Complete Original Short Stories of Guy De Maupassant - Part 142
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Part 142

"Why, I have nothing to tell. She is one of the most charming women, or, rather, girls, and the most admired in Paris. She leads a delightful existence and lives like a princess, that is all."

"I love her," he murmured in a tone in which he might have said "I am going to die." Then suddenly he continued:

"Ah! For three years we lived in a state of terror and delight. I almost killed her five or six times. She tried to pierce my eyes with that hairpin that you saw just now. Look, do you see that little white spot beneath my left eye? We loved each other. How can I explain that infatuation? You would not understand it."

"There must be a simple form of love, the result of the mutual impulse of two hearts and two souls. But there is also a.s.suredly an atrocious form, that tortures one cruelly, the result of the occult blending of two unlike personalities who detest each other at the same time that they adore one another."

"In three years this woman had ruined me. I had four million francs which she squandered in her calm manner, quietly, eat them up with a gentle smile that seemed to fall from her eyes on to her lips."

"You know her? There is something irresistible about her. What is it? I do not know. Is it those gray eyes whose glance penetrates you like a gimlet and remains there like the point of an arrow? It is more likely the gentle, indifferent and fascinating smile that she wears like a mask. Her slow grace pervades you little by little; exhales from her like a perfume, from her slim figure that scarcely sways as she pa.s.ses you, for she seems to glide rather than walk; from her pretty voice with its slight drawl that would seem to be the music of her smile; from her gestures, also, which are never exaggerated, but always appropriate, and intoxicate your vision with their harmony. For three years she was the only being that existed for me on the earth! How I suffered; for she deceived me as she deceived everyone! Why? For no reason; just for the pleasure of deceiving. And when I found it out, when I treated her as a common girl and a beggar, she said quietly: 'Are we married?'

"Since I have been here I have thought so much about her that at last I understand her. She is Manon Lescaut come back to life. It is Manon, who could not love without deceiving; Marion for whom love, amus.e.m.e.nt, money, are all one."

He was silent. After a few minutes he resumed:

"When I had spent my last sou on her she said simply:

"'You understand, my dear boy, that I cannot live on air and weather. I love you very much, better than anyone, but I must live. Poverty and I could not keep house together."

"And if I should tell you what a horrible life I led with her! When I looked at her I would just as soon have killed her as kissed her. When I looked at her ... I felt a furious desire to open my arms to embrace and strangle her. She had, back of her eyes, something false and intangible that made me execrate her; and that was, perhaps, the reason I loved her so well. The eternal feminine, the odious and seductive feminine, was stronger in her than in any other woman. She was full of it, overcharged, as with a venomous and intoxicating fluid. She was a woman to a greater extent than any one has ever been."

"And when I went out with her she would look at all men in such a manner that she seemed to offer herself to each in a single glance. This exasperated me, and still it attached me to her all the more. This creature in just walking along the street belonged to everyone, in spite of me, in spite of herself, by the very fact of her nature, although she had a modest, gentle carriage. Do you understand?

"And what torture! At the theatre, at the restaurant she seemed to belong to others under my very eyes. And as soon as I left her she did belong to others.

"It is now ten years since I saw her and I love her better than ever."

Night spread over the earth. A strong perfume of orange blossoms pervaded the air. I said:

"Will you see her again?"

"Parbleu! I now have here, in land and money, seven to eight thousand francs. When I reach a million I shall sell out and go away. I shall have enough to live on with her for a year-one whole year. And then, good-bye, my life will be finished."

"But after that?" I asked.

"After that, I do not know. That will be all, I may possibly ask her to take me as a valet de chambre."

YVETTE SAMORIS

"The Comtesse Samoris."

"That lady in black over there?"

"The very one. She's wearing mourning for her daughter, whom she killed."

"You don't mean that seriously? How did she die?"

"Oh! it is a very simple story, without any crime in it, any violence."

"Then what really happened?"

"Almost nothing. Many courtesans are born to be virtuous women, they say; and many women called virtuous are born to be courtesans-is that not so? Now, Madame Samoris, who was born a courtesan, had a daughter born a virtuous woman, that's all."

"I don't quite understand you."

"I'll-explain what I mean. The comtesse is nothing but a common, ordinary parvenue originating no one knows where. A Hungarian or Wallachian countess or I know not what. She appeared one winter in apartments she had taken in the Champs Elysees, that quarter for adventurers and adventuresses, and opened her drawing-room to the first comer or to any one that turned up.

"I went there. Why? you will say. I really can't tell you. I went there, as every one goes to such places because the women are facile and the men are dishonest. You know that set composed of filibusters with varied decorations, all n.o.ble, all t.i.tled, all unknown at the emba.s.sies, with the exception of those who are spies. All talk of their honor without the slightest occasion for doing so, boast of their ancestors, tell you about their lives, braggarts, liars, sharpers, as dangerous as the false cards they have up their sleeves, as delusive as their names-in short, the aristocracy of the bagnio.

"I adore these people. They are interesting to study, interesting to know, amusing to understand, often clever, never commonplace like public functionaries. Their wives are always pretty, with a slight flavor of foreign roguery, with the mystery of their existence, half of it perhaps spent in a house of correction. They have, as a rule, magnificent eyes and incredible hair. I adore them also.

"Madame Samoris is the type of these adventuresses, elegant, mature and still beautiful. Charming feline creatures, you feel that they are vicious to the marrow of their bones. You find them very amusing when you visit them; they give card parties; they have dances and suppers; in short, they offer you all the pleasures of social life.

"And she had a daughter-a tall, fine-looking girl, always ready for amus.e.m.e.nt, always full of laughter and reckless gaiety-a true adventuress' daughter-but, at the same time, an innocent, unsophisticated, artless girl, who saw nothing, knew nothing, understood nothing of all the things that happened in her father's house.

"The girl was simply a puzzle to me. She was a mystery. She lived amid those infamous surroundings with a quiet, tranquil ease that was either terribly criminal or else the result of innocence. She sprang from the filth of that cla.s.s like a beautiful flower fed on corruption."

"How do you know about them?"

"How do I know? That's the funniest part of the business! One morning there was a ring at my door, and my valet came up to tell me that M. Joseph Bonenthal wanted to speak to me. I said directly:

"'And who is this gentleman?' My valet replied: 'I don't know, monsieur; perhaps 'tis some one that wants employment.' And so it was. The man wanted me to take him as a servant. I asked him where he had been last. He answered: 'With the Comtesse Samoris.' 'Ah!' said I, 'but my house is not a bit like hers.' 'I know that well, monsieur,' he said, 'and that's the very reason I want to take service with monsieur. I've had enough of these people: a man may stay a little while with them, but he won't remain long with them.' I required an additional man servant at the time and so I took him.

"A month later Mademoiselle Yvette Samoris died mysteriously, and here are all the details of her death I could gather from Joseph, who got them from his sweetheart, the comtesse's chambermaid.

"It was a ball night, and two newly arrived guests were chatting behind a door. Mademoiselle Yvette, who had just been dancing, leaned against this door to get a little air.

"They did not see her approaching, but she heard what they were saying. And this was what they said:

"'But who is the father of the girl?'

"'A Russian, it appears; Count Rouvaloff. He never comes near the mother now.'

"'And who is the reigning prince to-day?'

"'That English prince standing near the window; Madame Samoris adores him. But her adoration of any one never lasts longer than a month or six weeks. Nevertheless, as you see, she has a large circle of admirers. All are called-and nearly all are chosen. That kind of thing costs a good deal, but-hang it, what can you expect?'

"'And where did she get this name of Samoris?'

"'From the only man perhaps that she ever loved-a Jewish banker from Berlin who goes by the name of Samuel Morris.'

"'Good. Thanks. Now that I know what kind of woman she is and have seen her, I'm off!'

"What a shock this was to the mind of a young girl endowed with all the instincts of a virtuous woman! What despair overwhelmed that simple soul! What mental tortures quenched her unbounded gaiety, her delightful laughter, her exultant satisfaction with life! What a conflict took place in that youthful heart up to the moment when the last guest had left! Those were things that Joseph could not tell me. But, the same night, Yvette abruptly entered her mother's room just as the comtesse was getting into bed, sent out the lady's maid, who was close to the door, and, standing erect and pale and with great staring eyes, she said: