PHILIP AND MARY 469

CURIOSITIES OF LITERATURE.

LIBRARIES.

The pa.s.sion for forming vast collections of books has necessarily existed in all periods of human curiosity; but long it required regal munificence to found a national library. It is only since the art of multiplying the productions of the mind has been discovered, that men of letters themselves have been enabled to rival this imperial and patriotic honour. The taste for books, so rare before the fifteenth century, has gradually become general only within these four hundred years: in that small s.p.a.ce of time the public mind of Europe has been created.

Of LIBRARIES, the following anecdotes seem most interesting, as they mark either the affection, or the veneration, which civilised men have ever felt for these perennial repositories of their minds. The first national library founded in Egypt seemed to have been placed under the protection of the divinities, for their statues magnificently adorned this temple, dedicated at once to religion and to literature. It was still further embellished by a well-known inscription, for ever grateful to the votary of literature; on the front was engraven,--"The nourishment of the soul;" or, according to Diodorus, "The medicine of the mind."

The Egyptian Ptolemies founded the vast library of Alexandria, which was afterwards the emulative labour of rival monarchs; the founder infused a soul into the vast body he was creating, by his choice of the librarian, Demetrius Phalereus, whose skilful industry ama.s.sed from all nations their choicest productions. Without such a librarian, a national library would be little more than a literary chaos; his well exercised memory and critical judgment are its best catalogue. One of the Ptolemies refused supplying the famished Athenians with wheat, until they presented him with the original ma.n.u.scripts of aeschylus, Sophocles, and Euripides; and in returning copies of these autographs, he allowed them to retain the fifteen talents which he had pledged with them as a princely security.

When tyrants, or usurpers, have possessed sense as well as courage, they have proved the most ardent patrons of literature; they know it is their interest to turn aside the public mind from political speculations, and to afford their subjects the inexhaustible occupations of curiosity, and the consoling pleasures of the imagination. Thus Pisistratus is said to have been among the earliest of the Greeks, who projected an immense collection of the works of the learned, and is supposed to have been the collector of the scattered works, which pa.s.sed under the name of Homer.

The Romans, after six centuries of gradual dominion, must have possessed the vast and diversified collections of the writings of the nations they conquered: among the most valued spoils of their victories, we know that ma.n.u.scripts were considered as more precious than vases of gold. Paulus Emilius, after the defeat of Perseus, king of Macedon, brought to Rome a great number which he had ama.s.sed in Greece, and which he now distributed among his sons, or presented to the Roman people. Sylla followed his example. Alter the siege of Athens, he discovered an entire library in the temple of Apollo, which having carried to Rome, he appears to have been the founder of the first Roman public library.

After the taking of Carthage, the Roman senate rewarded the family of Regulus with the books found in that city. A library was a national gift, and the most honourable they could bestow. From the intercourse of the Romans with the Greeks, the pa.s.sion for forming libraries rapidly increased, and individuals began to pride themselves on their private collections.

Of many ill.u.s.trious Romans, their magnificent taste in their _libraries_ has been recorded. Asinius Pollio, Cra.s.sus, Caesar, and Cicero, have, among others, been celebrated for their literary splendor. Lucullus, whose incredible opulence exhausted itself on more than imperial luxuries, more honourably distinguished himself by his vast collections of books, and the happy use he made of them by the liberal access he allowed the learned. "It was a library," says Plutarch, "whose walks, galleries, and cabinets, were open to all visitors; and the ingenious Greeks, when at leisure, resorted to this abode of the Muses to hold literary conversations, in which Lucullus himself loved to join." This library enlarged by others, Julius Caesar once proposed to open for the public, having chosen the erudite Varro for its librarian; but the daggers of Brutus and his party prevented the meditated projects of Caesar. In this museum, Cicero frequently pursued his studies, during the time his friend Faustus had the charge of it; which he describes to Atticus in his 4th Book, Epist. 9. Amidst his public occupations and his private studies, either of them sufficient to have immortalised one man, we are astonished at the minute attention Cicero paid to the formation of his libraries and his cabinets of antiquities.

The emperors were ambitious, at length, to give _their names_ to the _libraries_ they founded; they did not consider the purple as their chief ornament. Augustus was himself an author; and to one of those sumptuous buildings, called _Thermae_, ornamented with porticos, galleries, and statues, with shady walks, and refreshing baths, testified his love of literature by adding a magnificent library. One of these libraries he fondly called by the name of his sister Octavia; and the other, the temple of Apollo, became the haunt of the poets, as Horace, Juvenal, and Persius have commemorated. The successors of Augustus imitated his example, and even Tiberius had an imperial library, chiefly consisting of works concerning the empire and the acts of its sovereigns. These Trajan augmented by the Ulpian library, denominated from his family name. In a word, we have accounts of the rich ornaments the ancients bestowed on their libraries; of their floors paved with marble, their walls covered with gla.s.s and ivory, and their shelves and desks of ebony and cedar.

The first _public library_ in Italy was founded by a person of no considerable fortune: his credit, his frugality, and fort.i.tude, were indeed equal to a treasury. Nicholas Niccoli, the son of a merchant, after the death of his father relinquished the beaten roads of gain, and devoted his soul to study, and his fortune to a.s.sist students. At his death, he left his library to the public, but his debts exceeding his effects, the princely generosity of Cosmo de' Medici realised the intention of its former possessor, and afterwards enriched it by the addition of an apartment, in which he placed the Greek, Hebrew, Arabic, Chaldaic, and Indian MSS. The intrepid spirit of Nicholas V. laid the foundations of the Vatican; the affection of Cardinal Bessarion for his country first gave Venice the rudiments of a public library; and to Sir T. Bodley we owe the invaluable one of Oxford. Sir Robert Cotton, Sir Hans Sloane, Dr. Birch, Mr. Cracherode, Mr. Douce, and others of this race of lovers of books, have all contributed to form these literary treasures, which our nation owe to the enthusiasm of individuals, who have consecrated their fortunes and their days to this great public object; or, which in the result produces the same public good, the collections of such men have been frequently purchased on their deaths, by government, and thus have been preserved entire in our national collections.[5]

LITERATURE, like virtue, is often its own reward, and the enthusiasm some experience in the permanent enjoyments of a vast library has far outweighed the neglect or the calumny of the world, which some of its votaries have received. From the time that Cicero poured forth his feelings in his oration for the poet Archias, innumerable are the testimonies of men of letters of the pleasurable delirium of their researches. Richard de Bury, Bishop of Durham, and Chancellor of England so early as 1341, perhaps raised the first private library in our country. He purchased thirty or forty volumes of the Abbot of St. Albans for fifty pounds' weight of silver. He was so enamoured of his large collection, that he expressly composed a treatise on his love of books, under the t.i.tle of _Philobiblion_; and which has been recently translated.[6]

He who pa.s.ses much of his time amid such vast resources, and does not aspire to make some small addition to his library, were it only by a critical catalogue, must indeed be not more animated than a leaden Mercury. He must be as indolent as that animal called the Sloth, who perishes on the tree he climbs, after he has eaten all its leaves.

Rantzau, the founder of the great library at Copenhagen, whose days were dissolved in the pleasures of reading, discovers his taste and ardour in the following elegant effusion:--

Salvete aureoli mei libelli, Meae deliciae, mei lepores!

Quam vos saepe oculis juvat videre, Et tritos manibus tenere nostris!

Tot vos eximii, tot eruditi, Prisci lumina saeculi et recentis, Confecere viri, suasque vobis Ausi credere lucubrationes: Et sperare decus perenne scriptis; Neque haec irrita spes fefellit illos.

IMITATED.

Golden volumes! richest treasures!

Objects of delicious pleasures!

You my eyes rejoicing please, You my hands in rapture seize!

Brilliant wits, and musing sages, Lights who beamed through many ages, Left to your conscious leaves their story, And dared to trust you with their glory; And now their hope of fame achieved, Dear volumes! you have not deceived!

This pa.s.sion for the enjoyment of _books_ has occasioned their lovers embellishing their outsides with costly ornaments;[7] a fancy which ostentation may have abused; but when these volumes belong to the real man of letters, the most fanciful bindings are often the emblems of his taste and feelings. The great Thua.n.u.s procured the finest copies for his library, and his volumes are still eagerly purchased, bearing his autograph on the last page. A celebrated amateur was Grollier; the Muses themselves could not more ingeniously have ornamented their favourite works. I have seen several in the libraries of curious collectors. They are gilded and stamped with peculiar neatness; the compartments on the binding are drawn, and painted, with subjects a.n.a.logous to the works themselves; and they are further adorned by that amiable inscription, _Jo. Grollierii et amicorum!_--purporting that these literary treasures were collected for himself and for his friends.

The family of the Fuggers had long felt an hereditary pa.s.sion for the acc.u.mulation of literary treasures: and their portraits, with others in their picture gallery, form a curious quarto volume of 127 portraits, rare even in Germany, ent.i.tled "Fuggerorum Pinacotheca."[8] Wolfius, who daily haunted their celebrated library, pours out his grat.i.tude in some Greek verses, and describes this bibliotheque as a literary heaven, furnished with as many books as there were stars in the firmament; or as a literary garden, in which he pa.s.sed entire days in gathering fruit and flowers, delighting and instructing himself by perpetual occupation.

In 1364, the royal library of France did not exceed twenty volumes.

Shortly after, Charles V. increased it to 900, which, by the fate of war, as much at least as by that of money, the Duke of Bedford afterwards purchased and transported to London, where libraries were smaller than on the continent, about 1440. It is a circ.u.mstance worthy observation, that the French sovereign, Charles V. surnamed the Wise, ordered that thirty portable lights, with a silver lamp suspended from the centre, should be illuminated at night, that students might not find their pursuits interrupted at any hour. Many among us, at this moment, whose professional avocations admit not of morning studies, find that the resources of a public library are not accessible to them, from the omission of the regulation of the zealous Charles V. of France. An objection to night-studies in public libraries is the danger of fire, and in our own British Museum not a light is permitted to be carried about on any pretence whatever. The history of the "Bibliotheque du Roi"

is a curious incident in literature; and the progress of the human mind and public opinion might be traced by its gradual accessions, noting the changeable qualities of its literary stores chiefly from theology, law, and medicine, to philosophy and elegant literature. It was first under Louis XIV. that the productions of the art of engraving were there collected and arranged; the great minister Colbert purchased the extensive collections of the Abbe de Marolles, who may be ranked among the fathers of our print-collectors. Two hundred and sixty-four ample portfolios laid the foundations, and the very catalogues of his collections, printed by Marolles himself, are rare and high-priced. Our own national print gallery is growing from its infant establishment.

Mr. Hallam has observed, that in 1440, England had made comparatively but little progress in learning--and Germany was probably still less advanced. However, in Germany, Trithemius, the celebrated abbot of Spanheim, who died in 1516, had ama.s.sed about two thousand ma.n.u.scripts; a literary treasure which excited such general attention, that princes and eminent men travelled to visit Trithemius and his library. About this time, six or eight hundred volumes formed a royal collection, and their cost could only be furnished by a prince. This was indeed a great advancement in libraries, for at the beginning of the fourteenth century the library of Louis IX. contained only four cla.s.sical authors; and that of Oxford, in 1300, consisted of "a few tracts kept in chests."

The pleasures of study are cla.s.sed by Burton among those exercises or recreations of the mind which pa.s.s _within doors_. Looking about this "world of books," he exclaims, "I could even live and die with such meditations, and take more delight and true content of mind in them than in all thy wealth and sport! There is a sweetness, which, as Circe's cup, bewitcheth a student: he cannot leave off, as well may witness those many laborious hours, days, and nights, spent in their voluminous treatises. So sweet is the delight of study. The last day is _prioris discipulus_. Heinsius was mewed up in the library of Leyden all the year long, and that which, to my thinking, should have bred a loathing, caused in him a greater liking. 'I no sooner,' saith he, 'come into the library, but I bolt the door to me, excluding l.u.s.t, Ambition, Avarice, and all such vices, whose nurse is Idleness, the mother of Ignorance and Melancholy. In the very lap of eternity, amongst so many divine souls, I take my seat with so lofty a spirit, and sweet content, that I pity all our great ones and rich men, that know not this happiness.'" Such is the incense of a votary who scatters it on the altar less for the ceremony than from the devotion.[9]

There is, however, an intemperance in study, incompatible often with our social or more active duties. The ill.u.s.trious Grotius exposed himself to the reproaches of some of his contemporaries for having too warmly pursued his studies, to the detriment of his public station. It was the boast of Cicero that his philosophical studies had never interfered with the services he owed the republic, and that he had only dedicated to them the hours which others give to their walks, their repasts, and their pleasures. Looking on his voluminous labours, we are surprised at this observation;--how honourable is it to him, that his various philosophical works bear the t.i.tles of the different villas he possessed, which indicates that they were composed in these respective retirements! Cicero must have been an early riser; and practised that magic art in the employment of time, which multiplies our days.

FOOTNOTES:

[Footnote 5: The Cottonian collection is the richest English historic library we possess, and is now located in the British Museum, having been purchased for the use of the nation by Parliament in 1707, at a cost of 4500_l._ The collection of Sir Hans Sloane was added thereto in 1753, for the sum of 20,000_l._ Dr. Birch and Mr. Cracherode bequeathed their most valuable collections to the British Museum. Mr. Douce is the only collector in the list above who bequeathed his curious gatherings elsewhere. He was an officer of the Museum for many years, but preferred to leave his treasures to the Bodleian Library, where they are preserved intact, according to his earnest wish, a wish he feared might not be gratified in the national building. It is to this scholar and friend, the author of these volumes has dedicated them, as a lasting memorial of an esteem which endured during the life of each.]

[Footnote 6: By Mr. Inglis, in 1832. This famous bishop is said to have possessed more books than all the others in England put together. Like Magliabechi, he lived among them, and those who visited him had to dispense with ceremony and step over the volumes that always strewed his floor.]

[Footnote 7: The earliest decorated books were the Consular Diptycha, ivory bookcovers richly sculptured in relief, and destined to contain upon their tablets the Fasti Consulares, the list ending with the name of the new consul, whose property they happened to be. Such as have descended to our own times appear to be works of the lower empire. They were generally decorated with full length figures of the consul and attendants, superintending the sports of the circus, or conjoined with portraits of the reigning prince and emblematic figures. The Greek Church adopted the style for the covers of the sacred volume, and ancient clerical libraries formerly possessed many such specimens of early bookbinding; the covers being richly sculptured in ivory, with bas-reliefs designed from Scripture history. Such ivories were sometimes placed in the centre of the covers, and framed in an ornamental metal-work studded with precious stones and engraved cameos. The barbaric magnificence of these volumes has never been surpa.s.sed; the era of Charlemagne was the culmination of their glory. One such volume, presented by that sovereign to the Cathedral at Treves, is enriched with Roman ivories and decorative gems. The value of ma.n.u.scripts in the middle ages, suggested costly bindings for books that consumed the labour of lives to copy, and decorate with ornamental letters, or ill.u.s.trative paintings. In the fifteenth century covers of leather embossed with storied ornament were in use; ladies also frequently employed their needles to construct, with threads of gold and silver, on grounds of coloured silk, the cover of a favourite volume. In the British Museum one is preserved of a later date--the work of our Queen Elizabeth. In the sixteenth century small ornaments, capable of being conjoined into a variety of elaborate patterns, were first used for stamping the covers with gilding; the leather was stained of various tints, and a beauty imparted to volumes which has not been surpa.s.sed by the most skilful modern workmen.]

[Footnote 8: The Fuggers were a rich family of merchants, residing at Augsburg, carrying on trade with both the Indies, and from thence over Europe. They were enn.o.bled by the Emperor Maximilian I. Their wealth often maintained the armies of Charles V.; and when Anthony Fugger received that sovereign at his house at Augsburg he is said, as a part of the entertainment, to have consumed in a fire of fragrant woods the bond of the emperor who condescended to become his guest.]

[Footnote 9: A living poet thus enthusiastically describes the charms of a student's life among his books--"he has his Rome, his Florence, his whole glowing Italy, within the four walls of his library. He has in his books the ruins of an antique world, and the glories of a modern one."--Longfellow's _Hyperion_.]

THE BIBLIOMANIA.

The preceding article is honourable to literature, yet even a pa.s.sion for collecting books is not always a pa.s.sion for literature.

The BIBLIOMANIA, or the collecting an enormous heap of books without intelligent curiosity, has, since libraries have existed, infected weak minds, who imagine that they themselves acquire knowledge when they keep it on their shelves. Their motley libraries have been called the _madhouses of the Human mind_; and again, _the tomb of books_, when the possessor will not communicate them, and coffins them up in the cases of his library. It was facetiously observed, these collections are not without a _Lock on the Human Understanding_.[10]

The BIBLIOMANIA never raged more violently than in our own times. It is fortunate that literature is in no ways injured by the follies of collectors, since though they preserve the worthless, they necessarily protect the good.[11]

Some collectors place all their fame on the _view_ of a splendid library, where volumes, arrayed in all the pomp of lettering, silk linings, triple gold bands, and tinted leather, are locked up in wire cases, and secured from the vulgar hands of the _mere reader_, dazzling our eyes like eastern beauties peering through their jalousies!

LA BRUYERE has touched on this mania with humour:--"Of such a collector, as soon as I enter his house, I am ready to faint on the staircase, from a strong smell of Morocco leather. In vain he shows me fine editions, gold leaves, Etruscan bindings, and naming them one after another, as if he were showing a gallery of pictures! a gallery, by-the-bye, which he seldom traverses when _alone_, for he rarely reads; but me he offers to conduct through it! I thank him for his politeness, and as little as himself care to visit the tan-house, which he calls his library."

LUCIAN has composed a biting invective against an ignorant possessor of a vast library, like him, who in the present day, after turning over the pages of an old book, chiefly admires the _date_. LUCIAN compares him to a pilot, who was never taught the science of navigation; to a rider who cannot keep his seat on a spirited horse; to a man who, not having the use of his feet, would conceal the defect by wearing embroidered shoes; but, alas! he cannot stand in them! He ludicrously compares him to Thersites wearing the armour of Achilles, tottering at every step; leering with his little eyes under his enormous helmet, and his hunchback raising the cuira.s.s above his shoulders. Why do you buy so many books? You have no hair, and you purchase a comb; you are blind, and you will have a grand mirror; you are deaf, and you will have fine musical instruments! Your costly bindings are only a source of vexation, and you are continually discharging your librarians for not preserving them from the silent invasion of the worms, and the nibbling triumphs of the rats!

Such _collectors_ will contemptuously smile at the _collection_ of the amiable Melancthon. He possessed in his library only four authors,--Plato, Pliny, Plutarch, and Ptolemy the geographer.

Ancillon was a great collector of curious books, and dexterously defended himself when accused of the _Bibliomania_. He gave a good reason for buying the most elegant editions; which he did not consider merely as a literary luxury.[12] The less the eyes are fatigued in reading a work, the more liberty the mind feels to judge of it: and as we perceive more clearly the excellences and defects of a printed book than when in MS.; so we see them more plainly in good paper and clear type, than when the impression and paper are both bad. He always purchased _first editions_, and never waited for second ones; though it is the opinion of some that a first edition is only to be considered as an imperfect essay, which the author proposes to finish after he has tried the sentiments of the literary world. Bayle approves of Ancillon's plan. Those who wait for a book till it is reprinted, show plainly that they prefer the saving of a pistole to the acquisition of knowledge.

With one of these persons, who waited for a second edition, which never appeared, a literary man argued, that it was better to have two editions of a book rather than to deprive himself of the advantage which the reading of the first might procure him. It has frequently happened, besides, that in second editions, the author omits, as well as adds, or makes alterations from prudential reasons; the displeasing truths which he _corrects_, as he might call them, are so many losses incurred by Truth itself. There is an advantage in comparing the first and subsequent editions; among other things, we feel great satisfaction in tracing the variations of a work after its revision. There are also other secrets, well known to the intelligent curious, who are versed in affairs relating to books. Many first editions are not to be purchased for the treble value of later ones. The collector we have noticed frequently said, as is related of Virgil, "I collect gold from Ennius's dung." I find, in some neglected authors, particular things, not elsewhere to be found. He read many of these, but not with equal attention--"_Sicut canis ad Nilum, bibens et fugiens_;" like a dog at the Nile, drinking and running.

Fortunate are those who only consider a book for the utility and pleasure they may derive from its possession. Students, who know much, and still thirst to know more, may require this vast sea of books; yet in that sea they may suffer many shipwrecks.