insect, he eats a juicy berry or a succulent oyster, without thinking of what his victims must feel.

But there are some tender and sensitive souls who are too fine for these callous joys. They no longer imagine that human emotions are confined to man. They reflect that every plant and every animal is doomed to die in some way which the average man would regard as distinctly unpleasant. To them the sight of a chicken-house is full of sorrowful suggestion, and a walk through a vegetable garden is like a funeral procession. They meditate upon the tragic side of all existence; and to them there will be nothing strange in this story of the tragedy of Little Red Tom.

You have guessed that he was called "red" on account of his colour.

It was a family trait. All his brothers had it; and strange to say they were proud of it.

Most people are so foolish that they speak with ridicule, or even with contempt of this colour, when it is personally evolved. Have you ever asked yourself why it is that the cold world alludes derisively to a "red-headed boy," or a "red-headed girl"? The language is different when the locks are of another hue. Then it is a "black-haired boy," or a "golden-haired girl." Is not the very word "red-headed," with its implied slur upon an innocent and gorgeous colour, an unconscious evidence of the unreasonable prejudice and hard insensibility of the human race?

Not so the family of Tom. The redder they grew the happier they were, and the more pride their mother took in them. But she herself was green. And so was little Tom, like all his brothers, when he made his first appearance in the world--green--very green.

Nestled against his mother's side, sheltered by her embracing arms, safe and happy in the quietude of her maternal care, he must have looked out upon the pa.s.sing show with wonder and pleasure, while she instilled into him the lessons of wisdom and the warnings of destiny.

"Grow, my little one," we can imagine her saying to him, in her mysterious wordless language, "your first duty is to grow. Look at your brothers, how big and round and fat they are! I can hardly lift them. They did what I told them, and see what they have become. All by growing! Simple process! Even a babe can understand it. Grow, my Tommykin, grow! But don't try to grow red; first, you must grow big."

It is quite sure, and evident to every imaginative observer of nature, that Tommy's mother _must_ have told him something like this, for this is precisely what he did--obedient, docile, clever little creature! How else could he have learned it, if she had not taught him? Who can trace the subtle avenues by which intelligence is communicated from the old to the young, the treasured lore of the ages handed down from one generation to another? But when we see the result, when the little one begins to do what its parents and grandparents have done, is it not evident that the teaching must have been given, though in some way beyond our ken? If Tommy's mother had not taught him, there is at least an even chance that he would have tried to grow red before he grew big. But he laid her lesson to heart, and day by day, week by week, his rotundity expanded, while his verdancy remained.

It was a very beautiful life that they lived in the garden; and if the thoughts and feelings that unfolded there could be known, perhaps they would seem even more wonderful than the things which the old German gardener cultivated. Away at one end were the beds of old-fashioned flowers: hollyhocks and phlox and stocks, coreopsis and calliopsis, calendula and campanula, fox-gloves and monks-hoods and lady-slippers. At the other end were the strawberry-bed and the asparagus-bed. In between, there were long rows of all kinds of vegetables and small fruits and fragrant herbs.

Who can tell what ideas and emotions were stirring in those placid companies of leguminous comrades? What aspirations toward a loftier life in the climbing beans? What high spirits in the corn? What light and airy dreams on the asparagus-bed? What philosophy among the sage? Imagine what great schemes were hatching among the egg-plants, and what hot feelings stung the peppers when the raspberries crowded them!

Tommy, from his central place in the garden must have felt the agitation of this mimic world around him. Many a time, no doubt, he was tempted to give himself up to one or another of the contiguous influences, and throw himself into the social tide for "one glorious hour of crowded life." But his mother always held him back.

"No, my Tommykin, stay with me. It is not for you to climb a pole like a bean or wave in the wind like an asparagus stalk, or rasp your neighbours like a raspberry. Be modest, be natural, be true to yourself. Stay with me and grow fat."

When the sunshine of the long July days flooded the garden, glistening on the silken leaves of the corn, wilting the potato-blossoms, unfolding the bright yellow flowers of the okra and the melon, Tom would fain have pushed himself out into the full tide of light and heat. But his mother bent tenderly over him.

"Not yet, my child; it is not time for you to bear the heat of the day. A little shade is good for you. Let me cover you. It is too soon for you to be sunburned."

When the plumping afternoon showers came down, refreshing leaf and root of every plant, Tom shrank from the precipitate inundation.

"Mother, I'm all wet. I want to come in out of the rain."

But the mother knew what was good for him. So she held him out bravely while the streaming drops washed him; and she taught him how to draw in the moisture which she gathered for his nourishment.

In late August a change began to come over his complexion. His verdant brilliancy was "sicklied o'er with a pale cast of thought,"

whitish, yellowish, nondescript. A foolish human mother would have been alarmed and would have hurried to the medicine closet for a remedy for biliousness. Not so Tom's wise parent. She knew that the time had come for him to grow red. She let him have his own way now about being out in the sunshine. She even thrust him gently forth into the full light, withdrawing the shelter that she had cast around him. Slowly, gradually, but surely the bright crimson hue spread over him, until the illumination was complete, and the mother felt that he was the most beautiful of her children--not the largest, but round and plump and firm and glowing red as a ruby.

Then the mother-heart knew that the perils of life were near at hand for Little Red Tom. Many of his brothers had already been torn from her by the cruel hand of fate and had disappeared into the unknown.

"Where have they gone to?" wondered Tom. But his mother could not tell him. All that she could do was to warn him of the unseen dangers that surrounded him, and prepare him to meet them.

"Listen, my child, and do as I tell you. When you hear a step on the garden path, that means danger; and when a thing with wings flies around me and comes near to you, that means danger too. But I will teach you how to avoid it. I will give you three signs.

"The first sign is a rustling noise that I will make when a bird comes near to you. That means _droop_. Let yourself down behind the wire netting that I lean on, and then the bird will be afraid to come close enough to peck at you. The second sign is a trembling that you will feel in my arms when the gardener comes along the walk. That means _snuggle_. Hide yourself as close to me as you can. The third sign--well, I will tell you the third sign to-morrow evening, for now I am tired."

In the early morning of a bright September day, while the dew was still heavy on the leaves and the gra.s.s, and the gossamer cobwebs glistened with little diamonds, a hungry robin flew into the garden, and Tom heard the signal "_Droop!_" So he let himself down behind the woven wire, and the robin put his head on one side and looked at Tom greedily, and flew on to find a breakfast elsewhere.