"Very well. I will summons you, you and M. Pons."

"It vould kill him--"

"Take your choice! Dear me, sell the pictures and tell him about it afterwards... you can show him the summons--"

"Ver' goot. Summons us. Dot shall pe mine egscuse. I shall show him der chudgment."

Mme. Cibot went down to the court, and that very day at seven o'clock she called to Schmucke. Schmucke found himself confronted with M.

Tabareau the bailiff, who called upon him to pay. Schmucke made answer, trembling from head to foot, and was forthwith summoned together with Pons, to appear in the county court to hear judgment against him. The sight of the bailiff and a bit of stamped paper covered with scrawls produced such an effect upon Schmucke, that he held out no longer.

"Sell die bictures," he said, with tears in his eyes.

Next morning, at six o'clock, Elie Magus and Remonencq took down the paintings of their choice. Two receipts for two thousand five hundred francs were made out in correct form:--

"I, the undersigned, representing M. Pons, acknowledge the receipt of two thousand five hundred francs from M. Elie Magus for the four pictures sold to him, the said sum being appropriated to the use of M.

Pons. The first picture, attributed to Durer, is a portrait of a woman; the second, likewise a portrait, is of the Italian School; the third, a Dutch landscape by Breughel; and the fourth, a _Holy Family_ by an unknown master of the Florentine School."

Remonencq's receipt was worded in precisely the same way; a Greuze, a Claude Lorraine, a Rubens, and a Van Dyck being disguised as pictures of the French and Flemish schools.

"Der monny makes me beleef dot the chimcracks haf som value," said Schmucke when the five thousand francs were paid over.

"They are worth something," said Remonencq. "I would willingly give you a hundred thousand francs for the lot."

Remonencq, asked to do a trifling service, hung eight pictures of the proper size in the same frames, taking them from among the less valuable pictures in Schmucke's bedroom.

No sooner was Elie Magus in possession of the four great pictures than he went, taking La Cibot with him, under pretence of settling accounts.

But he pleaded poverty, he found fault with the pictures, they needed rebacking, he offered La Cibot thirty thousand francs by way of commission, and finally dazzled her with the sheets of paper on which the Bank of France engraves the words "One thousand francs" in capital letters. Magus thereupon condemned Remonencq to pay the like sum to La Cibot, by lending him the money on the security of his four pictures, which he took with him as a guarantee. So glorious were they, that Magus could not bring himself to part with them, and next day he bought them of Remonencq for six thousand francs over and above the original price, and an invoice was duly made out for the four. Mme. Cibot, the richer by sixty-eight thousand francs, once more swore her two accomplices to absolute secrecy. Then she asked the Jew's advice. She wanted to invest the money in such a way that no one should know of it.

"Buy shares in the Orleans Railway," said he; "they are thirty francs below par, you will double your capital in three years. They will give you sc.r.a.ps of paper, which you keep safe in a portfolio."

"Stay here, M. Magus. I will go and fetch the man of business who acts for M. Pons' family. He wants to know how much you will give him for the whole bag of tricks upstairs. I will go for him now."

"If only she were a widow!" said Remonencq when she was gone. "She would just suit me; she will have plenty of money now--"

"Especially if she puts her money into the Orleans Railway; she will double her capital in two years' time. I have put all my poor little savings into it," added the Jew, "for my daughter's portion.--Come, let us take a turn on the boulevard until this lawyer arrives."

"Cibot is very bad as it is," continued Remonencq; "if it should please G.o.d to take him to Himself, I should have a famous wife to keep a shop; I could set up on a large scale--"

"Good-day, M. Fraisier," La Cibot began in an ingratiating tone as she entered her legal adviser's office. "Why, what is this that your porter has been telling me? are you going to move?"

"Yes, my dear Mme. Cibot. I am taking the first floor above Dr. Poulain, and trying to borrow two or three thousand francs so as to furnish the place properly; it is very nice, upon my word, the landlord has just papered and painted it. I am acting, as I told you, in President de Marville's interests and yours.... I am not a solicitor now; I mean to have my name entered on the roll of barristers, and I must be well lodged. A barrister in Paris cannot have his name on the rolls unless he has decent furniture and books and the like. I am a doctor of law, I have kept my terms, and have powerful interest already.... Well, how are we getting on?"

"Perhaps you would accept my savings," said La Cibot. "I have put them in a savings bank. I have not much, only three thousand francs, the fruits of twenty-five years of stinting and sc.r.a.ping. You might give me a bill of exchange, as Remonencq says; for I am ignorant myself, I only know what they tell me."

"No. It is against the rules of the guild for a barrister (_avocat_) to put his name to a bill. I will give you a receipt, bearing interest at five per cent per annum, on the understanding that if I make an income of twelve hundred francs for you out of old Pons' estate you will cancel it."

La Cibot, caught in the trap, uttered not a word.

"Silence gives consent," Fraisier continued. "Let me have it to-morrow morning."

"Oh! I am quite willing to pay fees in advance," said La Cibot; "it is one way of making sure of my money."

Fraisier nodded. "How are you getting on?" he repeated. "I saw Poulain yesterday; you are hurrying your invalid along, it seems.... One more scene such as yesterday's, and gall-stones will form. Be gentle with him, my dear Mme. Cibot, do not lay up remorse for yourself. Life is not too long."

"Just let me alone with your remorse! Are you going to talk about the guillotine again? M. Pons is a contrairy old thing. You don't know him.

It is he that bothers me. There is not a more cross-grained man alive; his relations are in the right of it, he is sly, revengeful, and contrairy.... M. Magus has come, as I told you, and is waiting to see you."

"Right! I will be there as soon as you. Your income depends upon the price the collection will fetch. If it brings in eight hundred thousand francs, you shall have fifteen hundred francs a year. It is a fortune."

"Very well. I will tell them to value the things on their consciences."

An hour later, Pons was fast asleep. The doctor had ordered a soothing draught, which Schmucke administered, all unconscious that La Cibot had doubled the dose. Fraisier, Remonencq, and Magus, three gallows-birds, were examining the seventeen hundred different objects which formed the old musician's collection one by one.

Schmucke had gone to bed. The three kites, drawn by the scent of a corpse, were masters of the field.

"Make no noise," said La Cibot whenever Magus went into ecstasies or explained the value of some work of art to Remonencq. The dying man slept on in the neighboring room, while greed in four different forms appraised the treasures that he must leave behind, and waited impatiently for him to die--a sight to wring the heart.

Three hours went by before they had finished the salon.

"On an average," said the grimy old Jew, "everything here is worth a thousand francs."

"Seventeen hundred thousand francs!" exclaimed Fraisier in bewilderment.

"Not to me," Magus answered promptly, and his eyes grew dull. "I would not give more than a hundred thousand francs myself for the collection.

You cannot tell how long you may keep a thing on hand. ... There are masterpieces that wait ten years for a buyer, and meanwhile the purchase money is doubled by compound interest. Still, I should pay cash."

"There is stained gla.s.s in the other room, as well as enamels and miniatures and gold and silver snuff-boxes," put in Remonencq.

"Can they be seen?" inquired Fraisier.

"I'll see if he is sound asleep," replied La Cibot. She made a sign, and the three birds of prey came in.

"There are masterpieces yonder!" said Magus, indicating the salon, every bristle of his white beard twitching as he spoke. "But the riches are here! And what riches! Kings have nothing more glorious in royal treasuries."

Remonencq's eyes lighted up till they glowed like carbuncles, at the sight of the gold snuff-boxes. Fraisier, cool and calm as a serpent, or some snake-creature with the power of rising erect, stood with his viper head stretched out, in such an att.i.tude as a painter would choose for Mephistopheles. The three covetous beings, thirsting for gold as devils thirst for the dew of heaven, looked simultaneously, as it chanced, at the owner of all this wealth. Some nightmare troubled Pons; he stirred, and suddenly, under the influence of those diabolical glances, he opened his eyes with a shrill cry.

"Thieves!... There they are!... Help! Murder! Help!"

The nightmare was evidently still upon him, for he sat up in bed, staring before him with blank, wide-open eyes, and had not the power to move.

Elie Magus and Remonencq made for the door, but a word glued them to the spot.

"_Magus_ here!... I am betrayed!"

Instinctively the sick man had known that his beloved pictures were in danger, a thought that touched him at least as closely as any dread for himself, and he awoke. Fraisier meanwhile did not stir.