"I see."

Something in Evelyn's tone makes me take notice. "What? Do you think I should just get over it? I've been telling myself it's not that big a deal, and maybe it isn't. But Damiena"

"abroke his word. Yes, of course that would upset you. Would piss me off, too. But in this case, I think you need to forgive the boy."

I can't help my ironic half-smile. "I will. I honestly can't imagine staying mad at Damien. But not right now. I'm feeling a little fragile."

She keeps speaking as if she hadn't heard me. "You need to forgive him because he didn't break his word. Blaine did."

"What?" I play her words back in my head, but I still don't understand.

"Blaine told Giselle," Evelyn says matter-of-factly. "He didn't mean to. He was mortified. They were talking about model releases for the gallery and somehow the conversation turned to the portrait. He doesn't even remember what he said, exactly. You know how he gets when he starts chattering. And the next thing you know, he'd told her. He rushed home and told me the whole story. Didn't sleep that nightatook all my harassing to keep him from calling Damien right then and there, but it was two in the morning, and I told him it could wait. Poor kid looked green until he finally got Damien on the phone at five the next morning."

"When was this?" I am flabbergasted.

"Four days ago."

"Butabut I asked Damien point-blank if he told Giselle, and he said yes. He was lying for Blaine? Why?"

"Aw, honey, it wasn't Damien that Blaine was green in the gills about. It was you. He fucked up, and he hurt you, and he fully intended to come clean. He wanted Damien's advice on how to tell you, and Damien told him not to. Damien said he'd talk to Giselle and make sure it didn't go further, and that if need be, he'd take the blame."

"But why?"

"You already answered that one, Texas," she says gently.

For a moment, I don't understand. Then I recall my words. I honestly can't imagine staying mad at Damien.

"He's protecting Blaine," I say, more to myself than to Evelyn. "He's protecting our friendship." Suddenly, my hand is over my mouth and I'm blinking back tears.

"You want me to tell Blaine that you know?"

I shake my head violently. "No. No. I don't want him to worry that it bothers me or that I'm mad at him. Maybe someday I'll tell him, but right now, no."

"I wasn't sure about telling you myself," she says. "I'm glad I did."

"Me, too," I say.

"To be honest, I was surprised as hell to see Giselle here. Blaine told her that he didn't mean to say anything. She must know that showing up would embarrass you and piss off Damien. Hard to believe she'd go out of her way to piss off her best client."

"No kidding," I say, but I've realized now what Tanner meant. If Damien is Giselle's best client, then the accusation that Bruce hired me to make his wife happy makes sense. Keep the wife's best client happy and keep the galleries making money.

"Maybe I had it wrong," Evelyn muses. "Maybe Giselle's the one who's jealous."

"Of me? Why?"

"You're with Damien," Evelyn says. "And she's not. Not anymore."

This is a night of revelations. "Damien and Giselle used to date?"

"Years ago. They were an item for a few months before she and Bruce tied the knot. Now there's an interesting story."

"Damien and Giselle?" That's a story I'm not sure I want to hear.

"Giselle and Bruce," Evelyn says with a small shake of her head. "But that's dirt for another day." She tosses back the last of her drink, then slams the glass onto the tabletop. "Ready to head back into the fray?" she asks, standing.

"No," I admit, though I stand as well. Because it's not people that I want right now. It's just Damien.

14.

I wait a moment after Evelyn has gone, then make a quick circle through the party. A few people smile or nod at me, moving a step to one side as if silently inviting me to join their conversations. But I pass by; I have no time for anyone but Damien, and I move through the crowd with singular determination.

When I finally see him, I stop short. He stands in a small group, listening to a story told by a stout woman with curly brown hair. As if he feels me looking at him, Damien turns. His eyes find me, and suddenly everything around me seems to melt away. The people are nothing but blurs of colors, the conversation little more than white noise. We are the only two people in the room, and I stand transfixed, my body tingling, mouth suddenly dry. It is as if this man has cast a spell over me, and I am a willing participant to the enchantment.

I want to bask in the heat that radiates between us. I have been so cold today, my body battered by icy winds and drifting tides. I want to stay here, lost in time. Lost in Damien.

But I cannot. There are things to doathings to say. And so I force myself to move. I take a single step forward, and the world around me rushes back into focus, people moving, couples talking, glasses clinking. But my eyes have not left Damien's face, and I smile in apology and forgiveness. And also in invitation.

Then, with my heart beating wildly in my chest, I turn and walk away.

It takes remarkable strength not to turn and look behind me, but I manage the task. I head back into the kitchen, then follow the short hallway that leads to the service elevator. I get in and descend one level to the second-floor library. That floor isn't available to the party guests. It is Damien's private space, and though I am feeling decidedly on edge, I know that I belong there, too, and I smile as I step off the elevator and into the small alcove that houses a computer workstation. This area cannot be seen by anyone climbing the stairs, but neither can I see those magical, sparkling lights. And magical and sparkling is exactly what I need right now.

I move out of the alcove, passing the dimly lit shelving until I come to the open mezzanine. The lights twinkling on the railing are no less impressive from this angle, and I take my camera off my shoulder and focus in close, so that nothing but dots of diffused light fill my sight, each pinpoint radiating out into vibrant prisms of color.

I snap, then snap again, and soon I'm lost in the world that I'm capturing on camera. The perfection of the angles of this house I love. The tattered cover of a Philip K. Dick novel that Damien has left on a side table. Even the cocktail party guests, or what little I can see of them, as they seem to float above me. From here, I cannot make out voices. And I can see only the head and shoulders of the few who venture close to the landing.

Nor can I see my portrait, and right then, I am glad. I am so happy to know that Damien didn't breach my confidence, but I still feel exposed and raw.

I know that Damien is behind me even before he speaks. Perhaps I subconsciously heard his footsteps. Or maybe I caught the scent of his cologne.

More likely we are simply so attuned to each other that it is impossible to be in close proximity without my body crying out for the touch of his hand.

"I hope this means you aren't still mad at me," he says.

I am standing at the railing, my back to him, and I feel the whisper of a smile touch my lips. "Should I be?"

I hear the rustle of his clothes as he moves closer to me. He is right there, right behind me, and I can feel the air thickening between us. "I'm truly sorry," he says. "I didn't mean for Giselle to know. And I certainly never expected her to tell Bruce."

I close my eyes, thinking of Blaine and the secret Damien kept. "You are an exceptionally good man, Damien Stark," I say.

For a moment, he is perfectly still behind me. "No, I'm not. But every once in a while I do a good thing." He slides his hand gently over my bare shoulder and I draw in a trembling breath. "Evelyn told you?"

"Yes." I hear the need in my voice. I am certain that he hears it, too.

His hands close around my waist and he pulls me close, then presses his lips into my hair. "I wish she hadn't done that. I didn't want you to be upset with Blaine."

"I'm not. I might have been if I'd learned first that it was him, but you deflected that." I turn in his arms, then tilt my head to look at him. "Like I said, you're a good man."

"I'm still sorry. And even sorrier that Giselle came early. She wasn't invited, and I know it embarrassed you."

"I'll survive," I say, and then, because I think Evelyn might be right about Giselle's motivations, I add, "Why didn't you tell me that you and Giselle dated?"

He looks truly baffled by the question. "You never asked."

"You knew I wondered," I say. "That night. Our first night."

He thinks for a moment, and then his mouth quirks up as if my question is amusing him.

"Dammit, Damien," I say, smacking him lightly on the arm.

"Giselle and I went out a few times, but it was long before she and Bruce got married. And if I recall correctly, at the time Giselle came up, I was in the process of seducing you. I didn't think that outlining my dating history would be conducive to the tone I was trying to set."

I have to smile. The memory of that ride in Damien's limo is beyond delicious.

"After that," Damien adds, "the topic never came up again. And there's no reason it should. There is only one woman I'm interested in," he says, with such fervency that my legs go weak.

He tilts my chin up. "Better?"

"Yes." My scowl is more for myself than for him. "I don't like feeling like a jealous harpy," I confess. "But suddenly I'm being bombarded by Giselle. The painting, the trip back from Palm Springs, what Tanner said, and then finding out that you two actually used to date."

"I have no idea what Tanner said or what Palm Springs has to do with anything, but I can assure you that as far as the painting is concerned, Giselle has promised me again that she won't tell anyone that you're the model. She can be flighty, but she won't break her word."

"You talked to her tonight?"

"I did."

"Oh. Well, I'm very glad to hear it," I admit. "And I don't think Bruce will tell anyone, either."

"Do you want me to talk to him? I haven't yet."

"No. I trust him."

Damien nods, satisfied. "What about Tanner?"

I tell him about Tanner's theory that I was hired to make Giselle happy, and I see the anger light in Damien's eyes.

I laugh. "He's already been firedathanks for thatabut don't do anything else."

"What would I do?"

"Oh, I don't know," I say, thinking of my old boyfriend Kurt. "Sic the Yakuza on him. Task a satellite to blast him with a laser beam from space. Honestly, what couldn't you do?"

"I rather like the laser-beam-from-space idea."

"Promise me."

"I promise. He's out of Innovative and away from you. End of story."

"Good," I say, even though, honestly, I wouldn't be too upset if a space laser took out Tanner.

"And Palm Springs?" he asks. "I've always found it to be such a relaxing place. I'm curious how such a benign location made it onto your list of suspects."

"You're teasing me."

"Only a little."

"You should have told me you were giving Giselle a ride back in the limo."

"Oh," he says, and nods solemnly. "Yes, I can see your point. I should have. I would have. If I had given her a ride back in the limo."

He's patronizing me, of course, but I don't care because I'm still caught up on the whole he-didn't-drive-her thing. "But you came back in the limo. I assumed that was because you were giving her and the paintings a lift. But if you weren't, then why not just come back in the helicopter? Wasn't that your plan?"

"It was. But my meetings ended surprisingly early, and as you've noted so many times, I have a universe to run. It's difficult to conduct business from a helicopter. The noise level makes dictation tricky, and I've found that international clients get touchy when they think I'm shouting at them. Plus, it's much easier to make unscheduled stops along the way from a ground vehicle, and when I realized I had the time, I scheduled a few stops in Fullerton and Pasadena."

I cross my arms over my chest and cock my head to the side. "The point, Mr. Stark?"

"The point is that when I realized my schedule was going to change, I called my office to arrange to have the limo sent. My assistant told me that Giselle had called, hoping that I could suggest a transport company in Palm Springs that could arrange the delivery of some paintings for the show. Apparently she decided to bring back more than could fit in her car."

"And since you were right there, you offered to bring them back yourself."

"The paintings," he acknowledges. "Not the woman. As you said, I can be a very nice man."

I laugh. "Yes, you can."

"I wonder if I might make a suggestion?"

"Um, sure."

"Next time you have a question about whether or not I'm transporting other women in the limo, simply pick up the phone and ask."

"Right," I say. "I'll do that." I shake my head in exasperation at myself. "I really am sorry. I've been out of sorts."

"As have I," he says.

I think of the storm clouds that I've seen in his eyes. Of the legal troubles that seem to be brewing. "Will you tell me why?" I ask softly.

He looks at me for such a long moment that I'm afraid he's not going to answer. "I don't want what is between us to end."

"Oh." His response is not what I expected, but I cannot deny the relief that almost swallows me. "No," I say, my skin already warming from the heat in his voice. "I don't, either."

He searches my face. "Don't you?" he finally whispers, and I see in his eyes the same vulnerable melancholy that I saw last night.