GUY. [With an effort] At the moment, sir, I haven't one. I've just left my diggings, and haven't yet got any others.

MAYOR. H'm! The Aerodrome. How did you come to be present?

GUY. I--er

BUILDER's eyes go round and rest on him for a moment.

It's in my sister's studio that Miss Athene Builder is at present working, sir. I just happened to--to turn up.

MAYOR. Did you appear on the scene, as the constable says, during the struggle?

GUY. Yes, sir.

MAYOR. Did he summon you to his aid?

GUY. Yes--No, sir. Miss Maud Builder did that.

MAYOR. What do you say to this blow?

GUY. [Jerking his chin up a little] Oh! I saw that clearly.

MAYOR. Well, let us hear.

GUY. The constable's arm struck the cane violently and it flew up and landed him in the eye.

MAYOR. [With a little grunt] You are sure of that?

GUY. Quite sure, sir.

MAYOR. Did you hear any language?

GUY. Nothing out of the ordinary, sir. One or two d.a.m.ns and blasts.

MAYOR. You call that ordinary?

GUY. Well, he's a--magistrate, sir.

The MAYOR utters a profound grunt. CHANTREY smiles. There is a silence. Then the MAYOR leans over to CHANTREY for a short colloquy.

CHANTREY. Did you witness any particular violence other than a resistance to arrest?

GUY. No, sir.

MAYOR. [With a gesture of dismissal] Very well, That seems to be the evidence. Defendant John Builder--what do you say to all this?

BUILDER. [In a voice different from any we have heard from him] Say!

What business had he to touch me, a magistrate? I gave my daughter two taps with a cane in a private house, for interfering with me for taking my wife home--

MAYOR. That charge is not pressed, and we can't go into the circ.u.mstances. What do you wish to say about your conduct towards the constable?

BUILDER. [In his throat] Not a d.a.m.ned thing!

MAYOR. [Embarra.s.sed] I--I didn't catch.

CHANTREY. Nothing--nothing, he said, Mr Mayor.

MAYOR. [Clearing his throat] I understand, then, that you do not wish to offer any explanation?

BUILDER. I consider myself abominably treated, and I refuse to say another word.

MAYOR. [Drily] Very good. Miss Maud Builder.

MAUD stands up.

MAYOR. When you spoke of the defendant seeing red, what exactly did you mean?

MAUD. I mean that my father was so angry that he didn't know what he was doing.

CHANTREY. Would you say as angry as he--er--is now?

MAUD. [With a faint smile] Oh! much more angry.

RALPH BUILDER stands up.

RALPH. Would you allow me to say a word, Mr Mayor?

MAYOR. Speaking of your own knowledge, Mr Builder?

RALPH. In regard to the state of my brother's mind--yes, Mr Mayor. He was undoubtedly under great strain yesterday; certain circ.u.mstances, domestic and otherwise--

MAYOR. You mean that he might have been, as one might say, beside himself?

RALPH. Exactly, Sir.

MAYOR. Had you seen your brother?

RALPH. I had seen him shortly before this unhappy business.

The MAYOR nods and makes a gesture, so that MAUD and RALPH sit down; then, leaning over, he confers in a low voice with CHANTREY. The rest all sit or stand exactly as if each was the only person in the room, except the JOURNALIST, who is writing busily and rather obviously making a sketch of BUILDER.

MAYOR. Miss Athene Builder.

ATHENE stands up.

This young man, Mr Herringhame, I take it, is a friend of the family's?

A moment of some tension.