Creation and Its Records - Part 4
Library

Part 4

(1) I come at once to the great difficulty that, if all existing forms are due to the occurrence of changes that helped the creature in the struggle for existence, how is it possible now to account for forms which are not advantageous? yet such forms are numerous. Of this objection, the existence of imperfect or neuter bees and ants is an instance. The modification in form which these creatures exhibit is of no advantage to them. It _is_ a great advantage, no doubt, to the other bees; but then this introduces a view of some power _making_ one thing for the benefit of another, not a change in the form itself adapted of course to its _own_ advantage--since natural laws, forces, and conditions of environment could not conceivably _design_ the advantage of another form, and cause one to change for the benefit of that other.

Why is it, again, that crabs and crayfish can only grow by casting off their sh.e.l.ls, during which process they often die, as well as remain exposed defenceless to the attacks of enemies? Why should stags shed their horns also, leaving them defenceless for a time? Other animals do not do so, and there is nothing in the nature of the horn which requires it.

This brief allusion is here sufficient. Mr. Mivart's work gives it at large.

(2) Pa.s.sing next to the question of the advantage of _incomplete stages_--portions of a mechanism only useful when complete, the most striking examples may be found in the Vegetable kingdom. The fertilization of flowering plants is effected by the pollen, a yellow dust formed in the anthers, which is carried from flower to flower. In the pines and oaks, this is done by the wind. But in other cases insects visit a flower to get the honey, and in so doing get covered with pollen, which they carry away and leave in the next flower visited. Now one of our commonest and most useful plants, the red clover, is so constructed that it can only be fertilized by humble bees. If this bee became extinct, the plant would die out; how can such a development be advantageous to it?

But the contrivances by which this process of fertilization is secured are so marvellous, that I confess I am completely staggered by the idea that these contrivances have been caused by the self-growth and adaptation of the plant without guidance. There is a plant called _Salvia glutinosa_[1]--easily recognized by its sticky calyx and pale yellow flowers. The anthers that bear the pollen are hidden far back in the hood of the flower, so that the pollen can neither fall nor can the wind carry it away; but the two anthers are supported on a sort of spring, and directly a bee goes to the flower and pushes in his head to get the honey, the spring is depressed and both anthers start forward, of course depositing their pollen on the hairy back of the bee, which carries it to the stigma of the next flower. This process can be tested without waiting for a bee, by pushing a bit of stick into the flower, when the curious action described will be observed. It is very easy to say that this admirable mechanical contrivance is of great use to the plant _in its complete_ form; but try and imagine what use an intermediate form would have been! If development at once proceeded to the complete form, surely this marks _design_; if not, no partial step towards it would have been of any use, and therefore would not have been inherited and perpetuated so as to prepare for further completion. But many other plants have a structure so marvellous that this objection is continually applicable. Let me only recall one other case, that of the orchid, called _Coryanthes macrantha_. In this flower there are two little horns, which secrete a pure water, or rather water mixed with honey. The lower part of the flower consists of a long lip, the end of which is bent into the form of a bucket hanging below the horns. This bucket catches the nectar as it drops, and is furnished with a spout over which the liquid trickles when it is too full. But the mouth of the bucket is guarded by a curiously ridged cover with two openings, one on each side. The most ingenious man, says Mr. Darwin, would never by himself make out what this elaborate arrangement was intended for. It was at last discovered. Large humble bees were seen visiting the flower; by way of getting at the honey, they set to work to gnaw off the ridges of the lid above alluded to; in doing this they pushed one another into the bucket, and had to crawl out by the spout. As they pa.s.sed out by this narrow aperture, they had to rub against the anthers and so carried off the pollen. When a bee so charged gets into another bucket, or into the same bucket a second time, and has to crawl out, he brushes against the stigma, and leaves the pollen on it. I might well have adduced this plant as another instance of the first objection, since it may well be asked, How could such a development, resulting in a structure which presents the greatest difficulty in the way of fertilization, be beneficial to the plant? But here the point is that, even if any one could a.s.sert the utility of such an elaborate and complicated development, and suppose it self-caused by accident or effect of environment, it certainly goes against the idea that all forms are due to an _acc.u.mulation of small changes_. For these curious contrivances in the case of _Salvia, Coryanthes_, and other plants, would in any case have been no use to the plant till the whole machinery _was complete_.

Now, on the theory of slow changes gradually acc.u.mulating till the complete result was attained, there must have been generation after generation of plants, in which the machinery was as yet imperfect and only partly built up. But in such incomplete stages, fertilization would have been impossible, and therefore the plant must have died out. Just the same with the curious fly-trap in _Dionoea_. Whatever may be its benefit to the plant, till the whole apparatus as it now is, was _complete_, it would have been of no use. In the animal kingdom also, instances might be given: the giraffe has a long neck which is an advantage in getting food that other animals cannot reach; but what would have been the use of a neck which was becoming--and had not yet become--long? here intermediate stages would not have been useful, and therefore could not have been preserved.[2] In flat fishes it is curious that, though they are born with eyes on different sides of the head, the lower eye gradually grows round to the upper-side. As remarked by Mr.

Mivart, natural selection could not have produced this change, since the _first steps towards it_ could have been of no possible use, and could not therefore have occurred, at least not without direction and guidance from without. Mr. Darwin's explanation of the case does not touch this difficulty.

[Footnote 1: This species was instanced because the lectures which form the basis of the book were originally delivered at Simla, in the N.W.

Himalaya, where, at certain seasons, the plant is a common wayside weed.

Mr. Darwin notices a similar and, if possible, more curious structure in a species of _Catasetum_.]

[Footnote 2: See this fully explained by Mivart, "Genesis of Species,"

pp. 29, 30 (2nd edition).]

(3) The third point, the occurrence of so much _beauty_ in organic life, is perhaps one of the most conclusive arguments for design in nature.

Here, if possible, more clearly than elsewhere, I see a total failure of "natural causes." We are told that the beauty of birds (for instance) is easily accounted for by the fact, that the ornamented and beautiful males are preferred by the other s.e.x; and that this is an advantage, so the beauty has been perpetuated; and the same with b.u.t.terflies and beetles.

We are told also that bright-coloured fruits attract birds, who eat the soft parts of the fruit and swallow the hard stone or seed which is thus prepared for germination, and carried about and dispersed over the earth's surface. Again, showy coloured flowers attract insects, which carry away pollen and fertilize other flowers.

All this is perfectly true; but it entirely fails to go far enough to meet the difficulty.

Now pa.s.sing over such difficulties as the fact that bright colours in flowers _do not_ attract insects in many cases, but much more inconspicuous flowers if they have a scent (mignonette, for example) _do_; pa.s.sing over such a fact as that afforded by the violet, which (as some may not be aware) has two kinds of flower, one scented and of a beautiful colour, the other green and inconspicuous, and it is the _latter, not the former_ which is usually fertile;--pa.s.sing over all detailed difficulties of this kind, I allude only to the one great one, that in all these cases, besides mere bright colour, conspicuousness or showiness, there is a great and wonderful beauty of pattern, design, or colour arrangement, in nature. Now there is not a particle of evidence to show that any animal has, to the smallest extent, a _sense of beauty_. On the contrary it is most improbable. The sense of artistic beauty is not only peculiar to man, but only exists in him when civilized and cultivated. Uneducated people among ourselves have no sense of landscape and other beauty. How then can it exist in animals?

If there was nothing to explain but a uniform bright and showy colour, natural selection might be sufficient to account for it. How is it, then, that this is not the case? We have not only colour, but colour diversified in the most elaborate and charming manner. Look at the exquisite patterns on a b.u.t.terfly's wing! look at the various delicate arrangements of colour and pattern in flowers; or look again at the arrangement of colour on a humming-bird--sometimes the tail, sometimes the breast is ornamented, sometimes a splendid crest covers the head, sometimes a jewelled gorget or ruff surrounds the throat; and these are not uniformly coloured, but exhibit metallic and other changes of l.u.s.tre not to be imitated by the highest art. But to fully realize this, I had best refer to a more familiar instance. Let any one examine--as an object very easily procurable in these days--a peac.o.c.k's feather. No doubt the whole tail when expanded is very brilliant; but look closely at the structure of a single feather; is all this arrangement needed only to make the tail bright or conspicuous? Observe how wonderfully the outer parts are varied; part has a metallic l.u.s.tre of copper, part has this also shot with green: then there is a delicate ring of violet with a double yellowish border, all quite distinct from the inmost gorgeous "eye" of green, blue, and black, and all arranged on the same feather!

Take, again, the so-called diamond beetle of Brazil; here the wing case is black studded all over with little pits or specks, which as a whole only give it a powdery pale-green colour; but place it in the sunlight and look at it with a magnifying gla.s.s--each little speck is seen to be furnished with a set of minute metallic scales showing green and red flashes like so many diamonds. How does such a delicate ornament answer the demands of mere conspicuousness?

But there is a stronger case than this. I before alluded to the exquisite symmetry of the silicious and crystalline coverings of some of the simplest forms of marine animalcules; and also I may here add the beautiful colouring of _sh.e.l.ls_ sometimes on the _inside_.[1] In what possible way would this beauty serve for any purely _useful_ purpose?

[Footnote 1: See Mivart, p. 61.]

Lastly, how are we to account for the beauty of autumnal tints in woods, or coloured _leaves_ in plants such as the _Caladium_? The beauty is of no conceivable use to the plant.

"In Canada the colours of the autumn forest are notorious. Even on cloudy days the hue of the foliage is of so intense a yellow that the light thrown from the trees creates the impression of bright sunshine, each leaf presents a point of sparkling gold. But the colours of the leafy landscape change and intermingle from day to day, until pink, lilac, vermilion, purple, deep indigo and brown, present a combination of beauty that must be seen to be realized; for no artist has yet been able to represent, nor can the imagination picture to itself, the gorgeous spectacle.[1]"

Have we not here an exhibition which cannot be accounted for on any principle of natural utility?

[Footnote 1: "Quarterly Review," 1861, p. 20.]

(4) The fourth point, as previously stated, will be best treated by stating beforehand what is the conclusion come to, and then justifying it. My suggestion is that if we suppose a continuous evolution without a series of designs prescribed before life began to develop, and without any external guidance, then we are lost in difficulties. We cannot account for why variation should set in in the very different ways it does, nor why such a vast variety of divergent results should be produced. We cannot account for the tendency to reversion to a previous type, when artificial or accidental variation is not continually maintained,[1] nor for the sterility of hybrids; nor, above all, for evolution performing such freaks (if I may so say) as the origination of our small finches and the tropical humming-birds from earlier vertebrates through the Mesozoic reptiles, the pterodactyles, _Odontornithes_ and subsequent forms. Supposing that the Almighty Designer created a complete _cosmos_ of (1) the starry heavens and the planetary system, (2) then a scheme whereby earth and water were to be duly distributed over our planet; (3) established the relations by which the external heavenly bodies were to regulate our seasons, tides, and times (as we know they do). (4) Suppose, further, that the Designer did not make "out of nothing" the series of finally developed animals as we now have them, but "made the animals make themselves"--that is to say, created the type, the ideal form, and adapted the laws and forces which const.i.tute environment, so that development of form should go on regularly towards the appointed end, but in separate and appropriate channels, each terminating when its object had been attained. Suppose these conditions (which, as we shall afterwards see, are what Revelation, fairly interpreted, declares) to exist; all the known _facts_, and also the fairly certain _inferences_ of Evolution, are then accounted for.

[Footnote 1: Pigeon fanciers know that when they have once obtained, by crossbreeding and selection, a particular form or feather, the utmost care is needed to preserve it. If the parents are not selected the progeny wilt gradually revert towards the original wild pigeon type.]

We have neither by revelation nor physical discovery an exact _scheme_ of all the types, nor which of the elementary forms were destined to remain unchanged throughout. But some scheme of created types we surely have. Whether what we call _species_[1] are all types or not, we cannot say; probably not. All we can be sure of is that there are definite lines somewhere. We see the sterility of some hybrids, for instance, which would seem to indicate that while some forms can conjugate and their offspring remain fertile, others (approaching, as it were, the verge of separation) give rise to hybrids which are or not absolutely sterile,[2] according as they approach, or are more remote from, the designed barrier-line. And at that point the separation is insuperable.

Certain forms of _Carnivora_ and _Ungulata_ seem to be for ever apart--not only the two great orders, but even subdivisions within them.

Reptiles and birds, on the other hand, unlike as they at first sight seem, have no type line drawn to separate them; that, at least, is one of the more recent conclusions of biological science.

[Footnote 1: It should be borne in mind that what we call a _species_ as distinct from a mere variety, is a more or less arbitrary or provisional thing dependent on the state of science for the time. Species are constantly being lumped together by some and separated by others. It follows most probably, that while some species are really types--i.e., one can never pa.s.s into the other and lose its essentials, unless it is destined to disappear (like the pterodactyle), not being wanted in the whole scheme--other species are really only varieties, and maybe lost or modified without limit.]

[Footnote 2: We may well regard the mule as a peculiar form just such as the evolutionist would rejoice to see: here is a modified species, which has qualities different from those of either of the parent stock, and well fitted "to struggle for existence." Yet this modified race would, if left to itself, die out.]

In other cases where variation has occurred, and especially when it is artificially--i.e., by the aid of selective breeding--caused or favoured, there is the constant tendency to _revert_, which is at once intelligible if there is a type scheme to be maintained.

If there were a series of created types, there may naturally have been what I may call sub-types; which would be certain well-marked stages on the way to the final form. Such sub-type forms would naturally occur at different ages, and being marked would show their place in the scale, and their connection with the ultimate perfect form. Such a possibility would exactly account for the series of _Eohippus, Hipparion_, and horse, which we have already instanced; and still more so for the rise and disappearance of the great Mesozoic Saurians when their object was fulfilled. Deny guidance and type, and everything becomes confused. Why should variation take certain directions? how comes it that natural forces and conditions of life so occur and co-operate as to produce the variety of changes needed?

And there is also one other general objection which I desire to state.

Why should _development_ have gone in different directions _towards the same object_? I grant that different circ.u.mstances would produce different changes, but not for the same purpose. For example take eye-sight. The world shows several types of eye. The _insect_ eye quite unlike any other; the crustacean eye also distinct; and birds, fishes, and animals having an eye which is generally similar and is somewhat imitated by the eye of the _cuttle fish_ (which is not a _fish_, but a _cephalopod_).

Again, granted that _poison_ is a useful defence to creatures: how is it given so differently?--to a serpent in the tooth; to a bee or a scorpion in the tail; to a spider in a specially adapted _antenna_, and to the centipede in a pair of modified legs on the _thorax_.

One would have supposed that natural causes tending to produce poison weapons would have all gone on the same lines. And, curiously, in some few cases, we have a sameness of line. About twelve species--all fish--have an electric apparatus, familiar to most of us in the flat sea-fish called _Torpedo_ and in the fresh-water eel called _Gymnotus_.

The only answer the anti-creationist can give to this dissimilarity of development is that there are many vacant places in the polity of nature, and that development takes place in that direction which fits the creature to occupy a vacant place, and is, therefore, diverse.

It seems to me that this--the only answer that can he given--is necessarily a modified form or mode _of creation._ How can _natural causes_ know anything about a polity of nature and a vacant place, here and there, so that the creature must develop in one way or another to fill it?

Another set of cases is the production of similar functional results by most diverse means, as in the case of flying animals, birds, pterodactyles, and bats; here there is a widely different modification of the fore-arm and other bones, all for the same purpose. The reader will do well to refer to Mr. Mivart's book on this subject.

Again, the question of types seems to be pointed to in the curious fact of what I may call the double development of birds from reptiles. Mr.

Mivart says, "If one set of birds sprang from one set of reptiles and another set from another set of reptiles, the two sets could never by 'natural selection' only have grown into such perfect similarity." Yet we can trace the _Struthious_ birds (those that, like ostriches, do not fly) through the Dinosaurs and _Dinornis_, and the flying Carinate birds though pterodactyles, _Archaeopteryx_, and _Icthyornis_, &c.

It might well be added to this part of the subject, that granted that developmental changes were often small, that progress was attained little by little, this does not appear to have been always the case.

The discoveries of the fossil species of horse,[1] _Eohippus, Hipparion_, and so forth, clearly establish a developmental series, and the ancient forms are claimed as the ancestor of the modern horse; but these (Professor Owen tells us) differed more from one another than the a.s.s and the zebra (for instance) differ from the horse. Still, of course it may be that there are still undiscovered intermediate forms; and in any case there need be no desire to detract from the value of the series, as really pointing towards a gradual perfection of the horse from a ruder ancestor up to the latest type. But having reached the type, and though that type exhibits such (considerable) variations as occur between the Shetland pony, the Arab, and the dray-horse, we have still no difficulty in recognizing the essential ident.i.ty; nor is there any evidence or any probability that the horse will ever change into anything essentially different. All the fossil bats, again, were true bats: and so with the rhinoceroses and the elephants. Granting the fullest use that may be made of the imperfection of the geological record, it is difficult to account for this, and still more for the absence of intermediate forms (particularly suitable for preservation) of the _Cetaceae_. The Zeuglodons from Eocene down to Pliocene, the Dolphins in the Pliocene, and the _Ziphoids Catodontidae_, and _Balaenidae_ in the Pliocene, are all fully developed forms, with no intermediate species.

[Footnote 1: The series is thus (Nicholson, p. 702):--1.

_Eohippus_--Lower Eocene of America; fore-feet have four toes and a rudimentary thumb or pollex. 2. _Orohippus_ (about the size of a fox)--Eocene. 3. _Anchitherium_--Eocene and Lower Miocene; three toes, but 2 and 4 are diminutive. 4. _Hipparion_--Upper Miocene and Pliocene; still three toes, but 3 more like the modern horse and 2 and 4 still further diminished. 5. _Pliohippus_--later Pliocene, very like Equus. 6.

_Equus_--Post-Pliocene.]

Mr. Mivart remarks, "There are abundant instances to prove that considerable modifications may suddenly develop themselves, either due to external conditions or to obscure internal causes in the organisms which exhibit them.[1]" If it is not so, granted to the full the imperfection of the Geologic record, but remembering the cases where we _do_ find intermediate forms; we ask why should they not be preserved in other cases? If they ever existed we should surely see _more_ changing forms; not only such as are more or less uncertainly divided species, but whole orders running one into another. No evidence exists to show that any bird has gradually pa.s.sed into an animal, nor a carnivorous beast become ruminant, or _vice versa._

[Footnote 1: P. 112] [Transcriber's note: Chapter VIII]

The a.n.a.logy of changes that are known will not bear extension enough to prove, even probably, any such change.

Surely if our conclusion in favour of a Divine Design to be attained, and a Providential Intelligence directing the laws of development, is no more than a belief, it is a probable and reasonable belief: it certainly meets facts and allows place for difficulties in a way far more satisfactory than the opposite belief which rejects _all_ but "secondary" and purely "natural" causes.