he coaxed, "you are not going to use it, are you?"

Bronson turned on him savagely. "For Heaven's sake!" he protested, "what do you think I am; did you _see_ her?"

So the New York ---- lost a very good story, and Bronson a large sum of money for not writing it, and Mr. Aram was taught a lesson, and his young wife's confidence in him remained unshaken. The editor and reporter dined together that night, and over their cigars decided with sudden terror that Mr. Aram might, in his ignorance of their good intentions concerning him, blow out his brains, and for nothing. So they despatched a messenger-boy up town in post-haste with a note saying that "the firm" had decided to let the matter drop. Although, perhaps, it would have been better to have given him one sleepless night at least.

That was three years ago, and since then Mr. Aram's father has fallen out with Tammany, and has been retired from public service. Bronson has been sent abroad to represent the United States at a foreign court, and has asked the editor to write the story that he did not write, but with such changes in the names of people and places that no one save Mr. Aram may know who Mr. Aram really was and is.

This the editor has done, reporting what happened as faithfully as he could, and in the hope that it will make an interesting story in spite of the fact, and not on account of the fact, that it is a true one.

AN a.s.sISTED EMIGRANT

Guido stood on the curb-stone in Fourteenth Street, between Fifth Avenue and Sixth Avenue, with a row of plaster figures drawn up on the sidewalk in front of him. It was snowing, and they looked cold in consequence, especially the Night and Morning. A line of men and boys stretched on either side of Guido all along the curb-stone, with toys and dolls, and guns that shot corks into the air with a loud report, and glittering dressings for the Christmas trees. It was the day before Christmas. The man who stood next in line to Guido had hideous black monkeys that danced from the end of a rubber string. The man danced up and down too, very much, so Guido thought, as the monkeys did, and stamped his feet on the icy pavement, and shouted: "Here yer are, lady, for five cents. Take them home to the children." There were hundreds and hundreds of ladies and little girls crowding by all of the time; some of them were a little cross and a little tired, as if Christmas shopping had told on their nerves, but the greater number were happy-looking and warm, and some stopped and laughed at the monkeys dancing on the rubber strings, and at the man with the frost on his mustache, who jumped too, and cried, "Only five cents, lady--nice Christmas presents for the children."

Sometimes the ladies bought the monkeys, but no one looked at the cold plaster figures of St. Joseph, and Diana, and Night and Morning, nor at the heads of Mars and Minerva--not even at the figure of the Virgin, with her two hands held out, which Guido pressed in his arms against his breast.

Guido had been in New York city just one month. He was very young--so young that he had never done anything at home but sit on the wharves and watch the ships come in and out of the great harbor of Genoa. He never had wished to depart with these ships when they sailed away, nor wondered greatly as to where they went. He was content with the wharves and with the narrow streets near by, and to look up from the bulkheads at the sailors working in the rigging, and the 'long-sh.o.r.emen rolling the casks on board, or lowering great square boxes into the holds.

He would have liked, could he have had his way, to live so for the rest of his life; but they would not let him have his way, and coaxed him on a ship to go to the New World to meet his uncle. He was not a real uncle, but only a make-believe one, to satisfy those who objected to a.s.sisted immigrants, and who wished to be a.s.sured against having to support Guido, and others like him. But they were not half so anxious to keep Guido at home as he himself was to stay there.

The new uncle met him at Ellis Island, and embraced him affectionately, and put him in an express wagon, and drove him with a great many more of his countrymen to where Mulberry Street makes a bend and joins Hester.

And in the Bend Guido found thousands of his fellows sleeping twenty in a room and over-crowded into the street: some who had but just arrived, and others who had already learned to swear in English, and had their street-cleaning badges and their peddler's licenses, to show that they had not been overlooked by the kindly society of Tammany, which sees that no free and independent voter shall go unrewarded.

New York affected Guido like a bad dream. It was cold and muddy, and the snow when it fell turned to mud so quickly that Guido believed they were one and the same. He did not dare to think of the place he know as home. And the sight of the colored advertis.e.m.e.nts of the steamship lines that hung in the windows of the Italian bankers hurt him as the sound of traffic on the street cuts to the heart of a prisoner in the Tombs. Many of his countrymen bade good-by to Mulberry Street and sailed away; but they had grown rich through obeying the padrones, and working night and morning sweeping the Avenue uptown, and by living on the refuse from the scows at Ca.n.a.l Street. Guido never hoped to grow rich, and no one stopped to buy his uncle's wares.

The electric lights came out, and still the crowd pa.s.sed and thronged before him, and the snow fell and left no mark on the white figures.

Guido was growing cold, and the bustle of the hurrying hundreds which had entertained him earlier in the day had ceased to interest him, and his amus.e.m.e.nt had given place to the fear that no one of them would ever stop, and that he would return to his uncle empty-handed. He was hungry now, as well as cold, and though there was not much rich food in the Bend at any time, to-day he had had nothing of any quality to eat since early morning. The man with the monkeys turned his head from time to time, and spoke to him in a language that he could not understand; although he saw that it was something amusing and well meant that the man said, and so smiled back and nodded. He felt it to be quite a loss when the man moved away.

Guido thought very slowly, but he at last began to feel a certain contempt for the stiff statues and busts which no one wanted, and b.u.t.toned the figure of the one of the woman with her arms held out, inside of his jacket, and tucked his scarf in around it, so that it might not be broken, and also that it might not bear the ignominy with the others of being overlooked. Guido was a gentle, slow-thinking boy, and could not have told you why he did this, but he knew that this figure was of different clay from the others. He had seen it placed high in the cathedrals at home, and he had been told that if you ask certain things of it it will listen to you.

The women and children began to disappear from the crowd, and the necessity of selling some of his wares impressed itself more urgently upon him as the night grew darker and possible customers fewer. He decided that he had taken up a bad position, and that instead of waiting for customers to come to him, he ought to go seek for them. With this purpose in his mind, he gathered the figures together upon his tray, and resting it upon his shoulder, moved further along the street, to Broadway, where the crowd was greater and the shops more brilliantly lighted. He had good cause to be watchful, for the sidewalks were slippery with ice, and the people rushed and hurried and brushed past him without noticing the burden he carried on one shoulder. He wished now that he knew some words of this new language, that he might call his wares and challenge the notice of the pa.s.sers-by, as did the other men who shouted so continually and vehemently at the hurrying crowds. He did not know what might happen if he failed to sell one of his statues; it was a possibility so awful that he did not dare conceive of its punishment. But he could do nothing, and so stood silent, dumbly presenting his tray to the people near him.

His wanderings brought him to the corner of a street, and he started to cross it, in the hope of better fortune in untried territory. There was no need of his hurrying to do this, although a car was coming towards him, so he stepped carefully but surely. But as he reached the middle of the track a man came towards him from the opposite pavement; they met and hesitated, and then both jumped to the same side, and the man's shoulder struck the tray and threw the white figures flying to the track, where the horses tramped over them on their way. Guido fell backwards, frightened and shaken, and the car stopped, and the driver and the conductor leaned out anxiously from each end.

There seemed to be hundreds of people all around Guido, and some of them picked him up and asked him questions in a very loud voice, as though that would make the language they spoke more intelligible. Two men took him by each arm and talked with him in earnest tones, and punctuated their questions by shaking him gently. He could not answer them, but only sobbed, and beat his hands softly together, and looked about him for a chance to escape. The conductor of the car jerked the strap violently, and the car went on its way. Guido watched the conductor, as he stood with his hands in his pockets looking back at him. Guido had a confused idea that the people on the car might pay him for the plaster figures which had been scattered in the slush and snow, so that the heads and arms and legs lay on every side or were ground into heaps of white powder. But when the car disappeared into the night he gave up this hope, and pulling himself free from his captor, slipped through the crowd and ran off into a side street. A man who had seen the accident had been trying to take up a collection in the crowd, which had grown less sympathetic and less numerous in consequence, and had gathered more than the plaster casts were worth; but Guido did not know this, and when they came to look for him he was gone, and the bareheaded gentleman, with his hat full of coppers and dimes, was left in much embarra.s.sment.

Guido walked to Washington Square, and sat down on a bench to rest, and then curled over quickly, and stretching himself out at full length, wept bitterly. When any one pa.s.sed he held his breath and pretended to be asleep. He did not know what he was to do or where he was to go.

Such a calamity as this had never entered into his calculations of the evils which might overtake him, and it overwhelmed him utterly. A policeman touched him with his nightstick, and spoke to him kindly enough, but the boy only backed away from the man until he was out of his reach, and then ran on again, slipping and stumbling on the ice and snow. He ran to Christopher Street, through Greenwich Village, and on to the wharves.

It was quite late, and he had recovered from his hunger, and only felt a sick tired ache at his heart. His feet were heavy and numb, and he was very sleepy. People pa.s.sed him continually, and doors opened into churches and into noisy glaring saloons and crowded shops, but it did not seem possible to him that there could be any relief from any source for the sorrow that had befallen him. It seemed too awful, and as impossible to mend as it would be to bring the crushed plaster into shape again. He considered dully that his uncle would miss him and wait for him, and that his anger would increase with every moment of his delay. He felt that he could never return to his uncle again.

Then he came to another park, opening into a square, with lighted saloons on one side, and on the other great sheds, with ships lying beside them, and the electric lights showing their spars and masts against the sky. It had ceased snowing, but the air from the river was piercing and cold, and swept through the wires overhead with a ceaseless moaning. The numbness had crept from his feet up over the whole extent of his little body, and he dropped upon a flight of steps back of a sailors' boarding-house, and shoved his hands inside of his jacket for possible warmth. His fingers touched the figure he had hidden there and closed upon it lightly, and then his head dropped back against the wall, and he fell into a heavy sleep. The night pa.s.sed on and grew colder, and the wind came across the ice-blocked river with shriller, sharper blasts, but Guido did not hear it.

"Chuckey" Martin, who blacked boots in front of the corner saloon in summer and swept out the bar-room in winter, came out through the family entrance and dumped a pan of hot ashes into the snow-bank, and then turned into the house with a shiver. He saw a ma.s.s of something lying curled up on the steps of the next house, and remembered it after he had closed the door of the family entrance behind him and shoved the pan under the stove. He decided at last that it might be one of the saloon's customers, or a stray sailor with loose change in his pockets, which he would not miss when he awoke. So he went out again, and picking Guido up, brought him in in his arms and laid him out on the floor.

There were over thirty men in the place; they had been celebrating the coming of Christmas; and three of them pushed each other out of the way in their eagerness to pour very bad brandy between Guido's teeth.

"Chuckey" Martin felt a sense of proprietorship in Guido, by the right of discovery, and resented this, pushing them away, and protesting that the thing to do was to rub his feet with snow.

A fat oily chief engineer of an Italian tramp steamer dropped on his knees beside Guido and beat the boy's hands, and with unsteady fingers tore open his scarf and jacket, and as he did this the figure of the plaster Virgin with her hands stretched out looked up at him from its bed on Guido's chest.

Some of the sailors drew their hands quickly across their b.r.e.a.s.t.s, and others swore in some alarm, and the bar-keeper drank the gla.s.s of whiskey he had brought for Guido at a gulp, and then readjusted his ap.r.o.n to show that nothing had disturbed his equanimity. Guido sat up, with his head against the chief engineer's knees, and opened his eyes, and his ears were greeted with words in his own tongue. They gave him hot coffee and hot soup and more brandy, and he told his story in a burst of words that flowed like a torrent of tears--how he had been stolen from his home at Genoa, where he used to watch the boats from the stone pier in front of the custom-house, at which the sailors nodded, and how the padrone, who was not his uncle, finding he could not black boots nor sell papers, had given him these plaster casts to sell, and how he had whipped him when people would not buy them, and how at last he had tripped, and broken them all except this one hidden in his breast, and how he had gone to sleep, and he asked now why had they wakened him, for he had no place to go.

Guido remembered telling them this, and following them by their gestures as they retold it to the others in a strange language, and then the lights began to spin, and the faces grew distant, and he reached out his hand for the fat chief engineer, and felt his arms tightening around him.

A cold wind woke Guido, and the sound of something throbbing and beating like a great clock. He was very warm and tired and lazy, and when he raised his head he touched the ceiling close above him, and when he opened his eyes he found himself in a little room with a square table covered with oil-cloth in the centre, and rows of beds like shelves around the walls. The room rose and fell as the streets did when he had had nothing to eat, and he scrambled out of the warm blankets and crawled fearfully up a flight of narrow stairs. There was water on either side of him, beyond and behind him--water blue and white and dancing in the sun, with great blocks of dirty ice tossing on its surface.

And behind him lay the odious city of New York, with its great bridge and high buildings, and before him the open sea. The chief engineer crawled up from the engine-room and came towards him, rubbing the perspiration from his face with a dirty towel.

"Good-morning," he called out. "You are feeling pretty well?"

"Yes."

"It is Christmas day. Do you know where you are going? You are going to Italy, to Genoa. It is over there," he said, pointing with his finger.

"Go back to your bed and keep warm."

He picked Guido up in his arms, and ran with him down the companion-way, and tossed him back into his berth. Then he pointed to the shelf at one end of the little room, above the sheet-iron stove. The plaster figure that Guido had wrapped in his breast had been put there and lashed to its place.

"That will bring us good luck and a quick voyage," said the chief engineer.

Guido lay quite still until the fat engineer had climbed up the companion-way again and permitted the sunlight to once more enter the cabin. Then he crawled out of his berth and dropped on his knees, and raised up his hands to the plaster figure which no one would buy.

THE REPORTER WHO MADE HIMSELF KING

The Old Time Journalist will tell you that the best reporter is the one who works his way up. He holds that the only way to start is as a printer's devil or as an office boy, to learn in time to set type, to graduate from a compositor into a stenographer, and as a stenographer take down speeches at public meetings, and so finally grow into a real reporter, with a fire badge on your left suspender, and a speaking acquaintance with all the greatest men in the city, not even excepting Police Captains.

That is the old time journalist's idea of it. That is the way he was trained, and that is why at the age of sixty he is still a reporter. If you train up a youth in this way, he will go into reporting with too full a knowledge of the newspaper business, with no illusions concerning it, and with no ignorant enthusiasms, but with a keen and justifiable impression that he is not paid enough for what he does. And he will only do what he is paid to do.

Now, you cannot pay a good reporter for what he does, because he does not work for pay. He works for his paper. He gives his time, his health, his brains, his sleeping hours, and his eating hours, and sometimes his life to get news for it. He thinks the sun rises only that men may have light by which to read it. But if he has been in a newspaper office from his youth up, he finds out before he becomes a reporter that this is not so, and loses his real value. He should come right out of the University where he has been doing "campus notes" for the college weekly, and be pitchforked out into city work without knowing whether the Battery is at Harlem or Hunter's Point, and with the idea that he is a Moulder of Public Opinion and that the Power of the Press is greater than the Power of Money, and that the few lines he writes are of more value in the Editor's eyes than is the column of advertising on the last page, which they are not. After three years--it is sometimes longer, sometimes not so long--he finds out that he has given his nerves and his youth and his enthusiasm in exchange for a general fund of miscellaneous knowledge, the opportunity of personal encounter with all the greatest and most remarkable men and events that have risen in those three years, and a great fund of resource and patience. He will find that he has crowded the experiences of the lifetime of the ordinary young business man, doctor, or lawyer, or man about town, into three short years; that he has learned to think and to act quickly, to be patient and unmoved when every one else has lost his head, actually or figuratively speaking; to write as fast as another man can talk, and to be able to talk with authority on matters of which other men do not venture even to think until they have read what he has written with a copy-boy at his elbow on the night previous.

It is necessary for you to know this, that you may understand what manner of man young Albert Gordon was.

Young Gordon had been a reporter just three years. He had left Yale when his last living relative died, and had taken the morning train for New York, where they had promised him reportorial work on one of the innumerable Greatest New York Dailies. He arrived at the office at noon, and was sent back over the same road on which he had just come, to Spuyten Duyvil, where a train had been wrecked and everybody of consequence to suburban New York killed. One of the old reporters hurried him to the office again with his "copy," and after he had delivered that, he was sent to the Tombs to talk French to a man in Murderer's Row, who could not talk anything else, but who had shown some international skill in the use of a jimmy. And at eight, he covered a flower-show in Madison Square Garden; and at eleven was sent over the Brooklyn Bridge in a cab to watch a fire and make guesses at the losses to the insurance companies.

He went to bed at one, and dreamed of shattered locomotives, human beings lying still with blankets over them, rows of cells, and banks of beautiful flowers nodding their heads to the tunes of the bra.s.s band in the gallery. He decided when he awoke the next morning that he had entered upon a picturesque and exciting career, and as one day followed another, he became more and more convinced of it, and more and more devoted to it. He was twenty then, and he was now twenty-three, and in that time had become a great reporter, and had been to Presidential conventions in Chicago, revolutions in Hayti, Indian outbreaks on the Plains, and midnight meetings of moonlighters in Tennessee, and had seen what work earthquakes, floods, fire, and fever could do in great cities, and had contradicted the President, and borrowed matches from burglars.

And now he thought he would like to rest and breathe a bit, and not to work again unless as a war correspondent. The only obstacle to his becoming a great war correspondent lay in the fact that there was no war, and a war correspondent without a war is about as absurd an individual as a general without an army. He read the papers every morning on the elevated trains for war clouds; but though there were many war clouds, they always drifted apart, and peace smiled again. This was very disappointing to young Gordon, and he became more and more keenly discouraged.

And then as war work was out of the question, he decided to write his novel. It was to be a novel of New York life, and he wanted a quiet place in which to work on it. He was already making inquiries among the suburban residents of his acquaintance for just such a quiet spot, when he received an offer to go to the Island of Opeki in the North Pacific Ocean, as secretary to the American consul to that place. The gentleman who had been appointed by the President to act as consul at Opeki, was Captain Leonard T. Travis, a veteran of the Civil War, who had contracted a severe attack of rheumatism while camping out at night in the dew, and who on account of this souvenir of his efforts to save the Union had allowed the Union he had saved to support him in one office or another ever since. He had met young Gordon at a dinner, and had had the presumption to ask him to serve as his secretary, and Gordon, much to his surprise, had accepted his offer. The idea of a quiet life in the tropics with new and beautiful surroundings, and with nothing to do and plenty of time in which to do it, and to write his novel besides, seemed to Albert to be just what he wanted; and though he did not know nor care much for his superior officer, he agreed to go with him promptly, and proceeded to say good-by to his friends and to make his preparations.

Captain Travis was so delighted with getting such a clever young gentleman for his secretary, that he referred to him to his friends as "my attache of legation;" nor did he lessen that gentleman's dignity by telling any one that the attache's salary was to be five hundred dollars a year. His own salary was only fifteen hundred dollars; and though his brother-in-law, Senator Rainsford, tried his best to get the amount raised, he was unsuccessful. The consulship to Opeki was inst.i.tuted early in the '50's, to get rid of and reward a third or fourth cousin of the President's, whose services during the campaign were important, but whose after-presence was embarra.s.sing. He had been created consul to Opeki as being more distant and unaccessible than any other known spot, and had lived and died there; and so little was known of the island, and so difficult was communication with it, that no one knew he was dead, until Captain Travis, in his hungry haste for office, had uprooted the sad fact. Captain Travis, as well as Albert, had a secondary reason for wishing to visit Opeki. His physician had told him to go to some warm climate for his rheumatism, and in accepting the consulship his object was rather to follow out his doctor's orders at his country's expense, than to serve his country at the expense of his rheumatism.

Albert could learn but very little of Opeki; nothing, indeed, but that it was situated about one hundred miles from the Island of Octavia, which island, in turn, was simply described as a coaling-station three hundred miles distant from the coast of California. Steamers from San Francisco to Yokohama stopped every third week at Octavia, and that was all that either Captain Travis or his secretary could learn of their new home. This was so very little, that Albert stipulated to stay only as long as he liked it, and to return to the States within a few months if he found such a change of plan desirable.

As he was going to what was an almost undiscovered country, he thought it would be advisable to furnish himself with a supply of articles with which he might trade with the native Opekians, and for this purpose he purchased a large quant.i.ty of bra.s.s rods, because he had read that Stanley did so, and added to these, bra.s.s curtain chains and about two hundred leaden medals similar to those sold by street pedlers during the Const.i.tutional Centennial celebration in New York City.