The secretions are not only mechanical, but chemical separations from the blood; for the substances thus formed, though contained in the blood, are not ready combined in that fluid. The secretions are of two kinds, those which form peculiar animal fluids, as bile, tears, saliva, &c.; and those which produce the general materials of the animal system, for the purpose of recruiting and nourishing the several organs of the body; such as alb.u.men, gelatine, and fibrine; the latter may be distinguished by the name of _nutritive secretions_.

CAROLINE.

I am quite astonished to hear that all the secretions should be derived from the blood.

EMILY.

I thought that the bile was produced by the liver?

MRS. B.

So it is; but the liver is nothing more than a very large gland, which secretes the bile from the blood.

The last of the animal organs which we have mentioned are the _nerves_; these are the vehicles of sensation, every other part of the body being, of itself, totally insensible.

CAROLINE.

They must then be spread through every part of the frame, for we are every where susceptible of feeling.

EMILY.

Excepting the nails and the hair.

MRS. B.

And those are almost the only parts in which nerves cannot be discovered. The common source of all the nerves is the brain; thence they descend, some of them through different holes of the skull, but the greatest part through the back bone, and extend themselves by innumerable ramifications throughout the whole body. They spread themselves over the muscles, penetrate the glands, wind round the vascular system, and even pierce into the interior of the bones. It is most probably through them that the communication is carried on between the mind and the other parts of the body; but in what manner they are acted on by the mind, and made to re-act on the body, is still a profound secret. Many hypotheses have been formed on this very obscure subject, but they are all equally improbable, and it would be useless for us to waste our time in conjectures on an enquiry, which, in all probability, is beyond the reach of human capacity.

CAROLINE.

But you have not mentioned those particular nerves that form the senses of hearing, seeing, smelling, and tasting?

MRS. B.

They are considered as being of the same nature as those which are dispersed over every part of the body, and const.i.tute the general sense of feeling. The different sensations which they produce arise from their peculiar situation and connection with the several organs of taste, smell, and hearing.

EMILY.

But these senses appear totally different from that of feeling?

MRS. B.

They are all of them sensations, but variously modified according to the nature of the different organs in which the nerves are situated. For, as we have formerly observed, it is by contact only that the nerves are affected. Thus odoriferous particles must strike upon the nerves of the nose, in order to excite the sense of smelling; in the same manner that taste is produced by the particular substance coming in contact with the nerves of the palate. It is thus also that the sensation of sound is produced by the concussion of the air striking against the auditory nerve; and sight is the effect of the light falling upon the optic nerve. These various senses, therefore, are affected only by the actual contact of particles of matter, in the same manner as that of feeling.

The different organs of the animal body, though easily separated and perfectly distinct, are loosely connected together by a kind of spongy substance, in texture somewhat resembling net-work, called the cellular membrane; and the whole is covered by the skin.

The _skin_, as well as the bark of vegetables, is formed of three coats.

The external one is called the _cuticle_ or _epidermis_; the second, which is called the _mucous membrane_, is of a thin soft texture, and consists of a mucous substance, which in negroes is black, and is the cause of their skin appearing of that colour.

CAROLINE.

Is then the external skin of negroes white like ours?

MRS. B.

Yes; but as the cuticle is transparent, as well as porous, the blackness of the mucous membrane is visible through it. The extremities of the nerves are spread over this skin, so that the sensation of feeling is transmitted through the cuticle. The internal covering of the muscles, which is properly the skin, is the thickest, the toughest, and most resisting of the whole; it is this membrane which is so essential in the arts, by forming leather when combined with tannin.

The skin which covers the animal body, as well as those membranes that form the coats of the vessels, consists almost exclusively of gelatine; and is capable of being converted into glue, size, or jelly.

The cavities between the muscles and the skin are usually filled with fat, which lodges in the cells of the membranous net before mentioned, and gives to the external form (especially in the human figure) that roundness, smoothness, and softness, so essential to beauty.

EMILY.

And the skin itself is, I think, a very ornamental part of the human frame, both from the fineness of its texture, and the variety and delicacy of its tints.

MRS. B.

This variety and harmonious graduation of colours, proceed, not so much from the skin itself, as from the internal organs which transmit their several colours through it, these being only softened and blended by the colour of the skin, which is uniformly of a yellowish white.

Thus modified, the darkness of the veins appears of a pale blue colour, and the floridness of the arteries is changed to a delicate pink. In the most transparent parts, the skin exhibits the bloom of the rose, whilst where it is more opake its own colour predominates; and at the joints, where the bones are most prominent, their whiteness is often discernible. In a word, every part of the human frame seems to contribute to its external grace; and this not merely by producing a pleasing variety of tints, but by a peculiar kind of beauty which belongs to each individual part. Thus it is to the solidity and arrangement of the bones that the human figure owes the grandeur of its stature, and its firm and dignified deportment. The muscles delineate the form, and stamp it with energy and grace; and the soft substance which is spread over them smooths their ruggedness, and gives to the contours the gentle undulations of the line of beauty. Every organ of sense is a peculiar and separate ornament; and the skin, which polishes the surface, and gives it that charm of colouring so inimitable by art, finally conspires to render the whole the fairest work of the creation.

But now that we have seen in what manner the animal frame is formed, let us observe how it provides for its support, and how the several organs, which form so complete a whole, are nourished and maintained.

This will lead us to a more particular explanation of the internal organs: here we shall not meet with so much apparent beauty, because these parts were not intended by nature to be exhibited to view; but the beauty of design, in the internal organisation of the animal frame, is, if possible, still more remarkable than that of the external parts.

We shall defer this subject till our next interview.

CONVERSATION XXV.

ON ANIMALISATION, NUTRITION, AND RESPIRATION.

MRS. B.

We have now learnt of what materials the animal system is composed, and have formed some idea of the nature of its organisation. In order to complete the subject, it remains for us to examine in what manner it is nourished and supported.

Vegetables, we have observed, obtain their nourishment from various substances, either in their elementary state, or in a very simple state of combination; as carbon, water, and salts, which they pump up from the soil; and carbonic acid and oxygen, which they absorb from the atmosphere.

Animals, on the contrary, feed on substances of the most complicated kind; for they derive their sustenance, some from the animal creation, others from the vegetable kingdom, and some from both.

CAROLINE.

And there is one species of animals, which, not satisfied with enjoying either kind of food in its simple state, has invented the art of combining them together in a thousand ways, and of rendering even the mineral kingdom subservient to its refinements.

EMILY.