[Staring] Are you ill?

LARRY stands still again and heaves a deep sigh.

KEITH. [Rising, with his back to the fire, and staring at his brother] What is it, man? [Then with a brutality born of nerves suddenly ruffled] Have you committed a murder that you stand there like a fish?

LARRY. [In a whisper] Yes, Keith.

KEITH. [With vigorous disgust] By Jove! Drunk again! [In a voice changed by sudden apprehension] What do you mean by coming here in this state? I told you---- If you weren't my brother----!

Come here, where I can we you! What's the matter with you, Larry?

[With a lurch LARRY leaves the shelter of the wall and sinks into a chair in the circle of light.]

LARRY. It's true.

[KEITH steps quickly forward and stares down into his brother's eyes, where is a horrified wonder, as if they would never again get on terms with his face.]

KEITH. [Angry, bewildered-in a low voice] What in G.o.d's name is this nonsense?

[He goes quickly over to the door and draws the curtain aside, to see that it is shut, then comes back to LARRY, who is huddling over the fire.]

Come, Larry! Pull yourself together and drop exaggeration! What on earth do you mean?

LARRY. [In a shrill outburst] It's true, I tell you; I've killed a man.

KEITH. [Bracing himself; coldly] Be quiet!

LARRY lifts his hands and wrings them.

[Utterly taken aback] Why come here and tell me this?

LARRY. Whom should I tell, Keith? I came to ask what I'm to do-- give myself up, or what?

KEITH. When--when--what----?

LARRY. Last night.

KEITH. Good G.o.d! How? Where? You'd better tell me quietly from the beginning. Here, drink this coffee; it'll clear your head.

He pours out and hands him a cup of coffee. LARRY drinks it off.

LARRY. My head! Yes! It's like this, Keith--there's a girl----

KEITH. Women! Always women, with you! Well?

LARRY. A Polish girl. She--her father died over here when she was sixteen, and left her all alone. There was a mongrel living in the same house who married her--or pretended to. She's very pretty, Keith. He left her with a baby coming. She lost it, and nearly starved. Then another fellow took her on, and she lived with him two years, till that brute turned up again and made her go back to him.

He used to beat her black and blue. He'd left her again when--I met her. She was taking anybody then. [He stops, pa.s.ses his hand over his lips, looks up at KEITH, and goes on defiantly] I never met a sweeter woman, or a truer, that I swear. Woman! She's only twenty now! When I went to her last night, that devil had found her out again. He came for me--a bullying, great, hulking brute. Look!

[He touches a dark mark on his forehead] I took his ugly throat, and when I let go--[He stops and his hands drop.]

KEITH. Yes?

LARRY. [In a smothered voice] Dead, Keith. I never knew till afterwards that she was hanging on to him--to h-help me. [Again he wrings his hands.]

KEITH. [In a hard, dry voice] What did you do then?

LARRY. We--we sat by it a long time.

KEITH. Well?

LARRY. Then I carried it on my back down the street, round a corner, to an archway.

KEITH. How far?

LARRY. About fifty yards.

KEITH. Was--did anyone see?

LARRY. No.

KEITH. What time?

LARRY. Three in the morning.

KEITH. And then?

LARRY. Went back to her.

KEITH. Why--in heaven's name?

LARRY. She way lonely and afraid. So was I, Keith.

KEITH. Where is this place?

LARRY. Forty-two Borrow Square, Soho.

KEITH. And the archway?

LARRY. Corner of Glove Lane.

KEITH. Good G.o.d! Why, I saw it in the paper this morning. They were talking of it in the Courts! [He s.n.a.t.c.hes the evening paper from his armchair, and runs it over a.n.a.l reads] Here it is again.

"Body of a man was found this morning under an archway in Glove Lane.

From marks about the throat grave suspicion of foul play are entertained. The body had apparently been robbed." My G.o.d!

[Suddenly he turns] You saw this in the paper and dreamed it.

D'you understand, Larry?--you dreamed it.

LARRY. [Wistfully] If only I had, Keith!

[KEITH makes a movement of his hands almost like his brother's.]