"Well, then, it is Madame Marneffe."

"Monsieur Crevel," said the lawyer very sternly, "neither my wife nor I can be present at that marriage; not out of interest, for I spoke in all sincerity just now. Yes, I am most happy to think that you may find happiness in this union; but I act on considerations of honor and good feeling which you must understand, and which I cannot speak of here, as they reopen wounds still ready to bleed----"

The Baroness telegraphed a signal to Hortense, who tucked her little one under her arm, saying, "Come Wenceslas, and have your bath!--Good-bye, Monsieur Crevel."

The Baroness also bowed to Crevel without a word; and Crevel could not help smiling at the child's astonishment when threatened with this impromptu tubbing.

"You, monsieur," said Victorin, when he found himself alone with Lisbeth, his wife, and his father-in-law, "are about to marry a woman loaded with the spoils of my father; it was she who, in cold blood, brought him down to such depths; a woman who is the son-in-law's mistress after ruining the father-in-law; who is the cause of constant grief to my sister!--And you fancy that I shall seem to sanction your madness by my presence? I deeply pity you, dear Monsieur Crevel; you have no family feeling; you do not understand the unity of the honor which binds the members of it together. There is no arguing with pa.s.sion--as I have too much reason to know. The slaves of their pa.s.sions are as deaf as they are blind. Your daughter Celestine has too strong a sense of her duty to proffer a word of reproach."

"That would, indeed, be a pretty thing!" cried Crevel, trying to cut short this harangue.

"Celestine would not be my wife if she made the slightest remonstrance,"

the lawyer went on. "But I, at least, may try to stop you before you step over the precipice, especially after giving you ample proof of my disinterestedness. It is not your fortune, it is you that I care about.

Nay, to make it quite plain to you, I may add, if it were only to set your mind at ease with regard to your marriage contract, that I am now in a position which leaves me with nothing to wish for--"

"Thanks to me!" exclaimed Crevel, whose face was purple.

"Thanks to Celestine's fortune," replied Victorin. "And if you regret having given to your daughter as a present from yourself, a sum which is not half what her mother left her, I can only say that we are prepared to give it back."

"And do you not know, my respected son-in-law," said Crevel, striking an att.i.tude, "that under the shelter of my name Madame Marneffe is not called upon to answer for her conduct excepting as my wife--as Madame Crevel?"

"That is, no doubt, quite the correct thing," said the lawyer; "very generous so far as the affections are concerned and the vagaries of pa.s.sion; but I know of no name, nor law, nor t.i.tle that can shelter the theft of three hundred thousand francs so meanly wrung from my father!--I tell you plainly, my dear father-in-law, your future wife is unworthy of you, she is false to you, and is madly in love with my brother-in-law, Steinbock, whose debts she had paid."

"It is I who paid them!"

"Very good," said Hulot; "I am glad for Count Steinbock's sake; he may some day repay the money. But he is loved, much loved, and often--"

"Loved!" cried Crevel, whose face showed his utter bewilderment. "It is cowardly, and dirty, and mean, and cheap, to calumniate a woman!--When a man says such things, monsieur, he must bring proof."

"I will bring proof."

"I shall expect it."

"By the day after to-morrow, my dear Monsieur Crevel, I shall be able to tell you the day, the hour, the very minute when I can expose the horrible depravity of your future wife."

"Very well; I shall be delighted," said Crevel, who had recovered himself.

"Good-bye, my children, for the present; good-bye, Lisbeth."

"See him out, Lisbeth," said Celestine in an undertone.

"And is this the way you take yourself off?" cried Lisbeth to Crevel.

"Ah, ha!" said Crevel, "my son-in-law is too clever by half; he is getting on. The Courts and the Chamber, judicial trickery and political dodges, are making a man of him with a vengeance!--So he knows I am to be married on Wednesday, and on a Sunday my gentleman proposes to fix the hour, within three days, when he can prove that my wife is unworthy of me. That is a good story!--Well, I am going back to sign the contract. Come with me, Lisbeth--yes, come. They will never know. I meant to have left Celestine forty thousand francs a year; but Hulot has just behaved in a way to alienate my affection for ever."

"Give me ten minutes, Pere Crevel; wait for me in your carriage at the gate. I will make some excuse for going out."

"Very well--all right."

"My dears," said Lisbeth, who found all the family rea.s.sembled in the drawing-room, "I am going with Crevel: the marriage contract is to be signed this afternoon, and I shall hear what he has settled. It will probably be my last visit to that woman. Your father is furious; he will disinherit you--"

"His vanity will prevent that," said the son-in-law. "He was bent on owning the estate of Presles, and he will keep it; I know him. Even if he were to have children, Celestine would still have half of what he might leave; the law forbids his giving away all his fortune.--Still, these questions are nothing to me; I am only thinking of our honor.--Go then, cousin," and he pressed Lisbeth's hand, "and listen carefully to the contract."

Twenty minutes after, Lisbeth and Crevel reached the house in the Rue Barbet, where Madame Marneffe was awaiting, in mild impatience, the result of a step taken by her commands. Valerie had in the end fallen a prey to the absorbing love which, once in her life, masters a woman's heart. Wenceslas was its object, and, a failure as an artist, he became in Madame Marneffe's hands a lover so perfect that he was to her what she had been to Baron Hulot.

Valerie was holding a slipper in one hand, and Steinbock clasped the other, while her head rested on his shoulder. The rambling conversation in which they had been engaged ever since Crevel went out may be ticketed, like certain lengthy literary efforts of our day, "_All rights reserved_," for it cannot be reproduced. This masterpiece of personal poetry naturally brought a regret to the artist's lips, and he said, not without some bitterness:

"What a pity it is that I married; for if I had but waited, as Lisbeth told me, I might now have married you."

"Who but a Pole would wish to make a wife of a devoted mistress?" cried Valerie. "To change love into duty, and pleasure into a bore."

"I know you to be so fickle," replied Steinbock. "Did I not hear you talking to Lisbeth of that Brazilian, Baron Montes?"

"Do you want to rid me of him?"

"It would be the only way to hinder his seeing you," said the ex-sculptor.

"Let me tell you, my darling--for I tell you everything," said Valerie--"I was saving him up for a husband.--The promises I have made to that man!--Oh, long before I knew you," said she, in reply to a movement from Wenceslas. "And those promises, of which he avails himself to plague me, oblige me to get married almost secretly; for if he should hear that I am marrying Crevel, he is the sort of man that--that would kill me."

"Oh, as to that!" said Steinbock, with a scornful expression, which conveyed that such a danger was small indeed for a woman beloved by a Pole.

And in the matter of valor there is no brag or bravado in a Pole, so thoroughly and seriously brave are they all.

"And that idiot Crevel," she went on, "who wants to make a great display and indulge his taste for inexpensive magnificence in honor of the wedding, places me in difficulties from which I see no escape."

Could Valerie confess to this man, whom she adored, that since the discomfiture of Baron Hulot, this Baron Henri Montes had inherited the privilege of calling on her at all hours of the day or night; and that, notwithstanding her cleverness, she was still puzzled to find a cause of quarrel in which the Brazilian might seem to be solely in the wrong? She knew the Baron's almost savage temper--not unlike Lisbeth's--too well not to quake as she thought of this Oth.e.l.lo of Rio de Janeiro.

As the carriage drove up, Steinbock released Valerie, for his arm was round her waist, and took up a newspaper, in which he was found absorbed. Valerie was st.i.tching with elaborate care at the slippers she was working for Crevel.

"How they slander her!" whispered Lisbeth to Crevel, pointing to this picture as they opened the door. "Look at her hair--not in the least tumbled. To hear Victorin, you might have expected to find two turtle-doves in a nest."

"My dear Lisbeth," cried Crevel, in his favorite position, "you see that to turn Lucretia into Aspasia, you have only to inspire a pa.s.sion!"

"And have I not always told you," said Lisbeth, "that women like a burly profligate like you?"

"And she would be most ungrateful, too," said Crevel; "for as to the money I have spent here, Grindot and I alone can tell!"

And he waved a hand at the staircase.

In decorating this house, which Crevel regarded as his own, Grindot had tried to compete with Cleretti, in whose hands the Duc d'Herouville had placed Josepha's villa. But Crevel, incapable of understanding art, had, like all sordid souls, wanted to spend a certain sum fixed beforehand.

Grindot, fettered by a contract, had found it impossible to embody his architectural dream.

The difference between Josepha's house and that in the Rue Barbet was just that between the individual stamp on things and commonness. The objects you admired at Crevel's were to be bought in any shop. These two types of luxury are divided by the river Million. A mirror, if unique, is worth six thousand francs; a mirror designed by a manufacturer who turns them out by the dozen costs five hundred. A genuine l.u.s.tre by Boulle will sell at a public auction for three thousand francs; the same thing reproduced by casting may be made for a thousand or twelve hundred; one is archaeologically what a picture by Raphael is in painting, the other is a copy. At what would you value a copy of a Raphael? Thus Crevel's mansion was a splendid example of the luxury of idiots, while Josepha's was a perfect model of an artist's home.

"War is declared," said Crevel, going up to Madame Marneffe.