"All right, damn it," Don said. "You say what to do next, then." We looked at one another. After a while the wind would sound like sleep, maybe. If you were warm and close between walls, maybe.

"All right," I said.

"Why can't you mean, all right? Damn it, we've got to do something. This is October; it's not summer. And we don't know anything. We haven't heard anything. We don't speak Italian. We love Italy."

"I said, all right," I said. The presbytery was of stone too, bleak in a rank garden. We were halfway up the flagged path when a casement beneath the eaves opened and somebody in white looked down at us and closed the shutter again.

It was done all in one movement. Again we said together, quietly: "Beaver." But it was too dark to see much, and the casement was closed again. It had not taken ten seconds.

"Only we should have said, Beaverette," Don said.

"That's right. Is that a joke?"

"Yes. That's a joke." A wooden-faced peasant woman opened the door. She held a candle, the flame leaning inward from the wind. The hall behind her was dark; a stale, chill smell came out of it. She stood there, the harsh planes of her face in sharp relief, her eyes two caverns in which two little flames glittered, looking at us.

"Go on," I said. "Tell her something."

"We were told that his reverence, signora," Don said, "that we might..." The candle leaned and recovered. She raised the other hand and sheltered it, blocking the door with her body. "We are travelers, en promenade; we were told supper and a bed..."

When we followed her down the hall we carried with us in our ears the long rush of the recent wind, like in a sea shell.

There was no light save the candle which she carried. So that, behind her, we walked in gloom out of which the serrated shadow of a stair on one wall reared dimly into the passing candle and dissolved in mounting serrations, carrying the eye with it up the wall where there was not any light.

"Pretty soon it'll be too dark to see anything from that window," Don said.

"Maybe she won't have to, by then."

"Maybe so." The woman opened a door; we entered a lighted room. It contained a table on which sat a candle in an iron candlestick, a carafe of wine, a long loaf, a metal box with a slotted cover. The table was set for two. We slung our packs into the corner and watched her set another place and fetch another chair from the hall. But that made only three places and we watched her take up her candle and go out by a second door. Then Don looked at me. "Maybe we'll see her, after all."

"How do you know he doesn't eat?"

"When? Don't you know where he'll be?" I looked at him.

"He'll have to stay out there in the garden."

"How do you know?"

"The soldier was at the church. He must have seen him. Must have heard..." We looked at the door, but it was the woman. She had three bowls. "Soup, signora?" Don said.

"Si. Soup."

"Good. We have come far." She set the bowls on the table. "From Milano." She looked briefly over her shoulder at Don.

"You'd better have stayed there," she said. And she went out. Don and I looked at one another. My ears were still full of wind.

"So he is in the garden!" Don said.

"How do you know he is?"

After a while Don quit looking at me. "I don't know."

"No. You don't know. And I don't know. We don't want to know. Do we?"

"No. No spika."

"I mean, sure enough."

"That's what I mean," Don said. The whisper in our ears seemed to fill the room with wind. Then we realized that it was the wind that we heard, the wind itself we heard, even though the single window was shuttered tight. It was as though the quiet room were isolated on the ultimate peak of space, hollowed murmurous out of chaos and the long dark fury of time. It seemed strange that the candle flame should stand so steady above the wick.

III.

SO WE DID NOT see him until we were in the house. Until then he had been only a shabby shapeless figure, on the small size, scuttling through the blowing dusk at the head of the funeral, and a voice. It was as though neither of them was any part of the other: the figure in blowing black, and the voice beating up the still air above the candles, detached and dispassionate, tireless and spent and forlorn.

There was something precipitate about the way he entered, like a diver taking a full breath in the act of diving. He did not look at us and he was already speaking, greeting us and excusing his tardiness in one breath, in a low rapid voice.

Still, without having ceased to speak or having looked at us, he motioned toward the other chairs and seated himself and bowed his head over his plate and began a Latin grace without a break in his voice; again his voice seemed to rush slow and effortless just above the sound of the wind, like in the church. It went on for some time; so that after a while I raised my head. Don was watching me, his eyebrows arched a little; we looked toward the priest and saw his hands writhing slowly on either side of his plate. Then the woman spoke a sharp word behind me; I had not heard her enter: a gaunt woman, not tall, with a pale, mahogany-colored face that might have been any age between twenty-five and sixty. The priest stopped. He looked at us for the first time, out of weak, rushing eyes. They were brown and irisless, like those of an old dog. Looking at us, it was as though he had driven them up with whips and held them so, in cringing and rushing desperation. "I forget," he said. "There come times "

Again the woman snapped a word at him, setting a tureen on the table, the shadow of her arm falling across his face and remaining there: but we had already looked away. The long wind rushed past the stone eaves; the candle flame stood steady as a sharpened pencil in the still sound of the wind.

We heard her filling the bowls, yet she still stood for a time, the priest's face in the shadow of her arm; she seemed to be holding us all so until the moment whatever it was had passed. She went out. Don and I began to eat. We did not look toward him. When he spoke at last, it was in a tone of level, polite uninterest. "You have come far, signori?"

"From Milano," we both said.

"Before that, Firenze," Don said. The priest's head was bent over his bowl. He ate rapidly. Without looking up he gestured toward the loaf. I pushed it along to him. He broke the end off and went on eating.

"Ah," he said. "Firenze. That is a city. More what do you say? spiritual than our Milano." He ate hurriedly, without finesse. His robe was turned back over a flannel undershirt, the sleeves were. His spoon clattered; at once the woman entered with a platter of broccoli. She removed the bowls. He reached his hand. She handed him the carafe and he filled the glasses without looking up and lifted his with a brief phrase. But he had only feinted to drink; he was watching my face when I looked at him. I looked away; I heard him clattering at the dish and Don was looking at me too.

Then the woman's shoulder came between us and the priest.

"There come times..." he said. He clattered at the dish.

When the woman spoke to him in that shrill, rapid patois he thrust his chair back and for an instant we saw his driven eyes across her arm. "There come times..." he said, raising his voice. Then she drowned the rest of it, getting completely between us and Don and I stopped looking and heard them leave the room. The steps ceased. Then we could hear only the wind.

"It was the burial service," Don said. Don was a Catholic. "That grace was."

"Yes," I said. "I didn't know that."

"Yes. It was the burial service. He got mixed up."

"Sure," I said. "That's it. What do we do now?" Our packs lay in the corner. Two packs can look as human, as utterly human and spent, as two shoes. We were watching the door when the woman entered. But she wasn't going to stop. She didn't look at us.

"What shall we do now, signora?" Don said.

"Eat." She did not stop. Then we could hear the wind again.

"Have some wine," Don said. He raised the carafe, then he held it poised above my glass, and we listened. The voice was beyond the wall, maybe two walls, in a sustained rush of indistinguishable words. He was not talking to anyone there: you could tell that. In whatever place he was, he was alone: you could tell that. Or maybe it was the wind. Maybe in any natural exaggerated situation: wind, rain, drouth, man is always alone. It went on for longer than a minute while Don held the carafe above my glass. Then he poured. We began to eat. The voice was muffled and sustained, like a machine might have been making it.

"If it were just summer," I said.

"Have some wine." He poured. We held our poised glasses.

It sounded just like a machine. You could tell that he was alone. Anybody could have. "That's the trouble," Don said.

"Because there's not anybody there. Not anybody in the house."

"The woman."

"So are we." He looked at me.

"Oh," I said.

"Sure. What better chance could she have wanted, have asked for? He was in here at least five minutes. And he just back from the army after three years. The first day he is home, and then afternoon and then twilight and then darkness. You saw her there. Didn't you see her up there?"

"He locked the door. You know he locked it."

"This house belongs to God: you can't have a lock on it. You didn't know that."

"That's right. I forgot you're a Catholic. You know things. You know a lot, don't you?"

"No. I don't know anything. I no spika too. I love Italy too." The woman entered. She didn't bring anything this time. She came to the table and stood there, her gaunt face above the candle, looking down at us.

"Look, then," she said. "Will you go away?"

"Go away?" Don said. "Not stop here tonight?" She looked down at us, her hand lying on the table. "Where could we stop? Who would take us in? One cannot sleep on the mountain in October, signora."

"Yes," she said. She was not looking at us now. Through the walls we listened to the voice and to the wind.

"What is this, anyway?" Don said. "What goes on here, signora?"

She looked at him gravely, speculatively, as if he were a child. "You are seeing the hand of God, signorino," she said.

"Pray God that you are too young to remember it." Then she was gone. And after a while the voice ceased, cut short off like a thread. And then there was just the wind.

"As soon as we get out of the wind, it won't be so bad," I said.

"Have some wine." Don raised the carafe. It was less than half full.

"We'd better not drink any more."

"No." He filled the glasses. We drank. Then we stopped.

It began again, abruptly, in full stride, as though silence were the thread this time. We drank. "We might as well finish the broccoli, too."

"I don't want any more."

"Have some wine then."

"You've already had more than I have."

"All right." He filled my glass. I drank it. "Now, have some wine."

"We ought not to drink it all."

He raised the carafe. "Two more glasses left. No use in leaving that."

"There aren't two glasses left."

"Bet you a lira."

"All right. But let me pour."

"All right." He gave me the carafe. I filled my glass and reached toward his. "Listen," he said. For about a minute now the voice had been rising and falling, like a wheel running down. This time it didn't rise again; there was only the long sound of the wind left. "Pour it," Don said. I poured.

The wine mounted three quarters. It began to dribble away.

"Tilt it up." I did so. A single drop hung for a moment, then fell into the glass. "Owe you a lira," Don said.

The coins rang loud in the slotted box. When he took it up from the table and shook it, it made no sound. He took the coins from his pocket and dropped them through the slot.

He shook it again. "Doesn't sound like quite enough. Cough up." I dropped some coins through the slot; he shook the box again. "Sounds all right now." He looked at me across the table, his empty glass bottom-up before him. "How about a little wine?"

When we rose I took my pack from the corner. It was on the bottom. I had to tumble Don's aside. He watched me.

"What are you going to do with that?" he said. "Take it out for a walk?"

"I don't know," I said. Past the cold invisible eaves the long wind steadily sighed. Upon the candle the flame stood like the balanced feather on the long white nose of a clown.

The hall was dark; there was no sound in it. There was nothing in it save the cold smell of sunless plaster and silence and the smell of living, of where people have, and will have, lived. We carried our packs low and close against our legs like we had stolen them. We went on to the door and opened it, entering the black wind again. It had scoured the sky clear and clean, hollowing it out of the last of light, the last of twilight. We were halfway to the gate when we saw him.

He was walking swiftly back and forth beside the wall. His head was bare, his robes ballooning about him. When he saw us he did not stop. He didn't hurry, either. He just turned and went back beside the wall and turned again, walking fast.

We waited at the gate. We thanked him for the food, he motionless in his whipping robes, his head bent and averted a little, as a deaf man listens. When Don knelt at his feet he started back as though Don had offered to strike him. Then I felt like a Catholic too and I knelt too and he made the sign hurriedly above us, upon the black-and-green wind and dusk, like he would have made it in water. When we passed out the gate and looked back we could still see, against the sky and the blank and lightless house, his head rushing back and forth like a midget running along the top of the wall.

IV.

THE CAFE was on the lee side of the street; we sat out of the wind. But we could see gusts and eddies of trash swirl along the gutter, and an occasional tongue of it licked chill across our legs, and we could hear the steady rushing of it in the high twilight among the roofs. On the curb two musicians from the hills, a fiddler and a piper sat, playing a wild and skirling tune. Now and then they stopped to drink, then they resumed the same tune. It was without beginning and seemingly without end, the wild un-music of it swirling along the wind with a quality at once martial and sad. The waiter fetched us brandy and coffee, his dirty apron streaming suddenly and revealing beneath it a second one of green baize and rigid as oxidized copper. At the other table five young men sat, drinking and ringing separately small coins onto the waiter's tray, which he appeared to count by the timbre of the concussion before tilting them into his waistcoat in one motion, and a long-flanked young peasant woman stopped to hear the music, a child riding her hip. She set the child down and it scuttled under the table where the young men sat, they withdrawing their legs to permit it, while the woman was not looking. She was looking at the musicians, her face round and tranquil, her mouth open a little.

"Let's have some wine," Don said.

"All right," I said. "I like Italy," I said. We had another brandy. The woman was trying to cajole the child from under the table. One of the young men extracted it and gave it back to her. People stopped in the street to hear the music, and a high two-wheeled cart, full of fagots and drawn by a woman and a diminutive mule, passed without stopping, and then the girl came up the street in her white dress, and I didn't feel like a Catholic any more. She was all in white, coatless, walking slender and supple. I didn't feel like anything any more, watching her white dress swift in the twilight, carrying her somewhere or she carrying it somewhere: anyway, it was going too, moving when she moved and because she moved, losing her when she would be lost because it moved when she moved and went with her to the instant of loss. I remember how, when I learned about Thaw and White and Evelyn Nesbitt, how I cried. I cried because Evelyn, who was a word, was beautiful and lost or I would never have heard of her. Because she had to be lost for me to find her and I had to find her to lose her. And when I learned that she was old enough to have a grown daughter or son or something, I cried, because I had lost myself then and I could never again be hurt by loss. So I watched the white dress, thinking, She'll be as near me in a second as she'll ever be and then she'll go on away in her white dress forevermore, in the twilight forevermore. Then I felt Don watching her too and then we watched the soldier spring down from the bike.

They came together and stopped and for a while they stood there in the street, among the people, facing one another but not touching. Maybe they were not even talking, and it didn't matter how long; it didn't matter about time. Then Don was nudging me.

"The other table," he said. The five young men had all turned; their heads were together, now and then a hand, an arm, secret, gesticulant, their faces all one way. They leaned back, without turning their faces, and the waiter stood, tray on hip, a squat, sardonic figure older than Grandfather Lust himself looking also. At last they turned and went on up the street together in the direction from which he had come, he leading the bicycle. Just before they passed from sight they stopped and faced one another again among the people, the heads, without touching at all. Then they went on. "Let's have some wine," Don said.

The waiter set the brandies on the table, his apron like a momentary board on the wind. "You have military in town," Don said.

"That's right," the waiter said. "One."